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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sing Bass
Non classifié
5 296
Piano & claviers
Piano seul
366
Piano, Voix
298
Piano Facile
207
Piano, Voix et Guitare
163
Instruments en Do
149
Accompagnement Piano
50
Accordéon
28
1 Piano, 4 mains
21
Orgue
20
2 Pianos, 4 mains
3
Clavecin
2
Piano (partie séparée)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavier
1
Orgue, Piano (duo)
1
Piano Trio: piano, violon, violoncelle
1
1 Piano, 6 mains
1
2 Accordéons
1
2 Pianos, 8 mains
1
+ 15 instrumentations
Retracter
Guitares
Basse electrique
632
Guitare notes et tablatures
86
Guitare
55
Ligne De Mélodie, (Paroles) et Accords
54
Paroles et Accords
13
Ukulele
8
4 Guitares (Quatuor)
7
Ensemble de guitares
5
Guitare (partie séparée)
4
3 Guitares (trio)
4
Basse électrique (partie séparée)
3
Mandoline
2
2 Dulcimers (duo)
2
Dulcimer
2
2 Guitares (duo)
1
Ensemble de Ukulélés
1
Guitare, Orchestre
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
1 087
Voix seule
510
Chorale 3 parties
366
Chorale TTBB
302
Chorale 2 parties
296
Chorale SSAA
229
Pack Instrumental pour Chorale
168
Voix duo, Piano
165
Voix basse, Piano
65
Chorale
53
Voix duo
37
Chorale Unison
35
Voix basse
8
Voix Soprano, Piano
8
Voix Baryton, Piano
5
Voix moyenne, Piano
4
Voix Alto, Piano
4
Voix haute
3
Voix Tenor
3
Chorale SSAATTBB
2
Voix Tenor, Piano
1
Chorale SSATTB
1
Voix, Guitare
1
Chorale SSATB
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAB, Piano
1
+ 21 instrumentations
Retracter
Vents
Flûte, Hautbois, Clarinette, Basson
696
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
625
Quatuor de Clarinettes: 4 clarinettes
229
Hautbois, Basson (duo)
113
Ensemble de Clarinettes
76
Ensemble de Flûtes
75
2 Clarinettes (duo)
69
Clarinette Basse, Piano
67
Quintette de Clarinettes: 5 clarinettes
64
Clarinette, Basson (duo)
59
Quintette de Saxophone: 5 saxophones
51
2 Flûte à bec (duo)
37
Clarinette (partie séparée)
37
Ensemble de saxophones
35
Hautbois, Piano (duo)
34
Flûte, Clarinette et Basson
34
Quatuor de Saxophones: 4 saxophones
33
Saxophone Alto et Piano
31
Quatuor de Flûtes : 4 flûtes
31
Ensemble De Flûte à bec
29
Hautbois, Clarinette, Basson (trio d'anches)
26
3 Clarinettes (trio)
25
Clarinette
23
Flûte traversière et Piano
21
Clarinette et Piano
19
Saxophone Tenor et Piano
18
Flûte traversière
17
Flûte à Bec
17
2 Flûtes traversières (duo)
16
Saxophone Alto
15
Flûte, Basson et Piano
15
2 Saxophones (duo)
14
Saxophone (partie séparée)
14
Flûte, Hautbois, Basson
12
Quatuor de Flûtes à bec
10
Saxophone Tenor
9
Quintette de Flûte : 5 flûtes
9
Flûte, Clarinette, Cor, Basson (Quartet)
7
Clarinette Basse
7
Clarinette, Basson, Piano (trio)
6
2 Clarinettes, Piano
6
Hautbois (partie séparée)
6
Trio de Flûtes: 3 flûtes
6
Flute (partie séparée)
5
Flûte, Clarinette (duo)
5
3 Flûtes à bec (trio)
5
2 Hautbois (duo)
5
Flûte et Guitare
4
Saxophone Soprano
4
Saxophone Soprano et Piano
4
Hautbois
4
Saxophone, Clarinette (duo)
3
Clarinette, Violon (duo)
3
2 Clarinettes, Basson
3
Flûte à bec Tenor
3
Saxophone et Harpe
3
Ensemble à vent
3
Clarinette, Harpe (duo)
3
Clarinette, Guitare (duo)
3
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Trompette (duo)
2
Instruments en Mib
2
Flûte à bec Alto
2
Flûte à bec Soprano, Piano
2
Hautbois, Harpe
2
3 Saxophones (trio)
2
Clarinette, Contrebasse (duo)
2
Flûte à Bec, Piano
2
Hautbois, Basson et Piano
2
Flûte à bec Soprano
2
Flûte, Violon
2
Hautbois, Violoncelle
1
2 Flûtes à bec, Guitare
1
Saxophone Baryton, Piano
1
Flûte, Violon, Piano
1
5 Flûtes à bec
1
Hautbois, Flûte
1
Saxophone Baryton
1
Piccolo
1
Clarinette et Alto
1
Flûte, Violon et Violoncelle
1
Flûte traversière, Orchestre
1
Hautbois, Clarinette (duo)
1
Flûte, Violoncelle
1
Flûte, Trompette (duo)
1
Cor Anglais
1
Saxophone, Basson (duo)
1
Flûte, Alto (duo)
1
Flûte, Saxophone (duo)
1
+ 84 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Quatuor de cuivres: 4 trombones
65
Tuba et Piano
46
Bass Clef Instruments
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Trombone et Piano
30
Trombone
24
Trombone (partie séparée)
21
Euphonium
19
Trompette
17
2 Trombones (duo)
13
2 Cors (duo)
12
Tuba
10
Euphonium, Piano (duo)
10
Trompette (partie séparée)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Ensemble de Trombones
9
Quatuor de Cuivres
8
Trombone basse
8
Cor et Piano
7
Trompette, Piano
7
Cor
6
Trombone basse et Piano
6
Quatuor de cuivres: 4 cors
5
3 Trombones (trio)
5
Trio de Cuivres
4
2 Trompettes (duo)
4
Tuba (partie séparée)
3
Instruments en Sib
2
Trompette, Saxophone (duo)
2
Trompette, Harpe
2
Trompette, Basson (duo)
2
Cor et Harpe
2
Cor (partie séparée)
2
Trompette, Trombone (duo)
2
Trompette, Euphonium (duo)
1
2 Euphoniums (duo)
1
2 Euphoniums et 2 Tubas
1
Ensemble de Trompettes
1
Cor Anglais
1
Trombone, Tuba (duo)
1
2 Tubas (duo)
1
+ 37 instrumentations
Retracter
Cordes
Contre Basse
264
Contrebasse, Piano (duo)
215
Quintette à cordes: 2 violons, alto, violoncelle, basse
200
Quatuor à cordes: 2 violons, alto, violoncelle
186
Contrebasse (partie séparée)
125
2 Contrebasses (duo)
40
Violon
38
Violoncelle
33
Violon et Piano
31
Violon, Basson (duo)
30
Harpe
30
Violoncelle, Piano
28
Trio à Cordes: violon, alto, violoncelle
24
Violoncelle, Contrebasse (duo)
23
2 Violoncelles (duo)
19
Violon, Violoncelle (duo)
18
Trio à Cordes: 2 violons, violoncelle
15
Alto seul
14
Alto, Piano
13
Quintette à cordes : 2 violons, alto et 2 violoncelles
12
2 Violons (duo)
8
Violon (partie séparée)
8
Flûte, Contrebasse (duo)
7
2 Harpes (duo)
5
4 Contrebasses
5
Alto et Basson
5
Violon, Alto (duo)
5
2 Altos (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Trio à Cordes: 3 violoncelles
3
Harpe, Violon (duo)
3
Harpe, Flûte (duo)
2
Trio à cordes
2
Harpe, Violoncelle (duo)
2
Violoncelle , Guitare (duo)
2
Alto et Harpe
2
4 Violoncelles
2
Harpe, Voix
2
Alto, Violoncelle (duo)
1
3 Contrebasses
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Basse continue
1
Trio à cordes: 3 violins
1
Harpe, Trombone (duo)
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
747
Orchestre
256
Orchestre à Cordes
212
Ensemble Jazz
169
Ensemble de cuivres
133
Orchestre de chambre
102
Cloches
96
Jazz combo
81
Fanfare
81
Batterie
31
Ensemble de Percussions
20
Percussion (partie séparée)
6
Ensemble d'École
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie (partie séparée)
3
Instrumentation Flexible
3
Big band
2
Quintette à Vent
2
Piano et Orchestre
1
Orchestre, Violon
1
Xylophone, Piano
1
+ 16 instrumentations
Retracter
Autres
Papeterie
5
Théorie de la musique
2
Formation musicale - Solfège
2
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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Sing Bass
2 Pianos, 4 mains
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1
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
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2 Pianos, 4 mains
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AVANCÉ
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Contemporain
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James Nathaniel Holland
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Piano Concerto No. 4 "The
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866929. Published by James Nathaniel Holland (A0.730503). American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire.
$8.25
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
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