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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
RMA Music
Non classifié
7 181
Piano & claviers
Piano, Voix
17 895
Piano seul
4 994
Piano grosses notes
3 382
Piano, Voix et Guitare
2 824
Orgue
1 928
Piano Facile
1 404
Instruments en Do
578
1 Piano, 4 mains
217
Accordéon
180
Accompagnement Piano
141
Clavier
66
Piano Trio: piano, violon, violoncelle
53
2 Pianos, 4 mains
43
Piano (partie séparée)
19
Piano Quatuor: piano, violon, alto, violoncelle
12
Piano Quintette: piano, 2 violons, alto, violoncelle
12
Orgue, Piano (duo)
12
Clavecin
7
Instrument seul et Orgue
6
Ligne De Mélodie, Piano
5
Orgue, Trompette (duo)
4
Piano Quatuor: piano, 2 violons, violoncelle
4
1 Piano, 6 mains
3
Accordéon et Orchestre
3
Accordéon, Voix
3
Accordéon, Corde(s)
2
2 Pianos, 8 mains
2
Concertina
1
Orgue, Voix
1
+ 24 instrumentations
Retracter
Guitares
Guitare
672
Guitare notes et tablatures
599
Ligne De Mélodie, (Paroles) et Accords
442
Ukulele
196
Paroles et Accords
174
Basse electrique
72
2 Guitares (duo)
69
4 Guitares (Quatuor)
42
Piano, Guitare (duo)
29
Ensemble de guitares
27
Mandoline
25
3 Guitares (trio)
15
Banjo
15
Guitare (partie séparée)
15
Basse électrique (partie séparée)
9
Dulcimer
8
Ensemble de Ukulélés
8
Ukulele Baryton
7
Luth
4
2 Dulcimers (duo)
3
Partitions De Groupes
3
Guitare, Violon, Violoncelle (trio)
3
Guitare, Quatuor à cordes
2
Mandoline, Guitare (duo)
2
2 Ukuleles
2
2 Guitares et Orchestre
2
Cithare
1
Guitare, Orchestre
1
Guitare, Flûte, Clarinette
1
Mandoline, Piano (duo)
1
+ 25 instrumentations
Retracter
Voix
Chorale SATB
2 382
Chorale 3 parties
1 069
Chorale TTBB
778
Voix seule
313
Voix haute
298
Chorale 2 parties
260
Chorale SSAA
240
Voix basse, Piano
234
Voix Moyenne
184
Voix Soprano, Piano
135
Voix Tenor, Piano
108
Voix Baryton, Piano
98
Chorale
91
Chorale Unison
90
Voix Alto, Piano
74
Voix moyenne, Piano
56
Voix duo, Piano
50
Chorale SSATB
34
Chorale SSATTB
34
Chorale SSAATTBB
30
Pack Instrumental pour Chorale
26
Voix duo
15
Voix Mezzo-Soprano, Piano
10
Soli, choeur mixte et accompagnement
8
Voix, Guitare
5
Chorale SSAATB
5
Voix Soprano, Orchestre
4
Voix Tenor
4
Chorale SATBB
3
Voix Soprano
3
Voix basse
2
Chorale SSAB a cappella
2
Voix Baryton
1
Chorale SATTBB A Cappella
1
Voix et basse continue
1
+ 30 instrumentations
Retracter
Vents
Flûte traversière et Piano
947
2 Saxophones (duo)
629
Clarinette et Piano
462
Hautbois, Piano (duo)
423
Clarinette
389
2 Flûtes traversières (duo)
355
Flûte traversière
339
Saxophone Alto et Piano
334
Quatuor de Saxophones: 4 saxophones
318
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
294
Saxophone (partie séparée)
259
2 Clarinettes (duo)
248
Flûte, Hautbois, Clarinette, Basson
239
Saxophone, Clarinette (duo)
232
Saxophone Alto
228
Saxophone Tenor et Piano
197
Saxophone Tenor
190
Quintette de Saxophone: 5 saxophones
187
Saxophone
168
Clarinette, Violon (duo)
161
Quatuor de Clarinettes: 4 clarinettes
160
Saxophone Soprano et Piano
144
Clarinette (partie séparée)
132
Clarinette, Trompette (duo)
128
2 Hautbois (duo)
116
Flûte, Clarinette (duo)
114
Hautbois, Basson (duo)
103
3 Clarinettes (trio)
98
Quatuor de Flûtes : 4 flûtes
94
Flûte, Violon
89
Hautbois, Clarinette (duo)
85
Hautbois (partie séparée)
81
Flûte, Saxophone (duo)
80
Clarinette et Alto
80
3 Saxophones (trio)
79
Ensemble de saxophones
78
Hautbois
76
Hautbois, Flûte
74
Saxophone Baryton, Piano
73
Flute (partie séparée)
71
Cor anglais, Piano
68
Flûte, Alto (duo)
66
Flûte à Bec
64
Flûte, Trompette (duo)
62
Trio de Flûtes: 3 flûtes
59
Flûte à bec Soprano
55
Ensemble de Clarinettes
52
Flûte à bec Alto, Piano
45
Instruments en Mib
44
2 Flûte à bec (duo)
42
Flûte et Guitare
41
Quintette de Clarinettes: 5 clarinettes
41
Ensemble de Flûtes
40
Saxophone Soprano
32
Clarinette Basse, Piano
30
Flûte, Violon, Piano
30
Ocarina
29
Flûte à bec Alto
25
Flûte, Hautbois, Clarinette (trio)
25
Quatuor de Flûtes à bec
22
Clarinette, Basson (duo)
22
Cor Anglais
20
Clarinette, Guitare (duo)
17
Flûte, Violoncelle
16
Quintette de Flûte : 5 flûtes
16
3 Flûtes à bec (trio)
16
Saxophone Baryton
15
Flûte à bec Soprano, Piano
15
Clarinette, Violoncelle (duo)
15
Harmonica
14
Flûte, Hautbois, Basson
13
Flûte, Clarinette et Basson
12
Flûte, Basson et Piano
12
5 Flûtes à bec
12
Flûte, Clarinette, Cor, Basson (Quartet)
10
Clarinette Basse
10
Hautbois, Violoncelle
9
Flûte et Trio à cordes
8
Flûte, Clarinette, Piano (trio)
8
Clarinette, Harpe (duo)
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte à bec, Guitare (duo)
6
3 Hautbois
5
Flûte, Violoncelle, Piano (trio)
5
Flute, harpe et violon
5
Flûte à bec Tenor
4
2 Clarinettes, Piano
4
Hautbois, violon (duo)
4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
4
2 Flûtes traversières, Piano
4
Piccolo
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
3
Saxophone et Harpe
3
Clarinette, Trombone (duo)
3
Flûte irlandaise
3
Flûte, Hautbois (duo)
3
Hautbois et alto (duo)
3
Flûte, Violon et Violoncelle
3
Flûte, trombone et piano
3
Flûte, Alto et Piano
3
Flûte, Hautbois, Piano (trio)
3
Hautbois, Violon, Piano
2
4 Hautbois
2
Flûte, Violon, Violoncelle et Piano
2
Flûte traversière, Orgue (duo)
2
Flûte, Harpe et Violoncelle
2
Flûte de Pan
2
Flûte traversière, Basse continue
2
Flûte, Violoncelle, Guitare
2
Hautbois, Harpe
2
Flûte à Bec, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Orgue
1
Flûte, Trombone (duo)
1
Cornemuse
1
2 Saxophones, Piano
1
Hautbois, trombone (duo)
1
Flute, alto, violoncelle et guitare
1
Clarinette, Basson, Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Contrebasse (duo)
1
Ensemble De Flûte à bec
1
Harmonica, Piano
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Trompette (duo)
1
Saxophone et Orgue
1
Cor anglais et Harpe (duo)
1
Clarinette, Tuba
1
Ensemble de Hautbois
1
Flûte, Tuba (duo)
1
Piccolo, Piano
1
+ 126 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
348
Trompette
326
Trombone
251
Trompette, Piano
222
Cor et Piano
211
Trombone et Piano
198
Cor
178
Quatuor de Cuivres : 2 trompettes, trombone, tuba
170
Trompette, Saxophone (duo)
167
Trompette (partie séparée)
158
Trombone (partie séparée)
158
Quatuor de Cuivres
147
2 Trompettes (duo)
121
2 Trombones (duo)
119
Tuba et Piano
107
Trompette, Trombone (duo)
93
Tuba
86
Cor anglais, Piano
68
Quatuor de Cuivres: 2 trompettes, Cor, trombone
59
Cor (partie séparée)
53
Bass Clef Instruments
51
Euphonium, Piano (duo)
49
2 Cors (duo)
46
Instruments en Sib
44
Quatuor de cuivres: 4 trombones
39
Tuba (partie séparée)
37
Quatuor de cuivres: 4 cors
27
Instruments en Fa
27
Euphonium
23
Ensemble de Trombones
22
Cor Anglais
20
3 Trompettes (trio)
19
Ensemble de Trompettes
19
2 Tubas (duo)
17
Quatuor de cuivres: 4 trompettes
15
Ensemble de Cors
14
2 Euphoniums et 2 Tubas
14
Tuba ou Euphonium ou Saxhorn
11
4 Tubas
11
Trio de Cuivres
10
Trompette, Cor (duo)
9
3 Trombones (trio)
6
Tuba et Orgue
5
Trompette, Violoncelle (duo)
4
Cor et Harpe
4
Cor, Violoncelle (duo)
4
Trompette, Harpe
4
Trompette, Violoncelle et Piano
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor et Basson (duo)
3
Ensemble de Tubas
3
3 Cors (trio)
3
Trombone, Cor (duo)
2
Trompette, Basson (duo)
2
3 Tubas (trio)
2
Cornet et Piano
2
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Tuba (duo)
1
Trompette, Orchestre
1
Trombone, Violon (duo)
1
Cor, Orchestre
1
Trombone basse et Piano
1
Cor anglais et Harpe (duo)
1
Trombone basse
1
3 Euphoniums
1
Cornet et orchestre
1
Cornet A Pistons
1
+ 63 instrumentations
Retracter
Cordes
Violon et Piano
1 149
Quatuor à cordes: 2 violons, alto, violoncelle
882
Violoncelle, Piano
790
Violon
388
Alto, Piano
369
Violoncelle
315
Alto seul
241
Violon (partie séparée)
195
2 Violons (duo)
192
Violon, Violoncelle (duo)
174
Harpe
151
2 Violoncelles (duo)
140
Quintette à cordes: 2 violons, alto, violoncelle, basse
132
2 Altos (duo)
127
Trio à Cordes: violon, alto, violoncelle
124
Violon, Alto (duo)
116
Contrebasse, Piano (duo)
98
Alto (partie séparée)
83
Contre Basse
82
Contrebasse (partie séparée)
68
Violoncelle (partie séparée)
62
Trio à cordes: 3 violins
48
Trio à Cordes: 2 violons, violoncelle
33
Violon, Guitare (duo)
28
Alto, Violoncelle (duo)
23
Trio à cordes: 3 altos
20
Piano Trio: Violon, Alto, Piano
19
4 Violoncelles
19
Alto, Guitare (duo)
15
Violoncelle , Guitare (duo)
14
2 Harpes (duo)
14
2 Contrebasses (duo)
13
Harpe, Flûte (duo)
13
Quatuor à cordes : 4 altos
12
Trio à Cordes: 3 violoncelles
11
Quatuor à cordes: 4 violons
10
Harpe, Violon (duo)
7
Harpe, Violoncelle (duo)
7
Ensemble de Violons
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Alto et Harpe
5
Ensemble d'Altos
5
Alto et Basson
5
Violon, Basson (duo)
5
Trio à cordes
4
Violon, Orgue
4
Violon, Clarinette, Piano (trio)
4
2 Violons, Piano
4
Harpe, Violon, Violoncelle
3
Harpe (partie séparée)
3
Violoncelle, Orchestre
3
Trio à Cordes: 2 violons, alto
3
2 Altos, Piano
2
2 Violoncelles, Piano
2
Violoncelle, Orgue
2
Ensemble de Violoncelles
2
Violoncelle, Contrebasse (duo)
2
Harpe, Voix
2
Harpe, Trombone (duo)
2
Violon, Tuba (duo)
1
Violon, Basse continue
1
Harpe et mandoline
1
Violon, Violoncelle, Clarinette
1
Harpe et Piano
1
Flûte, Contrebasse (duo)
1
4 Contrebasses
1
Alto et orchestre
1
Autoharp
1
+ 64 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
869
Orchestre
513
Orchestre à Cordes
371
Cloches
304
Ensemble Jazz
258
Fanfare
181
Ensemble de cuivres
151
Orchestre de chambre
140
Batterie
120
Percussion (partie séparée)
93
Jazz combo
66
Percussion
59
Ensemble de Percussions
26
Xylophone
22
Marimba
17
Batterie (partie séparée)
17
Timbales (partie séparée)
15
Piano et Orchestre
12
Vibraphone
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Timbales
7
2 Xylophones
6
Xylophone, Piano
3
Voix et Orchestre
2
Quintette à Vent
2
Cajon
1
2 Marimbas
1
3 Percussions
1
Xylophone (partie séparée)
1
3 Marimbas
1
Orchestre, Violon
1
Quatuor à Vent : 4 instruments à vents
1
Xylophone ou Marimba ou Vibraphone
1
Bongos
1
+ 29 instrumentations
Retracter
Autres
Formation musicale - Solfège
238
Théorie de la musique
1
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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
BASSE
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CLAIRON
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RMA Music
2 Pianos, 4 mains
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Gathering Starflowers: A Music Drama for 2 Pianos
2 Pianos, 4 mains
2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gor…
(+)
2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gordon. Contemporary Classical. Score. 27 pages. Published by Cool Wind Music Digital
Gathering Starflowers distils, in the form of a symphonic poem interspersed with narratives commenting on the story, elements of Günter Grass’ 1969 novel - Local Anaesthetic - itself a powerful satirical polemic on the futility and wastefulness of war. In his novel, Grass has two of his characters, who lived through the 1939-1945 war as teenagers, continually relive it and relive major battles of the campaign in the East to overcome the Red Army and win Russia for the German Reich.<br> <br> Gathering Starflowers is written to be performed as a melodrama. A 'drama with music'. The drama will be provided by a narrator who will read excerpts from Local Anaesthetic interspersed with dramatic dialogues from which the audience will learn a little about the main protagonists of Günter Grass’ novel. The music, especially composed by Chris Gordon, is for two pianos.<br> <br> Please note: this volume contains only the music for 2 pianos for Gathering Starflowers.<br> <br> Baffled by music bindings? Read this:<br> <br> https://coolwindmusic.blogspot.co.uk/2009/08/making-printed-copies-from-pdfs.htmlGathering Starflowers distils, in the form of a symphonic poem interspersed with narratives commenting on the story, elements of Günter Grass’ 1969 novel - Local Anaesthetic - itself a powerful satirical polemic on the futility and wastefulness of war. In his novel, Grass has two of his characters, who lived through the 1939-1945 war as teenagers, continually relive it and relive major battles of the campaign in the East to overcome the Red Army and win Russia for the German Reich.<br> <br> Gathering Starflowers is written to be performed as a melodrama. A 'drama with music'. The drama will be provided by a narrator who will read excerpts from Local Anaesthetic interspersed with dramatic dialogues from which the audience will learn a little about the main protagonists of Günter Grass’ novel. The music, especially composed by Chris Gordon, is for two pianos.<br> <br> Please note: this volume contains only the music for 2 pianos for Gathering Starflowers.<br> <br> Baffled by music bindings? Read this:<br> <br> https://coolwindmusic.blogspot.co.uk/2009/08/making-printed-copies-from-pdfs.html
$15.00
13.83 €
#
2 Pianos, 4 mains
#
Chris Gordon
#
Gathering Starflowers: A Music Drama for 2 Pianos
#
Cool Wind Music Digital
#
SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30.38 €
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2 Pianos, 4 mains
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achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
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Germaine Tailleferre
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Germaine Tailleferre: Trois Études for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
Germaine Tailleferre : "Il était un Petit Navire" Suite for two pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1155034 By Gold an…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1155034 By Gold and Fizdale. By Germaine Tailleferre. 20th Century,Chamber,Opera. Score. 36 pages. Musik Fabrik Music Publishing #755315. Published by Musik Fabrik Music Publishing (A0.1155034). Written for Gold and Fizdale during their 1948 visit to Tailleferre home in Grasse, France. This work is four selections from Tailleferre's comic opera.
$32.95
30.38 €
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2 Pianos, 4 mains
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Gold and Fizdale
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Germaine Tailleferre : "Il était un Petit Navire" Suite for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
Germaine Tailleferre : La Nouvelle Cythère
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1155003 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1155003 Composed by Germaine Tailleferre. 20th Century,Chamber. Score. 88 pages. Musik Fabrik Music Publishing #755283. Published by Musik Fabrik Music Publishing (A0.1155003). Tailleferre's complete 2-piano version for her 1929 commission for the Ballets Russes, never produced due to Diaghilev's untimely death.
$59.95
55.27 €
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2 Pianos, 4 mains
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Germaine Tailleferre
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Germaine Tailleferre : La Nouvelle Cythère
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Musik Fabrik Music Publishing
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SheetMusicPlus
Germaine Tailleferre : Choral et Variations for two pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1155043 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1155043 Composed by Germaine Tailleferre. 20th Century,Chamber. Score. 45 pages. Musik Fabrik Music Publishing #755324. Published by Musik Fabrik Music Publishing (A0.1155043). Tailleferre's only work in the form of variations, written near the end of her life as part of a French State commission. The work is in the form of a suite which uses themes from all periods of Tailleferre's life. There is also a version for orchestra, whose score is available for sale on this site.
$51.95
47.89 €
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2 Pianos, 4 mains
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Germaine Tailleferre
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Germaine Tailleferre : Choral et Variations for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
Germaine Tailleferre : Paris-Magie for two pianos
2 Pianos, 4 mains
By Gold and Fizdale. By Germaine Tailleferre. 20th Century,Chamber. Score. 71 pages.…
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By Gold and Fizdale. By Germaine Tailleferre. 20th Century,Chamber. Score. 71 pages. Musik Fabrik Music Publishing #755304. Published by Musik Fabrik Music Publishing
$59.95
55.27 €
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2 Pianos, 4 mains
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Gold and Fizdale
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Germaine Tailleferre : Paris-Magie for two pianos
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SheetMusicPlus
5 Easy Pieces for 2 pianos Books 1, 2, 3, 4 and 5 - 25 Classics - 2 pianos, 4 hands by Simon Peberdy
2 Pianos, 4 mains
2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Var…
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2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Various, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Classical Period, Baroque Period, Repertoire, General Instructional, Children's Music. 70 pages. Published by Simon Peberdy
Have fun with 25 newly arranged pieces for 2 pianos, 4 hands with a brand new additional piano part by Simon Peberdy.<br> This anthology is a special offer giving you a saving $10 compared to if you buy the books separately.<br> This is a collection of books 1-5 of my series of Easy Pieces for 2 pianos, 4 hands.<br> Excellent for learners with other learners or teachers, or for more advanced pianists wanting to have some fun sight reading on 2 pianos.<br> <br> Book 1: https://www.youtube.com/watch?v=nsxdXu3Q9DY<br> Schumann - Stückchen<br> W A Mozart - Menuett<br> Tschaikowsky - Old French song<br> G F Handel - Sarabande<br> Haydn - German Dance<br> <br> Book 2: https://www.youtube.com/watch?v=WvSNEp_eq-w<br> Haydn - Shepherd's Song<br> Mozart - Air from a String Quartet<br> Handel - Sonatina in B flat<br> Rathgeber - Vivace in A<br> Hook - Pastorale<br> <br> Book 3: https://www.youtube.com/watch?v=7BugdfBm_2Y<br> W.A. Mozart - Minuet in F (K5)<br> Hook - Tempo di Minuetto<br> J.S. Bach - Gavotte en Rondeau<br> Gurlitt - Wild Mignonette<br> W.F. Bach - Menuett<br> <br> Book 4: (https://www.youtube.com/watch?v=lwNeO_YaBEI<br> Hook - Air<br> Müller - Study in A minor<br> Purcell - Round O'<br> Couperin - Gavotte<br> Rameau - Minuet<br> <br> Book 5: https://www.youtube.com/watch?v=eRbF5QeR95Q<br> J.S. Bach - Minuet in G (I)<br> J.S. Bach - Minuet in G minor<br> J.S. Bach - Minuet in G (II)<br> J.S. Bach - Minuet in A minor<br> J.S. Bach - Minuet in D minor<br> Arranged for 2 pianos, 4 hands by Simon Peberdy.<br> <br> The pieces are also available individually from www.simonpeberdymusic.com<br> <br> If you print out everything, there are 70 pages.<br> <br> The mp3 is of Rameau's Minuet from Book 4 and is computer generated, I'm afraid. To hear the other pieces, please call them up individually from www.simonpeberdymusic.comHave fun with 25 newly arranged pieces for 2 pianos, 4 hands with a brand new additional piano part by Simon Peberdy.<br> This anthology is a special offer giving you a saving $10 compared to if you buy the books separately.<br> This is a collection of books 1-5 of my series of Easy Pieces for 2 pianos, 4 hands.<br> Excellent for learners with other learners or teachers, or for more advanced pianists wanting to have some fun sight reading on 2 pianos.<br> <br> Book 1: https://www.youtube.com/watch?v=nsxdXu3Q9DY<br> Schumann - Stückchen<br> W A Mozart - Menuett<br> Tschaikowsky - Old French song<br> G F Handel - Sarabande<br> Haydn - German Dance<br> <br> Book 2: https://www.youtube.com/watch?v=WvSNEp_eq-w<br> Haydn - Shepherd's Song<br> Mozart - Air from a String Quartet<br> Handel - Sonatina in B flat<br> Rathgeber - Vivace in A<br> Hook - Pastorale<br> <br> Book 3: https://www.youtube.com/watch?v=7BugdfBm_2Y<br> W.A. Mozart - Minuet in F (K5)<br> Hook - Tempo di Minuetto<br> J.S. Bach - Gavotte en Rondeau<br> Gurlitt - Wild Mignonette<br> W.F. Bach - Menuett<br> <br> Book 4: (https://www.youtube.com/watch?v=lwNeO_YaBEI<br> Hook - Air<br> Müller - Study in A minor<br> Purcell - Round O'<br> Couperin - Gavotte<br> Rameau - Minuet<br> <br> Book 5: https://www.youtube.com/watch?v=eRbF5QeR95Q<br> J.S. Bach - Minuet in G (I)<br> J.S. Bach - Minuet in G minor<br> J.S. Bach - Minuet in G (II)<br> J.S. Bach - Minuet in A minor<br> J.S. Bach - Minuet in D minor<br> Arranged for 2 pianos, 4 hands by Simon Peberdy.<br> <br> The pieces are also available individually from www.simonpeberdymusic.com<br> <br> If you print out everything, there are 70 pages.<br> <br> The mp3 is of Rameau's Minuet from Book 4 and is computer generated, I'm afraid. To hear the other pieces, please call them up individually from www.simonpeberdymusic.com
$19.99
18.43 €
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2 Pianos, 4 mains
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Piano II: Various, Piano I: Simon Peberdy
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Simon Peberdy
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5 Easy Pieces for 2 pianos Books 1, 2, 3, 4 and 5 - 25 Classics - 2 pianos, 4 hands by Simon Peberdy
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Simon Peberdy
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SheetMusicPlus
Zorba's Dance
2 Pianos, 4 mains
2 pianos - intermediate to advanced - Digital Download Syrtaki. Composed by Mikis The…
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2 pianos - intermediate to advanced - Digital Download Syrtaki. Composed by Mikis Theodorakis (1925-). Arranged by Lowell Liebermann. This edition: score and parts. Downloadable. Duration 5 minutes. Schott Music - Digital #Q51790. Published by Schott Music - Digital
$19.99
18.43 €
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2 Pianos, 4 mains
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Mikis Theodorakis
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Zorba's Dance
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Schott Music - Digital
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SheetMusicPlus
Danny Boy (The Londonderry Air) - 2 Pianos 4 hands
2 Pianos, 4 mains
Composed by Tradional Irish. Arranged by Ian Rae. World, Folk, St. Patrick's Day, Recital.…
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Composed by Tradional Irish. Arranged by Ian Rae. World, Folk, St. Patrick's Day, Recital. Score. 8 pages. Published by Irma Music (S0.320659). - Score - World,Folk,St. Patrick's Day,Recital - Irma Music
$4.99
4.6 €
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2 Pianos, 4 mains
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Tradional Irish
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Ian Rae
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Danny Boy
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Irma Music
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SheetMusicPlus
"A Youthful Vow" from An Icelandic Suite
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
4.56 €
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2 Pianos, 4 mains
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Ingunn Bjarnadóttir
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Richard Simm
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"A Youthful Vow" from An Icelandic Suite
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Richard Simm
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SheetMusicPlus
Soon May the Wellerman Come - Sea Shanty - Piano duet (Teacher/student) - 4 hands, 2 pianos
2 Pianos, 4 mains
Composed by Traditional. Arranged by Ene Nixon. Contemporary. Score. 9 pages. Ene Ni…
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Composed by Traditional. Arranged by Ene Nixon. Contemporary. Score. 9 pages. Ene Nixon #6326745. Published by Ene Nixon
$4.99
4.6 €
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2 Pianos, 4 mains
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Traditional
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Ene Nixon
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Soon May the Wellerman Come - Sea Shanty - Piano duet
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SheetMusicPlus
More Piano Sight-Reading 2
2 Pianos, 4 mains
Piano (2- and 4-hands) - easy to intermediate - Digital Download SKU: S9.Q19483 …
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Piano (2- and 4-hands) - easy to intermediate - Digital Download SKU: S9.Q19483 Additional material for piano solo and duet. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 2. Schott Music - Digital #Q19483. Published by Schott Music - Digital (S9.Q19483). English â?¢ French â?¢ German.This collection of original tunes is an ideal extension of Piano Sight-Reading 2 (ED 12791), or a continuation of Piano Sight-Reading 1 (ED 12736), which presents 144 carefully graded sight-reading pieces and exercises in a range of musical styles. Taking an approach based on self-learning, the 7 sections of the book focus on developing different key technical skills as well as introducing the student to a plethora of musical terms. Each section of the book contains solos, as well as piano duets for practising ensemble sight-reading. Suitable for preliminary, to advanced level students. Part of the comprehensive Sight-Reading series published by Schott and edited by John Kember. PIANO SIGHT-READING and MORE PIANO SIGHT-READING - press reviews The books have a classy presentation, with notation nicely engraved and well spaced ... For those looking for an authoritative and well structured approach to learning real-world sight-reading skills, John Kemberâ??s â??Piano Sight-Reading Seriesâ?? jumps to the top of my list of recommendations. - PIANODAO.COM.
$13.99
12.9 €
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2 Pianos, 4 mains
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More Piano Sight-Reading 2
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Schott Music - Digital
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SheetMusicPlus
Watermark
2 Pianos, 4 mains
By Enya. New Age. Piano Duet. 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.…
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By Enya. New Age. Piano Duet. 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.319964). - Piano Duet - New Age - Hal Leonard - Digital Sheet Music
$4.99
4.6 €
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2 Pianos, 4 mains
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Enya
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Watermark
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Good Christian Men, Rejoice by Old German Carol - 2 Piano 4-Hands
2 Pianos, 4 mains
Old German Carol - Good Christian Men, Rejoice Digital Sheetmusic - instantly downloadable…
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Old German Carol - Good Christian Men, Rejoice Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: 2 Piano 4-Hands;Instrumental Duet, instruments: Piano 1;Piano 2; 9 pages -- Christmas~~Christmas - Religious~~Holiday & Special Occasion
$5.25
4.84 €
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2 Pianos, 4 mains
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2 Piano 4-Hands
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Musicnotes
Danses concertantes
2 Pianos, 4 mains
2 pianos - difficult - Digital Download SKU: S9.Q563062 Concert vesion for two p…
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2 pianos - difficult - Digital Download SKU: S9.Q563062 Concert vesion for two pianos by Ingolf Dahl. Composed by Igor Stravinsky. Arranged by Ingolf Dahl. Downloadable. Duration 20 minutes. Schott Music - Digital #Q563062. Published by Schott Music - Digital (S9.Q563062). Igor Strawinsky schrieb die Danses concertantes ursprünglich für ein in Kalifornien ansässiges Unterhaltungsorchester. Die fünf Sätze sind allerdings mehr als rein orchestrale Tänze. Das Stück erinnert an eine Ballettsuite. Die beiden Märsche zu Beginn und am Ende untermalen Auftritt (Prolog) und Abgang (Epilog) der Tänzer, wobei zwei der mittleren Sätze – „Pas d’action“ und „Pas de deux“ – offenkundig auf das Ballett anspielen. Die Bearbeitung für zwei Klaviere von Ingolf Dahl ist nicht nur eine Reduktion des Orchestersatzes, sondern ganz bewusst als eigenständige Konzertfassung gedacht.
$40.99
37.79 €
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2 Pianos, 4 mains
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Igor Stravinsky
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Ingolf Dahl
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Danses concertantes
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Schott Music - Digital
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SheetMusicPlus
Five Joyful Tunes for Two Pianos (A Collection of 5 Mixed Level Piano Duets for 2 Pianos, 4 Hands)
2 Pianos, 4 mains
By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Folk, Jazz, P…
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By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Folk, Jazz, Praise & Worship, Sacred, Spiritual. Score. 51 pages. Sharon Wilson #3519307. Published by Sharon Wilson
Here is a collection of 5 traditional spirituals arranged for two piano players with different "intermediate" skill levels. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. <br> <br> Two formats are provided for each song:<br> 1. four-staff, grand stave with both parts (PIANO 1 and PIANO 2) on each page<br> 2. two-staff score for each part; PIANO 1 and PIANO 2 on separate pages<br> <br> These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for early-intermediate students and suitable for performances in a church setting. Each song is also available separately with accompanying preview pages and audio samples.<br> <br> Song titles included in this collection:<br> Every Time I Feel the Spirit<br> I Shall Not Be Moved<br> I’m So Glad Jesus Lifted Me<br> Swing Low, Sweet Chariot<br> When the Saints Go marching InHere is a collection of 5 traditional spirituals arranged for two piano players with different "intermediate" skill levels. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. <br> <br> Two formats are provided for each song:<br> 1. four-staff, grand stave with both parts (PIANO 1 and PIANO 2) on each page<br> 2. two-staff score for each part; PIANO 1 and PIANO 2 on separate pages<br> <br> These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for early-intermediate students and suitable for performances in a church setting. Each song is also available separately with accompanying preview pages and audio samples.<br> <br> Song titles included in this collection:<br> Every Time I Feel the Spirit<br> I Shall Not Be Moved<br> I’m So Glad Jesus Lifted Me<br> Swing Low, Sweet Chariot<br> When the Saints Go marching In
$15.00
13.83 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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Worship, Sacred, Spiritual
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Five Joyful Tunes for Two Pianos
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Sharon Wilson
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SheetMusicPlus
A Dickens of a Christmas (2 Pianos 4 Hands formatting)
2 Pianos, 4 mains
Composed by Thomas C. Baggaley. 21st Century, Contemporary Classical, Movies, Christ…
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Composed by Thomas C. Baggaley. 21st Century, Contemporary Classical, Movies, Christmas. Score, Set of Parts. 37 pages. Published by Quest Haven Publishing
$7.95
7.33 €
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2 Pianos, 4 mains
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Thomas C
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A Dickens of a Christmas
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SheetMusicPlus
Baoba
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.962351 Composed by Sergio Ro…
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.962351 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score. 12 pages. Sergio Roberto de Oliveira #4822133. Published by Sergio Roberto de Oliveira (A0.962351). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$8.55
7.88 €
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2 Pianos, 4 mains
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Sergio Roberto de Oliveira
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Baoba
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Sergio Roberto de Oliveira
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SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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RITUALISE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
SURRENDER, Between the Octaves, A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
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