Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sam
Non classifié
836
Piano & claviers
Piano, Voix
3 560
Piano seul
294
Piano Facile
98
Accompagnement Piano
37
Piano Quatuor: piano, violon, alto, violoncelle
27
Orgue
22
1 Piano, 4 mains
16
2 Pianos, 4 mains
10
Piano Trio: piano, violon, violoncelle
9
Piano, Voix et Guitare
7
Accordéon
6
Orgue, Trompette (duo)
3
Orgue, Piano (duo)
2
Instruments en Do
2
2 Pianos, 8 mains
1
2 Accordéons
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Mandoline
51
Guitare
40
Guitare notes et tablatures
27
Ukulele
8
2 Guitares (duo)
7
Paroles et Accords
4
Ligne De Mélodie, (Paroles) et Accords
4
Piano, Guitare (duo)
3
3 Guitares (trio)
2
Dulcimer
2
Basse electrique
1
4 Guitares (Quatuor)
1
Guitare, Violon, Violoncelle (trio)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
36
Voix duo, Piano
29
Chorale 3 parties
19
Voix haute
18
Chorale SSAA
16
Chorale TTBB
9
Voix seule
9
Chorale 2 parties
7
Chorale Unison
6
Voix basse, Piano
6
Voix moyenne, Piano
4
Voix basse
2
Voix duo
2
Voix Alto, Piano
1
Voix Moyenne
1
Voix, Guitare
1
Chorale
1
Pack Instrumental pour Chorale
1
Voix Soprano, Piano
1
Soli, choeur mixte et accompagnement
1
+ 15 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
84
Quatuor de Clarinettes: 4 clarinettes
76
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
73
2 Saxophones (duo)
71
Flûte traversière et Piano
62
Clarinette et Piano
60
Flûte, Hautbois, Clarinette, Basson
50
Quintette de Saxophone: 5 saxophones
47
Hautbois, Piano (duo)
45
2 Clarinettes (duo)
43
Saxophone Alto et Piano
42
2 Flûtes traversières (duo)
41
Flûte à bec Soprano
41
Quatuor de Flûtes : 4 flûtes
39
Flûte à bec Alto
38
Harmonica
33
Saxophone Soprano et Piano
28
Saxophone Tenor et Piano
28
Flûte traversière
27
3 Saxophones (trio)
24
Ensemble de saxophones
22
5 Flûtes à bec
20
Flûte, Violon et Violoncelle
19
Clarinette
18
Flûte et Guitare
16
Flûte, Clarinette (duo)
16
Clarinette (partie séparée)
16
Saxophone (partie séparée)
16
Cor anglais, Piano
16
Clarinette, Guitare (duo)
14
Saxophone Baryton, Piano
14
Trio de Flûtes: 3 flûtes
12
2 Hautbois (duo)
12
Ensemble de Clarinettes
12
Quintette de Clarinettes: 5 clarinettes
11
Quintette de Flûte : 5 flûtes
11
2 Flûte à bec (duo)
10
Hautbois
10
Hautbois (partie séparée)
9
3 Flûtes à bec (trio)
9
Flûte irlandaise
9
Ensemble de Flûtes
9
Clarinette, Basson (duo)
9
3 Clarinettes (trio)
9
Flûte, Violon, Piano
7
Saxophone Alto
7
Saxophone Tenor
7
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte à bec Tenor
6
Quatuor de Flûtes à bec
5
Flûte, Hautbois, Piano (trio)
5
Flûte à Bec
5
Flûte, Alto et Piano
5
Saxophone, Clarinette (duo)
5
Clarinette, Violon (duo)
5
Flute (partie séparée)
5
Flûte, Hautbois, Clarinette (trio)
4
Cor anglais, Guitare (duo)
4
Clarinette, Violoncelle (duo)
3
4 Hautbois
3
Clarinette Basse, Piano
3
Flûte à bec Soprano, Piano
3
Flûte, Violon
3
Hautbois, Clarinette (duo)
2
Flûte, Hautbois (duo)
2
Clarinette Basse
2
2 Clarinettes, Piano
2
3 Hautbois
2
Saxophone et Guitare
2
Hautbois, Clarinette et Piano (Trio)
2
Hautbois, Guitare (duo)
2
Ensemble de Hautbois
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Alto, Basse continue
1
Flûte, Violoncelle
1
Flûte et Trio à cordes
1
Instruments en Mib
1
Flûte, Hautbois, Basson
1
2 Hautbois, Piano
1
Flûte traversière, Orchestre
1
Flûte, Clarinette et Basson
1
Flûte, Alto (duo)
1
Flûte à Bec, Piano
1
Clarinette, Harpe (duo)
1
Flûte, Saxophone (duo)
1
Hautbois, Basson (duo)
1
Clarinette, Trompette (duo)
1
2 Cors Anglais Et Pianoforte
1
Flute, harpe et violon
1
Hautbois, Harpe
1
Saxophone
1
Saxophone et Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Ensemble De Flûte à bec
1
Hautbois, violon (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Piccolo
1
+ 92 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
64
Quatuor de Cuivres : 2 trompettes, trombone, tuba
38
Trompette, Piano
34
Trombone et Piano
31
Cor et Piano
28
Trompette
17
Tuba et Piano
17
Trompette (partie séparée)
16
Cor anglais, Piano
16
Trombone
15
Ensemble de Trompettes
13
Trombone (partie séparée)
13
2 Trompettes (duo)
11
Quatuor de cuivres: 4 trombones
10
Cor (partie séparée)
10
Euphonium, Piano (duo)
10
Ensemble de Trombones
9
Ensemble de Cors
9
2 Cors (duo)
9
Cor
8
Quatuor de cuivres: 4 cors
8
Tuba
8
Quatuor de cuivres: 4 trompettes
7
3 Trombones (trio)
6
Trompette, Trombone (duo)
6
2 Trombones (duo)
6
Quatuor de Cuivres
4
3 Trompettes (trio)
4
Cor anglais, Guitare (duo)
4
Tuba (partie séparée)
4
4 Tubas
4
Trompette, Cor (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Tubas (trio)
2
3 Cors (trio)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Euphonium, Tuba (duo)
1
3 Euphoniums
1
2 Tubas (duo)
1
2 Cors Anglais Et Pianoforte
1
Trombone, Tuba (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Euphoniums (duo)
1
Tuba et Orgue
1
Tuba ou Euphonium ou Saxhorn
1
Instruments en Sib
1
Trio de Cuivres
1
Trombone basse
1
Trompette, Tuba (duo)
1
Trompette, Saxophone (duo)
1
4 Euphoniums
1
+ 46 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
164
Violon et Piano
107
Violon
70
Violon, Violoncelle (duo)
69
Violoncelle, Piano
56
Alto, Piano
49
Trio à Cordes: violon, alto, violoncelle
46
Violon, Alto (duo)
40
2 Violoncelles (duo)
40
2 Violons (duo)
32
Violoncelle
30
Alto seul
18
2 Altos (duo)
17
Violon (partie séparée)
16
Harpe
15
2 Harpes (duo)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Contrebasse, Piano (duo)
14
Trio à cordes: 3 violins
10
4 Violoncelles
10
Contre Basse
9
Alto, Violoncelle (duo)
9
Trio à Cordes: 3 violoncelles
8
Trio à cordes: 3 altos
7
Quatuor à cordes: 4 violons
6
Contrebasse (partie séparée)
6
Alto (partie séparée)
5
Quatuor à cordes : 4 altos
5
Violoncelle (partie séparée)
4
Ensemble de Violons
3
Harpe, Violon (duo)
3
Ensemble d'Altos
3
Harpe et Piano
2
3 Contrebasses
2
Violoncelle, Contrebasse (duo)
2
Violoncelle , Guitare (duo)
2
Harpe, Flûte (duo)
2
Violon, Guitare (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Contrebasses
1
Alto et Basson
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orchestre
1
Alto, Guitare (duo)
1
Violon, Basson (duo)
1
2 Violoncelles, Piano
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
158
Orchestre
86
Orchestre à Cordes
85
Ensemble de cuivres
36
Cloches
18
Orchestre de chambre
17
Percussion (partie séparée)
7
Ensemble de Percussions
5
Ensemble Jazz
4
Xylophone
4
Timbales (partie séparée)
4
Timbales
2
Fanfare
2
Xylophone, Piano
2
Percussion
2
Quintette à Vent
1
Marimba
1
Vibraphone
1
Jazz combo
1
Instrumentation Flexible
1
Batterie (partie séparée)
1
+ 16 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
8
Partitions Numériques
10
Librairie Musicale
15
Matériel de Musique
5 371
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Sam
CLASSIQUE - BAROQUE - ROMANTIQUE
2 Pianos, 4 mains
Partitions à imprimer
10 partitions trouvées
<
1
Ballet from Rosamunde
#
2 Pianos, 4 mains
#
FACILE
#
Classique
#
Franz Schubert
#
Christian Bennedsen
#
Ballet from Rosamunde
#
Christian Bennedsen
#
SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766742 Composed by Franz Schubert. Arranged by Christian Bennedsen. Romantic Period...
(+)
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766742 Composed by Franz Schubert. Arranged by Christian Bennedsen. Romantic Period. Score and parts. 12 pages. Christian Bennedsen #4763269. Published by Christian Bennedsen (A0.766742). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS Purpose: Give piano students an opportunity to play in an orchestra and follow a conductor.The students must be well prepared for the workshop. Instruments: 4–20 keyboards and 2 pianos / grandpianos. Part 1 and 2 are played on keyboard by 1-5 students at early intermediate level.Part 4 and 5 are played on keyboard by 1-5 at entry level.Part 5 and 6 are played on piano by students with good skills.
$3.99
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
#
2 Pianos, 4 mains
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
CURVE, Between the Octaves - A
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
(+)
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Hours of Rest
#
2 Pianos, 4 mains
#
DÉBUTANT
#
Classique
#
Cornelius Gurlitt
#
Hours of Rest
#
Schott Music - Digital
#
SheetMusicPlus
26 pieces in all major and minor keys (pentatonic melody). Composed by Cornelius Gurlitt (1820-1901). This edition: Sheet music. Klavier - Piano - Sam...
(+)
26 pieces in all major and minor keys (pentatonic melody). Composed by Cornelius Gurlitt (1820-1901). This edition: Sheet music. Klavier - Piano - Sammlung. Schott Piano Classics. Eine wertvolle Bereicherung des vierhandigen Repertoires. Downloadable. Op. 102. Schott Music - Digital #Q18591. Published by Schott Music - Digital
$11.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
#
2 Pianos, 4 mains
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
SURRENDER, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
(+)
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
#
2 Pianos, 4 mains
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
THREAD, Between the Octaves A
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
(+)
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
(+)
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
IGNITE, Between the Octaves -
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
(+)
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
#
2 Pianos, 4 mains
#
AVANCÉ
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
INITIATE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
(+)
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Andante and Variations B flat Major
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Robert Schumann
#
Andante and Variations B flat
#
Schott Music - Digital
#
SheetMusicPlus
Original Version after the Robert Schumann Complete Edition. Composed by Robert Schumann. This edition: Sheet music. Robert-Schumann- Gesamtausgabe. Do...
(+)
Original Version after the Robert Schumann Complete Edition. Composed by Robert Schumann. This edition: Sheet music. Robert-Schumann- Gesamtausgabe. Downloadable. Op. 46. Schott Music - Digital #Q6314. Published by Schott Music - Digital
$16.99
Chopin in Brazil, Samba Piano Duet based on Chopin's Prelude in E minor
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Chopin / Peberdy
#
Simon Peberdy
#
Chopin in Brazil, Samba Piano
#
Simon Peberdy
#
SheetMusicPlus
Composed by Chopin / Peberdy. Arranged by Simon Peberdy. For Piano Duet. 20th Century, Romantic Period. Advanced Intermediate. Published by Simon Peberdy ...
(+)
Composed by Chopin / Peberdy. Arranged by Simon Peberdy. For Piano Duet. 20th Century, Romantic Period. Advanced Intermediate. Published by Simon Peberdy
$3.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Sam
