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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Song For No One
Non classifié
764
Piano & claviers
Piano, Voix
408
Piano seul
253
Piano Facile
136
Piano, Voix et Guitare
128
Instruments en Do
57
Accompagnement Piano
44
Orgue
16
Piano Trio: piano, violon, violoncelle
7
1 Piano, 4 mains
5
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
2
2 Pianos, 4 mains
2
Piano grosses notes
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
41
Guitare
39
Ligne De Mélodie, (Paroles) et Accords
17
Basse electrique
13
Ukulele
8
2 Guitares (duo)
7
Piano, Guitare (duo)
6
Dulcimer
4
Paroles et Accords
3
Mandoline
2
2 Dulcimers (duo)
1
Ensemble de guitares
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
139
Chorale 3 parties
67
Voix seule
46
Chorale TTBB
40
Chorale 2 parties
40
Voix Baryton, Piano
29
Chorale SSAA
19
Chorale Unison
14
Voix haute
10
Voix moyenne, Piano
4
Voix duo, Piano
4
Voix Soprano, Piano
3
Voix Tenor, Piano
1
Voix Tenor
1
Voix Alto, Piano
1
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
+ 12 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
79
Saxophone Alto et Piano
69
Saxophone Alto
66
2 Saxophones (duo)
62
Saxophone Tenor
51
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
50
Quintette de Saxophone: 5 saxophones
48
Saxophone (partie séparée)
46
Flûte traversière et Piano
38
Saxophone Tenor et Piano
37
Saxophone Soprano et Piano
37
3 Saxophones (trio)
32
Saxophone
30
Clarinette et Piano
29
Quatuor de Clarinettes: 4 clarinettes
28
Saxophone Baryton, Piano
25
Hautbois, Piano (duo)
25
Flûte, Hautbois, Clarinette, Basson
24
Saxophone, Clarinette (duo)
20
Clarinette
16
2 Flûtes traversières (duo)
16
2 Clarinettes (duo)
15
Clarinette, Violon (duo)
14
Flûte, Clarinette (duo)
13
Flûte traversière
13
Cor anglais, Piano
10
Clarinette, Trompette (duo)
10
Hautbois, Basson (duo)
9
Quintette de Clarinettes: 5 clarinettes
9
Quatuor de Flûtes : 4 flûtes
9
Hautbois, Clarinette (duo)
8
Flûte, Saxophone (duo)
7
Ensemble de Clarinettes
7
Clarinette et Alto
7
Clarinette Basse, Piano
7
Hautbois (partie séparée)
7
3 Clarinettes (trio)
7
Flûte, Violon
7
Quintette de Flûte : 5 flûtes
6
Ensemble de saxophones
6
Flûte, Hautbois, Clarinette (trio)
6
Hautbois, Flûte
6
Ocarina
5
Flûte, Alto (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Trompette (duo)
4
2 Hautbois (duo)
4
Ensemble de Flûtes
3
Flûte, Violon, Piano
3
Cor Anglais
3
Clarinette, Guitare (duo)
3
Flûte et Guitare
3
Clarinette, Harpe (duo)
2
Clarinette (partie séparée)
2
Flûte irlandaise
2
Flûte à bec Soprano
2
Saxophone Soprano
2
Clarinette, Violoncelle (duo)
2
3 Hautbois
2
Hautbois, Violoncelle
1
Saxophone et violoncelle
1
Harmonica
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois, Basson
1
Ensemble de Hautbois
1
Trio de Flûtes: 3 flûtes
1
Ensemble De Flûte à bec
1
Flûte, Hautbois (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Violoncelle
1
Flûte à bec Alto, Piano
1
Saxophone, Basson (duo)
1
Piccolo, Piano
1
Hautbois et alto (duo)
1
+ 69 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
131
Quatuor de Cuivres : 2 trompettes, trombone, tuba
65
Trombone et Piano
64
Trombone
43
Cor et Piano
22
Trompette
21
Quatuor de cuivres: 4 trombones
20
Trompette, Trombone (duo)
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Quatuor de Cuivres
18
Trombone (partie séparée)
16
Trompette, Piano
16
Euphonium, Piano (duo)
16
Trompette, Saxophone (duo)
15
Cor anglais, Piano
10
2 Trombones (duo)
10
Ensemble de Trombones
6
Tuba et Piano
6
2 Trompettes (duo)
5
Trompette, Cor (duo)
4
Tuba
4
2 Cors (duo)
3
Cor Anglais
3
Tuba et Orgue
3
Cor
3
Trombone basse
2
Quatuor de cuivres: 4 cors
2
Ensemble de Trompettes
2
Trompette (partie séparée)
2
Trio de Cuivres
2
Trombone basse et Piano
2
3 Trombones (trio)
1
Cor, Violoncelle (duo)
1
Euphonium, Tuba (duo)
1
Trombone, Cor (duo)
1
Ensemble de Tubas
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Euphonium
1
4 Tubas
1
Trompette, Tuba (duo)
1
2 Tubas (duo)
1
+ 36 instrumentations
Retracter
Cordes
Harpe
121
Quatuor à cordes: 2 violons, alto, violoncelle
113
Violon et Piano
57
Violon
54
Violoncelle, Piano
51
Violoncelle
37
Alto, Piano
30
Violon, Violoncelle (duo)
23
Trio à Cordes: 2 violons, violoncelle
19
Trio à Cordes: violon, alto, violoncelle
18
Violon, Alto (duo)
15
2 Violons (duo)
14
Alto seul
10
2 Violoncelles (duo)
8
4 Violoncelles
6
2 Altos (duo)
5
Harpe, Voix
5
Piano Trio: Violon, Alto, Piano
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violon (partie séparée)
3
2 Harpes (duo)
3
5 Harpes
2
Ensemble de Violons
2
3 Harpes
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 altos
2
4 Contrebasses
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Contre Basse
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto (partie séparée)
1
Trio à cordes: 3 violins
1
Contrebasse, Piano (duo)
1
Contrebasse (partie séparée)
1
Quatuor à cordes : 4 altos
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
101
Ensemble de cuivres
71
Orchestre
56
Orchestre à Cordes
46
Batterie
26
Ensemble Jazz
26
Orchestre de chambre
15
Jazz combo
6
Cloches
3
Fanfare
2
Marimba
2
Ensemble de Percussions
2
Percussion (partie séparée)
2
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
+ 10 instrumentations
Retracter
Autres
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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XYLOPHONE
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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Vous avez sélectionné:
Song For No One
2 Pianos, 4 mains
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Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
#
James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
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2 Pianos, 4 mains
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AVANCÉ
#
James Nathaniel Holland
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Jazz Piano Concerto No 2 in Ab
#
James Nathaniel Holland
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. J...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. James Nathaniel Holland #442965. Published by James Nathaniel Holland (A0.730240). (Duration: 25 minutes) 2 Pianos, 4 Hands (Revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers. Newly revised (2018) with measure numbers and rehearsal letters that match the full score.YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: https://facebook.com/jamesnathanielholland/ YouTube Channel: https://www.youtube.com/user/composerjnholland
$9.95
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