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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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Scherzo in C
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24
Piano & claviers
Piano seul
20
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4
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4
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1
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1
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3
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2
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4
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2
2 Hautbois (duo)
2
2 Clarinettes (duo)
2
2 Flûtes traversières (duo)
2
Ensemble de Clarinettes
2
Clarinette et Piano
1
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1
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1
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1
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1
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5
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3
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2
2 Cors (duo)
2
2 Trombones (duo)
2
2 Trompettes (duo)
1
Euphonium, Piano (duo)
1
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1
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1
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1
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16
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2
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2
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2
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1
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1
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1
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1
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AUTOHARPE
BANJO
BASSE
BASSON
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FLUTE TRAVERSI…
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Vous avez sélectionné:
Scherzo in C
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Piano Quintet in A minor
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2 Pianos, 4 mains
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AVANCÉ
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Florence B
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Mena Williams (b
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Piano Quintet in A minor
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Mena C. Williams | The Unfinished Symphony
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Cla...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Classical. Score. 90 pages. Mena C. Williams | The Unfinished Symphony #1020099. Published by Mena C. Williams | The Unfinished Symphony (A0.1440150). In 1903, Florence B. Price (1887-1953) attended the New England Conservatory for piano, organ, and composition. When Price graduated from NEC in 1910, she returned to Arkansas, bringing music education to her hometown. Unfortunately, due to increased racially charged hostility within Little Rock, Arkansas, Florence Price and many other families who participated in the Great Migration moved to Chicago in 1927, where she found new musical studies and performance opportunities. The opportunity that launched Price’s musical career as a composer was when she won the Wanamaker Prize in 1932 for her Symphony in e minor and became the first Black woman composer to have a major orchestral work performed by an American orchestra. Four years later, Price composed Quintet in a minor for Piano and Strings. Within the Quintet, there are four movements, the “Allegro non troppo”, the “Andante con moto”, the “Juba”, and the “Scherzo”. Quintet in A Minor for Piano and Strings utilizes many of Florence Price’s trademark stylistic ideas, imbuing her music with harmonic freshness and a creative and organic structural approach as well as melodies that reflect her spiritual and cultural heritage, all stemming from how Price’s music brings together the European-classical tradition and African American spirituals and folk tunes. Florence Price was a deeply religious person who brought the music of the African American church and the influences of Romantic composers such as Dvořák and Tchaikovsky. Thus further resulting in the overall appeal of Price’s music. The captivating lyricism and juba (a dance that originated from plantation enslaved people in the Southern US) rhythmic devices.
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Scherzo in C
