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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Piano Piece
Sheetmusicplus
Non classifié
6 490
Piano & claviers
Piano seul
21 997
Piano, Voix
3 987
Piano Facile
3 532
Piano, Voix et Guitare
786
1 Piano, 4 mains
641
Accompagnement Piano
323
Piano Trio: piano, violon, violoncelle
208
2 Pianos, 4 mains
148
Orgue
107
Instruments en Do
69
Piano Quatuor: piano, violon, alto, violoncelle
61
Piano Quintette: piano, 2 violons, alto, violoncelle
35
Orgue, Piano (duo)
31
1 Piano, 6 mains
30
Clavecin
28
Piano Quatuor: piano, 2 violons, violoncelle
25
Piano (partie séparée)
22
Clavier
9
2 Pianos, 8 mains
7
Accordéon
6
Piano grosses notes
5
Orgue, Trompette (duo)
2
Fake Book
1
+ 18 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
181
Guitare
111
Guitare notes et tablatures
48
2 Guitares (duo)
32
Ligne De Mélodie, (Paroles) et Accords
26
Ukulele
20
4 Guitares (Quatuor)
10
Basse electrique
9
Mandoline, Piano (duo)
3
Paroles et Accords
2
Guitare (partie séparée)
2
Banjo
2
2 Mandolines (duo)
2
3 Guitares (trio)
2
Dulcimer
1
2 Ukuleles
1
Mandoline
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
2 471
Chorale 3 parties
700
Chorale 2 parties
689
Pack Instrumental pour Chorale
420
Voix duo, Piano
251
Chorale Unison
239
Voix Soprano, Piano
129
Chorale TTBB
128
Voix Alto, Piano
122
Voix Tenor, Piano
105
Chorale SSAA
92
Voix Baryton, Piano
88
Voix haute
62
Voix duo
49
Voix Tenor
33
Voix basse, Piano
31
Chorale
26
Voix Soprano
25
Voix moyenne, Piano
17
Voix seule
10
Voix Mezzo-Soprano, Piano
7
Chorale SSATTB
3
Voix basse
3
Chorale SSAB, Piano
3
Chorale SSATB
2
Male Voice
2
+ 21 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 793
Clarinette et Piano
1 489
Hautbois, Piano (duo)
1 254
Saxophone Alto et Piano
1 087
Saxophone Tenor et Piano
685
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
392
Saxophone Soprano et Piano
367
2 Saxophones (duo)
305
Clarinette
268
Quatuor de Saxophones: 4 saxophones
266
Saxophone Baryton, Piano
251
Flûte, Hautbois, Clarinette, Basson
225
2 Flûtes traversières (duo)
186
Quintette de Saxophone: 5 saxophones
148
Flûte traversière
136
Quatuor de Clarinettes: 4 clarinettes
123
2 Clarinettes (duo)
115
Clarinette Basse, Piano
112
Cor anglais, Piano
108
3 Saxophones (trio)
92
Flûte, Violon, Piano
86
Quatuor de Flûtes : 4 flûtes
79
Saxophone Alto
76
Flûte à bec Soprano, Piano
70
2 Hautbois (duo)
60
3 Clarinettes (trio)
57
Saxophone Tenor
50
Flûte à Bec
46
Quatuor de Flûtes à bec
43
2 Flûte à bec (duo)
42
Ensemble de Clarinettes
42
Flûte, Violoncelle, Piano (trio)
41
Flûte, Clarinette (duo)
40
Hautbois
40
Flûte, Hautbois, Clarinette (trio)
37
Flûte à bec Soprano
36
2 Flûtes traversières, Piano
36
Hautbois (partie séparée)
33
Flûte à bec Alto, Piano
32
Flûte à bec Alto
32
Trio de Flûtes: 3 flûtes
31
Hautbois, Clarinette, Basson (trio d'anches)
31
Saxophone (partie séparée)
30
Flûte, Clarinette, Piano (trio)
26
Quintette de Clarinettes: 5 clarinettes
23
Saxophone Baryton
22
Piccolo, Piano
22
Ensemble de Flûtes
22
Saxophone Soprano
22
5 Flûtes à bec
21
Hautbois, Basson (duo)
19
Flûte et Guitare
18
Flûte, Hautbois, Piano (trio)
18
2 Saxophones, Piano
18
Clarinette, Basson (duo)
16
3 Flûtes à bec (trio)
16
Ensemble de saxophones
14
Flûte à bec Tenor
14
2 Clarinettes, Piano
13
Clarinette (partie séparée)
12
Flûte à Bec, Piano
12
Hautbois, Flûte
10
Hautbois, Clarinette (duo)
10
Flûte, Violon, Violoncelle et Piano
9
Flûte, Basson et Piano
8
Clarinette, Violon (duo)
8
Flûte, Violoncelle
8
Flûte, Alto et Piano
8
Flûte, Clarinette et Basson
8
Clarinette, Guitare (duo)
8
Clarinette, Violoncelle, Piano (trio)
8
Flûte, Violon
7
Clarinette et Alto
7
Flûte, Hautbois (duo)
7
Hautbois, Basson et Piano
6
Flûte, Alto (duo)
6
Saxophone, Clarinette (duo)
5
Flûte, trombone et piano
5
Flûte, Hautbois, Basson
5
Clarinette, Violoncelle (duo)
5
Flute (partie séparée)
4
2 Clarinettes, Basson
4
Hautbois, Clarinette et Piano (Trio)
4
Quintette de Flûte : 5 flûtes
4
Clarinette, Basson, Piano (trio)
4
Flûte traversière, Orgue (duo)
4
2 Cors Anglais Et Pianoforte
3
Ensemble De Flûte à bec
3
Clarinette, Trombone (duo)
3
Hautbois, Violon, Piano
3
Flûte à bec Alto, Basse continue
3
Flûte, Saxophone (duo)
3
Flûte, Trombone (duo)
3
Saxophone et Piano
3
Piccolo
2
Saxophone et Orgue
2
Hautbois, Violoncelle
2
3 Hautbois
2
Clarinette, Alto et Piano (trio)
2
Hautbois, Violoncelle et Piano
2
Hautbois, Guitare (duo)
2
Ocarina
2
3 Flûtes à bec, Piano
2
Cor anglais, Guitare (duo)
1
Clarinette, Tuba
1
Flute, harpe et violon
1
Cornemuse
1
Clarinette, Trompette (duo)
1
Clarinette, trompette et piano
1
Flûte, Trompette (duo)
1
Clarinette, Saxophone, Piano
1
2 Flûtes à bec, Piano
1
Clarinette, Contrebasse (duo)
1
Flûte et Quatuor à Cordes
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Ensemble à vent
1
Flûte irlandaise
1
Flûte à bec Soprano, Basse continue
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, Orgue
1
2 Hautbois, Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte, alto et harpe
1
Saxophone
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
+ 121 instrumentations
Retracter
Cuivres
Trombone et Piano
892
Trompette, Piano
862
Cor et Piano
649
Tuba et Piano
413
Trompette
290
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
223
Euphonium, Piano (duo)
219
Cor anglais, Piano
108
Quatuor de Cuivres : 2 trompettes, trombone, tuba
105
Trombone
98
Quatuor de Cuivres: 2 trompettes, Cor, trombone
95
2 Trompettes (duo)
73
2 Trombones (duo)
67
2 Cors (duo)
63
Cor
61
Tuba
44
Trompette, Trombone (duo)
29
Quatuor de Cuivres
25
Trompette (partie séparée)
23
Trombone basse et Piano
23
Quatuor de cuivres: 4 trombones
18
3 Trombones (trio)
14
Tuba et Orgue
14
Trombone (partie séparée)
13
Quatuor de cuivres: 4 cors
13
Trompette, Cor (duo)
12
2 Tubas (duo)
11
Trio de Cuivres
10
Euphonium
9
3 Trompettes (trio)
8
Trombone, Tuba (duo)
6
2 Trompettes, Clavier (piano ou orgue)
6
Quatuor de cuivres: 4 trompettes
6
Trombone, Cor (duo)
5
2 Euphoniums (duo)
5
4 Tubas
5
Ensemble de Cors
4
Cor, Tuba (duo)
4
Ensemble de Trompettes
4
Trompette, Trombone, Piano
4
Trompette, Violoncelle et Piano
4
Cor (partie séparée)
4
Tuba (partie séparée)
4
2 Cors Anglais Et Pianoforte
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trompette, Saxophone (duo)
3
Euphonium, Tuba (duo)
3
Ensemble de Trombones
3
Trombone, Orgue
2
Trompette, Tuba (duo)
2
Trompette, violon (duo)
2
Cor anglais, Guitare (duo)
1
3 Cors (trio)
1
2 Cors, Piano
1
2 Euphoniums et 2 Tubas
1
Trompette, Euphonium (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
+ 52 instrumentations
Retracter
Cordes
Violon et Piano
2 201
Violoncelle, Piano
1 453
Alto, Piano
1 199
Quatuor à cordes: 2 violons, alto, violoncelle
586
Contrebasse, Piano (duo)
339
Violon
186
Quintette à cordes: 2 violons, alto, violoncelle, basse
149
Violoncelle
146
2 Violons (duo)
118
Alto seul
105
Trio à Cordes: violon, alto, violoncelle
102
2 Violoncelles (duo)
90
Harpe
82
2 Altos (duo)
74
Violon, Violoncelle (duo)
69
Violon, Alto (duo)
62
Contre Basse
47
Piano Trio: Violon, Alto, Piano
37
Violon (partie séparée)
26
Alto, Violoncelle (duo)
25
Alto (partie séparée)
22
Quatuor à cordes: 4 violons
20
4 Violoncelles
19
Violoncelle, Contrebasse (duo)
18
Trio à cordes: 3 violins
18
Trio à Cordes: 2 violons, violoncelle
18
Quatuor à cordes : 4 altos
16
4 Contrebasses
12
Trio à Cordes: 3 violoncelles
12
2 Contrebasses (duo)
11
Harpe, Flûte (duo)
11
Contrebasse (partie séparée)
10
Trio à Cordes: 2 violons, alto
8
Trio à cordes: 3 altos
7
Violon, Guitare (duo)
7
Violon, Clarinette, Piano (trio)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Harpe, Violon (duo)
5
2 Violons, Piano
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Violoncelle (partie séparée)
4
Harpe, Voix
4
Violoncelle , Guitare (duo)
4
2 Violoncelles, Piano
3
Alto et Basson
3
Violoncelle, Basse continue
3
Harpe et Piano
3
2 Harpes (duo)
2
Violon, Basson (duo)
2
2 Altos, Piano
2
Flûte, Contrebasse (duo)
2
3 Contrebasses
2
Alto, Guitare (duo)
2
Harpe et mandoline
2
Violoncelle, Orgue
2
Alto et Harpe
2
Harpe, Violoncelle (duo)
1
Alto, Orgue
1
Ensemble de Violoncelles
1
Violoncelle, Orchestre
1
Violon, Violoncelle, Clarinette
1
Violon, Orgue
1
+ 57 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
1 279
Orchestre à Cordes
980
Orchestre d'harmonie
529
Orchestre
417
Jazz combo
388
Cloches
271
Orchestre de chambre
140
Ensemble de cuivres
79
Xylophone, Piano
60
Ensemble de Percussions
22
Marimba
12
Percussion (partie séparée)
11
Vibraphone
8
Ensemble d'École
7
Xylophone
6
Batterie
6
Piano et Orchestre
5
Fanfare
5
Batterie (partie séparée)
2
2 Xylophones
2
Quintette de Cuivres: autres combinaisons
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Marimba, Piano (duo)
2
Orchestre, Violon
2
2 Marimbas
1
Percussion
1
Instrumentation Flexible
1
Vibraphone et Marimba
1
Caisse Claire
1
+ 24 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIOLON
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Piano Piece
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Partitions à imprimer
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126
5 Easy Pieces for 2 pianos Books 1, 2, 3, 4 and 5 - 25 Classics - 2 pianos, 4 hands by Simon Peberdy
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2 Pianos, 4 mains
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INTERMÉDIAIRE
#
Classique
#
Piano II: Various, Piano I:
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Simon Peberdy
#
5 Easy Pieces for 2 pianos Boo
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Simon Peberdy
#
SheetMusicPlus
2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Various, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Classical...
(+)
2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Various, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Classical Period, Baroque Period, Repertoire, General Instructional, Children's Music. 70 pages. Published by Simon Peberdy
Have fun with 25 newly arranged pieces for 2 pianos, 4 hands with a brand new additional piano part by Simon Peberdy.
This anthology is a special offer giving you a saving $10 compared to if you buy the books separately.
This is a collection of books 1-5 of my series of Easy Pieces for 2 pianos, 4 hands.
Excellent for learners with other learners or teachers, or for more advanced pianists wanting to have some fun sight reading on 2 pianos.
Book 1: https://www.youtube.com/watch?v=nsxdXu3Q9DY
Schumann - Stückchen
W A Mozart - Menuett
Tschaikowsky - Old French song
G F Handel - Sarabande
Haydn - German Dance
Book 2: https://www.youtube.com/watch?v=WvSNEp_eq-w
Haydn - Shepherd's Song
Mozart - Air from a String Quartet
Handel - Sonatina in B flat
Rathgeber - Vivace in A
Hook - Pastorale
Book 3: https://www.youtube.com/watch?v=7BugdfBm_2Y
W.A. Mozart - Minuet in F (K5)
Hook - Tempo di Minuetto
J.S. Bach - Gavotte en Rondeau
Gurlitt - Wild Mignonette
W.F. Bach - Menuett
Book 4: (https://www.youtube.com/watch?v=lwNeO_YaBEI
Hook - Air
Müller - Study in A minor
Purcell - Round O'
Couperin - Gavotte
Rameau - Minuet
Book 5: https://www.youtube.com/watch?v=eRbF5QeR95Q
J.S. Bach - Minuet in G (I)
J.S. Bach - Minuet in G minor
J.S. Bach - Minuet in G (II)
J.S. Bach - Minuet in A minor
J.S. Bach - Minuet in D minor
Arranged for 2 pianos, 4 hands by Simon Peberdy.
The pieces are also available individually from www.simonpeberdymusic.com
If you print out everything, there are 70 pages.
The mp3 is of Rameau's Minuet from Book 4 and is computer generated, I'm afraid. To hear the other pieces, please call them up individually from www.simonpeberdymusic.com
$19.99
Descensus ad Infero (for Two Pianos and Four Hands)
#
2 Pianos, 4 mains
#
Contemporain
#
Tito Abeleda
#
Descensus ad Infero
#
Visionary Quest Records
#
SheetMusicPlus
Piano - SKU: A0.1070270 Composed by Tito Abeleda. 20th Century,Contemporary. Full Performance. Duration 236. Visionary Quest Records #5742347. Published...
(+)
Piano - SKU: A0.1070270 Composed by Tito Abeleda. 20th Century,Contemporary. Full Performance. Duration 236. Visionary Quest Records #5742347. Published by Visionary Quest Records (A0.1070270). Descensus ad Infero is a two piano ensemble piece composed by Tito Abeleda (1964 - ). Digital download is score plus parts = 31 pages.Descensus ad Infero is Latin for Descent into Hell. As such this is a powerful passionate piece with much boldness, dissonance, and angst. There is a driving pulse that is vehement and at times unpleasant and even frenetic because one's descent into the abyss has been adjudged for a life lived accordingly. Piano 1 and Piano 2 trade off on motifs and dynamic changes. Note the melodic motifs that warrant greater emphasis throughout the piece. This piece is rather accessible for the advanced intermediate student. This score would also work well as music for thriller, horror, and/or suspense films.Add this dramatic piece to your music collection today.YouTube - https://bit.ly/DescensusPiano_YouTubeLicense on Songtradr - https://bit.ly/DescensusPiano_SongtradrContact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comVisionary Quest Recordshttps://www.visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$1.99
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
#
dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.Â
$20.00
Schäferlied by Haydn for 2 pianos (additional piano part by Simon Peberdy). Easy music for 2 pianos
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2 Pianos, 4 mains
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FACILE
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Piano II: Haydn, PIano I: Simo
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Simon Peberdy
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Schäferlied by Haydn for
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757054 Composed by Piano II: Haydn, PIano I: Simon Peberdy. Arranged by Simon Peberdy. Children,Instruct...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757054 Composed by Piano II: Haydn, PIano I: Simon Peberdy. Arranged by Simon Peberdy. Children,Instructional,Standards. Score. 4 pages. Simon Peberdy #3680437. Published by Simon Peberdy (A0.757054). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 3 standard, so a great introduction to playing music for 2 pianos.This piece appears (with separate piano parts too) in the collection 5 Easy Pieces for 2 Pianos Book 2 arranged by Simon Peberdy, a second book of arrangements to follow 5 First Pieces for 2 Pianos Book 1. There is also a Book 3.For more compositions and arrangements, please visit www.simonpeberdymusic.comVideo of all of Book 2: https://youtu.be/WvSNEp_eq-wThe mp3 is a computer generated one at the moment, I'm afraid.
$1.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Air from a string quartet by Mozart for 2 pianos (additional piano part by Simon Peberdy)
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2 Pianos, 4 mains
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FACILE
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Piano II: Mozart, PIano I: Sim
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Simon Peberdy
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Air from a string quartet by M
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757055 Composed by Piano II: Mozart, PIano I: Simon Peberdy. Arranged by Simon Peberdy. Children,Instruc...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757055 Composed by Piano II: Mozart, PIano I: Simon Peberdy. Arranged by Simon Peberdy. Children,Instructional,Standards. Score. 4 pages. Simon Peberdy #3680441. Published by Simon Peberdy (A0.757055). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 3 standard, so a great introduction to playing music for 2 pianos.This piece appears (with separate piano parts too) in the collection 5 Easy Pieces for 2 Pianos Book 2 arranged by Simon Peberdy, a second book of arrangements to follow 5 Easy Pieces for 2 Pianos  Book 1. There is also a Book 3.Video of all of Book 2: https://youtu.be/WvSNEp_eq-wFor more compositions and arrangements, please visit www.simonpeberdymusic.comThe mp3 is a computer generated one at the moment, I'm afraid.
$1.99
Pastorale by Hook for 2 pianos (additional piano part by Simon Peberdy). Easy music for 2 pianos.
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2 Pianos, 4 mains
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FACILE
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James Hook
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Simon Peberdy
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Pastorale by Hook for 2 pianos
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757056 Composed by James Hook. Arranged by Simon Peberdy. Children,Instructional,Standards. Score. 6 pag...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757056 Composed by James Hook. Arranged by Simon Peberdy. Children,Instructional,Standards. Score. 6 pages. Simon Peberdy #3681133. Published by Simon Peberdy (A0.757056). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 3 standard, so a great introduction to playing music for 2 pianos.This piece appears (with separate piano parts too) in the collection 5 Easy Pieces for 2 Pianos Book 2 arranged by Simon Peberdy, a second book in a series of 5.For more compositions and arrangements, please visit www.simonpeberdymusic.comVideo of all of Book 2: https://youtu.be/WvSNEp_eq-wThe mp3 is a computer generated one at the moment, I'm afraid.
$1.99
Study in A minor (August Müller) for 2 pianos 4 hands (additional piano part by Simon Peberdy)
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2 Pianos, 4 mains
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FACILE
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Piano II: Müller, PIano I:
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Simon Peberdy
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Study in A minor
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757071 Composed by Piano II: Müller, PIano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Child...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757071 Composed by Piano II: Müller, PIano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Classical,Instructional,Standards. Score. 4 pages. Simon Peberdy #4313333. Published by Simon Peberdy (A0.757071). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 4, the fourth book in a series of 5.Video of Book 4: https://youtu.be/lwNeO_YaBEIFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
Wild Mignonette (Gurlitt) for 2 pianos (additional piano part by Simon Peberdy)
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2 Pianos, 4 mains
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FACILE
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C
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Simon Peberdy
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Wild Mignonette
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757062 Composed by C. Gurlitt. Arranged by Simon Peberdy. Children,Classical,Instructional,Standards. Sc...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757062 Composed by C. Gurlitt. Arranged by Simon Peberdy. Children,Classical,Instructional,Standards. Score. 5 pages. Simon Peberdy #3689667. Published by Simon Peberdy (A0.757062). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece appears (with separate piano parts too) in the collection 5 Easy Pieces for 2 Pianos Book 3 arranged by Simon Peberdy, a third book of arrangements in a series of 5.Video fo all of Book 3: https://youtu.be/7BugdfBm_2YFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
Minuet (J P Rameau) - 2 pianos, 4 hands by Simon Peberdy
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2 Pianos, 4 mains
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FACILE
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Piano II: Jean Philippe Rameau
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Simon Peberdy
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Minuet
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757074 Composed by Piano II: Jean Philippe Rameau, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Ba...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757074 Composed by Piano II: Jean Philippe Rameau, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Instructional,Standards. Score. 5 pages. Simon Peberdy #4321405. Published by Simon Peberdy (A0.757074). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 4, the fourth in a series of 5 books.Video of all of Book 4: https://youtu.be/lwNeO_YaBEIFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
Minuet in G (II) from Anna Magdalena's Notebook (J S Bach), arr for 2 pianos by Simon Peberdy
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2 Pianos, 4 mains
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FACILE
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Piano II: J S Bach, Piano I: S
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Simon Peberdy
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Minuet in G
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757072 Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Childr...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757072 Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Classical,Instructional,Standards. Score. 4 pages. Simon Peberdy #4319611. Published by Simon Peberdy (A0.757072). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 5, (Book 1, 2, 3 & 4 are also available).Video of Book 5: https://youtu.be/eRbF5QeR95QFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
Air Lesson XVII from Guida di Musica (James Hook) for 2 pianos (2nd piano part by Simon Peberdy)
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2 Pianos, 4 mains
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FACILE
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James Hook
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Simon Peberdy
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Air Lesson XVII from Guida di
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757068 Composed by James Hook. Arranged by Simon Peberdy. Baroque,Children,Classical,Instructional,Stand...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757068 Composed by James Hook. Arranged by Simon Peberdy. Baroque,Children,Classical,Instructional,Standards. Score. 4 pages. Simon Peberdy #3690565. Published by Simon Peberdy (A0.757068). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 4, the fourth in a series of 5 books.Video of all of Book 4: https://youtu.be/lwNeO_YaBEIFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
It Is Well with My Soul (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Musique Sacrée
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Philip P
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Sharon Wilson Music
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It Is Well with My Soul
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.565569 By Philip P. Bliss. By Horatio G. Spafford and Philip P. Bliss. Arranged by Sharon Wilson Music. ...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.565569 By Philip P. Bliss. By Horatio G. Spafford and Philip P. Bliss. Arranged by Sharon Wilson Music. Christian,Easter,Praise & Worship,Romantic Period,Sacred. Score. 18 pages. Sharon Wilson #4793639. Published by Sharon Wilson (A0.565569). The beloved hymn When Peace Like a River by Phil P. Bliss is presented here as a flowing, peaceful intermediate 2 pianos, 4-hands duet (hymn tune VILLE DU HAVRE). Both PIANO 1 and PIANO 2 get to lead with the melody at times making this a fun and equally challenging piece for both players while adding variety for the listeners.PIANO1 plays the melody for the first verse and chorus. After a short interlude PIANO 2 then leads with the melody for the second verse and chorus. This beautiful, uplifting piano duo arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 3:15.The purchase price includes a 9-page score with both piano parts on each page plus an alternate format with the two piano parts on separate pages (4 pages each).
$5.99
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.  Â
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.Â
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself.  Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
5 Easy Pieces for 2 pianos Book 5. (5 Minuets from the Little Music Book of Anna Magdalena Bach) arr
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2 Pianos, 4 mains
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FACILE
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Piano II: J S Bach, Piano I: S
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Simon Peberdy
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5 Easy Pieces for 2 pianos Boo
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757082 Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Childr...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757082 Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Instructional,Standards. Score. 26 pages. Simon Peberdy #4354453. Published by Simon Peberdy (A0.757082). A fifth collection of 5 easy pieces arranged for 2 pianos. This fifth book contains arrangements of 5 minuets by J S Bach. The original pieces are of approximately grade 2-3 standard, with a new piano part added for a friend or teacher to play on a second piano or keyboard. Piano II is the original piece, piano I has been composed by Simon Peberdy.
$5.99
Harmonic Spaces (four-hands piano)
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2 Pianos, 4 mains
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AVANCÉ
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Contemporain
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Publ...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 16 Il Diavolo
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2 Pianos, 4 mains
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - SKU: A0.869342 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score...
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Instrumental Duet Instrumental Duet,Piano - SKU: A0.869342 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 6 pages. Thomas Oboe Lee #32739. Published by Thomas Oboe Lee (A0.869342). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 20 Il Sole
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2 Pianos, 4 mains
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - SKU: A0.869327 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score...
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Instrumental Duet Instrumental Duet,Piano - SKU: A0.869327 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 7 pages. Thomas Oboe Lee #2032505. Published by Thomas Oboe Lee (A0.869327). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 11 La Ruota d
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2 Pianos, 4 mains
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - SKU: A0.869323 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Sco...
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Instrumental Duet Instrumental Duet,Piano - SKU: A0.869323 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 8 pages. Thomas Oboe Lee #2032483. Published by Thomas Oboe Lee (A0.869323). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 18 La Stella
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869426 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Per...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869426 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 4 pages. Thomas Oboe Lee #2071133. Published by Thomas Oboe Lee (A0.869426). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 15 La Tempera
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2 Pianos, 4 mains
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - SKU: A0.869325 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Sco...
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Instrumental Duet Instrumental Duet,Piano - SKU: A0.869325 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 3 pages. Thomas Oboe Lee #2032491. Published by Thomas Oboe Lee (A0.869325). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
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