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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Piano Player
Sheetmusicplus
Non classifié
1 724
Piano & claviers
Piano seul
2 256
Piano Facile
1 149
Piano, Voix
552
Piano, Voix et Guitare
203
1 Piano, 4 mains
174
Accompagnement Piano
146
Piano Trio: piano, violon, violoncelle
119
Piano (partie séparée)
49
2 Pianos, 4 mains
49
Instruments en Do
30
Piano Quatuor: piano, violon, alto, violoncelle
22
Orgue, Piano (duo)
6
Clavier
6
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Orgue
5
Accordéon
4
1 Piano, 6 mains
3
Clavecin
2
2 Pianos, 8 mains
2
Piano grosses notes
1
Orgue, Trompette (duo)
1
+ 17 instrumentations
Retracter
Guitares
Ukulele
35
Guitare
20
Piano, Guitare (duo)
16
Guitare notes et tablatures
16
2 Guitares (duo)
7
Guitare (partie séparée)
7
Ligne De Mélodie, (Paroles) et Accords
5
Basse electrique
4
Dulcimer
4
Banjo
2
Paroles et Accords
1
4 Guitares (Quatuor)
1
Mandoline
1
3 Guitares (trio)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
87
Chorale 3 parties
27
Chorale 2 parties
20
Chorale TTBB
10
Voix Soprano, Piano
10
Chorale Unison
9
Voix haute
6
Voix duo, Piano
4
Voix duo
4
Voix basse, Piano
4
Voix Baryton, Piano
4
Voix Tenor, Piano
3
Voix Alto, Piano
3
Male Voice
2
Chorale
1
+ 10 instrumentations
Retracter
Vents
Flûte traversière et Piano
409
Clarinette et Piano
365
Hautbois, Piano (duo)
308
Saxophone Alto et Piano
228
Saxophone Tenor et Piano
157
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
110
Saxophone Soprano et Piano
94
Flûte irlandaise
80
Saxophone Baryton, Piano
72
Flûte, Hautbois, Clarinette, Basson
65
2 Saxophones (duo)
56
2 Flûtes traversières (duo)
46
Flûte, Violon, Piano
42
Quatuor de Saxophones: 4 saxophones
41
Clarinette
39
Quintette de Saxophone: 5 saxophones
35
Flûte traversière
34
Cor anglais, Piano
33
2 Clarinettes (duo)
32
Quatuor de Clarinettes: 4 clarinettes
31
Saxophone (partie séparée)
29
Flûte à bec Soprano
22
Clarinette Basse, Piano
20
3 Clarinettes (trio)
20
Hautbois (partie séparée)
18
3 Saxophones (trio)
18
Saxophone, Clarinette (duo)
17
Flûte, Clarinette, Piano (trio)
15
Trio de Flûtes: 3 flûtes
15
Quatuor de Flûtes : 4 flûtes
15
Saxophone Alto
14
Flûte, Clarinette (duo)
13
Flûte à bec Alto
13
2 Hautbois (duo)
12
Flûte, Basson et Piano
11
Clarinette, Trompette (duo)
11
Flûte à Bec
11
Flûte, Alto et Piano
11
Flûte à bec Tenor
11
Clarinette, Violon (duo)
10
Clarinette, Violoncelle, Piano (trio)
10
Flûte, Violoncelle, Piano (trio)
10
Flûte à bec Soprano, Piano
10
Flûte à bec Alto, Piano
9
Clarinette, Basson, Piano (trio)
9
2 Flûte à bec (duo)
9
Hautbois, Clarinette (duo)
8
Flûte, Saxophone (duo)
8
Clarinette, Alto et Piano (trio)
8
Quatuor de Flûtes à bec
7
Flûte, Hautbois, Clarinette (trio)
7
Hautbois, Basson (duo)
7
Saxophone Tenor
7
3 Flûtes à bec (trio)
7
Hautbois, Violoncelle et Piano
6
Flûte, Violon
6
Ensemble de Flûtes
6
Hautbois, Flûte
5
Ensemble de Clarinettes
5
Quintette de Clarinettes: 5 clarinettes
5
Clarinette et Alto
5
Flûte, Trompette (duo)
5
Hautbois, Clarinette et Piano (Trio)
4
Clarinette (partie séparée)
4
Flûte, Alto (duo)
4
Flûte, Clarinette et Basson
4
Flute (partie séparée)
4
Hautbois, Basson et Piano
4
Flûte et Guitare
4
Hautbois, Violon, Piano
4
Flûte, Clarinette, Cor, Basson (Quartet)
3
2 Saxophones, Piano
3
Hautbois
3
2 Clarinettes, Piano
3
Ocarina
3
Flûte, Hautbois, Piano (trio)
3
2 Flûtes à bec, Piano
2
Piccolo, Piano
2
Quintette de Flûte : 5 flûtes
2
Flûte, Hautbois, Basson
2
Piccolo
2
Saxophone et Orgue
2
Clarinette, Basson (duo)
2
Clarinette, Guitare (duo)
1
Flûte, Violoncelle
1
Hautbois, Guitare (duo)
1
Saxophone Soprano
1
Flûte, Clarinette, Violon (trio)
1
2 Cors Anglais Et Pianoforte
1
2 Flûtes traversières, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Ensemble de saxophones
1
Flûte, Hautbois (duo)
1
Clarinette, Orgue
1
Flûte traversière, Orgue (duo)
1
Saxophone
1
+ 91 instrumentations
Retracter
Cuivres
Trompette, Piano
265
Trombone et Piano
223
Cor et Piano
208
Tuba et Piano
117
Euphonium, Piano (duo)
52
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
51
Trompette
50
Quatuor de Cuivres
35
Cor anglais, Piano
33
Trombone (partie séparée)
21
Trompette (partie séparée)
16
2 Trombones (duo)
16
2 Trompettes (duo)
16
Trombone
14
2 Cors (duo)
11
Tuba
11
Tuba et Orgue
11
Trompette, Saxophone (duo)
10
Cor
10
Trompette, Trombone, Piano
9
3 Trompettes (trio)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trio de Cuivres
6
Trompette, Trombone (duo)
6
Cor (partie séparée)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
3 Trombones (trio)
5
Euphonium
4
Tuba (partie séparée)
4
Trombone, Tuba (duo)
2
Quatuor de cuivres: 4 cors
2
Ensemble de Trombones
1
2 Tubas (duo)
1
Ensemble de Trompettes
1
2 Cors Anglais Et Pianoforte
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Euphonium (duo)
1
Trombone, Orgue
1
Quatuor de cuivres: 4 trombones
1
4 Tubas
1
Trombone basse et Piano
1
2 Cors, Piano
1
+ 37 instrumentations
Retracter
Cordes
Violon et Piano
587
Alto, Piano
346
Violoncelle, Piano
326
Quatuor à cordes: 2 violons, alto, violoncelle
151
Contrebasse, Piano (duo)
131
Quintette à cordes: 2 violons, alto, violoncelle, basse
57
Violon
52
2 Violons (duo)
38
Piano Trio: Violon, Alto, Piano
28
Violon, Alto (duo)
28
Violoncelle
26
Alto seul
24
Trio à Cordes: violon, alto, violoncelle
21
2 Altos (duo)
18
2 Violoncelles (duo)
16
Contre Basse
14
Violon, Violoncelle (duo)
14
Violon, Clarinette, Piano (trio)
13
Trio à cordes: 3 violins
11
Contrebasse (partie séparée)
9
Violon (partie séparée)
9
Harpe
8
Trio à Cordes: 2 violons, violoncelle
7
2 Violons, Piano
5
Quatuor à cordes: 4 violons
5
4 Contrebasses
5
Alto (partie séparée)
5
2 Contrebasses (duo)
4
Violoncelle (partie séparée)
4
4 Violoncelles
4
Violoncelle, Contrebasse (duo)
3
2 Harpes (duo)
2
Trio à Cordes: 2 violons, alto
2
Quatuor à cordes : 4 altos
2
Alto, Violoncelle (duo)
2
Violoncelle , Guitare (duo)
1
2 Violoncelles, Piano
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Alto et Harpe
1
Alto, Orgue
1
Ensemble de Violoncelles
1
Violoncelle, Orgue
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
153
Orchestre d'harmonie
130
Ensemble Jazz
123
Orchestre
117
Orchestre de chambre
54
Cloches
45
Jazz combo
40
Ensemble de cuivres
35
Vibraphone, Piano
27
Xylophone, Piano
23
Ensemble de Percussions
18
Marimba
9
Ensemble d'École
8
Percussion (partie séparée)
4
Batterie (partie séparée)
4
Xylophone
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Mariachi
4
Fanfare
2
2 Xylophones
2
2 Marimbas
1
Vibraphone
1
Batterie
1
+ 18 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Piano Player
SheetMusicPlus
Partitions à imprimer
49 partitions trouvées
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1
26
JS Bach, "Little" Fugue in G Minor for Two Pianos, Four Hands (advanced version)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Jennifer Shell
#
JS Bach, "Little" Fu
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Jennifer Shell
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.922650 Composed by Johann Sebastian Bach. Arranged by Jennifer Shell. Baroque. Score and p...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.922650 Composed by Johann Sebastian Bach. Arranged by Jennifer Shell. Baroque. Score and parts. 16 pages. Jennifer Shell #5793255. Published by Jennifer Shell (A0.922650). Bach wrote this piece for organ. Although it has been arranged for a single piano player, it is exceptionally difficult to play on one keyboard because of the multiple overlapping parts. In order for less advanced pianists to still enjoy the piece, I arranged it for two pianos, four hands.
$6.79
Dance of The Little Swan (for 3 young piano players)
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2 Pianos, 4 mains
#
DÉBUTANT
#
Classique
#
Peter Ilyich Tchaikovsky
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Cinorita
#
Dance of The Little Swan
#
Cinorita
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.887203 Composed by Peter Ilyich Tchaikovsky. Arranged by Cinorita. Romantic Period,Standards. Score. 5 p...
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2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.887203 Composed by Peter Ilyich Tchaikovsky. Arranged by Cinorita. Romantic Period,Standards. Score. 5 pages. Cinorita #3114435. Published by Cinorita (A0.887203). This arrangement of Dance of The little Swan from Swan Lake is for 3 young piano players to play with one piano.Including a score and separate part sheets.
$4.99
"Chatty Tango" for two pianos four hands
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2 Pianos, 4 mains
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Tango
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Weily Luc
#
"Chatty Tango" for t
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Weily Luc
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - SKU: A0.979251 Composed by Weily Luc. Concert,Contemporary. Score and parts. 17 pages. Weily Luc #3479757. P...
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Instrumental Duet Instrumental Duet,Piano - SKU: A0.979251 Composed by Weily Luc. Concert,Contemporary. Score and parts. 17 pages. Weily Luc #3479757. Published by Weily Luc (A0.979251). A fun piece for two intermediate level piano players to chat with each other.
$6.99
"Happy Little Playmates" for two pianos four hands
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2 Pianos, 4 mains
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Weily Luc
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"Happy Little Playmates&q
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Weily Luc
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - SKU: A0.979250 Composed by Weily Luc. Concert,Contemporary. Score and parts. 16 pages. Weily Luc #3479759. P...
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Instrumental Duet Instrumental Duet,Piano - SKU: A0.979250 Composed by Weily Luc. Concert,Contemporary. Score and parts. 16 pages. Weily Luc #3479759. Published by Weily Luc (A0.979250). A fun piece for two intermediate level piano players to play' together.
$6.99
It Is Well with My Soul (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
#
INTERMÉDIAIRE
#
Musique Sacrée
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Philip P
#
Sharon Wilson Music
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It Is Well with My Soul
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Sharon Wilson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.565569 By Philip P. Bliss. By Horatio G. Spafford and Philip P. Bliss. Arranged by Sharon Wilson Music. ...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.565569 By Philip P. Bliss. By Horatio G. Spafford and Philip P. Bliss. Arranged by Sharon Wilson Music. Christian,Easter,Praise & Worship,Romantic Period,Sacred. Score. 18 pages. Sharon Wilson #4793639. Published by Sharon Wilson (A0.565569). The beloved hymn When Peace Like a River by Phil P. Bliss is presented here as a flowing, peaceful intermediate 2 pianos, 4-hands duet (hymn tune VILLE DU HAVRE). Both PIANO 1 and PIANO 2 get to lead with the melody at times making this a fun and equally challenging piece for both players while adding variety for the listeners.PIANO1 plays the melody for the first verse and chorus. After a short interlude PIANO 2 then leads with the melody for the second verse and chorus. This beautiful, uplifting piano duo arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 3:15.The purchase price includes a 9-page score with both piano parts on each page plus an alternate format with the two piano parts on separate pages (4 pages each).
$5.99
Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
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2 Pianos, 4 mains
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AVANCÉ
#
Contemporain
#
James Nathaniel Holland
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Piano Concerto No. 4 "The
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James Nathaniel Holland
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866929. Published by James Nathaniel Holland (A0.730503). American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire.
$8.25
Piano Battle - 2 Pianos 4 Hands
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2 Pianos, 4 mains
#
AVANCÉ
#
Bill Walker
#
pianist Bill Walker, this exci
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Bill Walker
#
Piano Battle - 2 Pianos 4 Hand
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Bill Walker Music Publishing
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1118272 By Bill Walker. By Bill Walker. Arranged by Bill Walker. Contemporary,Contest,Festival,New Age. ...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1118272 By Bill Walker. By Bill Walker. Arranged by Bill Walker. Contemporary,Contest,Festival,New Age. Score. 18 pages. Bill Walker Music Publishing #719787. Published by Bill Walker Music Publishing (A0.1118272). Grab a friend and a second piano and get ready to battle. Composed by pianist Bill Walker, this exciting piece is for 2 pianos and 4 hands. It only takes a little more than two minutes to perform but so much happens. Each player has the opportunity to battle for piano domination. 18 pages of piano excitement! Key signature: F minor. Published by Bill Walker Music Publishing.
$6.99
Poor Wayfaring Stranger - Piano Duet - 2 pianos, 4 hands
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2 Pianos, 4 mains
#
DÉBUTANT
#
Traditional
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Ene Nixon
#
Poor Wayfaring Stranger - Pian
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Ene Nixon
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.896678 Composed by Traditional. Arranged by Ene Nixon. Folk,Multicultural,Spiritual,World. Score. 5 page...
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2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.896678 Composed by Traditional. Arranged by Ene Nixon. Folk,Multicultural,Spiritual,World. Score. 5 pages. Ene Nixon #6324193. Published by Ene Nixon (A0.896678). Poor Wayfaring Stranger is a well-known American folk and gospel song. This is a piano duet arrangement for 2 pianos and 4 hands. Perfect as a teacher-student duet!Primo part is for a beginner (left hand plays simple chords, right hand plays a single melodic line). Secondo part uses some arpeggiated chords and bigger jumps between octaves - suitable for an early intermediate player.
$3.99
Hymns of Reflection for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
#
Hymns of Reflection for Two Pi
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Sharon Wilson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458057 By Sharon Wilson. By American Folk Song, Grant Colfax Tullar, Henri A. C. Malan, Horatio G. Spaf...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458057 By Sharon Wilson. By American Folk Song, Grant Colfax Tullar, Henri A. C. Malan, Horatio G. Spafford, James L Nicholson, Lowell Mason, Philip P. Bliss, and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Folk,Lent,Sacred. Score. 75 pages. Sharon Wilson #1037027. Published by Sharon Wilson (A0.1458057). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Face to Face and the YouTube video features It Is Well with My Soul.Song titles included in this collection: Face to FaceIt Is Well with My SoulTake My Life and Let It BeThere Is a FountainWhiter Than SnowVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Easter Hymns for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Easter Hymns for Two Pianos
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, Matthew Bridges,...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, Matthew Bridges, and Robert Lowry. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 72 pages. Sharon Wilson #1039070. Published by Sharon Wilson (A0.1460130). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These bright and festive arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude). Though frequently associated with the Easter and Lent season, these arrangements can be performed any time of year as a celebration of Jesus' love for us.PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Are You Washed in theBlood? and the YouTube video features Christ Arose.Song titles included in this collection: Are You Washed in the Blood?Christ Arose (Low in the Grave He Lay)Crown Him with Many CrownsNothing but the BloodPower in the BloodVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Hymns of Praise for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Hymns of Praise for Two Pianos
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Re...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Reginald Heber, William H. Doane, and William J. Kirkpatrick. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 61 pages. Sharon Wilson #1034892. Published by Sharon Wilson (A0.1455795). This collection contains 5 favorite praise hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. An optional repeat is provided for some songs in case a longer selection is desired. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays one verse of And Can It Be? and the YouTube video features To God Be the Glory.Song titles included in this collection: And Can It Be?He Keeps Me SingingHoly, Holy, HolyRedeemed, How I Love to Proclaim ItTo God Be the GloryVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
To God Be the Glory (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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To God Be the Glory
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455797 By Sharon Wilson. By Fanny J. Crosby and William H. Doane. Arranged by Sharon Wilson. 19th Centu...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455797 By Sharon Wilson. By Fanny J. Crosby and William H. Doane. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 14 pages. Sharon Wilson #1034894. Published by Sharon Wilson (A0.1455797). This arrangement of the classic hymn tune To God Be the Glory by William H. Doane is written as a dual piano duet (for 2 pianos, 4 hands). The two pianos alternate leading with the melody making it fun and equally challenging for both players while adding variety for the listeners. An optional repeat is provided in case a longer selection is desired. Bright and energetic throughout, this piano duet is ideal for a prelude, postlude, offertory, or whenever a cheerful musical interlude is desired. The purchase price includes a 6-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 songs in the collection Hymns of Praise for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
There Is a Fountain (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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There Is a Fountain
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458068 By Sharon Wilson. By American Folk Song, Folk Song, and William Cowper. Arranged by Sharon Wilso...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458068 By Sharon Wilson. By American Folk Song, Folk Song, and William Cowper. Arranged by Sharon Wilson. Christian,Easter,Folk,Lent,Sacred. Score. 16 pages. Sharon Wilson #1037039. Published by Sharon Wilson (A0.1458068). The beautiful American folk tune CLEANSING FOUNTAIN has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. Flowing reverently throughout, this piano duet is ideal for a prelude or offertory, or whenever a meditative musical interlude is desired. The purchase price includes a 8-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
And Can It Be? (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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And Can It Be?
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455801 By Sharon Wilson. By Charles Wesley and Thomas Campbell. Arranged by Sharon Wilson. 19th Century...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455801 By Sharon Wilson. By Charles Wesley and Thomas Campbell. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Religious,Sacred. Score. 15 pages. Sharon Wilson #1034900. Published by Sharon Wilson (A0.1455801). This arrangement of the familiar hymn tune SAGINA by Thomas Campbell is written as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. An optional repeat is provided in case a longer selection is desired. Bright and cheerful throughout, this piano duet is ideal for a prelude, postlude, offertory, or whenever an upbeat musical interlude is desired. The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 songs in the collection Hymns of Praise for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Holy, Holy, Holy (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Sharon Wilson
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Sharon Wilson
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Holy, Holy, Holy
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1455798 By Sharon Wilson. By John Bacchus Dykes and Reginald Heber. Arranged by Sharon Wilson. 19th Cent...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1455798 By Sharon Wilson. By John Bacchus Dykes and Reginald Heber. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Romantic Period,Sacred. Score. 10 pages. Sharon Wilson #1034895. Published by Sharon Wilson (A0.1455798). This arrangement of the beloved hymn tune NICAEA by John B. Dykes is written as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. An optional repeat is provided in case a longer selection is desired. Bold and energetic throughout, this piano duet is ideal for a prelude, postlude, offertory, or whenever an upbeat, short musical interlude is desired. The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). This arrangement is one of the 5 songs in the collection Hymns of Praise for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Take My Life and Let It Be (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Take My Life and Let It Be
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharo...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Romantic Period,Sacred. Score. 13 pages. Sharon Wilson #1037036. Published by Sharon Wilson (A0.1458066). The classic hymn tune HENDON by Henri A. Malan has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of G major and then transitions to the key of C major for the second verse.This slightly rhythmic, yet flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by Frances R. Havergal: Take my life, and let it be Consecrated, Lord, to Thee; Take my moments and my days, Let them flow in ceaseless praise.The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Whiter Than Snow (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Whiter Than Snow
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458061 By Sharon Wilson. By James L. Nicholson and William G. Fischer. Arranged by Sharon Wilson. 19th ...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458061 By Sharon Wilson. By James L. Nicholson and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 16 pages. Sharon Wilson #1037031. Published by Sharon Wilson (A0.1458061). Here is the beautiful hymn Whiter Than Snow by William G. Fischer arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of C major and then transitions to the key of G major for the second verse.This relaxed and flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by James L. Nicholson: Lord Jesus, I long to be perfectly whole; I want Thee forever to live in my soul . . . Whiter than snow, yes, whiter than snow, Now wash me, and I shall be whiter than snow.The purchase price includes an 8-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Amethyst Sunset - 2 Pianos & Percussion - PDF score and parts
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2 Pianos, 4 mains
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AVANCÉ
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Contemporain
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Jennifer Bellor
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Amethyst Sunset - 2 Pianos &am
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Bellor
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1000137 Composed by Jennifer Bellor. 20th Century,Concert,Contemporary. Score. 92 pages. Bellor #6491589...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1000137 Composed by Jennifer Bellor. 20th Century,Concert,Contemporary. Score. 92 pages. Bellor #6491589. Published by Bellor (A0.1000137). 2 pianos and percussion (2 players) Duration: 9:00Percussion 1 (Vibraphone, Triangle, Gong)Percussion 2 (Triangle, Tam-tam, Suspended Cymbal, Bass Drum)Parts include: Part for 2 pianos, individual part for each piano, 2 percussion parts For more information about the music, please visit www.jenniferbellor.com.
$25.00
Sonatina in G Major for 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Claudio Porstmann
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Sonatina in G Major for 2 pian
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Claudio Porstmann
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1096457 By Claudio Porstmann. By Claudio Porstmann. Chamber,Classical,Instructional,Romantic Period,Trad...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1096457 By Claudio Porstmann. By Claudio Porstmann. Chamber,Classical,Instructional,Romantic Period,Traditional. Score. 9 pages. Claudio Porstmann #700437. Published by Claudio Porstmann (A0.1096457). A fun piece for 2 pianos, in the style of the Clementi sonatinas which are so enjoyable, and perfectly suited for students. Since most piano teachers have 2 pianos in their studio, this is a great piece to practice playing together, and learning the different aspects of ensemble music, like adjusting the tempo, dynamics and general expression so that both players together sound like one instrument.
$6.99
Aurore (2 Pianos)
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2 Pianos, 4 mains
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AVANCÉ
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Francois Du Bois
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Francois Du Bois
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Aurore
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D-Project Co., Ltd.
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1342846 By Francois Du Bois. By Francois Du Bois. Arranged by Francois Du Bois. 21st Century,Contemporar...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1342846 By Francois Du Bois. By Francois Du Bois. Arranged by Francois Du Bois. 21st Century,Contemporary,Contest,Festival,Multicultural,Spiritual,World. Score. 20 pages. D-Project Co., Ltd. #928358. Published by D-Project Co., Ltd. (A0.1342846). Aurore (2 Pianos) presents a duet rendition of the original quartet piece Aurore, featured in the album TBMT with marimba, two pianos, drums, and percussion. This extended composition, designed for advanced players, unfolds across four distinctive sections. Notably, it includes engaging parts for both piano 1 and 2, with an exchange segment towards the conclusion.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
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