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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Short
Non classifié
3 494
Piano & claviers
Piano grosses notes
3 297
Piano seul
3 118
Orgue
1 930
Piano Facile
1 358
Piano, Voix et Guitare
869
Piano, Voix
403
Instruments en Do
117
1 Piano, 4 mains
83
Clavier
59
Piano Trio: piano, violon, violoncelle
37
Piano Quintette: piano, 2 violons, alto, violoncelle
24
2 Pianos, 4 mains
22
Piano Quatuor: piano, violon, alto, violoncelle
18
Accompagnement Piano
14
Piano Quatuor: piano, 2 violons, violoncelle
10
Piano (partie séparée)
9
Clavecin
8
Orgue, Trompette (duo)
7
Orgue, Piano (duo)
6
Accordéon
4
1 Piano, 6 mains
3
+ 16 instrumentations
Retracter
Guitares
Guitare
207
Guitare notes et tablatures
161
Ligne De Mélodie, (Paroles) et Accords
99
2 Guitares (duo)
24
Guitare Pedal Steel
18
Ukulele
18
Basse electrique
15
Paroles et Accords
10
4 Guitares (Quatuor)
9
Guitare (partie séparée)
8
Ensemble de guitares
7
Mandoline
5
Piano, Guitare (duo)
4
Banjo
3
Dulcimer
2
3 Guitares (trio)
1
Mandoline, Guitare (duo)
1
Basse électrique (partie séparée)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
845
Chorale 3 parties
255
Chorale 2 parties
115
Chorale SSAA
105
Chorale Unison
100
Chorale TTBB
91
Voix duo, Piano
18
Voix Alto, Piano
16
Voix Soprano, Piano
12
Voix haute
12
Voix duo
11
Voix Tenor, Piano
8
Voix moyenne, Piano
8
Voix seule
7
Voix basse
3
Chorale
3
Voix Soprano
2
Voix basse, Piano
2
Chorale SSAATTBB
2
Voix Soprano, Orchestre
1
Pack Instrumental pour Chorale
1
Chorale SSATTB
1
Chorale SSAB a cappella
1
Voix Baryton, Piano
1
Chorale SSATB
1
+ 20 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
286
Flûte traversière et Piano
266
2 Saxophones (duo)
220
Clarinette et Piano
205
Flûte, Hautbois, Clarinette, Basson
162
Quatuor de Saxophones: 4 saxophones
160
2 Flûtes traversières (duo)
156
Flûte traversière
148
Saxophone Alto et Piano
139
Hautbois, Piano (duo)
131
2 Clarinettes (duo)
122
Quatuor de Clarinettes: 4 clarinettes
102
Saxophone, Clarinette (duo)
94
Clarinette
86
Saxophone (partie séparée)
77
Saxophone
71
Saxophone Tenor
70
Saxophone Tenor et Piano
65
Clarinette, Violon (duo)
60
Flûte, Clarinette (duo)
58
Instruments en Mib
57
Saxophone Soprano et Piano
57
Quatuor de Flûtes : 4 flûtes
53
Clarinette, Trompette (duo)
46
Saxophone Alto
45
Hautbois, Basson (duo)
43
2 Hautbois (duo)
43
Ensemble de Clarinettes
41
3 Clarinettes (trio)
36
Hautbois, Flûte
35
Flûte, Violon
32
Clarinette et Alto
29
Hautbois, Clarinette (duo)
29
Quintette de Saxophone: 5 saxophones
29
Ensemble de Flûtes
28
Quintette de Clarinettes: 5 clarinettes
26
Flûte, Saxophone (duo)
26
3 Saxophones (trio)
26
Hautbois (partie séparée)
25
Flûte, Trompette (duo)
24
Cor anglais, Piano
22
Flûte et Guitare
22
Flûte, Alto (duo)
21
Flûte à Bec
21
Trio de Flûtes: 3 flûtes
20
Ensemble de saxophones
20
Flûte, Hautbois, Clarinette (trio)
17
Saxophone Soprano
16
Saxophone Baryton, Piano
16
Clarinette (partie séparée)
15
Flûte, Clarinette et Basson
15
Hautbois
14
Flûte à bec Soprano
14
Clarinette Basse, Piano
13
Clarinette, Basson (duo)
12
Quintette de Flûte : 5 flûtes
11
Flûte à bec Alto
10
2 Flûte à bec (duo)
9
Piccolo
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Quatuor de Flûtes à bec
8
Clarinette, Guitare (duo)
8
Flûte, Violoncelle
7
Flûte, Violoncelle, Piano (trio)
7
Flûte, Hautbois, Basson
7
Flûte, Hautbois (duo)
7
Cor Anglais
6
Flûte, Violon, Piano
6
Saxophone Baryton
5
Ensemble De Flûte à bec
5
3 Flûtes à bec (trio)
5
Flûte, Violon et Violoncelle
4
Flute (partie séparée)
4
Clarinette, Violoncelle (duo)
4
Flûte, Hautbois, Piano (trio)
3
2 Clarinettes, Basson
3
Flute, harpe et violon
3
Ocarina
3
5 Flûtes à bec
3
Clarinette, Violoncelle, Piano (trio)
3
Clarinette, Orgue
2
Flûte, Trombone (duo)
2
Clarinette Basse
2
Harmonica
2
Hautbois, Guitare (duo)
2
Flûte, Violon, Violoncelle et Piano
2
2 Clarinettes, Piano
2
2 Saxophones, Piano
2
Flûte et Quatuor à Cordes
2
Flûte, Harpe et Violoncelle
2
Flûte à bec Tenor
2
Flûte et Trio à cordes
1
Flûte à bec, Guitare (duo)
1
Flûte à bec Soprano, Basse continue
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone et Orgue
1
3 Hautbois
1
2 Flûtes traversières, Piano
1
Hautbois, Violoncelle
1
Flûte, Basson et Piano
1
Cor anglais, Guitare (duo)
1
Piccolo, Piano
1
Saxophone, Tuba (duo)
1
Hautbois, violon (duo)
1
Flûte irlandaise
1
Flûte traversière, Orgue (duo)
1
Hautbois, Basson et Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte à Bec, Piano
1
Flûte, alto et harpe
1
+ 105 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
262
Trompette, Piano
138
Quatuor de Cuivres : 2 trompettes, trombone, tuba
130
Trompette
122
Trombone et Piano
104
Cor et Piano
83
Trombone
67
Trompette, Saxophone (duo)
61
Trompette (partie séparée)
60
Bass Clef Instruments
58
Quatuor de Cuivres: 2 trompettes, Cor, trombone
56
2 Trompettes (duo)
55
Instruments en Sib
54
Trombone (partie séparée)
54
Tuba et Piano
50
2 Trombones (duo)
44
Trompette, Trombone (duo)
44
Ensemble de Trompettes
40
Cor
36
Euphonium, Piano (duo)
36
Quatuor de Cuivres
24
Euphonium
23
Cor anglais, Piano
22
Tuba
21
Quatuor de cuivres: 4 trombones
18
2 Cors (duo)
17
Quatuor de cuivres: 4 cors
16
2 Euphoniums et 2 Tubas
16
Quatuor de cuivres: 4 trompettes
9
Trombone basse
8
3 Trombones (trio)
7
Cor Anglais
6
Ensemble de Trombones
6
3 Trompettes (trio)
5
Cor (partie séparée)
5
Tuba (partie séparée)
5
Trombone basse et Piano
4
2 Tubas (duo)
4
Trompette, Cor (duo)
4
Trio de Cuivres
4
Trombone, Tuba (duo)
4
4 Tubas
4
3 Euphoniums
3
Tuba et Orgue
2
Cor, Violoncelle (duo)
2
Trompette et Guitare
2
Euphonium, Tuba (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Orchestre
1
Cor et Orgue
1
Trompette, Tuba (duo)
1
Ensemble de Cors
1
Ensemble de Tubas
1
Cornet et orchestre
1
Trompette, Euphonium (duo)
1
Cor anglais, Guitare (duo)
1
Trombone et orchestre
1
+ 52 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
691
Violon, Violoncelle (duo)
359
Violon
338
Trio à Cordes: violon, alto, violoncelle
307
Violon et Piano
288
Violoncelle, Piano
197
Alto, Piano
176
Harpe
169
Quintette à cordes: 2 violons, alto, violoncelle, basse
110
2 Violons (duo)
105
Violoncelle
105
Violon, Alto (duo)
98
2 Violoncelles (duo)
72
2 Altos (duo)
67
Alto seul
59
Trio à Cordes: 2 violons, violoncelle
33
Contrebasse, Piano (duo)
32
Contre Basse
23
Alto (partie séparée)
23
Alto, Violoncelle (duo)
23
Violon (partie séparée)
20
4 Violoncelles
19
Violon, Guitare (duo)
19
Trio à cordes: 3 violins
15
Contrebasse (partie séparée)
15
Quatuor à cordes: 4 violons
12
Harpe, Flûte (duo)
11
Trio à Cordes: 3 violoncelles
11
2 Harpes (duo)
9
Violoncelle , Guitare (duo)
9
2 Violons, Piano
8
Flûte, Contrebasse (duo)
7
Harpe, Violon (duo)
6
Violoncelle, Contrebasse (duo)
6
Violon, Clarinette, Piano (trio)
5
Violoncelle (partie séparée)
5
Piano Trio: Violon, Alto, Piano
5
2 Violoncelles, Piano
5
Trio à Cordes: 2 violons, alto
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Trio à cordes: 3 altos
4
2 Contrebasses (duo)
4
2 Altos, Piano
4
Quatuor à cordes : 4 altos
4
Ensemble d'Altos
3
Alto et Harpe
3
Ensemble de Violons
3
Alto, Guitare (duo)
3
Harpe, Violoncelle (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe, Voix
2
Harpe et Piano
1
Violon, Violoncelle, Clarinette
1
Violoncelle, Orgue
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
762
Orchestre à Cordes
397
Fanfare
350
Orchestre
299
Cloches
222
Ensemble Jazz
217
Ensemble de cuivres
179
Orchestre de chambre
128
Batterie
59
Ensemble de Percussions
46
Jazz combo
46
Marimba
14
Vibraphone
13
Percussion (partie séparée)
7
Batterie (partie séparée)
5
Vibraphone (partie séparée)
4
Xylophone
3
Xylophone, Piano
2
Percussion
2
Piano et Orchestre
1
Quintette à Vent
1
Caisse Claire
1
Timbales (partie séparée)
1
Bodhran
1
Batterie-Fanfare
1
Vibraphone et Marimba
1
+ 21 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
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Vous avez sélectionné:
Short
2 Pianos, 4 mains
Partitions à imprimer
22 partitions trouvées
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1
[Pinkham] Four Short Pieces for Two Pianos
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2 Pianos, 4 mains
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Contemporain
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Daniel Pinkham
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[Pinkham] Four Short Pieces fo
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American Composers Alliance Inc.
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - SKU: A0.952569 Composed by Daniel Pinkham. 20th Century. Score and parts. 12 pages. American Composers Allia...
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Instrumental Duet Instrumental Duet,Piano - SKU: A0.952569 Composed by Daniel Pinkham. 20th Century. Score and parts. 12 pages. American Composers Alliance Inc. #4608923. Published by American Composers Alliance Inc. (A0.952569). Scored for two pianos - PDF download includes score.
$12.95
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois &E
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Holy, Holy, Holy (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Sharon Wilson
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Sharon Wilson
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Holy, Holy, Holy
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1455798 By Sharon Wilson. By John Bacchus Dykes and Reginald Heber. Arranged by Sharon Wilson. 19th Cent...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1455798 By Sharon Wilson. By John Bacchus Dykes and Reginald Heber. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Romantic Period,Sacred. Score. 10 pages. Sharon Wilson #1034895. Published by Sharon Wilson (A0.1455798). This arrangement of the beloved hymn tune NICAEA by John B. Dykes is written as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. An optional repeat is provided in case a longer selection is desired. Bold and energetic throughout, this piano duet is ideal for a prelude, postlude, offertory, or whenever an upbeat, short musical interlude is desired. The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). This arrangement is one of the 5 songs in the collection Hymns of Praise for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Duet Dance
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Contemporain
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Luis Chris Medina
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Duet Dance
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Luis Chris Medina
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.912876 Composed by Luis Chris Medina. 20th Century,World. Score and parts. 5 pages. Luis C...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.912876 Composed by Luis Chris Medina. 20th Century,World. Score and parts. 5 pages. Luis Chris Medina #2153581. Published by Luis Chris Medina (A0.912876). Duet Dance is a light piano duet written for one piano four hands in French style inspired by the music of Poulenc.This short piece has a lyrical melody supported by waltz like accompaniment figure that are varied throughout. The pianists along with the audience will both enjoy playing and listening to this work.
$1.99
Harmonic Spaces (four-hands piano)
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2 Pianos, 4 mains
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AVANCÉ
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Contemporain
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Publ...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
Concertino Barocco (after C.P.E. Bach and G.B. Pescetti)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach, Gio
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Kiyoshi Tamagawa
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Concertino Barocco
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Mastery for Strings Press
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. Baroque. Score. 12 pages. Mastery for Strings Press #5999147. Published by Mastery for Strings Press (A0.945464). The practice of adding an accompaniment to a composition originally created for a solo instrument is a time-honored tradition in Western art music, whether the additional music be for one or a few instruments or an entire ensemble. In the latter case a concerto movement can be fabricated from a solo work. The Concertino Barocco (Little Baroque Concerto) takes as its basis two pieces of the Baroque era that have long been popular repertoire for advancing students of the keyboard: the Solfeggio (or Solfeggietto) by C.P.E. Bach, and the third movement, Presto, from the Sonata in C minor by Giovanni Battista Pescetti. These works are transformed into two miniature concerto movements by adding and interpolating short tutti passages at various points in the form, rather in the style of Antonio Vivaldi. Not a note has been added or subtracted from the original keyboard solos, so that a student who has mastered the originals may play this Concertino simply by memorizing the exact points in the original pieces where additional music for the orchestra has been added and they must wait to continue.
$9.99
Swanee
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2 Pianos, 4 mains
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AVANCÉ
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Paul Posnak & Anita Castiglion
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Paul Posnak
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Swanee
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Paul Posnak
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Cl...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Classical,Jazz,Standards. Score. 10 pages. Paul Posnak #775326. Published by Paul Posnak (A0.1175185). Arrangement for 2 pianos, 4 hands of Swanee by George Gershwin.Foreword by the arranger:George Gershwin, since his days as a teenage song-plugger in Tin Pan Alley, loved the medium of two pianos. A consummate improviser with a harmonically sophisticated, jazz-influenced,orchestral approach to the treatment of melody, he was born into the great age of touring duo piano teams, such as Bauer and Gabrilowitsch, Josef and Rhosina Levine, Luboshutz and Nemenoff, and Gershwin's favorite team, Arden and Ohman. Gershwin loved the multi-voiced orchestral color, power and range of two pianists playing and improvising together. In his first major show written with brother Ira, the 1924 Lady Be Good, he incorporated the renowned team of Phil Ohman and Victor Arden into the musical theater pit orchestra, not only to add to the orchestra's sound and rhythmic drive, but also to play during breaks in the action and during Intermission. They even played encores! This successful formula was repeated for the 1926 show, Oh, Kay, and for the 1927 show, Funny Face.Gershwin's own bravura improvisations on his songs sound, even to the trained ear, like two pianos. I have transcribed (and digitally re-recorded) a number of these improvisations note-for-note from the old LP-remastered 78 rpm records and radio broadcasts. I have tried to capture his own two-fisted orchestral keyboard style: his love of inner voices, contrapuntal runs, jazz figurations, sophisticated chordal textures, and swing.These arrangements resulted from my appearance in 2003 as one of two soloists in several all-Gershwin concerts with The National Symphony Orchestra under the direction of Marvin Hamlisch. Marvin suggested that I also play a couple of my Gershwin improvisation transcriptions, and we thought it would be a perfect touch for Lorin Hollander, the other soloist, and me to play a short two-piano piece. I was surprised to find very few two-piano arrangements of Gershwin's songs. I became inspired to fill this void in the duo piano repertoire. It is my hope that these settings will offer a worthy challenge and musical reward for intermediate and advanced piano students and amateurs, and a unique addition to the duo piano literature for professional pianists and duo piano teams the world over.Paul Posnak.
$12.00
La petite vie d'un papillon
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sophie Van Dijk
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La petite vie d'un papillon
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Sophie Van Dijk
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1031544 Composed by Sophie Van Dijk. Contemporary. Score. 24 pages. Sophie Van Dijk #3455333. Published ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1031544 Composed by Sophie Van Dijk. Contemporary. Score. 24 pages. Sophie Van Dijk #3455333. Published by Sophie Van Dijk (A0.1031544). This purchase includes two copies of the full score for use as parts by performers. Approximate duration 4 minutes. OverviewIt is said that a butterfly lives for only one day - a short yet beautiful life. La petite vie d'un papillon journeys through the butterfly's day and reflects the wonder, fragility and peace that each moment holds. Sophie Van Dijk is an Australian composer, based in Sydney. Contact: www.sophievandijk.com
$9.95
The Carnival of the Miniature Animals
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2 Pianos, 4 mains
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FACILE
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Graham Yates
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The Carnival of the Miniature
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Graham Yates
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.887970 Composed by Graham Yates. Children,Contemporary,Standards. Score. 23 pages. Graham Yates #4995081...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.887970 Composed by Graham Yates. Children,Contemporary,Standards. Score. 23 pages. Graham Yates #4995081. Published by Graham Yates (A0.887970). Nine short, silly pieces for piano students. The pieces include piano solos, teacher-student duets, student-student duets (or trio), and a piece with optional auxiliary percussion parts suitable for students. Skill levels range from beginner to intermediate. This work makes a great focal point for a student recital that enlists the participation of the whole studio!Contents:1. The Gnat (beginner piano solo)2. Worm Boogie (late elementary solo or elementary duet)3. Roly-Poly Polonaise (beginner-intermediate duet or beginner trio)4. The Irritated Fungus (beginner solo)5. The Newt That Jumped Over the Moon (beginner solo)6. Spider Aria (intermediate solo or teacher-beginner duet)7. Fire Ants on Parade (intermediate solo)8. Song of the Oysters (intermediate solo)9. Treefrog Invention (intermediate solo with opt. aux. percussion).
$7.99
It Is Well with My Soul (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Musique Sacrée
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Philip P
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Sharon Wilson Music
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It Is Well with My Soul
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.565569 By Philip P. Bliss. By Horatio G. Spafford and Philip P. Bliss. Arranged by Sharon Wilson Music. ...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.565569 By Philip P. Bliss. By Horatio G. Spafford and Philip P. Bliss. Arranged by Sharon Wilson Music. Christian,Easter,Praise & Worship,Romantic Period,Sacred. Score. 18 pages. Sharon Wilson #4793639. Published by Sharon Wilson (A0.565569). The beloved hymn When Peace Like a River by Phil P. Bliss is presented here as a flowing, peaceful intermediate 2 pianos, 4-hands duet (hymn tune VILLE DU HAVRE). Both PIANO 1 and PIANO 2 get to lead with the melody at times making this a fun and equally challenging piece for both players while adding variety for the listeners.PIANO1 plays the melody for the first verse and chorus. After a short interlude PIANO 2 then leads with the melody for the second verse and chorus. This beautiful, uplifting piano duo arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 3:15.The purchase price includes a 9-page score with both piano parts on each page plus an alternate format with the two piano parts on separate pages (4 pages each).
$5.99
Two Time Blues (Piano duet)
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2 Pianos, 4 mains
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DÉBUTANT
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Leonie Capararo
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Two Time Blues
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Notewell Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.892897 Composed by Leonie Capararo. Children,Jazz. Score. 5 pages. Notewell Music #5315193. Published by...
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2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.892897 Composed by Leonie Capararo. Children,Jazz. Score. 5 pages. Notewell Music #5315193. Published by Notewell Music (A0.892897). A short jazzy duet for the beginning pianist.
$5.00
"Ghost Story" from An Icelandic Suite
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Richard Simm
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Richard Simm
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"Ghost Story" from A
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1126731 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditi...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1126731 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditional,World. Score. 4 pages. Richard Simm #727380. Published by Richard Simm (A0.1126731). The first item in this suite of Icelandic tunes by Richard Simm is a hair-raising ghost story! These Icelandic melodies were originally arranged by Simm for beginner students to play as piano duets with their teachers or with advanced students. In their new form for two pianos, they are more embellished and technically challenging than the originals, but are short enough not to present too much of a hurdle. Four of the five songs are known to every Icelander, and their original texts often have stark, dramatic undertones.
$4.95
"La Fleur" from "Carmen", arr. for 2 pianos
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2 Pianos, 4 mains
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AVANCÉ
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Opera
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Classique
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Georges Bizet
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Richard Simm
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"La Fleur" from &quo
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1170301 Composed by Georges Bizet. Arranged by Richard Simm. 19th Century,Classical,Opera,Romantic Perio...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1170301 Composed by Georges Bizet. Arranged by Richard Simm. 19th Century,Classical,Opera,Romantic Period. Score. 6 pages. Richard Simm #770661. Published by Richard Simm (A0.1170301). The brigadier, Don José, has fallen madly in love with Carmen, but she already has her eyes on another man, the bull-fighter, Escamillo. In this aria Don José declares his love for Carmen, but she belittles his passionate attempts to convince her of his feelings, saying that if he really loved her, he would take her away from her humble surroundings to a place where she could really be free.The arranger has added a short bridge passage between the opera's initial scenes of communal life centred around a cigarette factory and Don José's beautiful expression of his ill-fated love in Act II.
$7.95
Sonata for Two Pianos, I. Allegro con Spirito, K.448 (arr. Owen Meldon)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Owen Meldon
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Sonata for Two Pianos, I. Alle
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Owen Meldon
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SheetMusicPlus
Percussion Quartet Marimba - Level 5 - SKU: A0.1214857 Composed by Wolfgang Amadeus Mozart. Arranged by Owen Meldon. Classical. 37 pages. Owen Meldon #8...
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Percussion Quartet Marimba - Level 5 - SKU: A0.1214857 Composed by Wolfgang Amadeus Mozart. Arranged by Owen Meldon. Classical. 37 pages. Owen Meldon #811788. Published by Owen Meldon (A0.1214857). I was a freshman in high school and just figured out how to use MuseScore. With a holiday concert on the horizon, I wanted to put together a fun arrangement of a classical piece for four percussionists. I settled on Mozart’s Sonata for Two Pianos in D Major (fun fact: this piece has been studied extensively and has proven epilepsy-combatting power!*) and broke down the four piano hands into four marimba parts. In December 2016, I premiered the first iteration of this arrangement with the help of three of my peers; years later, I revisited this arrangement and gave it some much-needed revisions. I also finished arranging the second half of the original, which I couldn’t do in 2016 as the first arrangement had to be fairly short. This is the arrangement in its new finished version, which definitely looks and sounds a lot better than the first. We all start somewhere… *Lin, Lung-Chang, et al. “The Long-Term Effect of Listening to MOZART K.448 Decreases Epileptiform Discharges in Children with Epilepsy.†Instrumentation:Marimba I (4.3 octave marimba minimum)Marimba II (4.3 octave marimba minimum)Marimba III (5.0 octave marimba)Marimba IV (5.0 octave marimba)Duration: c. 6'
$29.99
Hopak, from "Sorochyntsi Fair"
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Classique
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Modest Petrovich Mussorgsky
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Richard Simm
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Hopak, from "Sorochyntsi
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1274763 Composed by Modest Petrovich Mussorgsky. Arranged by Richard Simm. 19th Century,Classical,Folk,O...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1274763 Composed by Modest Petrovich Mussorgsky. Arranged by Richard Simm. 19th Century,Classical,Folk,Opera,Romantic Period. Score. 5 pages. Richard Simm #866912. Published by Richard Simm (A0.1274763). This lively dance comes from the closing scene of Mussorgsky's comic opera, The Fair at Sorochyntsi. He wrote the libretto himself, basing it on a short Ukrainian story by Gogol, and he also arranged the Hopak for piano solo. Richard Simm has returned to the available orchestral material as the basis for his colourful 2-piano version.
$6.95
Dumba
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Lahkang Myu Awng
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Dumba
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Myu A Shingni
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1137117 Composed by Lahkang Myu Awng. Classical,Contemporary,Folk. Score. 16 pages. Myu A Shingni #73722...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1137117 Composed by Lahkang Myu Awng. Classical,Contemporary,Folk. Score. 16 pages. Myu A Shingni #737224. Published by Myu A Shingni (A0.1137117). “Dumba†is a piano four-hand composition of Lahkang Myu Awng (Myo Aung), and it is required two pianos. The composer employs Kachin's traditional folk tune and which is part of completely pentatonic. Dumba is the name of the wind instrument of the Kachin people, and it always uses in traditional Manau dance. It is one of the necessary instruments. It makes with a Buffalo horn, and it has a few holes. Those holes generate some unique pitches when the fingering alternately moves. The timbre of Dumba is mellow, and the melodic materials are a unique cadence. In this piece, the composer deliberately inserts a short melodic material from Dumba, especially in the cadence of each passage. Instrumentation: Pianos Four-hand Duration: 3:43.
$4.99
Fughetta for Two Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Abigail Rae
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Fughetta for Two Pianos
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Abigail Rae
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.1028461 Composed by Abigail Rae. Baroque,Classical,Contemporary. Score and parts. 8 pages....
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.1028461 Composed by Abigail Rae. Baroque,Classical,Contemporary. Score and parts. 8 pages. Abigail Rae #6638969. Published by Abigail Rae (A0.1028461). This work is a duo for two pianos. It is a short fugue. .
$2.99
Fugue No. 2 for Two Pianos
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2 Pianos, 4 mains
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AVANCÉ
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Steve Johnson
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Fugue No. 2 for Two Pianos
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Stephen C. Johnson
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.941225 Composed by Steve Johnson. Baroque,Contemporary. Score and parts. 14 pages. Stephen...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.941225 Composed by Steve Johnson. Baroque,Contemporary. Score and parts. 14 pages. Stephen C. Johnson #3541073. Published by Stephen C. Johnson (A0.941225). Steve Johnson's Fugue No. 2 for Two Pianos, written in 2017, is a short, virtuoso crowd-pleaser, ideal for ending a set, recital or as an encore. The work is composed as a compact, classical 4-part fugue reminiscent of the Bach period, but with harmonies more akin to Béla Bartók, and exciting, complex rhythms.
$9.99
C it, Play it!
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2 Pianos, 4 mains
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DÉBUTANT
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Alison Mathews
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C it, Play it!
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Alison Mathews
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.1265430 Composed by Alison Mathews. Children,Contemporary,Instructional. Score. 8 pages. Alison Mathews ...
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2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.1265430 Composed by Alison Mathews. Children,Contemporary,Instructional. Score. 8 pages. Alison Mathews #858248. Published by Alison Mathews (A0.1265430). This is short lively piece for 4 hands that reinforces the landmark Cs, both on the stave and on the keyboard. Level one uses C3, C4, C5 and level two uses C2 to C6 with a final flourish using all 8 Cs! Originally written to be played at 2 pianos I’ve included a duet version which involves some extra moving around the keyboard for both players to ensure your pupil always plays at the correct octave. It’s easy to fit into lesson time alongside flashcard games or to supplement your method book. You can even extend it further by getting your student to create their own part, deciding on the order of Cs and rhythm!
$4.99
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