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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
SUITE
Non classifié
3 874
Piano & claviers
Piano seul
3 030
Piano Facile
609
Orgue
370
1 Piano, 4 mains
157
Piano, Voix et Guitare
131
Piano, Voix
93
Piano Trio: piano, violon, violoncelle
79
Accompagnement Piano
78
2 Pianos, 4 mains
68
Accordéon
56
Clavecin
38
Orgue, Piano (duo)
28
Instruments en Do
25
Orgue, Trompette (duo)
19
Piano Quatuor: piano, violon, alto, violoncelle
17
Piano Quintette: piano, 2 violons, alto, violoncelle
15
Piano grosses notes
5
2 Accordéons
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Clavier
3
1 Piano, 6 mains
3
Piano (partie séparée)
3
Fake Book
3
2 Pianos, 8 mains
2
Ligne De Mélodie, Piano
1
Ensemble d'Accordéons
1
+ 21 instrumentations
Retracter
Guitares
Guitare
615
Guitare notes et tablatures
299
2 Guitares (duo)
96
4 Guitares (Quatuor)
47
Ukulele
28
Ligne De Mélodie, (Paroles) et Accords
26
Ensemble de guitares
23
3 Guitares (trio)
21
Basse electrique
18
Banjo
16
Dulcimer
11
Guitare (partie séparée)
9
Paroles et Accords
9
Partitions De Groupes
4
2 Mandolines (duo)
3
Mandoline
3
2 Dulcimers (duo)
3
Ukulele Baryton
3
Piano, Guitare (duo)
2
Mandoline, Piano (duo)
1
Orchestre à Plectres
1
Ensemble de Ukulélés
1
Mandoline, Guitare (duo)
1
Guitare, Flûte, Clarinette
1
Guitare, Harpe
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
527
Chorale 3 parties
132
Chorale TTBB
111
Chorale Unison
103
Pack Instrumental pour Chorale
101
Chorale 2 parties
82
Chorale SSAA
44
Chorale
38
Voix duo, Piano
8
Voix haute
8
Voix Alto, Piano
4
Chorale SSATTB
4
Chorale SSATB
4
Voix basse, Piano
3
Chorale SSAATTBB
2
Voix basse
2
Male Voice
2
Voix Soprano, Piano
2
Voix duo
2
Voix moyenne, Piano
1
Voix Baryton, Piano
1
Voix Soprano
1
Chorale, Orchestre
1
Voix, Guitare
1
Voix Tenor, Piano
1
Voix Moyenne
1
+ 21 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
516
Clarinette (partie séparée)
434
Quatuor de Saxophones: 4 saxophones
402
Saxophone (partie séparée)
386
2 Saxophones (duo)
364
Flûte traversière et Piano
346
Quatuor de Clarinettes: 4 clarinettes
324
Flûte traversière
304
Clarinette et Piano
286
Clarinette
259
2 Flûtes traversières (duo)
232
2 Clarinettes (duo)
220
Saxophone Alto et Piano
200
Flûte, Hautbois, Clarinette, Basson
186
Flute (partie séparée)
173
Hautbois, Piano (duo)
168
Saxophone Alto
152
Quatuor de Flûtes : 4 flûtes
151
Hautbois (partie séparée)
139
Saxophone Tenor et Piano
125
Flûte, Clarinette (duo)
114
Saxophone, Clarinette (duo)
107
Ensemble de saxophones
106
Ensemble de Clarinettes
103
Saxophone Soprano et Piano
88
Saxophone Tenor
86
Quintette de Saxophone: 5 saxophones
77
Clarinette, Violon (duo)
77
Hautbois
74
Flûte et Guitare
67
2 Hautbois (duo)
66
Clarinette, Trompette (duo)
65
2 Flûte à bec (duo)
62
3 Clarinettes (trio)
61
3 Saxophones (trio)
60
Saxophone Baryton, Piano
60
Quintette de Clarinettes: 5 clarinettes
58
Hautbois, Basson (duo)
58
Hautbois, Clarinette (duo)
50
Ensemble de Flûtes
45
Clarinette Basse, Piano
43
2 Saxophones, Piano
41
Clarinette et Alto
40
Flûte, Alto (duo)
40
Cor anglais, Piano
40
Flûte, Violon
39
Trio de Flûtes: 3 flûtes
39
Flûte à Bec
37
Hautbois, Flûte
37
Quatuor de Flûtes à bec
36
Flûte, Saxophone (duo)
34
Saxophone Soprano
31
Saxophone
30
Flûte, Trompette (duo)
30
Flûte à bec Alto
25
Cor Anglais
23
Quintette de Flûte : 5 flûtes
22
Flûte à bec Soprano
21
Flûte, Violoncelle
20
3 Flûtes à bec (trio)
19
Saxophone Baryton
18
Flûte, Clarinette et Basson
17
Clarinette, Basson (duo)
17
Flûte, Hautbois, Clarinette (trio)
17
Piccolo
15
Clarinette Basse
15
Hautbois, Clarinette, Basson (trio d'anches)
14
Flûte à bec Soprano, Piano
13
Flûte à bec Alto, Piano
13
Flûte, Hautbois, Basson
12
Flûte à bec Tenor
10
Flûte, Violoncelle, Piano (trio)
10
Ensemble De Flûte à bec
9
Flûte à Bec, Piano
9
5 Flûtes à bec
8
Clarinette, Guitare (duo)
8
Flûte, Violon, Piano
8
Piccolo, Piano
8
Clarinette, Violoncelle (duo)
7
Flûte, Hautbois, Piano (trio)
6
Ocarina
6
Cor anglais et Harpe (duo)
6
Flûte, Hautbois (duo)
5
Hautbois, Violoncelle
5
Instruments en Mib
5
Flûte, Alto et Piano
5
Saxophone et Orgue
5
2 Flûtes traversières, Piano
4
Flûte, Clarinette, Piano (trio)
4
Flûte traversière, Basse continue
3
Flûte à bec Alto, Basse continue
3
Ensemble à vent
3
Cor anglais, Guitare (duo)
3
Clarinette, Quatuor à cordes et Piano
3
Saxophone et Guitare
3
Hautbois, Harpe
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte et Quatuor à Cordes
2
Saxophone et Piano
2
Clarinette, Trombone (duo)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte à bec Soprano, Basse continue
2
Flûte et Trio à cordes
2
Flûte irlandaise
2
2 Clarinettes, Basson
2
Ensemble de Hautbois
2
Hautbois, Guitare (duo)
1
Flûte à bec, Guitare (duo)
1
3 Hautbois
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Trombone (duo)
1
Clarinette, Alto et Piano (trio)
1
4 Hautbois
1
Hautbois, Orgue
1
Hautbois, Basson et Piano
1
Harmonica
1
Flûte traversière, Orchestre
1
2 Clarinettes, Piano
1
Clarinette, Harpe (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Basson et Piano
1
Saxophone, Tuba (duo)
1
Flûte, Tuba (duo)
1
Flûte traversière, Orgue (duo)
1
Flûte, Violon et Violoncelle
1
2 Flûtes, Basse continue
1
+ 122 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
412
Trombone (partie séparée)
400
Trompette (partie séparée)
279
Cor (partie séparée)
240
Trompette
208
Trompette, Piano
183
Trombone et Piano
154
Quatuor de Cuivres : 2 trompettes, trombone, tuba
154
Trombone
140
Trompette, Trombone (duo)
129
Cor
115
2 Trompettes (duo)
112
2 Trombones (duo)
110
Tuba (partie séparée)
109
Cor et Piano
103
Tuba
82
Tuba et Piano
78
Trompette, Saxophone (duo)
75
Quatuor de cuivres: 4 trombones
66
Euphonium, Piano (duo)
62
Quatuor de Cuivres: 2 trompettes, Cor, trombone
56
Ensemble de Trompettes
48
Cor anglais, Piano
40
Quatuor de Cuivres
38
2 Euphoniums et 2 Tubas
35
Quatuor de cuivres: 4 cors
30
Cornet A Pistons
27
2 Cors (duo)
26
4 Tubas
25
Ensemble de Trombones
24
Cor Anglais
23
Euphonium
17
Quatuor de cuivres: 4 trompettes
16
3 Trombones (trio)
16
Trombone basse et Piano
14
Trio de Cuivres
12
Trombone, Orgue
12
Trompette, Cor (duo)
10
Trombone basse
10
3 Trompettes (trio)
10
Ensemble de Cors
7
Trombone, Cor (duo)
6
Euphonium (partie séparée)
6
Cor anglais et Harpe (duo)
6
2 Tubas (duo)
6
Euphonium, Tuba (duo)
5
3 Tubas (trio)
5
Tuba ou Euphonium ou Saxhorn
5
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Tuba et Orgue
4
Instruments en Sib
4
Trompette, Tuba (duo)
4
Cor, Tuba (duo)
4
Bass Clef Instruments
4
Trompette, violon (duo)
3
Ensemble de Tubas
3
Cor anglais, Guitare (duo)
3
3 Cors (trio)
3
Trompette, Violoncelle (duo)
2
Cor, Violoncelle (duo)
2
Trombone, Tuba (duo)
2
Cornet et Piano
1
2 Euphoniums (duo)
1
Cor et Harpe
1
Cor et Basson (duo)
1
Trombone et orchestre
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
3 Euphoniums
1
+ 63 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
685
Violon et Piano
428
Violoncelle
377
Violon
371
Violoncelle, Piano
285
Violon (partie séparée)
270
Alto seul
237
Alto, Piano
200
2 Violoncelles (duo)
165
2 Violons (duo)
155
Violon, Violoncelle (duo)
150
Contrebasse (partie séparée)
119
Violon, Alto (duo)
116
2 Altos (duo)
112
Harpe
98
Trio à Cordes: violon, alto, violoncelle
95
Violoncelle (partie séparée)
90
Alto (partie séparée)
68
Contre Basse
65
Quintette à cordes: 2 violons, alto, violoncelle, basse
42
Contrebasse, Piano (duo)
35
Alto, Violoncelle (duo)
33
4 Violoncelles
32
Trio à Cordes: 2 violons, violoncelle
29
Trio à cordes: 3 violins
25
Piano Trio: Violon, Alto, Piano
23
Trio à Cordes: 3 violoncelles
20
Violon, Guitare (duo)
16
Quatuor à cordes : 4 altos
13
Quatuor à cordes: 4 violons
11
Violoncelle , Guitare (duo)
10
Trio à cordes: 3 altos
9
Violoncelle, Contrebasse (duo)
8
Harpe, Violon (duo)
7
Harpe, Flûte (duo)
6
Alto, Guitare (duo)
6
2 Contrebasses (duo)
6
Trio à Cordes: 2 violons, alto
5
Trio à cordes
4
2 Harpes (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violon, Basson (duo)
3
Ensemble de Violoncelles
3
Harpe et Piano
2
Ensemble d'Altos
2
Ensemble de Violons
2
Alto et Basson
2
Violoncelle, Orgue
2
Violoncelle, Orchestre
2
Violon, Tuba (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe, Orchestre
1
Violoncelle, Basse continue
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 475
Orchestre à Cordes
684
Orchestre
662
Percussion (partie séparée)
241
Ensemble de cuivres
176
Orchestre de chambre
146
Timbales (partie séparée)
87
Ensemble Jazz
75
Percussion
59
Cloches
55
Ensemble de Percussions
40
Marimba
16
Batterie (partie séparée)
11
Fanfare
10
Jazz combo
9
Xylophone
7
Quintette à Vent
7
Ensemble d'École
5
Timbales
5
Vibraphone
3
Batterie
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
3 Marimbas
2
Caisse Claire
2
Orchestre, Violon
1
Orchestre Symphonique
1
Vibraphone (partie séparée)
1
Xylophone, Piano
1
+ 23 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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SUITE
2 Pianos, 4 mains
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51
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
#
dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
IGNITE, Between the Octaves -
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Rachmaninoff - Suite No.1 Op.5 in G Minor 1. Barcarolle ("Fantaisie-tableaux") Original For 2Pianos
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Sergei Rachmaninoff
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poon
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Rachmaninoff - Suite No.1 Op.5
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poon
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1485084 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 65 pages. Poon #1062165. Pu...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1485084 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 65 pages. Poon #1062165. Published by poon (A0.1485084). Sergei Rachmaninoff - Suite No.1 Op.5 in G Minor 1. Barcarolle (Fantaisie-tableaux) Original For 2 Pianos - Allegretto Score and Parts.
$5.99
Rachmaninoff - Suite No.1, Op.5 II.La nuit... L'amour - ("Fantaisie-tableaux") Original For 2 Pianos
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Sergei Rachmaninoff
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poon
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Rachmaninoff - Suite No.1, Op.
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poon
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1486436 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 45 pages. Poon #1063499. Pu...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1486436 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 45 pages. Poon #1063499. Published by poon (A0.1486436). Sergei Rachmaninoff - Suite No.1, Op.5 2.La nuit... L'amour - (Fantaisie-tableaux) Original For 2 Pianos 4hands - Adagio sostenuto (D major) Score and Parts.
$5.99
Rachmaninoff - Suite No.1, Op.5 lll. Les Larmes - ("Fantaisie-tableaux") Original For 2 Pianos
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Sergei Rachmaninoff
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poon
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Rachmaninoff - Suite No.1, Op.
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poon
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1486711 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 27 pages. Poon #1063777. Pu...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1486711 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 27 pages. Poon #1063777. Published by poon (A0.1486711). Rachmaninoff - Suite No.1, Op.5 lll. Les Larmes - (Fantaisie-tableaux) Original For 2 Pianos 4hands - Largo di molto (G minor) Score and Parts.
$5.99
Norwegian March, from Lyric Suite, op. 54
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Richard Simm
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Norwegian March, from Lyric Su
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1117571 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 5 pages. R...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1117571 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 5 pages. Richard Simm #719109. Published by Richard Simm (A0.1117571). The second piece in Grieg's orchestral suite is a rustic march, here arranged for two pianos by Richard Simm.
$5.95
March of the Dwarfs, from "Lyric Suite"
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Richard Simm
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March of the Dwarfs, from &quo
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1121874 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 7 pages. R...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1121874 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 7 pages. Richard Simm #723067. Published by Richard Simm (A0.1121874). The final piece in Grieg's orchestral suite is a volatile and powerful depiction of these mysterious characters from Norwegian folklore. Here it has been arranged for two pianos by Richard Simm.
$5.95
"Ghost Story" from An Icelandic Suite
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Richard Simm
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Richard Simm
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"Ghost Story" from A
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1126731 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditi...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1126731 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditional,World. Score. 4 pages. Richard Simm #727380. Published by Richard Simm (A0.1126731). The first item in this suite of Icelandic tunes by Richard Simm is a hair-raising ghost story! These Icelandic melodies were originally arranged by Simm for beginner students to play as piano duets with their teachers or with advanced students. In their new form for two pianos, they are more embellished and technically challenging than the originals, but are short enough not to present too much of a hurdle. Four of the five songs are known to every Icelander, and their original texts often have stark, dramatic undertones.
$4.95
Suite for two Pianos, Op. 20, 2nd Movement, Acrobats
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Contemporain
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David Cundy
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Suite for two Pianos, Op. 20,
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David Cundy
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.904544 Composed by David Cundy. Contemporary. Score and parts. 14 pages. David Cundy #3077...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.904544 Composed by David Cundy. Contemporary. Score and parts. 14 pages. David Cundy #3077353. Published by David Cundy (A0.904544). Suite for two Pianos, Op. 20, 2nd Movement, Acrobats.
$3.99
Suite for two Pianos, Op. 20, 4th Movement, Theme & Variations
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Contemporain
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David Cundy
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Variations.
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Suite for two Pianos, Op. 20,
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David Cundy
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.904977 Composed by David Cundy. Contemporary. Score and parts. 13 pages. David Cundy #3077...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.904977 Composed by David Cundy. Contemporary. Score and parts. 13 pages. David Cundy #3077357. Published by David Cundy (A0.904977). Suite for two Pianos, Op. 20, 4th Movement, Theme & Variations.
$3.99
Bourree 1 & 2 from Suite No 1, BWV 1066 for piano duet, 4 hands (score only)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Klas Krantz
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Bourree 1 & 2 from Suite N
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Amadeus Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.530879 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 2 pages. Am...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.530879 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 2 pages. Amadeus Music #12617. Published by Amadeus Music (A0.530879). Score only. Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
$4.95
"A Youthful Vow" from An Icelandic Suite
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Ingunn Bjarnadóttir
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Richard Simm
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"A Youthful Vow" fro
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Fol...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
Polka from "Czech Suite", for 2 pianos
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Antonin Dvorak
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Richard Simm
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Polka from "Czech Suite&q
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.800641 Composed by Antonin Dvorak. Arranged by Richard Simm. Romantic Period. Score. 6 pages. Richard Si...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.800641 Composed by Antonin Dvorak. Arranged by Richard Simm. Romantic Period. Score. 6 pages. Richard Simm #6857813. Published by Richard Simm (A0.800641). This arrangement is an exciting challenge for pianists who regret that Dvorak did not write more music for their instrument. As usual, Richard Simm has not simplified the original orchestration for pianists who want to play this fascinating folk-style music. Rather the aim has been to exploit what two pianos can do to approach the composer's unique talent for attractive and evocative orchestration.
$8.95
Bourree Suite 2 BWV 1067 for piano duet (2 pianos)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Klas Krantz
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Bourree Suite 2 BWV 1067 for p
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Amadeus Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.532422 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 6 pages. Am...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.532422 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 6 pages. Amadeus Music #6070527. Published by Amadeus Music (A0.532422). Score and parts.Johann Sebastian Bach (1685–1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
$3.95
"Raven's Feast" from An Icelandic Suite
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Richard Simm
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Richard Simm
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"Raven's Feast" from
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1128421 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditi...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1128421 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditional,World. Score. 4 pages. Richard Simm #729041. Published by Richard Simm (A0.1128421). In the freezing Icelandic winter, a cold and hungry raven wonders what on earth a poor soul is supposed to eat. Following his nose, he gets lucky and finds a dead sheep near a garden.
$4.95
Grieg - Rigaudon from Holberg Suite - Keyboard Ensemble
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2 Pianos, 4 mains
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FACILE
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Classique
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Edvard Grieg
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Christian Bennedsen
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Grieg - Rigaudon from Holberg
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Christian Bennedsen
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SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766913 Composed by Edvard Grieg. Arranged by Christian Bennedsen. Romantic Period. ...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766913 Composed by Edvard Grieg. Arranged by Christian Bennedsen. Romantic Period. Score and parts. 13 pages. Christian Bennedsen #6681675. Published by Christian Bennedsen (A0.766913). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
Orchestral Suite 2 BWV 1067, mov. 2-7 for piano duet
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Klas Krantz
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Orchestral Suite 2 BWV 1067, m
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Amadeus Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.530862 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 14 pages. A...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.530862 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 14 pages. Amadeus Music #2026685. Published by Amadeus Music (A0.530862). For piano duet, score, no parts, 13 pages. Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
$8.95
Germaine Tailleferre : "Il était un Petit Navire" Suite for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Gold and Fizdale
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Germaine Tailleferre : "I
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Musik Fabrik Music Publishing
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1155034 By Gold and Fizdale. By Germaine Tailleferre. 20th Century,Chamber,Opera. Score. 36 pages. Musik...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1155034 By Gold and Fizdale. By Germaine Tailleferre. 20th Century,Chamber,Opera. Score. 36 pages. Musik Fabrik Music Publishing #755315. Published by Musik Fabrik Music Publishing (A0.1155034). Written for Gold and Fizdale during their 1948 visit to Tailleferre home in Grasse, France. This work is four selections from Tailleferre's comic opera.
$32.95
SUITE ARMORIAL Nº 3 PARA TUBA E PIANO
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2 Pianos, 4 mains
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Contemporain
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FERNANDO MORAIS
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SUITE ARMORIAL Nº 3 PARA
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FERNANDO J MORAIS
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - SKU: A0.969234 Composed by FERNANDO MORAIS. Contemporary. Score. 25 pages. FERNANDO J MORAIS #5801963. Published by FERNAN...
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2 Pianos,4 Hands,Piano Duet - SKU: A0.969234 Composed by FERNANDO MORAIS. Contemporary. Score. 25 pages. FERNANDO J MORAIS #5801963. Published by FERNANDO J MORAIS (A0.969234).
$5.00
"Lullaby" from An Icelandic Suite
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2 Pianos, 4 mains
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AVANCÉ
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Richard Simm
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Richard Simm
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"Lullaby" from An Ic
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1130804 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditi...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1130804 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #731074. Published by Richard Simm (A0.1130804). This innocent title belies another sad tale of Iceland's desperate and often tragic past, with battles against Nature at her most harsh, and the need to survive uppermost in everyone's thoughts. There are two well-known melodies to the lullaby, which was also used in a play about a kind of Icelandic Robin Hood, but the arranger found this one particularly beautiful.
$4.95
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