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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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VIOLONCELLE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
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LATIN - BOSSA - WORL…
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expert
avec audio
avec vidéo
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Non classifié
7076
PIANO & CLAVIERS
Piano seul
5770
Piano Facile
2175
Piano, Voix
2084
Piano, Voix et Guitare
1769
Instruments en Do
454
Orgue
289
1 Piano, 4 mains
239
Accompagnement Piano
189
Piano grosses notes
177
Accordéon
103
Piano Trio: piano, violon, violoncelle
48
Piano (partie séparée)
46
2 Pianos, 4 mains
39
Piano Quatuor: piano, violon, alto, violoncelle
22
Orgue, Piano (duo)
19
Piano Quatuor: piano, 2 violons, violoncelle
16
1 Piano, 6 mains
16
Ligne De Mélodie, Piano
12
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Instrument seul et Orgue
8
2 Pianos, 8 mains
7
2 Accordéons
5
Accordéon, Voix
3
Ensemble de Pianos
3
2 Orgues (duo)
2
Orgue, Trompette (duo)
2
Accordéon et Orchestre
2
Clavecin
2
Tous Les Instruments
1
Clavier
1
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Orgue, Voix
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
1365
Ligne De Mélodie, (Paroles) et Accords
690
Guitare
517
Ukulele
245
Paroles et Accords
176
Basse electrique
137
Guitare (partie séparée)
48
Piano, Guitare (duo)
38
2 Guitares (duo)
37
Banjo
36
Dulcimer
34
Mandoline
29
4 Guitares (Quatuor)
23
Ensemble de guitares
10
Guitare Pedal Steel
9
Basse électrique (partie séparée)
8
3 Guitares (trio)
6
Ukulele Baryton
5
Dobro
4
2 Dulcimers (duo)
3
3 Dulcimers (trio)
2
Partitions De Groupes
2
2 Ukuleles
1
Mandoline, Guitare (duo)
1
2 Guitares et Orchestre
1
Bouzouki
1
Instrumentations suivantes
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VOIX
Chorale SATB
2298
Chorale 3 parties
881
Chorale 2 parties
514
Pack Instrumental pour Chorale
491
Chorale TTBB
402
Chorale Unison
250
Chorale SSAA
217
Chorale
172
Voix duo, Piano
97
Voix seule
71
Voix haute
54
Voix duo
54
Voix basse, Piano
43
Voix Soprano, Piano
37
Voix Moyenne
34
Voix Baryton, Piano
17
Voix Tenor, Piano
16
Voix Alto, Piano
12
Chorale SSATB
8
Chorale SSATBB
5
Voix moyenne, Piano
4
Chorale SSAATTBB
3
Voix Mezzo-Soprano, Piano
2
Chorale SSAB, Piano
1
Voix Tenor
1
Voix, Guitare
1
Chorale SATTB
1
Voix basse
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
553
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
433
Flûte traversière et Piano
428
Quatuor de Saxophones: 4 saxophones
420
Flûte traversière
380
Clarinette (partie séparée)
343
Clarinette
274
Flûte, Hautbois, Clarinette, Basson
266
Clarinette et Piano
266
Quatuor de Clarinettes: 4 clarinettes
235
Saxophone Alto
234
Saxophone Alto et Piano
232
2 Saxophones (duo)
213
Hautbois (partie séparée)
202
Hautbois, Piano (duo)
200
Flute (partie séparée)
186
2 Flûtes traversières (duo)
182
Saxophone Tenor
181
Saxophone Tenor et Piano
176
Quintette de Saxophone: 5 saxophones
164
2 Clarinettes (duo)
159
Saxophone Soprano et Piano
125
Quatuor de Flûtes : 4 flûtes
123
Saxophone
119
Ensemble de Clarinettes
96
3 Saxophones (trio)
83
3 Clarinettes (trio)
75
Flûte, Clarinette (duo)
74
Trio de Flûtes: 3 flûtes
68
Flûte, Hautbois, Clarinette (trio)
66
Ensemble de Flûtes
66
Quintette de Clarinettes: 5 clarinettes
60
Ensemble de saxophones
50
Hautbois
48
2 Hautbois (duo)
40
Clarinette, Violon (duo)
38
2 Flûtes traversières, Piano
37
Flûte, Violon
35
Hautbois, Clarinette (duo)
33
Hautbois, Basson (duo)
32
Flûte, Clarinette et Basson
31
Saxophone Baryton, Piano
31
Instruments en Mib
30
Clarinette Basse, Piano
30
Cor anglais, Piano
28
Flûte et Guitare
27
Clarinette, Trompette (duo)
27
Flûte, Hautbois, Basson
26
Ocarina
24
2 Flûte à bec (duo)
24
Flûte, Hautbois (duo)
24
Saxophone Soprano
22
Flûte à Bec
21
Flûte, Violon, Piano
20
Flûte, Alto (duo)
19
Saxophone, Clarinette (duo)
18
Clarinette et Alto
16
Quintette de Flûte : 5 flûtes
16
Flûte, Saxophone (duo)
16
Clarinette Basse
15
Hautbois, violon (duo)
15
Flûte à bec Soprano
15
Clarinette, Basson (duo)
14
Flûte, Trompette (duo)
14
Flûte, Violoncelle
13
Flûte, Clarinette, Piano (trio)
13
Hautbois, Clarinette, Basson (trio d'anches)
13
Quatuor de Flûtes à bec
13
Harmonica
13
Cor Anglais
12
Flûte à bec Alto
11
Clarinette, Violoncelle (duo)
11
3 Hautbois
11
Hautbois, Violoncelle
10
Flûte à bec Tenor
8
Saxophone Baryton
8
Flûte, Basson et Piano
8
Flûte, Trombone (duo)
8
Flûte, Violoncelle, Piano (trio)
8
Clarinette, Guitare (duo)
8
Hautbois, Flûte
7
Clarinette, Violoncelle, Piano (trio)
7
4 Hautbois
7
2 Clarinettes, Piano
7
Clarinette, Harpe (duo)
6
Flûte irlandaise
6
Flûte, Violon, Violoncelle et Piano
5
Flûte à bec Soprano, Piano
5
Flûte, Violon et Violoncelle
5
Clarinette, Trombone (duo)
5
Flûte à bec Alto, Piano
5
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
4
Ensemble De Flûte à bec
4
Piccolo
4
2 Clarinettes, Basson
4
5 Flûtes à bec
4
Flûte, Clarinette, Violon (trio)
4
Hautbois, Trompette (duo)
3
Saxophone, Violon (duo)
3
Saxophone et Harpe
3
Flûte, Alto et Piano
3
Flûte à Bec, Piano
3
Saxophone et Guitare
3
Flûte, trombone et piano
3
2 Saxophones, Piano
3
Cor anglais, Guitare (duo)
3
Harmonica, Piano
2
3 Flûtes à bec (trio)
2
Clarinette, trompette et piano
2
Cornemuse
2
Flute, harpe et violon
2
Flûte, Tuba (duo)
2
Flûte, Harpe et Violoncelle
2
Hautbois et alto (duo)
2
Piccolo, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, trombone (duo)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Clarinette, Alto et Piano (trio)
1
Flûte de Pan
1
Saxophone et violoncelle
1
Flûte à bec Alto, Basse continue
1
Hautbois, Basson et Piano
1
Clarinette, Orgue
1
Clarinette, Contrebasse (duo)
1
Saxophone, Basson (duo)
1
Ensemble à vent
1
Clarinette, Tuba
1
Hautbois, Harpe
1
Flute, Cor (duo)
1
Flûte, Hautbois, Violon
1
Ensemble de Hautbois
1
Hautbois, Guitare (duo)
1
2 Flûtes à bec, Piano
1
2 Hautbois et Cor anglais
1
Saxophone et Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
964
Trompette
379
Trombone (partie séparée)
367
Trompette (partie séparée)
335
Quatuor de Cuivres : 2 trompettes, trombone, tuba
246
Trombone
240
Trompette, Piano
236
Trombone et Piano
203
Cor (partie séparée)
167
Cor
157
Cor et Piano
148
Tuba (partie séparée)
100
2 Trompettes (duo)
97
Quatuor de Cuivres
83
Quatuor de Cuivres: 2 trompettes, Cor, trombone
82
2 Trombones (duo)
73
Tuba
73
Trompette, Trombone (duo)
62
Tuba et Piano
57
Quatuor de cuivres: 4 trombones
51
Quatuor de cuivres: 4 cors
45
Bass Clef Instruments
44
2 Cors (duo)
35
Euphonium, Piano (duo)
33
3 Trompettes (trio)
31
Cor anglais, Piano
28
Trompette, Cor (duo)
26
2 Euphoniums et 2 Tubas
26
Trompette, Saxophone (duo)
25
Instruments en Sib
24
Trio de Cuivres
21
Euphonium
20
Ensemble de Trombones
19
3 Trombones (trio)
17
Tuba ou Euphonium ou Saxhorn
12
Quatuor de cuivres: 4 trompettes
12
Ensemble de Trompettes
12
Cor Anglais
12
2 Tubas (duo)
11
4 Tubas
10
Trompette, Tuba (duo)
7
Cornet A Pistons
7
Cor, Violoncelle (duo)
5
Ensemble de Cors
5
Trombone, Cor (duo)
5
Euphonium, Tuba (duo)
5
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trombone basse
4
2 Trompettes, Clavier (piano ou orgue)
3
Trombone basse et Piano
3
3 Cors (trio)
3
2 Euphoniums (duo)
3
Cor anglais, Guitare (duo)
3
Bugle
2
Trombone, Tuba (duo)
2
Trompette, violon (duo)
2
Trombone, violoncelle (duo)
2
Instruments en Fa
2
Trompette, Euphonium (duo)
2
Ensemble de Tubas
1
Tuba et Orgue
1
Cor et Orgue
1
Trompette et Guitare
1
Cor, Orchestre
1
Clarinette, Cor (duo)
1
Trompette, Violoncelle et Piano
1
Trompette, Violoncelle (duo)
1
Trombone, Violon (duo)
1
Trombone, Alto (duo)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
2 Trombones, Piano
1
Trombone, Orgue
1
Cor et Basson (duo)
1
Trombone et orchestre
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Cor et Harpe
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1030
Violon et Piano
566
Violon
481
Harpe
314
Violoncelle, Piano
291
Violon (partie séparée)
286
Violoncelle
282
Alto, Piano
273
Alto seul
269
Violon, Violoncelle (duo)
182
Contrebasse (partie séparée)
143
2 Violons (duo)
133
Trio à Cordes: violon, alto, violoncelle
118
Violoncelle (partie séparée)
107
Alto (partie séparée)
105
2 Violoncelles (duo)
91
Quintette à cordes: 2 violons, alto, violoncelle, basse
83
Violon, Alto (duo)
73
2 Altos (duo)
66
Contrebasse, Piano (duo)
61
Trio à Cordes: 2 violons, violoncelle
57
Contre Basse
56
4 Violoncelles
53
Harpe, Flûte (duo)
45
Trio à cordes: 3 violins
38
Alto, Violoncelle (duo)
31
Piano Trio: Violon, Alto, Piano
29
2 Harpes (duo)
29
Trio à Cordes: 3 violoncelles
24
Trio à cordes
21
Violon, Guitare (duo)
18
Harpe, Violon (duo)
15
Violoncelle , Guitare (duo)
14
Trio à cordes: 3 altos
11
Alto, Guitare (duo)
11
Trio à Cordes: 2 violons, alto
10
Quatuor à cordes: 4 violons
10
Violon, Basson (duo)
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Alto et Basson
5
2 Contrebasses (duo)
5
Harpe, Voix
4
Ensemble de Violons
4
Ensemble d'Altos
4
Harpe (partie séparée)
4
Violon, Clarinette, Piano (trio)
4
Harpe, Violoncelle (duo)
3
Quatuor à cordes : 4 altos
3
Ensemble de Violoncelles
3
Harpe, Orchestre
2
2 Violons, Piano
2
Violoncelle, Contrebasse (duo)
2
Autoharp
2
2 Violoncelles, Piano
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe et Piano
2
Flûte, Contrebasse (duo)
1
Violoncelle, Orchestre
1
Harpe, Trombone (duo)
1
Violon, Orgue
1
Violoncelle, Orgue
1
Violon, Basse continue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
3393
Orchestre à Cordes
890
Orchestre
820
Ensemble Jazz
349
Ensemble de cuivres
322
Cloches
298
Fanfare
292
Percussion (partie séparée)
208
Batterie
162
Orchestre de chambre
116
Jazz combo
99
Ensemble de Percussions
96
Percussion
62
Timbales (partie séparée)
49
Marimba
48
Batterie (partie séparée)
47
Timbales
15
Xylophone
11
Big band
8
Vibraphone
7
Quintette à Vent
6
Quintette de Cuivres: autres combinaisons
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Piano et Orchestre
4
Quatuor à Vent : 4 instruments à vents
4
Ensemble d'École
4
Caisse Claire
4
Instrumentation Flexible
3
Vibraphone et Marimba
3
2 Xylophones
2
Xylophone, Piano
2
Bongos
1
Bodhran
1
Marimba, Piano (duo)
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
3
Théorie de la musique
1
Vous avez sélectionné:
Pat
2 Pianos, 4 mains
Partitions à imprimer
39 partitions trouvées
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1
26
Chief Niwot Rag for Two Pianos
2 Pianos, 4 mains
Composed by Pat Holmberg. 21st Century, Ragtime, Americana. Score. 8 pages. Published by P…
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Composed by Pat Holmberg. 21st Century, Ragtime, Americana. Score. 8 pages. Published by Patricia Tanttila Holmberg (S0.123993). - Score - 21st Century,Ragtime,Americana - Patricia Tanttila Holmberg
$3.99
3.65 €
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2 Pianos, 4 mains
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Pat Holmberg
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Chief Niwot Rag for Two Pianos
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Patricia Tanttila Holmberg
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SheetMusicPlus
Spanish Moss
2 Pianos, 4 mains
Composed by Patricia Hurlbutt. 21st Century, Impressionistic, Latin, South American, Recit…
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Composed by Patricia Hurlbutt. 21st Century, Impressionistic, Latin, South American, Recital. Sheet Music Single. 6 pages. Published by Patricia Hurlbutt (S0.109391). - Sheet Music Single - 21st Century,Impressionistic,Latin,South American,Recital - Patricia Hurlbutt
$4.99
4.56 €
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2 Pianos, 4 mains
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Patricia Hurlbutt
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Spanish Moss
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Patricia Hurlbutt
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SheetMusicPlus
Wonderful Christmastime
2 Pianos, 4 mains
By Paul McCartney. Arranged by Patricia Hurlbutt. Sheet Music Single. 7 pages. Published b…
(+)
By Paul McCartney. Arranged by Patricia Hurlbutt. Sheet Music Single. 7 pages. Published by Patricia Hurlbutt (H0.163095-945640). - Sheet Music Single - - Patricia Hurlbutt
$4.99
4.56 €
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2 Pianos, 4 mains
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Paul McCartney
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Patricia Hurlbutt
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Wonderful Christmastime
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Patricia Hurlbutt
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SheetMusicPlus
Fast Patterns
2 Pianos, 4 mains
Composed by Nico Muhly. This edition: scorch. Classical. Score. 24 pages. Published by…
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Composed by Nico Muhly. This edition: scorch. Classical. Score. 24 pages. Published by Hal Leonard - Digital
$29.99
27.42 €
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2 Pianos, 4 mains
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Nico Muhly
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Fast Patterns
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Hal Leonard - Digital
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SheetMusicPlus
Abide with Me, D
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1208053 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1208053 Composed by Words by Henry F. Lyte, Music by William H. Monk. Arranged by Pattie A. Dunlap. Christian,Instructional,Religious,Sacred. Score. 10 pages. Pattie A. Dunlap #806180. Published by Pattie A. Dunlap (A0.1208053). Arranged in D-major for piano and synthesizer strings. Use for duet performance or accompaniment. Suggested fingering for piano part included. Merged pdf includes complete score plus separate pages for both piano and synthesizer.
$3.99
3.65 €
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2 Pianos, 4 mains
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Words by Henry F
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Pattie A
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Abide with Me, D
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Pattie A. Dunlap
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SheetMusicPlus
Chasing Cars
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1213634 By Snow Pa…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1213634 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by D. Berry. Pop,Rock,Wedding. Score. 20 pages. D. Berry #810830. Published by D. Berry (A0.1213634). An arrangement of Snow Patrol's popular song Chasing Cars for piano duo (two pianos, four hands). The interest of this song comes partly from the evolution of textures, and this piano duo version continually varies the texture, while keeping the parts simple enough to be playable by intermediate pianists.
$12.99
11.88 €
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2 Pianos, 4 mains
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Snow Patrol
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D
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Chasing Cars
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D. Berry
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SheetMusicPlus
Dance of the Comedians (from The Bartered Bride)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1433983 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1433983 Composed by Bedrich Smetana. Arranged by Patrick Speckamp. 19th Century,Classical. Score. 21 pages. Patrick Speckamp #1014212. Published by Patrick Speckamp (A0.1433983). This is a two-piano version of B. Smetana's ever popular and energetic Dance of the Comedians. Smetana employed the lively Czech folk dance Skočná in the third act of his opera The Bartered Bride, where a circus troupe performs an array of tricks and acrobatics. The transcription is intended to be played by two pianists at two pianos. The original orchestral score has been rendered as accurately as possible, while also keeping issues of piano-specific playability in mind. Where appropriate, slight changes to the original text (such as changes in register, piano-specific figurations) have been made to either enhance the overall sound impression and/or to improve playability on the piano. The difficulty level of the arrangement is high-intermediate to advanced. That said, Dance of the Comedians is a rewarding and fun piece - as well as a genuine crowd-pleaser - that may be performed by skilled amateurs and professional pianists alike.
$9.99
9.13 €
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2 Pianos, 4 mains
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Bedrich Smetana
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Patrick Speckamp
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Dance of the Comedians
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Patrick Speckamp
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SheetMusicPlus
Chasing Cars
2 Pianos, 4 mains
By Snow Patrol. Pop; Rock. Piano Duet. 4 pages. Published by Hal Leonard - Digital Sheet M…
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By Snow Patrol. Pop; Rock. Piano Duet. 4 pages. Published by Hal Leonard - Digital Sheet Music (HX.338492). - Piano Duet - Pop; Rock - Hal Leonard - Digital Sheet Music
$4.99
4.56 €
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2 Pianos, 4 mains
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Snow Patrol
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Rock
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Chasing Cars
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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SURRENDER, Between the Octaves, A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
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2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
Danny Boy (The Londonderry Air) - 2 Pianos 4 hands
2 Pianos, 4 mains
Composed by Tradional Irish. Arranged by Ian Rae. World, Folk, St. Patrick's Day, Recital.…
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Composed by Tradional Irish. Arranged by Ian Rae. World, Folk, St. Patrick's Day, Recital. Score. 8 pages. Published by Irma Music (S0.320659). - Score - World,Folk,St. Patrick's Day,Recital - Irma Music
$4.99
4.56 €
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2 Pianos, 4 mains
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Tradional Irish
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Ian Rae
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Danny Boy
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Irma Music
#
SheetMusicPlus
Solar
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.963302 By Miles Da…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.963302 By Miles Davis. By Miles Davis. Arranged by Cristiano Vecchi. Jazz. Score. 12 pages. Cristiano Vecchi #4580723. Published by Cristiano Vecchi (A0.963302). This arrangement (in all keys) has a didactic purpose: the melody is doubled to the octave, while the accompaniment uses a simple stride piano pattern with four-part voicing; it is useful for practicing to sight read and to memorize chords and scales in all keys. This famous standard is particularly useful because it contains numerous ii-V-I cadences.
$4.99
4.56 €
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2 Pianos, 4 mains
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Miles Davis
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Cristiano Vecchi
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Solar
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Cristiano Vecchi
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SheetMusicPlus
Sonata Hymnica No. 6
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
9.14 €
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2 Pianos, 4 mains
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
Via Dolorosa (2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
By Sandi Patty. Arranged by Sharon Wilson. Score, Set of Parts. 15 pages. Published by Sha…
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By Sandi Patty. Arranged by Sharon Wilson. Score, Set of Parts. 15 pages. Published by Sharon Wilson (H0.173531-888750). - Score,Set of Parts - - Sharon Wilson
$6.99
6.39 €
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2 Pianos, 4 mains
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Sandi Patty
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Sharon Wilson
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Via Dolorosa
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Sharon Wilson
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SheetMusicPlus
How Majestic Is Your Name
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809617 By Sandi Pa…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809617 By Sandi Patty. By Michael W. Smith. Arranged by Marilyn Thompson. Contemporary. Score. 9 pages. Marilyn Thompson #6486787. Published by Marilyn Thompson (A0.809617). An exciting keyboard duo arrangement of this classic Praise and Worship song.
$8.99
8.22 €
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2 Pianos, 4 mains
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Sandi Patty
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Marilyn Thompson
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How Majestic Is Your Name
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Marilyn Thompson
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SheetMusicPlus
Comfortably Numb
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.898274 By Pink Flo…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.898274 By Pink Floyd. By David Gilmour and Roger Waters. Arranged by Laura Poblete. Rock. Score. 9 pages. Laura Poblete #5312365. Published by Laura Poblete (A0.898274). This is a massive song, but luckily with a lot of repeating patterns, so it’s actually quite enjoyable to play. I make no attempts to accurately represent the guitar solo at the end of the song, but this arrangement is a pretty fun piano version, ideally with the top line either sung or played by a third hand/second track on the piano. View a tutorial of this arrangement on YouTube: https://youtu.be/z1_Nzk3-a78. Learn more at http://thebrokenpiano.com.
$5.99
5.48 €
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2 Pianos, 4 mains
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Pink Floyd
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Laura Poblete
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Comfortably Numb
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Laura Poblete
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SheetMusicPlus
Cumbia Op.22
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.987687 Composed by Alexander…
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.987687 Composed by Alexander Klein. Contemporary,Jazz,Latin,World. Score. 19 pages. Alexander Klein #2076019. Published by Alexander Klein (A0.987687). Cumbia is yet another of my musical homages to the rhythms and sounds of Colombia. This lively, syncopated musical expression was partly imported to Colombia from Africa during the slave trade back in the 16th, 17th and 18th centuries. Since the Atlantic coast of Colombia was the main port of this trade, the area also became the cradle of Cumbia and many other African-influenced genres. My work explores the main rhythmical patterns of the Cumbia, as well as its modal-type melodies. However, I have also mixed it with jazz-influenced harmonies and salsa-flavored rhythms to reflect my own bi-cultural upbringing. All in all, I like to consider my Cumbia as a homage to the rich, lively and irresistible music of African-American cultures. - Alexander Klein.
$6.00
5.49 €
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2 Pianos, 4 mains
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Alexander Klein
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Cumbia Op.22
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Alexander Klein
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SheetMusicPlus
God Bless America (2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
By Irving Berlin. Arranged by Sharon Wilson. Christian, Sacred, Fourth of July, Patriotic.…
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By Irving Berlin. Arranged by Sharon Wilson. Christian, Sacred, Fourth of July, Patriotic. Score, Set of Parts. 17 pages. Published by Sharon Wilson (H0.82765-281960). - Score,Set of Parts - Christian,Sacred,Fourth of July,Patriotic - Sharon Wilson
$6.99
6.39 €
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2 Pianos, 4 mains
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Irving Berlin
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Sharon Wilson
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God Bless America
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Sharon Wilson
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SheetMusicPlus
A Million Buffalo Roam (Conductor's Score for Piano Ensemble)
2 Pianos, 4 mains
Composed by James Siddons. 20th Century, Ragtime, Fourth of July, Patriotic, Americana. Sc…
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Composed by James Siddons. 20th Century, Ragtime, Fourth of July, Patriotic, Americana. Score. 54 pages. Published by James Siddons Music and Writings (S0.228769). - Score - 20th Century,Ragtime,Fourth of July,Patriotic,Americana - James Siddons Music and Writings
$8.99
8.22 €
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2 Pianos, 4 mains
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James Siddons
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A Million Buffalo Roam
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James Siddons Music and Writings
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SheetMusicPlus
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