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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
South
Non classifié
684
Piano & claviers
Piano, Voix et Guitare
827
Piano seul
693
Piano, Voix
551
Piano Facile
232
Orgue
71
Instruments en Do
37
Piano grosses notes
36
1 Piano, 4 mains
24
Accordéon
14
Piano Trio: piano, violon, violoncelle
14
2 Pianos, 4 mains
6
Accompagnement Piano
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Accordéon, Piano
2
1 Piano, 6 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
Ligne De Mélodie, Piano
1
Accordéon, Voix
1
Piano (partie séparée)
1
Ensemble d'Accordéons
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
570
Ligne De Mélodie, (Paroles) et Accords
207
Guitare
104
Paroles et Accords
81
Ukulele
40
Basse electrique
24
Mandoline
12
Dulcimer
9
2 Guitares (duo)
6
Banjo
6
Ensemble de guitares
4
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
Mandoline, Guitare (duo)
1
Mandoline, Piano (duo)
1
Ukulele Baryton
1
Guitare (partie séparée)
1
Guitare, Violon, Violoncelle (trio)
1
Guitare Pedal Steel
1
Partitions De Groupes
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
294
Chorale 3 parties
99
Chorale TTBB
72
Chorale 2 parties
49
Chorale Unison
19
Chorale SSAA
18
Chorale
12
Voix haute
11
Voix duo
11
Voix duo, Piano
9
Voix seule
5
Voix Soprano, Piano
3
Voix Alto, Piano
2
Voix Tenor, Piano
2
Voix, Guitare
2
Chorale SSATB
1
Voix Baryton, Piano
1
Voix Soprano
1
Voix moyenne, Piano
1
+ 14 instrumentations
Retracter
Vents
2 Saxophones (duo)
64
Flûte traversière et Piano
51
Flûte traversière
38
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
35
Clarinette et Piano
32
Saxophone (partie séparée)
32
Quatuor de Saxophones: 4 saxophones
29
Clarinette (partie séparée)
26
Saxophone Alto et Piano
22
Saxophone Alto
22
Hautbois, Piano (duo)
21
Quatuor de Clarinettes: 4 clarinettes
20
2 Clarinettes (duo)
20
Flûte, Hautbois, Clarinette, Basson
19
2 Flûtes traversières (duo)
18
Clarinette
17
Saxophone Tenor
16
Saxophone Tenor et Piano
14
Quatuor de Flûtes : 4 flûtes
14
Quintette de Saxophone: 5 saxophones
11
Flûte et Guitare
11
Quintette de Clarinettes: 5 clarinettes
9
3 Saxophones (trio)
8
Flute (partie séparée)
8
Flûte, Clarinette (duo)
7
Hautbois (partie séparée)
7
Ensemble de Flûtes
7
Ensemble de Clarinettes
7
Saxophone, Clarinette (duo)
7
Flûte à bec Soprano
6
Trio de Flûtes: 3 flûtes
6
Saxophone Soprano et Piano
6
Hautbois, Basson (duo)
6
Flûte à Bec
5
Harmonica
5
Flûte, Saxophone (duo)
4
Hautbois
4
Ensemble de saxophones
4
3 Clarinettes (trio)
3
Ocarina
3
Clarinette, Trompette (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violon
2
Clarinette et Alto
2
Saxophone Soprano
2
Hautbois, Flûte
2
Piccolo
2
Saxophone Baryton
2
Clarinette, Violon (duo)
2
Hautbois, Clarinette (duo)
2
2 Hautbois (duo)
2
Clarinette Basse, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Guitare (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, alto et harpe
1
Hautbois, Guitare (duo)
1
Flûte, Trompette (duo)
1
Flûte, Hautbois (duo)
1
Flûte, Alto (duo)
1
Quatuor de Flûtes à bec
1
Ensemble De Flûte à bec
1
Cor anglais, Piano
1
2 Flûtes traversières, Piano
1
Flûte à Bec, Piano
1
Saxophone Baryton, Piano
1
Clarinette Basse
1
Flûte, Violon et Violoncelle
1
Cor Anglais
1
Quintette de Flûte : 5 flûtes
1
Flûte à bec Alto, Piano
1
Saxophone et Guitare
1
2 Flûte à bec (duo)
1
Flûte à bec Alto
1
Cor anglais et Harpe (duo)
1
Flûte, Violon, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
+ 74 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
98
Trompette
28
Trompette, Piano
23
Trombone (partie séparée)
21
Trompette (partie séparée)
21
Trombone et Piano
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Trombone
13
Cor
13
Cor (partie séparée)
11
Tuba et Piano
10
2 Trombones (duo)
10
Quatuor de Cuivres
10
Cor et Piano
10
Trompette, Saxophone (duo)
9
2 Trompettes (duo)
8
Tuba (partie séparée)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trompette, Trombone (duo)
4
2 Cors (duo)
4
Quatuor de cuivres: 4 trombones
3
Quatuor de cuivres: 4 cors
3
Tuba
3
Euphonium, Piano (duo)
3
4 Tubas
3
Tuba ou Euphonium ou Saxhorn
1
Trombone, Orgue
1
Trompette, Violoncelle et Piano
1
2 Tubas (duo)
1
Euphonium
1
Tuba et Orgue
1
Cor anglais, Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Trombones
1
Cor Anglais
1
Ensemble de Trompettes
1
2 Euphoniums et 2 Tubas
1
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
78
Violon et Piano
50
Violon
50
Harpe
37
Violoncelle
28
Violoncelle, Piano
28
Violon (partie séparée)
25
Alto, Piano
24
Alto seul
20
2 Violons (duo)
15
Contrebasse (partie séparée)
12
Violon, Violoncelle (duo)
10
2 Violoncelles (duo)
9
Trio à Cordes: violon, alto, violoncelle
8
Violoncelle (partie séparée)
7
2 Harpes (duo)
7
Alto (partie séparée)
7
Piano Trio: Violon, Alto, Piano
7
Violon, Alto (duo)
6
Violon, Guitare (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
2 Altos (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
4 Violoncelles
4
Harpe, Flûte (duo)
3
Trio à Cordes: 3 violoncelles
3
Harpe, Violon (duo)
2
Violoncelle , Guitare (duo)
2
Contrebasse, Piano (duo)
2
Violoncelle, Orgue
1
Harpe, Voix
1
Violon, Orgue
1
Autoharp
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
Trio à cordes: 3 violins
1
Alto, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
Contre Basse
1
Harpe, Violoncelle (duo)
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
667
Orchestre à Cordes
89
Ensemble Jazz
74
Orchestre
68
Ensemble de cuivres
51
Fanfare
34
Cloches
22
Orchestre de chambre
18
Ensemble de Percussions
17
Batterie
15
Percussion (partie séparée)
11
Jazz combo
9
Marimba
8
3 Marimbas
4
Batterie (partie séparée)
4
Piano et Orchestre
4
Timbales (partie séparée)
3
Quintette à Vent
2
Vibraphone
2
Percussion
2
Big band
1
Xylophone
1
Timbales
1
Xylophone, Piano
1
Quatuor à Vent : 4 instruments à vents
1
+ 20 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
South
2 Pianos, 4 mains
Partitions à imprimer
6 partitions trouvées
<
1
North vs. South Pole
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Holden R
#
North vs. South Pole
#
Holden Magee
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.708618 Composed by Holden R. Magee. Contemporary. Score. 6 pages. Holden Magee #317185. Published by Hol...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.708618 Composed by Holden R. Magee. Contemporary. Score. 6 pages. Holden Magee #317185. Published by Holden Magee (A0.708618). A polyphonic challenge for experienced piano players. Perfect for recitals, studios, and auditions.
$4.99
Spanish Moss
#
2 Pianos, 4 mains
#
Contemporain
#
Patricia Hurlbutt
#
Spanish Moss
#
Patricia Hurlbutt
#
SheetMusicPlus
Composed by Patricia Hurlbutt. 21st Century, Impressionistic, Latin, South American, Recital. Sheet Music Single. 6 pages. Published by Patricia Hurlbutt (S0.10...
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Composed by Patricia Hurlbutt. 21st Century, Impressionistic, Latin, South American, Recital. Sheet Music Single. 6 pages. Published by Patricia Hurlbutt (S0.109391). - Sheet Music Single - 21st Century,Impressionistic,Latin,South American,Recital - Patricia Hurlbutt
$4.99
Jazz Brazilian Piano Concerto No 1 in Three Movements (2 Pianos, 4 Hands)
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2 Pianos, 4 mains
#
Latin/Musique du monde
#
Jazz
#
James Nathaniel Holland
#
Jazz Brazilian Piano Concerto
#
James Nathaniel Holland
#
SheetMusicPlus
Composed by James Nathaniel Holland. Jazz, Latin Jazz, Bossa Nova, Latin, South American. Individual Part, Piano Reduction. 82 pages. Published by James Nathani...
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Composed by James Nathaniel Holland. Jazz, Latin Jazz, Bossa Nova, Latin, South American. Individual Part, Piano Reduction. 82 pages. Published by James Nathaniel Holland (S0.84233). - Individual Part,Piano Reduction - Jazz,Latin Jazz,Bossa Nova,Latin,South American - James Nathaniel Holland
$9.95
Piano Quintet in A minor
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2 Pianos, 4 mains
#
AVANCÉ
#
Florence B
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Mena Williams (b
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Piano Quintet in A minor
#
Mena C. Williams | The Unfinished Symphony
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Cla...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Classical. Score. 90 pages. Mena C. Williams | The Unfinished Symphony #1020099. Published by Mena C. Williams | The Unfinished Symphony (A0.1440150). In 1903, Florence B. Price (1887-1953) attended the New England Conservatory for piano, organ, and composition. When Price graduated from NEC in 1910, she returned to Arkansas, bringing music education to her hometown. Unfortunately, due to increased racially charged hostility within Little Rock, Arkansas, Florence Price and many other families who participated in the Great Migration moved to Chicago in 1927, where she found new musical studies and performance opportunities. The opportunity that launched Price’s musical career as a composer was when she won the Wanamaker Prize in 1932 for her Symphony in e minor and became the first Black woman composer to have a major orchestral work performed by an American orchestra. Four years later, Price composed Quintet in a minor for Piano and Strings. Within the Quintet, there are four movements, the “Allegro non troppo”, the “Andante con moto”, the “Juba”, and the “Scherzo”. Quintet in A Minor for Piano and Strings utilizes many of Florence Price’s trademark stylistic ideas, imbuing her music with harmonic freshness and a creative and organic structural approach as well as melodies that reflect her spiritual and cultural heritage, all stemming from how Price’s music brings together the European-classical tradition and African American spirituals and folk tunes. Florence Price was a deeply religious person who brought the music of the African American church and the influences of Romantic composers such as Dvořák and Tchaikovsky. Thus further resulting in the overall appeal of Price’s music. The captivating lyricism and juba (a dance that originated from plantation enslaved people in the Southern US) rhythmic devices.
$4.99
Sonata Hymnica No. 6
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2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
James Siddons
#
Sonata Hymnica No. 6
#
James Siddons Music and Writings
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
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