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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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UKULELE
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ASIE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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COMEDIES MUSICALES -…
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COUNTRY
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PIANO & CLAVIERS
Piano seul
124
Piano, Voix
82
Instruments en Do
61
1 Piano, 4 mains
33
Piano Facile
28
Piano Trio: piano, violon, violoncelle
23
Piano (partie séparée)
23
Piano, Voix et Guitare
21
Piano Quintette: piano, 2 violons, alto, violoncelle
14
Accompagnement Piano
11
Piano Quatuor: piano, violon, alto, violoncelle
10
Clavecin
5
2 Pianos, 4 mains
5
Orgue, Trompette (duo)
4
Clavier
2
1 Piano, 6 mains
2
2 Pianos, 8 mains
2
Orgue
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Ensemble de Pianos
1
Accordéon
1
Instrumentations suivantes
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GUITARES
2 Guitares (duo)
46
Guitare (partie séparée)
42
Guitare notes et tablatures
26
Ensemble de guitares
22
Guitare
22
4 Guitares (Quatuor)
14
Ligne De Mélodie, (Paroles) et Accords
5
3 Guitares (trio)
5
Basse electrique
4
Piano, Guitare (duo)
2
Guitare, Violon, Violoncelle (trio)
1
Ukulele
1
Ensemble de Ukulélés
1
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VOIX
Chorale SATB
877
Chorale 3 parties
235
Chorale 2 parties
149
Chorale TTBB
119
Chorale Unison
38
Chorale SSAA
28
Chorale
13
Chorale SSAATTBB
4
Male Voice
2
Voix duo, Piano
2
Chorale SSATTB
2
Chorale SATBB
1
Voix Tenor, Piano
1
Voix duo
1
Voix seule
1
Voix Soprano, Piano
1
Chorale SAATB A Cappella
1
Instrumentations suivantes
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VENTS
Quatuor de Saxophones: 4 saxophones
783
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
731
Flûte, Hautbois, Clarinette, Basson
667
Quintette de Saxophone: 5 saxophones
626
3 Saxophones (trio)
214
Quatuor de Clarinettes: 4 clarinettes
191
2 Saxophones (duo)
187
Ensemble de saxophones
169
Saxophone (partie séparée)
128
Ensemble de Clarinettes
117
Quatuor de Flûtes : 4 flûtes
116
3 Clarinettes (trio)
99
Trio de Flûtes: 3 flûtes
91
Ensemble de Flûtes
72
Flûte, Hautbois, Clarinette (trio)
69
Quintette de Clarinettes: 5 clarinettes
68
2 Flûtes traversières (duo)
67
Quintette de Flûte : 5 flûtes
66
Ensemble De Flûte à bec
61
Quatuor de Flûtes à bec
58
2 Flûte à bec (duo)
54
Hautbois, Piano (duo)
54
Flûte, Clarinette et Basson
48
2 Clarinettes (duo)
47
Flûte traversière et Piano
47
Hautbois, Clarinette, Basson (trio d'anches)
47
Saxophone, Clarinette (duo)
43
2 Hautbois (duo)
42
Flûte, Clarinette (duo)
41
Clarinette et Piano
37
Saxophone Tenor et Piano
33
Hautbois, Clarinette (duo)
28
Flûte traversière
27
5 Flûtes à bec
24
Saxophone Alto et Piano
24
Clarinette, Violon (duo)
23
Flute (partie séparée)
22
Clarinette
22
Flûte, Hautbois, Basson
22
3 Flûtes à bec (trio)
21
Saxophone Soprano et Piano
18
Saxophone Alto
18
Saxophone Tenor
16
Hautbois
16
Hautbois, Basson (duo)
16
Flûte, Clarinette, Cor, Basson (Quartet)
14
Flûte, Violon
13
Clarinette (partie séparée)
13
Clarinette, Trompette (duo)
12
Clarinette, Basson (duo)
12
Hautbois, Flûte
12
Clarinette et Alto
11
Cor anglais, Piano
11
Saxophone Baryton, Piano
10
Flûte, Hautbois (duo)
9
Flûte, Trompette (duo)
9
4 Hautbois
9
Flûte, Saxophone (duo)
9
Flûte à bec Soprano
8
Flûte, Clarinette, Piano (trio)
7
Flûte à Bec
7
Saxophone Soprano
7
Piccolo, Piano
6
Clarinette, Violoncelle (duo)
6
Flûte, Violon, Piano
6
Ensemble de Hautbois
6
Flûte, Violoncelle, Piano (trio)
6
Clarinette, Violoncelle, Piano (trio)
5
Flûte à bec Alto
4
Saxophone Baryton
4
Flûte, Alto (duo)
4
Flûte, Hautbois, Piano (trio)
4
Flûte, Violon, Violoncelle et Piano
4
Flûte, Basson et Piano
4
Flûte et Guitare
4
Clarinette, Basson, Piano (trio)
3
Hautbois, Violoncelle
3
Clarinette, Alto et Piano (trio)
3
Flûte à bec Soprano, Piano
3
Flûte, Violoncelle
3
2 Saxophones, Piano
2
Hautbois, Basson et Piano
2
Flûte à bec Alto, Piano
2
Ensemble à vent
2
Saxophone et Guitare
2
Flute, harpe et violon
2
Flûte à bec Tenor
2
Hautbois, Violoncelle et Piano
2
Hautbois (partie séparée)
2
Flûte et Trio à cordes
2
Flûte, Alto et Piano
2
Hautbois, violon (duo)
2
2 Flûtes traversières, Piano
2
Flûte, Violon et Violoncelle
2
Clarinette Basse, Piano
1
Flûte, Harpe et Violoncelle
1
Clarinette, Contrebasse (duo)
1
Flûte, trombone et piano
1
3 Hautbois
1
Clarinette Basse
1
Clarinette, Harpe (duo)
1
2 Clarinettes, Basson
1
Hautbois et alto (duo)
1
Flûte, Clarinette, Violon (trio)
1
Cor Anglais
1
Clarinette, Guitare (duo)
1
Flûte irlandaise
1
Hautbois, Violon, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
407
Quatuor de Cuivres : 2 trompettes, trombone, tuba
279
Ensemble de Trombones
122
Quatuor de Cuivres: 2 trompettes, Cor, trombone
118
Trombone (partie séparée)
105
Ensemble de Trompettes
102
Trompette (partie séparée)
68
Quatuor de Cuivres
57
2 Trombones (duo)
48
Quatuor de cuivres: 4 trombones
46
2 Trompettes (duo)
45
Trompette, Trombone (duo)
41
Trompette
39
2 Cors (duo)
32
Trombone et Piano
32
Trompette, Piano
29
Tuba et Piano
28
Ensemble de Cors
26
Cor (partie séparée)
25
Trompette, Saxophone (duo)
24
Cor et Piano
22
Trombone
21
Tuba (partie séparée)
19
Cor
18
2 Tubas (duo)
18
Tuba
16
Quatuor de cuivres: 4 cors
15
Quatuor de cuivres: 4 trompettes
15
3 Trombones (trio)
12
Cor anglais, Piano
11
Trio de Cuivres
9
Trompette, Cor (duo)
8
4 Tubas
7
Trombone, Tuba (duo)
6
2 Euphoniums et 2 Tubas
6
Trombone, Cor (duo)
4
3 Cors (trio)
3
3 Euphoniums
3
3 Tubas (trio)
3
Trompette, Tuba (duo)
3
Euphonium, Tuba (duo)
3
Euphonium, Piano (duo)
2
Trompette, Trombone, Piano
2
Trombone basse
2
2 Euphoniums (duo)
1
4 Euphoniums
1
Cornet et orchestre
1
Clarinette, Cor (duo)
1
3 Trompettes (trio)
1
Trombone, Violon (duo)
1
Trombone basse et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor Anglais
1
Ensemble de Tubas
1
Euphonium
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
488
Trio à Cordes: violon, alto, violoncelle
279
Violon, Violoncelle (duo)
201
Quintette à cordes: 2 violons, alto, violoncelle, basse
161
Violon
161
Violon et Piano
79
2 Violons (duo)
77
Violon, Alto (duo)
52
2 Altos (duo)
51
2 Violoncelles (duo)
48
Alto, Piano
46
Trio à cordes: 3 violins
37
Contrebasse (partie séparée)
32
Trio à Cordes: 2 violons, violoncelle
31
Violoncelle, Piano
31
Violoncelle
25
Alto seul
24
Ensemble de Violons
23
Ensemble d'Altos
22
Contre Basse
20
4 Violoncelles
20
Harpe
19
2 Harpes (duo)
18
Contrebasse, Piano (duo)
17
2 Contrebasses (duo)
14
Quatuor à cordes: 4 violons
13
Trio à Cordes: 3 violoncelles
12
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Alto, Violoncelle (duo)
9
Piano Trio: Violon, Alto, Piano
7
Trio à cordes: 3 altos
7
Quatuor à cordes : 4 altos
7
Violon, Clarinette, Piano (trio)
6
Violoncelle (partie séparée)
6
Violon (partie séparée)
6
Trio à Cordes: 2 violons, alto
5
Violoncelle, Contrebasse (duo)
5
4 Harpes
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Violon, Guitare (duo)
3
Violon, Basson (duo)
3
Alto (partie séparée)
3
Ensemble de Violoncelles
3
Harpe, Flûte (duo)
2
Alto et Basson
2
Violoncelle, Orchestre
2
Autoharp
1
Flûte, Contrebasse (duo)
1
Violoncelle , Guitare (duo)
1
4 Contrebasses
1
Violon, Violoncelle, Clarinette
1
Harpe et Piano
1
Violon, Tuba (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
393
Cloches
293
Ensemble Jazz
265
Orchestre à Cordes
255
Ensemble de cuivres
241
Ensemble de Percussions
57
Orchestre
47
Orchestre de chambre
38
Jazz combo
22
Batterie (partie séparée)
20
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
12
Vibraphone
7
Fanfare
6
Percussion (partie séparée)
4
Ensemble d'École
4
Instrumentation Flexible
3
Quintette de Cuivres: autres combinaisons
2
Piano et Orchestre
1
Xylophone
1
Batterie
1
Marimba
1
Percussion
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
6
Vous avez sélectionné:
Performance Music Ensemble
2 Pianos, 4 mains
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Little Concerto
2 Pianos, 4 mains
Composed by Albert Rozin. Piano Duo (2 Pianos, 4 Hands); Solo Small Ensembles. Score. 2…
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Composed by Albert Rozin. Piano Duo (2 Pianos, 4 Hands); Solo Small Ensembles. Score. 20 pages. Jubilate Music Group - Digital #00- BP4. Published by Jubilate Music Group - Digital
English. Deuteronomy 26:1-11, Psalm 91, Luke 4:1-13, Romans 10:8b-13. One of our best-selling anthems is now available in a unison or 2-part edition. Mark Hayes' transcendent choral arrangement of Michael Joncas' timeless song, On Eagle's Wings, is a perennial favorite of many denominations and singers of all ages. The unforgettable text adaptation of Psalm 91 is well suited to performance by both school and church choirs throughout the year, and especially Baptism, Benediction, Funerals, Graduation, Lent and Weddings. In 4 voicings for singers of all ages.
$14.95
13.73 €
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2 Pianos, 4 mains
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Albert Rozin
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Solo Small Ensembles
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Little Concerto
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Jubilate Music Group - Digital
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SheetMusicPlus
Sonata Hymnica No. 6
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
9.18 €
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2 Pianos, 4 mains
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
Baoba
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.962351 Composed by Sergio Ro…
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.962351 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score. 12 pages. Sergio Roberto de Oliveira #4822133. Published by Sergio Roberto de Oliveira (A0.962351). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$8.55
7.85 €
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2 Pianos, 4 mains
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Sergio Roberto de Oliveira
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Baoba
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Sergio Roberto de Oliveira
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SheetMusicPlus
Descensus ad Infero (for Two Pianos and Four Hands)
2 Pianos, 4 mains
Piano - Digital Download SKU: A0.1070270 Composed by Tito Abeleda. 20th Century,Con…
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Piano - Digital Download SKU: A0.1070270 Composed by Tito Abeleda. 20th Century,Contemporary. Full Performance. Duration 236. Visionary Quest Records #5742347. Published by Visionary Quest Records (A0.1070270). Descensus ad Infero is a two piano ensemble piece composed by Tito Abeleda (1964 - ). Digital download is score plus parts = 31 pages.Descensus ad Infero is Latin for Descent into Hell. As such this is a powerful passionate piece with much boldness, dissonance, and angst. There is a driving pulse that is vehement and at times unpleasant and even frenetic because one's descent into the abyss has been adjudged for a life lived accordingly. Piano 1 and Piano 2 trade off on motifs and dynamic changes. Note the melodic motifs that warrant greater emphasis throughout the piece. This piece is rather accessible for the advanced intermediate student. This score would also work well as music for thriller, horror, and/or suspense films.Add this dramatic piece to your music collection today.YouTube - https://bit.ly/DescensusPiano_YouTubeLicense on Songtradr - https://bit.ly/DescensusPiano_SongtradrContact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comVisionary Quest Recordshttps://www.visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$1.99
1.83 €
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2 Pianos, 4 mains
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Tito Abeleda
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Descensus ad Infero
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Visionary Quest Records
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SheetMusicPlus
Harmonic Spaces (four-hands piano)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
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2 Pianos, 4 mains
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
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