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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sonata 6
Non classifié
327
Piano & claviers
Piano seul
418
Piano Facile
36
1 Piano, 4 mains
10
Orgue
10
Clavecin
4
Piano, Voix
4
2 Pianos, 4 mains
3
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Guitare
59
Guitare notes et tablatures
15
2 Guitares (duo)
5
Piano, Guitare (duo)
3
Banjo
2
Ligne De Mélodie, (Paroles) et Accords
1
Basse electrique
1
Mandoline
1
Ukulele
1
+ 4 instrumentations
Retracter
Voix
Chorale 2 parties
4
Voix duo, Piano
1
Vents
Flûte traversière
124
2 Flûtes traversières (duo)
39
2 Saxophones (duo)
35
Flûte traversière et Piano
34
Clarinette et Piano
27
2 Clarinettes (duo)
25
2 Flûte à bec (duo)
24
Saxophone Alto et Piano
17
2 Hautbois (duo)
17
3 Clarinettes (trio)
13
Flûte à Bec
12
3 Saxophones (trio)
10
Saxophone Tenor et Piano
10
Saxophone Soprano et Piano
10
3 Flûtes à bec (trio)
9
Saxophone Baryton, Piano
8
Hautbois, Piano (duo)
8
Flûte, Hautbois, Clarinette (trio)
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Flûte traversière, Basse continue
7
Clarinette Basse, Piano
7
Quatuor de Clarinettes: 4 clarinettes
6
Clarinette
6
Flûte, Clarinette et Basson
6
Flûte, Hautbois, Basson
6
Flûte et Guitare
5
Trio de Flûtes: 3 flûtes
5
Quatuor de Saxophones: 4 saxophones
5
Flûte, Clarinette (duo)
4
Flûte, Violon et Violoncelle
4
Hautbois, Basson (duo)
4
2 Clarinettes, Basson
4
Ensemble De Flûte à bec
4
Clarinette et Alto
4
Quintette de Clarinettes: 5 clarinettes
4
Clarinette, Violoncelle (duo)
4
2 Cors Anglais Et Pianoforte
4
Flûte à bec Alto, Basse continue
4
Flûte à bec Soprano, Piano
3
Quatuor de Flûtes à bec
3
Clarinette, Violon (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Hautbois, Clarinette, Basson
3
Hautbois, Clarinette (duo)
3
Clarinette, Basson (duo)
3
Flûte, Violoncelle
3
Flûte à bec Alto, Piano
3
Cor anglais, Piano
3
Ensemble de Clarinettes
3
Ensemble de saxophones
2
Piccolo, Piano
2
Harmonica
2
Flûte, Alto (duo)
2
Ensemble de Flûtes
1
Flûte, Violon
1
Flûte à bec Soprano
1
Quintette de Saxophone: 5 saxophones
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Tenor
1
Saxophone (partie séparée)
1
Flûte, Alto et Violoncelle
1
Cor anglais et Harpe (duo)
1
Hautbois, Harpe
1
Flûte à bec Alto
1
Clarinette, Harpe (duo)
1
+ 60 instrumentations
Retracter
Cuivres
Trombone et Piano
12
2 Cors (duo)
11
2 Trompettes (duo)
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
2 Trombones (duo)
9
Trompette, Piano
8
2 Euphoniums (duo)
7
Tuba et Piano
6
2 Tubas (duo)
6
Cor et Piano
6
Euphonium, Piano (duo)
6
Trompette
5
2 Cors Anglais Et Pianoforte
4
Cor
3
Quatuor de cuivres: 4 cors
3
Cor anglais, Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
3 Euphoniums
2
Trombone basse et Piano
1
Ensemble de Trombones
1
Tuba
1
Trompette, Trombone (duo)
1
Cor anglais et Harpe (duo)
1
Trompette (partie séparée)
1
+ 21 instrumentations
Retracter
Cordes
Violon
129
Violon et Piano
48
Violoncelle, Piano
37
Quatuor à cordes: 2 violons, alto, violoncelle
33
Alto, Piano
28
2 Violons (duo)
24
2 Violoncelles (duo)
19
Alto seul
18
Trio à Cordes: violon, alto, violoncelle
17
2 Altos (duo)
16
Violoncelle
13
Violon, Alto (duo)
11
Violon, Guitare (duo)
11
Violon, Violoncelle (duo)
10
Trio à Cordes: 2 violons, violoncelle
8
Violon (partie séparée)
7
Contre Basse
7
Harpe
6
Violon, Basse continue
6
2 Contrebasses (duo)
6
Violoncelle, Basse continue
6
Violoncelle, Contrebasse (duo)
4
Violoncelle (partie séparée)
3
Alto, Violoncelle (duo)
3
Harpe, Flûte (duo)
3
Trio à cordes: 3 violins
3
Alto (partie séparée)
3
Violon, Basson (duo)
3
Contrebasse, Piano (duo)
3
4 Violoncelles
2
Alto, Guitare (duo)
1
Harpe, Violon (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle , Guitare (duo)
1
Harpe, Violoncelle (duo)
1
Alto et Harpe
1
Ensemble de Violoncelles
1
Trio à Cordes: 2 violons, alto
1
2 Violons et Basse continue
1
Flûte, Contrebasse (duo)
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
17
Ensemble de cuivres
7
Orchestre
5
Orchestre d'harmonie
4
Orchestre de chambre
4
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Crtitères actifs :
Sonata 6
2 Pianos, 4 mains
Partitions à imprimer
3 partitions trouvées
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1
Sonata Hymnica No. 6
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2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Sonata for Two Pianos, I. Allegro con Spirito, K.448 (arr. Owen Meldon)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Owen Meldon
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Sonata for Two Pianos, I. Alle
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Owen Meldon
#
SheetMusicPlus
Percussion Quartet Marimba - Level 5 - SKU: A0.1214857 Composed by Wolfgang Amadeus Mozart. Arranged by Owen Meldon. Classical. 37 pages. Owen Meldon #8...
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Percussion Quartet Marimba - Level 5 - SKU: A0.1214857 Composed by Wolfgang Amadeus Mozart. Arranged by Owen Meldon. Classical. 37 pages. Owen Meldon #811788. Published by Owen Meldon (A0.1214857). I was a freshman in high school and just figured out how to use MuseScore. With a holiday concert on the horizon, I wanted to put together a fun arrangement of a classical piece for four percussionists. I settled on Mozart’s Sonata for Two Pianos in D Major (fun fact: this piece has been studied extensively and has proven epilepsy-combatting power!*) and broke down the four piano hands into four marimba parts. In December 2016, I premiered the first iteration of this arrangement with the help of three of my peers; years later, I revisited this arrangement and gave it some much-needed revisions. I also finished arranging the second half of the original, which I couldn’t do in 2016 as the first arrangement had to be fairly short. This is the arrangement in its new finished version, which definitely looks and sounds a lot better than the first. We all start somewhere… *Lin, Lung-Chang, et al. “The Long-Term Effect of Listening to MOZART K.448 Decreases Epileptiform Discharges in Children with Epilepsy.†Instrumentation:Marimba I (4.3 octave marimba minimum)Marimba II (4.3 octave marimba minimum)Marimba III (5.0 octave marimba)Marimba IV (5.0 octave marimba)Duration: c. 6'
$29.99
Beethoven - Moonlight Sonata Duet Arrangement - (Key Map Tablature)
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2 Pianos, 4 mains
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FACILE
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Classique
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Ludwig van Beethoven
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John M
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Beethoven - Moonlight Sonata D
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Music Innovators Workshop
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages....
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages. Music Innovators Workshop #4357665. Published by Music Innovators Workshop (A0.984714). This is a duet arrangement for student and teacher. It is notated on a key map tablature. My students love it!This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.
$2.00
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