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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
XYLOPHONE
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CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
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POLKA
POP ROCK - POP MUSIC
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PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
12654
PIANO & CLAVIERS
Piano, Voix et Guitare
86479
Piano seul
77957
Piano, Voix
35039
Piano Facile
14757
Piano grosses notes
6028
1 Piano, 4 mains
2835
Orgue
1600
Accompagnement Piano
420
2 Pianos, 4 mains
269
Piano Trio: piano, violon, violoncelle
200
Instruments en Do
177
Piano (partie séparée)
167
Piano Quatuor: piano, violon, alto, violoncelle
92
Piano Quatuor: piano, 2 violons, violoncelle
67
Clavier
65
Orgue, Piano (duo)
54
Piano Quintette: piano, 2 violons, alto, violoncelle
29
1 Piano, 6 mains
20
Accordéon
11
Ligne De Mélodie, Piano
10
2 Pianos, 8 mains
8
Clavecin
5
Orgue, Trompette (duo)
2
Accordéon, Voix
2
Accordéon, Piano
1
Instrument seul et Orgue
1
Instrumentations suivantes
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
1052
Guitare notes et tablatures
305
Piano, Guitare (duo)
162
Guitare
150
Ukulele
71
2 Guitares (duo)
34
Basse electrique
30
Paroles et Accords
29
Mandoline, Piano (duo)
14
Guitare (partie séparée)
8
4 Guitares (Quatuor)
4
Guitare, Violon, Violoncelle (trio)
3
Banjo
3
Guitare Pedal Steel
2
Dulcimer
2
Ensemble de guitares
2
3 Guitares (trio)
1
2 Ukuleles
1
Instrumentations suivantes
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VOIX
Chorale SATB
3843
Chorale 3 parties
1926
Chorale 2 parties
1339
Voix haute
1050
Chorale
968
Voix duo, Piano
891
Chorale Unison
415
Chorale TTBB
370
Voix Soprano, Piano
232
Voix basse, Piano
131
Voix Tenor, Piano
122
Voix Alto, Piano
105
Chorale SSAA
89
Voix duo
82
Pack Instrumental pour Chorale
73
Voix Baryton, Piano
72
Voix Mezzo-Soprano, Piano
66
Voix moyenne, Piano
46
Voix seule
43
Voix Tenor
9
Chorale SSAB, Piano
8
Chorale SSATTB
6
Voix basse
5
Voix, Guitare
4
Chorale SSATBB
4
Chorale SSAATTBB
3
Voix haute, Piano
2
Voix Soprano
2
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
2345
Clarinette et Piano
1932
Saxophone Alto et Piano
1428
Hautbois, Piano (duo)
1020
Saxophone Tenor et Piano
910
Saxophone Soprano et Piano
620
2 Saxophones (duo)
279
Saxophone Baryton, Piano
266
Flûte, Hautbois, Clarinette, Basson
246
Quatuor de Saxophones: 4 saxophones
245
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
242
Clarinette
210
Cor anglais, Piano
196
2 Flûtes traversières (duo)
115
Flûte, Clarinette (duo)
114
Flûte traversière
112
Clarinette Basse, Piano
108
2 Clarinettes (duo)
106
Flûte, Violon, Piano
106
Flûte irlandaise
80
Quintette de Saxophone: 5 saxophones
72
Saxophone Alto
67
Flûte à Bec, Piano
62
Quatuor de Clarinettes: 4 clarinettes
55
Saxophone (partie séparée)
54
Saxophone Tenor
44
Ensemble de Clarinettes
43
3 Saxophones (trio)
36
2 Hautbois (duo)
35
3 Clarinettes (trio)
34
Hautbois (partie séparée)
34
2 Saxophones, Piano
32
Flûte à bec Soprano
31
2 Clarinettes, Piano
31
Flûte et Guitare
29
Ensemble de Flûtes
28
Quatuor de Flûtes : 4 flûtes
27
2 Flûtes traversières, Piano
26
Trio de Flûtes: 3 flûtes
22
Clarinette, Violon (duo)
21
Flûte, Violoncelle, Piano (trio)
20
Flûte à Bec
20
Flûte à bec Soprano, Piano
20
Flûte, Basson et Piano
19
Saxophone, Clarinette (duo)
17
Flûte, Clarinette, Piano (trio)
16
2 Flûte à bec (duo)
16
Cor Anglais
15
Clarinette, Basson (duo)
15
Clarinette, Guitare (duo)
15
Hautbois, Basson (duo)
14
Flûte, Violon
14
Flûte, Violon, Violoncelle et Piano
14
Ensemble De Flûte à bec
13
Hautbois, Clarinette (duo)
13
Hautbois, Guitare (duo)
12
Clarinette, Violoncelle, Piano (trio)
12
Flûte à bec Alto, Piano
12
Clarinette et Alto
12
Clarinette, Violoncelle (duo)
11
Flûte, Violoncelle
11
Quintette de Clarinettes: 5 clarinettes
11
Clarinette, Alto et Piano (trio)
11
Flûte, Hautbois, Clarinette (trio)
11
Piccolo, Piano
10
Hautbois
10
Clarinette, Trompette (duo)
9
Harmonica, Piano
9
Clarinette, Basson, Piano (trio)
9
Flûte, Clarinette et Basson
9
Quatuor de Flûtes à bec
8
Flûte à bec Alto
8
Flûte, Saxophone (duo)
7
Flûte, Trombone (duo)
7
Ensemble de saxophones
7
Flûte, Alto et Piano
7
Clarinette, Trombone (duo)
7
Hautbois, Violoncelle
6
Flûte, Trompette (duo)
6
Hautbois, Flûte
6
Flûte, Clarinette, Cor, Basson (Quartet)
6
Flûte, Hautbois (duo)
6
Flûte, Alto (duo)
6
Instruments en Mib
5
Flute (partie séparée)
5
Saxophone Soprano
5
Flûte, Hautbois, Piano (trio)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Clarinette (partie séparée)
4
Harmonica
4
Saxophone et Orgue
4
Saxophone et Piano
4
Hautbois, Violon, Piano
4
Flute, harpe et violon
3
Flûte, Clarinette, Violon (trio)
3
Quintette de Flûte : 5 flûtes
3
Hautbois, violon (duo)
3
Flûte à bec Tenor
3
Hautbois, Basson et Piano
2
Hautbois, Harpe
2
Hautbois et alto (duo)
2
Saxophone Baryton
2
2 Clarinettes, Basson
2
Flûte, trombone et piano
2
Piccolo
2
2 Flûtes à bec, Piano
2
Flûte, Hautbois, Basson
2
Clarinette, Harpe (duo)
1
3 Flûtes à bec (trio)
1
Ocarina
1
Flûte traversière, Basse continue
1
Saxophone
1
Saxophone, Violon (duo)
1
Clarinette, Tuba
1
Hautbois, Violoncelle et Piano
1
Flûte traversière, Orgue (duo)
1
2 Hautbois, Piano
1
2 Cors Anglais Et Pianoforte
1
Clarinette Basse
1
Clarinette, trompette et piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Cornemuse
1
Clarinette, Orgue
1
Hautbois, Clarinette et Piano (Trio)
1
Ensemble à vent
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette, Piano
1265
Trombone et Piano
842
Cor et Piano
695
Trompette
288
Tuba et Piano
224
Cor anglais, Piano
196
Euphonium, Piano (duo)
193
Quatuor de Cuivres: 2 trompettes, Cor, trombone
117
2 Trompettes (duo)
114
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
114
2 Trombones (duo)
108
Trompette, Cor (duo)
80
Trombone
74
Quatuor de Cuivres : 2 trompettes, trombone, tuba
65
Quatuor de Cuivres
50
2 Cors (duo)
48
Trompette (partie séparée)
42
Cor
36
Tuba et Orgue
30
Trompette, Trombone (duo)
29
Quatuor de cuivres: 2 trompettes, 2 trombones
25
Tuba
23
Trombone (partie séparée)
20
Cor Anglais
15
Trompette, Saxophone (duo)
10
2 Trompettes, Clavier (piano ou orgue)
10
Cor (partie séparée)
10
Euphonium
9
Quatuor de cuivres: 4 cors
8
3 Trombones (trio)
8
Trombone basse et Piano
7
Quatuor de cuivres: 4 trombones
6
Trompette, Violoncelle et Piano
6
Ensemble de Trombones
6
Quatuor de cuivres: 4 trompettes
5
Bass Clef Instruments
4
2 Tubas (duo)
4
3 Trompettes (trio)
4
Trompette, Trombone, Piano
4
Trombone, Violon (duo)
4
Trio de Cuivres
3
Cor, Violoncelle (duo)
3
2 Cors, Piano
3
Instruments en Sib
3
Cor, Tuba (duo)
3
Trompette, violon (duo)
3
2 Euphoniums (duo)
2
Cornet et Piano
2
Trombone, violoncelle (duo)
2
Euphonium, Tuba (duo)
2
2 Euphoniums et 2 Tubas
2
Tuba (partie séparée)
2
Trompette, Tuba (duo)
2
4 Tubas
1
Trombone, Orgue
1
Trompette, Euphonium (duo)
1
Trompette, Basson (duo)
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Trompettes
1
Trombone, Tuba (duo)
1
2 Trombones, Piano
1
3 Cors (trio)
1
Instrumentations suivantes
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CORDES
Violon et Piano
3534
Violoncelle, Piano
2109
Alto, Piano
1700
Quatuor à cordes: 2 violons, alto, violoncelle
500
Contrebasse, Piano (duo)
212
Violon
194
Piano Trio: Violon, Alto, Piano
113
Violoncelle
111
2 Violons (duo)
111
2 Violoncelles (duo)
110
Quintette à cordes: 2 violons, alto, violoncelle, basse
88
Violon, Violoncelle (duo)
81
Violon, Alto (duo)
66
Alto seul
59
Trio à Cordes: violon, alto, violoncelle
58
Harpe
57
2 Altos (duo)
50
Violon (partie séparée)
29
2 Violons, Piano
23
Alto (partie séparée)
23
Contre Basse
19
Trio à Cordes: 2 violons, violoncelle
18
Violoncelle (partie séparée)
18
2 Violoncelles, Piano
18
Violoncelle , Guitare (duo)
16
Alto, Violoncelle (duo)
15
Alto, Guitare (duo)
11
Violoncelle, Contrebasse (duo)
9
Trio à cordes: 3 violins
8
Contrebasse (partie séparée)
7
Trio à Cordes: 2 violons, alto
7
2 Altos, Piano
6
Harpe, Flûte (duo)
6
4 Violoncelles
6
Quatuor à cordes: 4 violons
5
Violon, Clarinette, Piano (trio)
5
Trio à Cordes: 3 violoncelles
5
Violon, Basson (duo)
5
Violon, Guitare (duo)
5
Alto et Basson
5
4 Contrebasses
4
2 Contrebasses (duo)
4
Flûte, Contrebasse (duo)
3
Alto, Orgue
2
Trio à cordes: 3 altos
2
Violon, Tuba (duo)
2
Quatuor à cordes : 4 altos
2
Violoncelle, Orgue
2
Harpe, Violon (duo)
2
Harpe, Violon, Violoncelle
2
Violon, Trompette et Piano
2
Harpe, Violoncelle (duo)
2
2 Harpes (duo)
2
Harpe et Piano
1
Violon, Violoncelle, Clarinette
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Alto et Harpe
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Basse continue
1
Alto et orchestre
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
660
Orchestre d'harmonie
300
Orchestre
291
Orchestre à Cordes
222
Orchestre de chambre
166
Jazz combo
165
Ensemble de cuivres
112
Cloches
75
Fanfare
23
Xylophone, Piano
23
Piano et Orchestre
18
Ensemble de Percussions
13
Marimba
10
Ensemble d'École
7
Batterie (partie séparée)
5
Xylophone
4
Batterie
3
Marimba, Piano (duo)
3
Vibraphone
2
Big band
2
Instrumentation Flexible
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Percussion
1
Percussion (partie séparée)
1
Quintette à Vent
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
4
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STan Piano
2 Pianos, 4 mains
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5 Easy Pieces for 2 pianos Book 3. More classics arranged by Simon Peberdy for 2 pianos, 4 hands
2 Pianos, 4 mains
Composed by Various. Arranged by Simon Peberdy. Baroque, Children, Classical, Instru…
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Composed by Various. Arranged by Simon Peberdy. Baroque, Children, Classical, Instructional, Standards. Score. 30 pages. Simon Peberdy #3689657. Published by Simon Peberdy
A third collection of 5 easy pieces arranged for 2 pianos, 4 hands. The original pieces are of approximately grade 2-3 standard, with a new piano part added for a friend or teacher to play on a second piano or keyboard. Piano II is the original piece, piano I has been composed by Simon Peberdy.<br> <br> 1. W.A. Mozart: Minuet in F (K.5)<br> 2. J. Hook: Tempo di Minuetto<br> 3. J.S. Bach: Gavotte en Rondeau<br> 4. C. Gurlitt: Wild Mignonette<br> 5. W.F Bach: Menuett<br> <br> The pieces are also available individually from www.simonpeberdymusic.comA third collection of 5 easy pieces arranged for 2 pianos, 4 hands. The original pieces are of approximately grade 2-3 standard, with a new piano part added for a friend or teacher to play on a second piano or keyboard. Piano II is the original piece, piano I has been composed by Simon Peberdy.<br> <br> 1. W.A. Mozart: Minuet in F (K.5)<br> 2. J. Hook: Tempo di Minuetto<br> 3. J.S. Bach: Gavotte en Rondeau<br> 4. C. Gurlitt: Wild Mignonette<br> 5. W.F Bach: Menuett<br> <br> The pieces are also available individually from www.simonpeberdymusic.com
$5.99
5.48 €
#
2 Pianos, 4 mains
#
Various
#
5 Easy Pieces for 2 pianos Book 3. More classics arranged by Simon Peberdy for 2 pianos, 4 hands
#
Simon Peberdy
#
SheetMusicPlus
Jingle Bells for Duet or Two Pianos
2 Pianos, 4 mains
Composed by John Pierpont. Arranged by Deborah Sutin Fitts. Children, Christmas, Hol…
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Composed by John Pierpont. Arranged by Deborah Sutin Fitts. Children, Christmas, Holiday, Instructional, Standards. Score and parts. 7 pages. Deborah Sutin Fitts #4980321. Published by Deborah Sutin Fitts
This duet arrangement is for two pianos but can be played on one instrument shifting part one up and octave and part two down one octave. It is in G Major and uses simple I IV V7 pattern chords throughout. This is recommended as a holiday sight reading piece for year two or three of piano study.<br> <br> Everybody needs a little Jingle Bells!This duet arrangement is for two pianos but can be played on one instrument shifting part one up and octave and part two down one octave. It is in G Major and uses simple I IV V7 pattern chords throughout. This is recommended as a holiday sight reading piece for year two or three of piano study.<br> <br> Everybody needs a little Jingle Bells!
$1.99
1.82 €
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2 Pianos, 4 mains
#
John Pierpont
#
Deborah Sutin Fitts
#
Jingle Bells for Duet or Two Pianos
#
Deborah Sutin Fitts
#
SheetMusicPlus
Amazing Grace (student - teacher piano duet)
2 Pianos, 4 mains
Composed by John Newton. Arranged by B C Dockery. Christian, Concert, Sacred, Standa…
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Composed by John Newton. Arranged by B C Dockery. Christian, Concert, Sacred, Standards. Score and parts. 2 pages. Ben Dockery #5021995. Published by Ben Dockery
This piano duet arrangement of Amazing Grace is perfect for beginner students and their teachers. The primo part is to be played in middle C position but up an octave. The secondo part can be played with or without pedal.<br> <br> Great for lessons, recitals, and church services. .This piano duet arrangement of Amazing Grace is perfect for beginner students and their teachers. The primo part is to be played in middle C position but up an octave. The secondo part can be played with or without pedal.<br> <br> Great for lessons, recitals, and church services. .
$3.99
3.65 €
#
2 Pianos, 4 mains
#
John Newton
#
B C Dockery
#
Amazing Grace
#
Ben Dockery
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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INITIATE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Ornament for Two Pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1373528 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1373528 Composed by Jean Ahn. 21st Century,Classical,Contemporary. Score. 18 pages. Jean Ahn #957896. Published by Jean Ahn (A0.1373528). Ornament is about the sparkling chords. The constant six note chords and the shimmering ornaments fill up a resonant space, thus a pianosphere.
$15.00
13.71 €
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2 Pianos, 4 mains
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Jean Ahn
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Ornament for Two Pianos
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Jean Ahn
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SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30.12 €
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2 Pianos, 4 mains
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achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
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Germaine Tailleferre
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Germaine Tailleferre: Trois Études for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
Harmonic Spaces (four-hands piano)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
9.14 €
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2 Pianos, 4 mains
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
"Conversations" A piece for Piano Four (4) Hands
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.991619 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.991619 Composed by Antonis Koundourakis. Concert,Contemporary,Instructional,Standards. Score. 11 pages. ANTONIOS KOUNDOURAKIS #3471903. Published by ANTONIOS KOUNDOURAKIS (A0.991619). In this piece Antonis explores the polyphonic and the homophonic style of composition with the added benefit and freedom of having 2 extra hands on the keyboard. Therefore there is a wide range being used simultaneously and in many cases the piece requires good coordination of the performers while in other cases independence of dynamics and phrasing. There is an extended period of stretto immitations, normally found in the style of the Fugue, and a 7 voice homophonic section resembling choral music. The different styles are juxtaposed in the form of a conversation, hence the title of the piece.This piece is ideal for live performance but can also be played by teacher and student while interchanging the parts they play for added benefit of learing coordination and understanding the challenges of the other performer when playing together. In case you buy and perform the piece don't hesitate to contact Antonis at midnightnotesband@gmail.com to give him any feedback on the score legibility/playability and the experience of playing his composition! Videos are also very welcome!
$6.00
5.49 €
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2 Pianos, 4 mains
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Antonis Koundourakis
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"Conversations" A piece for Piano Four
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ANTONIOS KOUNDOURAKIS
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SheetMusicPlus
Schäferlied by Haydn for 2 pianos (additional piano part by Simon Peberdy). Easy music for 2 pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757054 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757054 Composed by Piano II: Haydn, PIano I: Simon Peberdy. Arranged by Simon Peberdy. Children,Instructional,Standards. Score. 4 pages. Simon Peberdy #3680437. Published by Simon Peberdy (A0.757054). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 3 standard, so a great introduction to playing music for 2 pianos.This piece appears (with separate piano parts too) in the collection 5 Easy Pieces for 2 Pianos Book 2 arranged by Simon Peberdy, a second book of arrangements to follow 5 First Pieces for 2 Pianos Book 1. There is also a Book 3.For more compositions and arrangements, please visit www.simonpeberdymusic.comVideo of all of Book 2: https://youtu.be/WvSNEp_eq-wThe mp3 is a computer generated one at the moment, I'm afraid.
$1.99
1.82 €
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2 Pianos, 4 mains
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Piano II: Haydn, PIano I: Simon Peberdy
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Simon Peberdy
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Schäferlied by Haydn for 2 pianos
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Simon Peberdy
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SheetMusicPlus
Air from a string quartet by Mozart for 2 pianos (additional piano part by Simon Peberdy)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757055 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757055 Composed by Piano II: Mozart, PIano I: Simon Peberdy. Arranged by Simon Peberdy. Children,Instructional,Standards. Score. 4 pages. Simon Peberdy #3680441. Published by Simon Peberdy (A0.757055). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 3 standard, so a great introduction to playing music for 2 pianos.This piece appears (with separate piano parts too) in the collection 5 Easy Pieces for 2 Pianos Book 2 arranged by Simon Peberdy, a second book of arrangements to follow 5 Easy Pieces for 2 Pianos  Book 1. There is also a Book 3.Video of all of Book 2: https://youtu.be/WvSNEp_eq-wFor more compositions and arrangements, please visit www.simonpeberdymusic.comThe mp3 is a computer generated one at the moment, I'm afraid.
$1.99
1.82 €
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2 Pianos, 4 mains
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Piano II: Mozart, PIano I: Simon Peberdy
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Simon Peberdy
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Air from a string quartet by Mozart for 2 pianos
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Simon Peberdy
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SheetMusicPlus
Pastorale by Hook for 2 pianos (additional piano part by Simon Peberdy). Easy music for 2 pianos.
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757056 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757056 Composed by James Hook. Arranged by Simon Peberdy. Children,Instructional,Standards. Score. 6 pages. Simon Peberdy #3681133. Published by Simon Peberdy (A0.757056). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 3 standard, so a great introduction to playing music for 2 pianos.This piece appears (with separate piano parts too) in the collection 5 Easy Pieces for 2 Pianos Book 2 arranged by Simon Peberdy, a second book in a series of 5.For more compositions and arrangements, please visit www.simonpeberdymusic.comVideo of all of Book 2: https://youtu.be/WvSNEp_eq-wThe mp3 is a computer generated one at the moment, I'm afraid.
$1.99
1.82 €
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2 Pianos, 4 mains
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James Hook
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Simon Peberdy
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Pastorale by Hook for 2 pianos
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Simon Peberdy
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SheetMusicPlus
Study in A minor (August Müller) for 2 pianos 4 hands (additional piano part by Simon Peberdy)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757071 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757071 Composed by Piano II: Müller, PIano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Classical,Instructional,Standards. Score. 4 pages. Simon Peberdy #4313333. Published by Simon Peberdy (A0.757071). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 4, the fourth book in a series of 5.Video of Book 4: https://youtu.be/lwNeO_YaBEIFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
1.82 €
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2 Pianos, 4 mains
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Piano II: Müller, PIano I: Simon Peberdy
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Simon Peberdy
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Study in A minor
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Simon Peberdy
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SheetMusicPlus
Wild Mignonette (Gurlitt) for 2 pianos (additional piano part by Simon Peberdy)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757062 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757062 Composed by C. Gurlitt. Arranged by Simon Peberdy. Children,Classical,Instructional,Standards. Score. 5 pages. Simon Peberdy #3689667. Published by Simon Peberdy (A0.757062). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece appears (with separate piano parts too) in the collection 5 Easy Pieces for 2 Pianos Book 3 arranged by Simon Peberdy, a third book of arrangements in a series of 5.Video fo all of Book 3: https://youtu.be/7BugdfBm_2YFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
1.82 €
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2 Pianos, 4 mains
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C
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Simon Peberdy
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Wild Mignonette
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Simon Peberdy
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SheetMusicPlus
Minuet (J P Rameau) - 2 pianos, 4 hands by Simon Peberdy
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757074 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757074 Composed by Piano II: Jean Philippe Rameau, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Instructional,Standards. Score. 5 pages. Simon Peberdy #4321405. Published by Simon Peberdy (A0.757074). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 4, the fourth in a series of 5 books.Video of all of Book 4: https://youtu.be/lwNeO_YaBEIFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
1.82 €
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2 Pianos, 4 mains
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Piano II: Jean Philippe Rameau, Piano I: Simon Peberdy
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Simon Peberdy
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Minuet
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Simon Peberdy
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SheetMusicPlus
Minuet in G (II) from Anna Magdalena's Notebook (J S Bach), arr for 2 pianos by Simon Peberdy
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757072 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757072 Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Classical,Instructional,Standards. Score. 4 pages. Simon Peberdy #4319611. Published by Simon Peberdy (A0.757072). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 5, (Book 1, 2, 3 & 4 are also available).Video of Book 5: https://youtu.be/eRbF5QeR95QFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
1.82 €
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2 Pianos, 4 mains
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Piano II: J S Bach, Piano I: Simon Peberdy
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Simon Peberdy
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Minuet in G
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Simon Peberdy
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SheetMusicPlus
Air Lesson XVII from Guida di Musica (James Hook) for 2 pianos (2nd piano part by Simon Peberdy)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757068 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757068 Composed by James Hook. Arranged by Simon Peberdy. Baroque,Children,Classical,Instructional,Standards. Score. 4 pages. Simon Peberdy #3690565. Published by Simon Peberdy (A0.757068). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 4, the fourth in a series of 5 books.Video of all of Book 4: https://youtu.be/lwNeO_YaBEIFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
1.82 €
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2 Pianos, 4 mains
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James Hook
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Simon Peberdy
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Air Lesson XVII from Guida di Musica
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Simon Peberdy
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SheetMusicPlus
5 Easy Pieces for 2 pianos Book 5. (5 Minuets from the Little Music Book of Anna Magdalena Bach) arr
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757082 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757082 Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Instructional,Standards. Score. 26 pages. Simon Peberdy #4354453. Published by Simon Peberdy (A0.757082). A fifth collection of 5 easy pieces arranged for 2 pianos. This fifth book contains arrangements of 5 minuets by J S Bach. The original pieces are of approximately grade 2-3 standard, with a new piano part added for a friend or teacher to play on a second piano or keyboard. Piano II is the original piece, piano I has been composed by Simon Peberdy.
$5.99
5.48 €
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2 Pianos, 4 mains
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Piano II: J S Bach, Piano I: Simon Peberdy
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Simon Peberdy
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5 Easy Pieces for 2 pianos Book 5.
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Simon Peberdy
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SheetMusicPlus
Concerto for piano and orchestra No. 2
2 Pianos, 4 mains
2 pianos - Digital Download SKU: S9.Q5862 Based on Hindustani themes. Compos…
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2 pianos - Digital Download SKU: S9.Q5862 Based on Hindustani themes. Composed by Erik Chisholm. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction. Duration 30 minutes. Schott Music - Digital #Q5862. Published by Schott Music - Digital (S9.Q5862). The Piano Concerto No.2 was first performed in Cape Town in 1949 and in the following year was broadcast on the BBC Radio Third Programme. It was enthusiastically received by the critics, Ernest Newman writing of it ’I was particularly intrigued by the skill with which the composer has managed to fuse Hindustani modes of expression and European ways of thought and factors of design into a single organic whole. I was greatly intrigued by it’. It had many performances and broadcasts in the composer’s life time but after his death, was not heard again until 2007 when it was specially recorded for broadcast one evening in ‘Scotland’s Musicâ€, a BBC Radio Scotland’s series of weekly programmes. John Purser, writer and presenter of the series which ran for a year, comments ‘The Concerto emerges as a major achievement in terms of over-all conception, technical innovation and brilliance and superb handling of the orchestra’. The soloist, Dutch pianist Ronald Brautigam, said of his experience “It is a great privilege to be working on such a wonderful Concerto! I have completely fallen in love with the piece. The work is definitely challenging, but the wealth of musical ideas, the refinement of the slow movement, the humour and boisterousness of the finale make one forget that at times fingers need to be scraped off the keyboard’.
$25.99
23.76 €
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2 Pianos, 4 mains
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Erik Chisholm
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Concerto for piano and orchestra No. 2
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Schott Music - Digital
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SheetMusicPlus
Sonata for 2 pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.495151 By Liudmila Knyazeva …
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.495151 By Liudmila Knyazeva & Daria Yakimovich. By Liudmila Knyazeva. Classical,Contemporary. Score. 27 pages. Published by Liudmila Knyaz (A0.495151). Lyudmila Knyazeva's spectacular concert composition for a piano duet can decorate the program of even the most demanding performers. This composition is often performed in live concerts and always evokes a standing ovation from the audience. The composition begins with a slow intro. Then comes the Sonata Allegro - fast and bravura music. Composition requires skill and professionalism of the performer. It is also important to be able to work with modern music, to know and understand its language, dynamics, complex harmonies. Lyudmila Knyazeva is a living composer of the 21st century.
$5.00
4.57 €
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2 Pianos, 4 mains
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Liudmila Knyazeva & Daria Yakimovich
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Sonata for 2 pianos
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Liudmila Knyaz
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SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
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SURRENDER, Between the Octaves, A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
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