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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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UKULELE
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ASIE
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PIANO & CLAVIERS
Piano seul
1417
Piano, Voix et Guitare
437
Piano Facile
430
Piano, Voix
362
Instruments en Do
195
Accompagnement Piano
83
1 Piano, 4 mains
76
Piano grosses notes
44
Orgue
43
Piano Trio: piano, violon, violoncelle
19
Accordéon
12
2 Pianos, 4 mains
12
Piano (partie séparée)
11
Piano Quatuor: piano, violon, alto, violoncelle
11
Ligne De Mélodie, Piano
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
Clavecin
2
Instrumentations suivantes
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
294
Guitare notes et tablatures
237
Guitare
156
Ukulele
77
Basse electrique
26
Paroles et Accords
23
Guitare (partie séparée)
18
Banjo
15
Dulcimer
14
Mandoline
10
Piano, Guitare (duo)
8
3 Guitares (trio)
5
Ensemble de guitares
5
2 Guitares (duo)
4
Dobro
3
4 Guitares (Quatuor)
3
2 Dulcimers (duo)
2
2 Ukuleles
1
Ukulele Baryton
1
Mandoline, Guitare (duo)
1
Ensemble de Ukulélés
1
Instrumentations suivantes
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VOIX
Chorale 2 parties
223
Chorale SATB
180
Voix duo, Piano
123
Chorale 3 parties
117
Chorale Unison
64
Chorale SSAA
36
Chorale TTBB
35
Voix seule
28
Voix duo
15
Voix haute
10
Voix Soprano, Piano
9
Chorale
6
Voix Alto, Piano
6
Voix moyenne, Piano
4
Voix basse, Piano
2
Voix Moyenne
1
Voix Tenor
1
Voix Tenor, Piano
1
Chorale SSAB, Piano
1
Voix Soprano
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
451
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
217
2 Clarinettes (duo)
211
Flûte traversière et Piano
208
Saxophone, Clarinette (duo)
206
2 Flûtes traversières (duo)
177
Saxophone Alto et Piano
162
Quatuor de Saxophones: 4 saxophones
161
Clarinette et Piano
151
Clarinette, Violon (duo)
142
Saxophone Soprano et Piano
130
Clarinette, Trompette (duo)
129
Quintette de Saxophone: 5 saxophones
129
Hautbois, Piano (duo)
126
Saxophone Tenor et Piano
125
Flûte, Hautbois, Clarinette, Basson
110
Flûte, Clarinette (duo)
110
Saxophone (partie séparée)
107
Clarinette
98
Quatuor de Clarinettes: 4 clarinettes
97
2 Hautbois (duo)
81
Flûte irlandaise
78
Flûte, Violon
75
Flûte, Saxophone (duo)
75
Hautbois, Clarinette (duo)
71
Clarinette et Alto
68
Hautbois, Flûte
68
Hautbois, Basson (duo)
66
Saxophone Baryton, Piano
62
Flûte traversière
62
Flûte, Alto (duo)
61
Saxophone Alto
55
Flûte, Trompette (duo)
54
2 Flûte à bec (duo)
53
Ensemble de Clarinettes
44
Ensemble de saxophones
41
Quatuor de Flûtes : 4 flûtes
40
Cor anglais, Piano
39
Clarinette Basse, Piano
32
Hautbois (partie séparée)
31
3 Clarinettes (trio)
26
Flûte à bec Soprano
23
Ensemble de Flûtes
23
Quintette de Flûte : 5 flûtes
16
Quintette de Clarinettes: 5 clarinettes
15
Trio de Flûtes: 3 flûtes
15
Cor Anglais
14
Flûte, Hautbois, Clarinette (trio)
13
Saxophone Tenor
13
Clarinette, Trombone (duo)
11
Clarinette (partie séparée)
10
3 Saxophones (trio)
10
Instruments en Mib
7
Flûte, Hautbois (duo)
6
Flûte et Guitare
6
Saxophone
5
Hautbois, violon (duo)
5
2 Clarinettes, Piano
5
Flûte, Violoncelle
5
Flute (partie séparée)
5
Flûte, Basson et Piano
4
Piccolo, Piano
4
Flûte à Bec
4
Flûte à bec Soprano, Piano
4
Flûte, Clarinette et Basson
3
Clarinette, Basson (duo)
3
2 Saxophones, Piano
3
Quatuor de Flûtes à bec
3
Flûte, Hautbois, Basson
3
2 Cors Anglais Et Pianoforte
3
Flûte, Violon, Piano
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Harmonica
2
Flûte, Hautbois, Piano (trio)
2
Clarinette, Alto et Piano (trio)
2
Ocarina
2
Flûte à bec Alto
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Guitare (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte à bec Tenor
2
2 Flûtes traversières, Piano
2
Clarinette, Violoncelle (duo)
2
Saxophone et Guitare
2
Saxophone et Orgue
1
Flûte, Alto et Piano
1
3 Flûtes à bec (trio)
1
Saxophone et Piano
1
Clarinette Basse
1
Clarinette, Harpe (duo)
1
Flûte à bec Alto, Piano
1
Hautbois, Guitare (duo)
1
Ensemble de Hautbois
1
Flûte, trombone et piano
1
Cor anglais, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
Hautbois, Violoncelle
1
2 Clarinettes, Basson
1
4 Hautbois
1
Hautbois
1
Instrumentations suivantes
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
157
Trompette, Saxophone (duo)
150
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
125
Trombone et Piano
104
2 Trombones (duo)
100
Trompette, Piano
97
2 Trompettes (duo)
94
Trompette, Trombone (duo)
83
Trompette
71
Cor et Piano
69
Euphonium, Piano (duo)
52
Trompette (partie séparée)
51
Trombone
51
Trombone (partie séparée)
50
Ensemble de Trompettes
43
Cor anglais, Piano
39
Quatuor de Cuivres: 2 trompettes, Cor, trombone
38
Cor
26
Ensemble de Trombones
24
Tuba et Piano
20
Quatuor de Cuivres
18
Bass Clef Instruments
16
Cor Anglais
14
2 Euphoniums (duo)
12
2 Cors (duo)
12
Euphonium
8
Trompette, Cor (duo)
8
Instruments en Sib
8
Tuba
7
Cor (partie séparée)
6
Tuba (partie séparée)
5
Trio de Cuivres
4
Trompette et Guitare
4
Quatuor de cuivres: 4 trombones
4
Tuba et Orgue
3
2 Cors Anglais Et Pianoforte
3
Trombone basse et Piano
2
3 Trombones (trio)
2
Quatuor de cuivres: 4 cors
2
Cornet et Piano
1
Euphonium, Tuba (duo)
1
Trompette, Euphonium (duo)
1
Trombone, Orgue
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Trompettes (trio)
1
Cor et Harpe
1
Cor anglais, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
Ensemble de Cors
1
Trombone, Tuba (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
248
Violon et Piano
211
Alto, Piano
160
Violoncelle, Piano
128
Violon, Violoncelle (duo)
106
Violon
104
2 Violons (duo)
96
Violon, Alto (duo)
93
2 Violoncelles (duo)
92
2 Altos (duo)
85
Violoncelle (partie séparée)
53
Harpe
50
Trio à Cordes: violon, alto, violoncelle
49
Alto seul
35
Violoncelle
24
2 Harpes (duo)
23
Contrebasse, Piano (duo)
18
Alto (partie séparée)
17
Ensemble de Violons
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Contrebasse (partie séparée)
14
Ensemble d'Altos
14
Piano Trio: Violon, Alto, Piano
13
Contre Basse
12
Trio à Cordes: 2 violons, violoncelle
9
Violon, Guitare (duo)
8
Harpe, Flûte (duo)
7
Violon (partie séparée)
6
4 Violoncelles
5
Alto, Violoncelle (duo)
4
Trio à Cordes: 3 violoncelles
4
Trio à Cordes: 2 violons, alto
3
Violoncelle , Guitare (duo)
3
Trio à cordes: 3 violins
2
Harpe, Voix
2
Violoncelle, Orgue
2
2 Contrebasses (duo)
1
Harpe, Trombone (duo)
1
Harpe, Violon, Violoncelle
1
Alto, Orgue
1
Harpe, Violoncelle (duo)
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Basse continue
1
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 altos
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
221
Ensemble Jazz
172
Orchestre à Cordes
159
Orchestre
70
Ensemble de cuivres
66
Orchestre de chambre
41
Jazz combo
34
Cloches
31
Ensemble de Percussions
20
Batterie
17
Fanfare
13
Batterie (partie séparée)
12
Ensemble d'École
4
Marimba
3
Xylophone, Piano
3
Percussion (partie séparée)
3
Vibraphone
2
2 Xylophones
2
Xylophone
2
Vibraphone et Marimba
1
Vibraphone (partie séparée)
1
Instrumentations suivantes
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AUTRES
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Sonata Hymnica No. 6
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
9.36 €
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2 Pianos, 4 mains
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30.83 €
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2 Pianos, 4 mains
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achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
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Germaine Tailleferre
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Germaine Tailleferre: Trois Études for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Valley of the High Plains - original piano duet for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.701128
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.701128 Composed by Kevin G. Pace (ASCAP). Contemporary,Standards. Score and parts. 7 pages. Kevin G. Pace #3025091. Published by Kevin G. Pace (A0.701128). A brilliant, beautiful, piano duet for two pianos for moderately advanced pianists. A polyrhythmic composition. Piano one is in 4/4 time. Piano two is in 3/4 time.
$3.95
3.7 €
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2 Pianos, 4 mains
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Kevin G
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The Valley of the High Plains - original piano duet for two pianos
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Kevin G. Pace
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SheetMusicPlus
La Guachinanga - Rumba (MexicanDance) - two-piano duo
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.968725 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.968725 Composed by Chester Wittell. Arranged by Cedric Elmer, ASCAP. 20th Century,Jazz,Standards. Score. 9 pages. Cedric N Elmer #4849181. Published by Cedric N Elmer (A0.968725). A two-piano duo for advanced pianists performed in a Tempo do Rumba style. Note the DC al coda at measure 86 that repeats from the beginning to measure 35 and to Coda. Note the fermata that gives the performers time to prepare for fast and fortissimo ending.
$7.99
7.48 €
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2 Pianos, 4 mains
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Chester Wittell
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Cedric Elmer, ASCAP
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La Guachinanga - Rumba
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Cedric N Elmer
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SheetMusicPlus
Maple Leaf Rag (2 piano duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712485 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712485 Composed by Scott Joplin. Arranged by Sandra Zylstra. Instructional,Standards. Score. 6 pages. Sandra dee zylstra #6039355. Published by sandra dee zylstra (A0.712485). Maple Leaf Rag by Scott Joplin is one of the most famous pieces of ragtime music! Grab a partner and have fun playing this late intermediate two-piano duet arranged in the keys of G and D. This arrangement includes both piano parts. (Approximately 4:00, 5 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$4.25
3.98 €
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2 Pianos, 4 mains
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Scott Joplin
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Sandra Zylstra
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Maple Leaf Rag
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sandra dee zylstra
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SheetMusicPlus
The Entertainer (2 piano duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712484 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712484 Composed by Scott Joplin. Arranged by Sandra Zylstra. Instructional,Standards. Score. 7 pages. Sandra dee zylstra #6039333. Published by sandra dee zylstra (A0.712484). The Entertainer by Scott Joplin is one of the best known ragtime pieces! Grab a partner and have fun playing this late intermediate two-piano duet arrangement in the keys of C and F. This arrangement includes both piano parts. (Approximately 4:30, 6 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$4.75
4.44 €
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2 Pianos, 4 mains
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Scott Joplin
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Sandra Zylstra
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The Entertainer
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sandra dee zylstra
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SheetMusicPlus
MOSAICO 1 for Piano Four-Hands
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.963289 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.963289 Composed by Cristiano Vecchi. 20th Century,Contemporary,Instructional,Standards. Score. 11 pages. Cristiano Vecchi #4366228. Published by Cristiano Vecchi (A0.963289). This work collects two canons harmonized with extended weighted tonality. Every ritornello can be played many times without interruption, as an ambient music landscape.
$2.99
2.8 €
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2 Pianos, 4 mains
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Cristiano Vecchi
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MOSAICO 1 for Piano Four-Hands
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Cristiano Vecchi
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SheetMusicPlus
I Shall Not Be Moved (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565175 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565175 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Standards,Traditional. Score. 13 pages. Sharon Wilson #3516203. Published by Sharon Wilson (A0.565175). This arrangement of the traditional spiritual I Shall Not Be Moved is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the first chorus and verse. Bold and cheerful, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 6-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the words found in Psalm 1: Blessed is the man who doesn’t walk in the counsel of the wicked…but his delight is in Yahweh’s law…He will be like a tree planted by the streams of water… (WEB)Lyrics:I shall not be moved,I shall not be moved,I shall not be moved,Like a tree planted by the water,I shall not be moved.When my cross is heavy,I shall not be moved,When my cross is heavy,I shall not be moved,Like a tree planted by the water,I shall not be moved.
$5.99
5.6 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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I Shall Not Be Moved
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Sharon Wilson
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SheetMusicPlus
Clementi - Sonatina Op36 No3 1st Mvt - 2nd. Piano Part
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.824029 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.824029 Composed by TK Tim Murray. Classical,Standards. Score. 4 pages. TK (Tim) Murray #4786377. Published by TK (Tim) Murray (A0.824029). This 2nd Piano part is a beautifully stylistic and equal in interest duet part for the original - making the whole performance experience even more enjoyable. It can be used by a teacher to motivate their student in lessons or, as was intended, it is a 2nd part for Concert performance.Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
6.5 €
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2 Pianos, 4 mains
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TK Tim Murray
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tkmurraycomp@aol
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Clementi - Sonatina Op36 No3 1st Mvt - 2nd. Piano Part
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TK
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SheetMusicPlus
The Way You Look Tonight by Fred Astaire - Instrumental Parts
2 Pianos, 4 mains
Performed by: Fred Astaire: The Way You Look Tonight - from Swing Time Digital Sheetmusic …
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Performed by: Fred Astaire: The Way You Look Tonight - from Swing Time Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement does not contain lyrics), scoring: Instrumental Duet;Instrumental Parts, instruments: Piano 1;Piano 2; 8 pages -- Movie/TV~~Tin Pan Alley~~Standards~~Traditional Pop~~Soundtrack
$5.25
4.91 €
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2 Pianos, 4 mains
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Fred Astaire
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Instrumental Parts
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Musicnotes
Drifting Along With the Tide by George Gershwin - 2 Piano 4-Hands
2 Pianos, 4 mains
Performed by: George Gershwin: Drifting Along With the Tide Digital Sheetmusic - instantly…
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Performed by: George Gershwin: Drifting Along With the Tide Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Duet;2 Piano 4-Hands, instruments: Piano 1;Piano 2; 9 pages -- Jazz~~Ragtime~~Movie/TV~~Show/Broadway~~Standards
$5.75
5.38 €
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2 Pianos, 4 mains
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George Gershwin
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2 Piano 4-Hands
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Musicnotes
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