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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sonata E minor
Non classifié
92
Piano & claviers
Piano seul
181
Orgue
5
Piano Facile
5
2 Pianos, 4 mains
3
Piano Trio: piano, violon, violoncelle
2
1 Piano, 4 mains
2
Piano grosses notes
1
Piano, Voix
1
Clavecin
1
+ 4 instrumentations
Retracter
Guitares
Guitare
25
Guitare notes et tablatures
6
2 Guitares (duo)
4
Banjo
2
Piano, Guitare (duo)
1
Voix
Chorale SATB
3
Vents
Flûte traversière
37
Flûte traversière et Piano
30
Clarinette et Piano
14
2 Flûtes traversières (duo)
12
Hautbois, Piano (duo)
12
Flûte à Bec
10
Flûte et Guitare
10
Saxophone Alto et Piano
10
Quintette de Clarinette: Clarinette, Quatuor à Cordes
6
Flûte, Hautbois, Clarinette (trio)
6
2 Saxophones (duo)
4
3 Saxophones (trio)
4
Flûte traversière, Basse continue
4
2 Clarinettes (duo)
4
Saxophone Soprano et Piano
3
Saxophone Tenor et Piano
3
Quintette de Clarinettes: 5 clarinettes
2
Cor anglais, Piano
2
Trio de Flûtes: 3 flûtes
2
Hautbois (partie séparée)
2
Clarinette Basse, Piano
2
Saxophone Baryton, Piano
2
3 Flûtes à bec (trio)
1
Quatuor de Clarinettes: 4 clarinettes
1
2 Flûtes, Basse continue
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Guitare (duo)
1
2 Flûte à bec (duo)
1
Ensemble de Clarinettes
1
3 Clarinettes (trio)
1
Clarinette, Violon (duo)
1
Clarinette
1
Quatuor de Saxophones: 4 saxophones
1
Flûte à bec Alto, Piano
1
Ensemble à vent
1
Saxophone Alto
1
Saxophone (partie séparée)
1
Flûte, Violon
1
2 Flûtes traversières, Piano
1
+ 34 instrumentations
Retracter
Cuivres
Trombone et Piano
7
Euphonium, Piano (duo)
4
Trompette (partie séparée)
4
2 Trompettes (duo)
3
Tuba et Piano
2
Trompette
2
Cor anglais, Piano
2
Cor et Piano
1
Cor
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Ensemble de Cors
1
Quatuor de Cuivres
1
Trompette, Piano
1
Tuba
1
+ 9 instrumentations
Retracter
Cordes
Violon
45
Violoncelle, Piano
30
Violon et Piano
28
Quatuor à cordes: 2 violons, alto, violoncelle
27
Violoncelle
18
Alto, Piano
18
Violon (partie séparée)
15
Alto seul
7
Alto (partie séparée)
6
Violoncelle (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
4
Violoncelle, Basse continue
4
4 Violoncelles
3
Violon, Alto (duo)
3
Contre Basse
3
2 Violons (duo)
3
Contrebasse, Piano (duo)
3
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: violon, alto, violoncelle
2
Violoncelle , Guitare (duo)
2
2 Violons et Basse continue
2
Harpe
2
2 Violoncelles (duo)
2
2 Violons, Piano
1
Violon, Basse continue
1
Alto, Violoncelle (duo)
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
20
Orchestre à Cordes
4
Orchestre d'harmonie
3
Orchestre
3
Autres
Instruments
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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Vous avez sélectionné:
Sonata E minor
2 Pianos, 4 mains
Partitions à imprimer
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Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Concertino Barocco (after C.P.E. Bach and G.B. Pescetti)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Carl Philipp Emanuel Bach, Gio
#
Kiyoshi Tamagawa
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Concertino Barocco
#
Mastery for Strings Press
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. Baroque. Score. 12 pages. Mastery for Strings Press #5999147. Published by Mastery for Strings Press (A0.945464). The practice of adding an accompaniment to a composition originally created for a solo instrument is a time-honored tradition in Western art music, whether the additional music be for one or a few instruments or an entire ensemble. In the latter case a concerto movement can be fabricated from a solo work. The Concertino Barocco (Little Baroque Concerto) takes as its basis two pieces of the Baroque era that have long been popular repertoire for advancing students of the keyboard: the Solfeggio (or Solfeggietto) by C.P.E. Bach, and the third movement, Presto, from the Sonata in C minor by Giovanni Battista Pescetti. These works are transformed into two miniature concerto movements by adding and interpolating short tutti passages at various points in the form, rather in the style of Antonio Vivaldi. Not a note has been added or subtracted from the original keyboard solos, so that a student who has mastered the originals may play this Concertino simply by memorizing the exact points in the original pieces where additional music for the orchestra has been added and they must wait to continue.
$9.99
Largo e dolce from the Sonata in B minor, BWV 1030. Arranged for Two Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
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Kirill Monorosi
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Largo e dolce from the Sonata
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La Folia Music Publications
#
SheetMusicPlus
Composed by Johann Sebastian Bach. Arranged by Kirill Monorosi. Baroque. Score and parts. 5 pages. La Folia Music Publications #3449777. Published by ...
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Composed by Johann Sebastian Bach. Arranged by Kirill Monorosi. Baroque. Score and parts. 5 pages. La Folia Music Publications #3449777. Published by La Folia Music Publications
$8.99
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