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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
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Slow It Down
Non classifié
700
Piano & claviers
Piano seul
556
Piano, Voix et Guitare
395
Piano Facile
58
Piano, Voix
52
Orgue
32
Instruments en Do
25
Piano Trio: piano, violon, violoncelle
10
Piano (partie séparée)
7
1 Piano, 4 mains
7
2 Pianos, 4 mains
4
Accompagnement Piano
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon
2
Orgue, Trompette (duo)
1
1 Piano, 6 mains
1
+ 10 instrumentations
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Guitares
Guitare
51
Guitare notes et tablatures
36
Guitare (partie séparée)
10
Ukulele
6
Ligne De Mélodie, (Paroles) et Accords
6
Basse electrique
5
2 Guitares (duo)
5
4 Guitares (Quatuor)
3
Banjo
2
3 Guitares (trio)
2
Dulcimer
2
+ 6 instrumentations
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Voix
Chorale SATB
117
Chorale 3 parties
47
Chorale 2 parties
21
Chorale TTBB
16
Chorale SSAA
13
Voix Alto, Piano
12
Chorale Unison
10
Voix Soprano, Piano
7
Voix duo
5
Voix haute
2
Voix basse, Piano
1
Voix duo, Piano
1
+ 7 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
106
Quintette de Saxophone: 5 saxophones
72
2 Saxophones (duo)
66
Quatuor de Saxophones: 4 saxophones
54
Flûte traversière et Piano
44
Clarinette et Piano
33
2 Clarinettes (duo)
32
Hautbois, Piano (duo)
32
Quatuor de Clarinettes: 4 clarinettes
32
Ensemble de saxophones
28
Flûte, Hautbois, Clarinette, Basson
27
Saxophone (partie séparée)
25
Flûte traversière
24
2 Flûtes traversières (duo)
23
Saxophone Alto et Piano
23
Saxophone, Clarinette (duo)
22
Clarinette, Violon (duo)
19
3 Saxophones (trio)
19
Quatuor de Flûtes : 4 flûtes
19
Ensemble de Clarinettes
18
Saxophone Tenor et Piano
17
Clarinette
14
Clarinette, Trompette (duo)
13
Hautbois (partie séparée)
13
Saxophone Alto
13
Saxophone Soprano et Piano
12
2 Hautbois (duo)
11
3 Clarinettes (trio)
11
Trio de Flûtes: 3 flûtes
11
Quintette de Flûte : 5 flûtes
10
Flûte, Clarinette (duo)
10
Clarinette et Alto
9
Flûte, Saxophone (duo)
9
Ensemble de Flûtes
9
Hautbois, Basson (duo)
9
Flûte, Violon
8
Hautbois, Clarinette (duo)
8
Flute (partie séparée)
8
Flûte et Guitare
7
2 Flûte à bec (duo)
7
Saxophone Baryton, Piano
7
Hautbois, Flûte
7
Flûte, Alto (duo)
6
Clarinette Basse, Piano
6
Quintette de Clarinettes: 5 clarinettes
6
Saxophone Tenor
6
Flûte, Trompette (duo)
5
Cor anglais, Piano
4
Flûte à bec Soprano
4
Quatuor de Flûtes à bec
4
Clarinette (partie séparée)
4
Flûte à Bec
3
Clarinette, Guitare (duo)
3
Clarinette, Basson (duo)
3
Flûte, Violon et Violoncelle
3
Ensemble De Flûte à bec
3
Flûte, Hautbois, Clarinette (trio)
3
3 Flûtes à bec (trio)
3
5 Flûtes à bec
3
Flûte à bec Tenor
2
Flûte, Clarinette et Basson
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Alto
2
2 Flûtes traversières, Piano
1
Cor anglais, Guitare (duo)
1
Clarinette Basse
1
Ensemble de Hautbois
1
Flûte à Bec, Piano
1
Flûte, Clarinette, Piano (trio)
1
2 Cors Anglais Et Pianoforte
1
Flûte irlandaise
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
3 Hautbois
1
4 Hautbois
1
Flûte, Violon, Piano
1
Flûte à bec Soprano, Piano
1
Flûte, trombone et piano
1
Hautbois
1
Flûte, Hautbois, Basson
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Ocarina
1
Flûte, Violoncelle
1
+ 77 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
56
Quatuor de Cuivres : 2 trompettes, trombone, tuba
55
Trompette, Piano
29
Trombone et Piano
27
Trombone (partie séparée)
25
Trompette
24
Trompette (partie séparée)
20
Cor et Piano
20
Trompette, Saxophone (duo)
18
Cor
18
Trombone
13
2 Trombones (duo)
13
Ensemble de Trombones
11
Tuba et Piano
11
2 Trompettes (duo)
10
Trompette, Trombone (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Ensemble de Trompettes
8
Quatuor de cuivres: 4 trombones
7
Tuba
7
Quatuor de Cuivres
6
Ensemble de Cors
5
Cor (partie séparée)
5
Cor anglais, Piano
4
2 Cors (duo)
4
Euphonium, Piano (duo)
4
Quatuor de cuivres: 4 trompettes
3
Tuba (partie séparée)
3
3 Trombones (trio)
2
Euphonium
2
2 Tubas (duo)
2
4 Tubas
2
Cor anglais, Guitare (duo)
1
Trompette, Cor (duo)
1
Trompette, Violoncelle et Piano
1
2 Cors Anglais Et Pianoforte
1
3 Cors (trio)
1
Trombone, Cor (duo)
1
2 Euphoniums (duo)
1
Tuba et Orgue
1
Trombone basse et Piano
1
3 Trompettes (trio)
1
Trio de Cuivres
1
Quatuor de cuivres: 4 cors
1
3 Tubas (trio)
1
+ 40 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
134
Violon et Piano
53
Violon
51
Harpe
33
Violoncelle, Piano
30
Alto, Piano
30
Violon, Violoncelle (duo)
22
Violoncelle
21
2 Violoncelles (duo)
17
Trio à Cordes: violon, alto, violoncelle
17
2 Harpes (duo)
15
2 Altos (duo)
13
2 Violons (duo)
13
Violon, Alto (duo)
12
Trio à Cordes: 2 violons, violoncelle
9
Alto seul
9
Contrebasse (partie séparée)
7
Contre Basse
7
4 Violoncelles
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Ensemble de Violons
6
Ensemble d'Altos
6
Contrebasse, Piano (duo)
6
Alto (partie séparée)
5
Quatuor à cordes: 4 violons
4
Violon (partie séparée)
3
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 violins
3
Trio à cordes: 3 altos
2
Violoncelle , Guitare (duo)
2
Violon, Guitare (duo)
2
Violon, Orgue
2
2 Contrebasses (duo)
1
Harpe, Trombone (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Ensemble de Violoncelles
1
Quatuor à cordes : 4 altos
1
Violoncelle, Basse continue
1
4 Contrebasses
1
Violoncelle, Orgue
1
Alto et Harpe
1
Harpe, Flûte (duo)
1
Alto, Violoncelle (duo)
1
+ 38 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
161
Orchestre
75
Ensemble Jazz
66
Orchestre à Cordes
61
Ensemble de cuivres
32
Cloches
27
Orchestre de chambre
27
Jazz combo
25
Ensemble de Percussions
13
Batterie
12
Fanfare
10
Batterie (partie séparée)
4
Marimba
1
Piano et Orchestre
1
Orchestre, Violon
1
Percussion (partie séparée)
1
+ 11 instrumentations
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FLUTE A BEC
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PIANO
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Vous avez sélectionné:
Slow It Down
2 Pianos, 4 mains
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SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Harmonic Spaces (four-hands piano)
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2 Pianos, 4 mains
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AVANCÉ
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Contemporain
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Publ...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
Concerto for piano and orchestra No. 2
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2 Pianos, 4 mains
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Erik Chisholm
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Concerto for piano and orchest
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Schott Music - Digital
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SheetMusicPlus
2 pianos - SKU: S9.Q5862 Based on Hindustani themes. Composed by Erik Chisholm. This edition: piano reduction for 2 pianos. Downloadable, Piano r...
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2 pianos - SKU: S9.Q5862 Based on Hindustani themes. Composed by Erik Chisholm. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction. Duration 30 minutes. Schott Music - Digital #Q5862. Published by Schott Music - Digital (S9.Q5862). The Piano Concerto No.2 was first performed in Cape Town in 1949 and in the following year was broadcast on the BBC Radio Third Programme. It was enthusiastically received by the critics, Ernest Newman writing of it ’I was particularly intrigued by the skill with which the composer has managed to fuse Hindustani modes of expression and European ways of thought and factors of design into a single organic whole. I was greatly intrigued by it’. It had many performances and broadcasts in the composer’s life time but after his death, was not heard again until 2007 when it was specially recorded for broadcast one evening in ‘Scotland’s Musicâ€, a BBC Radio Scotland’s series of weekly programmes. John Purser, writer and presenter of the series which ran for a year, comments ‘The Concerto emerges as a major achievement in terms of over-all conception, technical innovation and brilliance and superb handling of the orchestra’. The soloist, Dutch pianist Ronald Brautigam, said of his experience “It is a great privilege to be working on such a wonderful Concerto! I have completely fallen in love with the piece. The work is definitely challenging, but the wealth of musical ideas, the refinement of the slow movement, the humour and boisterousness of the finale make one forget that at times fingers need to be scraped off the keyboard’.
$25.99
Sonata for 2 pianos
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2 Pianos, 4 mains
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Contemporain
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Liudmila Knyazeva & Daria Yaki
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Sonata for 2 pianos
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Liudmila Knyaz
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - SKU: A0.495151 By Liudmila Knyazeva & Daria Yakimovich. By Liudmila Knyazeva. Classical,Contemporary. Score. 27 pages. Pub...
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2 Pianos,4 Hands,Piano Duet - SKU: A0.495151 By Liudmila Knyazeva & Daria Yakimovich. By Liudmila Knyazeva. Classical,Contemporary. Score. 27 pages. Published by Liudmila Knyaz (A0.495151). Lyudmila Knyazeva's spectacular concert composition for a piano duet can decorate the program of even the most demanding performers. This composition is often performed in live concerts and always evokes a standing ovation from the audience. The composition begins with a slow intro. Then comes the Sonata Allegro - fast and bravura music. Composition requires skill and professionalism of the performer. It is also important to be able to work with modern music, to know and understand its language, dynamics, complex harmonies. Lyudmila Knyazeva is a living composer of the 21st century.
$5.00
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Slow It Down
