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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Suit
Sheetmusicplus
Non classifié
8 547
Piano & claviers
Piano seul
4 479
Piano Facile
1 332
Orgue
965
Piano, Voix
921
Piano, Voix et Guitare
743
Instruments en Do
449
1 Piano, 4 mains
242
Piano Trio: piano, violon, violoncelle
128
Accompagnement Piano
105
2 Pianos, 4 mains
77
Clavecin
42
Orgue, Piano (duo)
32
Piano Quatuor: piano, violon, alto, violoncelle
31
Orgue, Trompette (duo)
24
Piano Quintette: piano, 2 violons, alto, violoncelle
19
Accordéon
14
Piano Quatuor: piano, 2 violons, violoncelle
7
Clavier
6
Piano (partie séparée)
5
1 Piano, 6 mains
4
2 Accordéons
4
2 Pianos, 8 mains
4
Fake Book
4
Ensemble d'Accordéons
1
+ 19 instrumentations
Retracter
Guitares
Guitare
810
Guitare notes et tablatures
552
2 Guitares (duo)
155
Dulcimer
136
4 Guitares (Quatuor)
69
Ukulele
61
Basse electrique
51
Ensemble de guitares
49
Ligne De Mélodie, (Paroles) et Accords
44
3 Guitares (trio)
30
Banjo
21
Mandoline
18
Guitare (partie séparée)
14
Paroles et Accords
8
Ukulele Baryton
6
Piano, Guitare (duo)
6
2 Dulcimers (duo)
5
2 Mandolines (duo)
3
2 Ukuleles
3
Mandoline, Piano (duo)
2
Guitare, Harpe
1
Orchestre à Plectres
1
Mandoline, Guitare (duo)
1
Ensemble de Ukulélés
1
Guitare, Flûte, Clarinette
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
2 553
Chorale 3 parties
845
Chorale Unison
718
Chorale TTBB
633
Chorale SSAA
425
Chorale 2 parties
390
Pack Instrumental pour Chorale
114
Voix Soprano, Piano
76
Voix duo, Piano
60
Voix Alto, Piano
43
Voix Tenor, Piano
40
Voix Baryton, Piano
38
Voix haute
32
Voix duo
17
Chorale SSAATTBB
15
Voix seule
14
Voix moyenne, Piano
10
Chorale SSATB
8
Chorale
7
Voix basse, Piano
7
Chorale SSATTB
6
Voix Soprano
5
Voix Tenor
4
Voix Mezzo-Soprano, Piano
4
Voix basse
4
Male Voice
2
Voix Moyenne
1
Voix, Guitare
1
Chorale SSAB a cappella
1
Chorale SAATB A Cappella
1
+ 25 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
820
Flûte traversière et Piano
776
2 Saxophones (duo)
765
Quatuor de Saxophones: 4 saxophones
718
Clarinette et Piano
643
Quatuor de Clarinettes: 4 clarinettes
613
2 Flûtes traversières (duo)
565
Hautbois, Piano (duo)
500
Saxophone (partie séparée)
489
2 Clarinettes (duo)
473
Saxophone Alto et Piano
462
Flûte traversière
460
Clarinette (partie séparée)
440
Clarinette
417
Flûte, Hautbois, Clarinette, Basson
416
Quintette de Saxophone: 5 saxophones
320
Saxophone Tenor et Piano
320
Quatuor de Flûtes : 4 flûtes
310
Saxophone Alto
265
Ensemble de saxophones
234
Saxophone, Clarinette (duo)
224
Hautbois (partie séparée)
224
Flûte, Clarinette (duo)
222
Saxophone Soprano et Piano
211
Harmonica
190
Saxophone Baryton, Piano
187
Saxophone Tenor
186
Ensemble de Clarinettes
180
2 Hautbois (duo)
180
Flute (partie séparée)
171
Clarinette, Violon (duo)
161
2 Flûte à bec (duo)
157
Flûte, Violon
145
3 Saxophones (trio)
127
Flûte à Bec
127
Hautbois, Basson (duo)
127
3 Clarinettes (trio)
126
Hautbois
124
Clarinette, Trompette (duo)
124
Hautbois, Clarinette (duo)
105
Trio de Flûtes: 3 flûtes
101
Flûte et Guitare
101
Cor anglais, Piano
97
Clarinette Basse, Piano
92
Quintette de Clarinettes: 5 clarinettes
89
Clarinette et Alto
79
Flûte, Alto (duo)
79
Flûte, Saxophone (duo)
78
Ensemble de Flûtes
76
Hautbois, Flûte
70
Flûte, Trompette (duo)
62
Saxophone Soprano
58
Flûte à bec Soprano
56
Quintette de Flûte : 5 flûtes
49
Flûte, Clarinette et Basson
46
Flûte, Violoncelle
46
2 Saxophones, Piano
46
Saxophone Baryton
45
Flûte, Hautbois, Clarinette (trio)
44
Quatuor de Flûtes à bec
42
Flûte à bec Alto
41
Cor Anglais
34
Clarinette, Basson (duo)
31
3 Flûtes à bec (trio)
28
Flûte, Hautbois, Basson
28
Flûte, Violon, Piano
26
Piccolo
23
Hautbois, Clarinette, Basson (trio d'anches)
23
Flûte à bec Tenor
20
Flûte à bec Alto, Piano
19
Flûte à bec Soprano, Piano
18
Flûte, Hautbois (duo)
16
Ocarina
16
Flute, Cor (duo)
15
Flûte, Violoncelle, Piano (trio)
14
Clarinette Basse
14
Flûte, Hautbois, Piano (trio)
12
Ensemble De Flûte à bec
12
Hautbois, Violoncelle
12
Clarinette, Violoncelle (duo)
12
2 Flûtes traversières, Piano
11
5 Flûtes à bec
11
4 Hautbois
11
Flûte, Clarinette, Piano (trio)
10
Piccolo, Piano
9
Clarinette, Guitare (duo)
9
Flûte à Bec, Piano
8
Saxophone et Orgue
8
Saxophone
7
Flute, harpe et violon
7
Cor anglais et Harpe (duo)
6
Flûte, Violon et Violoncelle
6
Flûte, Alto et Piano
5
Flûte et Trio à cordes
5
Flûte, Basson et Piano
5
Hautbois, Clarinette et Piano (Trio)
4
2 Clarinettes, Piano
4
Clarinette, Harpe (duo)
4
Flûte à bec Alto, Basse continue
4
Saxophone et Guitare
4
Ensemble à vent
3
Clarinette, Basson, Piano (trio)
3
Clarinette, Quatuor à cordes et Piano
3
Cor anglais, Guitare (duo)
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flûte traversière, Basse continue
3
Flûte irlandaise
3
Clarinette, Trombone (duo)
3
Flûte traversière, Orgue (duo)
3
Hautbois, Harpe
3
Hautbois, Basson et Piano
3
Flûte et Quatuor à Cordes
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Clarinette, Orgue
2
Clarinette, Violoncelle, Piano (trio)
2
Saxophone et Piano
2
2 Clarinettes, Basson
2
Ensemble de Hautbois
2
Flûte à bec Soprano, Basse continue
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte, Trombone (duo)
2
Clarinette, Alto et Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
2 Flûtes traversières, Harpe
1
Cornemuse
1
2 Flûtes, Basse continue
1
Hautbois, Guitare (duo)
1
Hautbois, violon (duo)
1
3 Hautbois
1
Flûte traversière, Orchestre
1
Flûte, Tuba (duo)
1
Hautbois et alto (duo)
1
Flûte, Clarinette, Violon (trio)
1
2 Flûtes à bec, Piano
1
3 Flûtes à bec, Piano
1
Flûte à bec, Guitare (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Orgue
1
Saxophone, Tuba (duo)
1
+ 134 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
722
Quatuor de Cuivres : 2 trompettes, trombone, tuba
463
Trombone (partie séparée)
414
Trompette, Piano
394
Trombone et Piano
390
Trompette
373
Cor et Piano
348
Trompette (partie séparée)
297
Cor
265
Trombone
252
Tuba et Piano
246
Cor (partie séparée)
241
2 Trombones (duo)
237
2 Trompettes (duo)
228
Trompette, Trombone (duo)
202
Tuba
170
Trompette, Saxophone (duo)
163
Euphonium, Piano (duo)
145
Quatuor de Cuivres: 2 trompettes, Cor, trombone
134
Tuba (partie séparée)
115
Cor anglais, Piano
97
Quatuor de cuivres: 4 trombones
97
2 Cors (duo)
94
Ensemble de Trompettes
92
Quatuor de Cuivres
75
Ensemble de Trombones
64
Quatuor de cuivres: 4 cors
62
Euphonium
48
2 Euphoniums et 2 Tubas
35
Cor Anglais
34
4 Tubas
33
3 Trombones (trio)
32
Cornet A Pistons
27
2 Tubas (duo)
25
Quatuor de cuivres: 4 trompettes
23
Trompette, Cor (duo)
22
3 Trompettes (trio)
21
Trio de Cuivres
18
Trombone basse et Piano
18
Trombone, Tuba (duo)
16
Ensemble de Cors
16
Euphonium, Tuba (duo)
15
Trombone basse
14
2 Euphoniums (duo)
12
Clarinette, Cor (duo)
12
Trombone, Orgue
12
Trombone, Cor (duo)
12
3 Cors (trio)
10
3 Tubas (trio)
9
Cor, Tuba (duo)
8
Cor anglais et Harpe (duo)
6
Cor, Violoncelle (duo)
6
Euphonium (partie séparée)
6
Trompette, Tuba (duo)
6
Tuba et Orgue
5
Tuba ou Euphonium ou Saxhorn
5
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trompette, violon (duo)
4
Cor anglais, Guitare (duo)
3
Cor et Basson (duo)
3
Ensemble de Tubas
3
Trompette, Violoncelle (duo)
3
Trompette et Guitare
2
Instruments en Sib
2
Trompette, Violoncelle et Piano
2
Bass Clef Instruments
1
3 Euphoniums
1
Cornet et Piano
1
Cor et Harpe
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trompette, Basson (duo)
1
Trombone et orchestre
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
+ 69 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 525
Violon et Piano
1 026
Violoncelle, Piano
669
Violon
574
Alto, Piano
564
Violoncelle
511
Harpe
472
Violon, Violoncelle (duo)
366
2 Violons (duo)
342
Alto seul
335
2 Violoncelles (duo)
324
Violon (partie séparée)
292
2 Altos (duo)
252
Violon, Alto (duo)
220
Trio à Cordes: violon, alto, violoncelle
193
Contrebasse, Piano (duo)
178
Contre Basse
155
Contrebasse (partie séparée)
125
2 Harpes (duo)
124
Quintette à cordes: 2 violons, alto, violoncelle, basse
121
Alto (partie séparée)
101
Violoncelle (partie séparée)
96
4 Violoncelles
81
Trio à cordes: 3 violins
56
Alto, Violoncelle (duo)
52
Trio à Cordes: 2 violons, violoncelle
49
Piano Trio: Violon, Alto, Piano
37
Trio à Cordes: 3 violoncelles
37
Quatuor à cordes: 4 violons
29
Harpe, Violon (duo)
29
Ensemble de Violons
27
Ensemble d'Altos
25
Violon, Guitare (duo)
24
2 Contrebasses (duo)
23
Quatuor à cordes : 4 altos
21
Violon, Basson (duo)
20
Trio à cordes: 3 altos
18
Trio à Cordes: 2 violons, alto
14
Violoncelle, Contrebasse (duo)
14
Harpe, Flûte (duo)
13
Violoncelle , Guitare (duo)
13
Harpe, Voix
13
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Alto et Basson
9
4 Contrebasses
6
Alto, Guitare (duo)
6
3 Harpes
4
Violon, Orgue
4
Violoncelle, Orgue
4
Ensemble de Violoncelles
4
Violon, Clarinette, Piano (trio)
4
Violon, Basse continue
3
Trio à cordes
3
2 Violons, Piano
3
Violoncelle, Basse continue
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Alto, Orgue
2
Violoncelle, Orchestre
2
Harpe, Violoncelle (duo)
2
5 Harpes
2
Harpe et Piano
2
2 Altos, Piano
1
3 Contrebasses
1
Violon, Tuba (duo)
1
Harpe, Orchestre
1
2 Violons et Basse continue
1
Violon, Violoncelle, Clarinette
1
4 Harpes
1
+ 63 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 945
Orchestre à Cordes
910
Orchestre
728
Ensemble de cuivres
397
Orchestre de chambre
248
Percussion (partie séparée)
241
Ensemble Jazz
210
Cloches
175
Jazz combo
110
Timbales (partie séparée)
87
Fanfare
70
Ensemble de Percussions
70
Percussion
50
Batterie
23
Marimba
21
Xylophone, Piano
17
Batterie (partie séparée)
14
Xylophone
8
Quintette de Cuivres: autres combinaisons
8
Quintette à Vent
7
Instrumentation Flexible
7
2 Xylophones
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Ensemble d'École
5
Timbales
5
3 Marimbas
4
Vibraphone
3
Vibraphone et Marimba
2
2 Marimbas
1
Marimba, Piano (duo)
1
Vibraphone (partie séparée)
1
Caisse Claire
1
Orchestre, Violon
1
+ 28 instrumentations
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Autres
Formation musicale - Solfège
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Partitions Gratuites
Instruments
ACCORDEON
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AUTRES INST…
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BANJO
BASSE
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CLARINETTE
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HARMONICA
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LUTH, THEOR…
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PIANO
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TROMBONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
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SURRENDER, Between the Octaves, A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
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IGNITE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Rachmaninoff - Suite No.1 Op.5 in G Minor 1. Barcarolle ("Fantaisie-tableaux") Original For 2Pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1485084 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1485084 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 65 pages. Poon #1062165. Published by poon (A0.1485084). Sergei Rachmaninoff - Suite No.1 Op.5 in G Minor 1. Barcarolle (Fantaisie-tableaux) Original For 2 Pianos - Allegretto Score and Parts.
$5.99
5.52 €
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2 Pianos, 4 mains
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Sergei Rachmaninoff
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poon
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Rachmaninoff - Suite No.1 Op.5 in G Minor 1. Barcarolle
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poon
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SheetMusicPlus
Rachmaninoff - Suite No.1, Op.5 II.La nuit... L'amour - ("Fantaisie-tableaux") Original For 2 Pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1486436 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1486436 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 45 pages. Poon #1063499. Published by poon (A0.1486436). Sergei Rachmaninoff - Suite No.1, Op.5 2.La nuit... L'amour - (Fantaisie-tableaux) Original For 2 Pianos 4hands - Adagio sostenuto (D major) Score and Parts.
$5.99
5.52 €
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2 Pianos, 4 mains
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Sergei Rachmaninoff
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poon
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Rachmaninoff - Suite No.1, Op.5 II.La nuit... L'amour -
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poon
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SheetMusicPlus
Rachmaninoff - Suite No.1, Op.5 lll. Les Larmes - ("Fantaisie-tableaux") Original For 2 Pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1486711 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1486711 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 27 pages. Poon #1063777. Published by poon (A0.1486711). Rachmaninoff - Suite No.1, Op.5 lll. Les Larmes - (Fantaisie-tableaux) Original For 2 Pianos 4hands - Largo di molto (G minor) Score and Parts.
$5.99
5.52 €
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2 Pianos, 4 mains
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Sergei Rachmaninoff
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poon
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Rachmaninoff - Suite No.1, Op.5 lll. Les Larmes -
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poon
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SheetMusicPlus
Norwegian March, from Lyric Suite, op. 54
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1117571 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1117571 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 5 pages. Richard Simm #719109. Published by Richard Simm (A0.1117571). The second piece in Grieg's orchestral suite is a rustic march, here arranged for two pianos by Richard Simm.
$5.95
5.49 €
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2 Pianos, 4 mains
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Edvard Grieg
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Richard Simm
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Norwegian March, from Lyric Suite, op. 54
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Richard Simm
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SheetMusicPlus
March of the Dwarfs, from "Lyric Suite"
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1121874 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1121874 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 7 pages. Richard Simm #723067. Published by Richard Simm (A0.1121874). The final piece in Grieg's orchestral suite is a volatile and powerful depiction of these mysterious characters from Norwegian folklore. Here it has been arranged for two pianos by Richard Simm.
$5.95
5.49 €
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2 Pianos, 4 mains
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Edvard Grieg
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Richard Simm
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March of the Dwarfs, from "Lyric Suite"
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Richard Simm
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SheetMusicPlus
"Ghost Story" from An Icelandic Suite
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1126731 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1126731 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditional,World. Score. 4 pages. Richard Simm #727380. Published by Richard Simm (A0.1126731). The first item in this suite of Icelandic tunes by Richard Simm is a hair-raising ghost story! These Icelandic melodies were originally arranged by Simm for beginner students to play as piano duets with their teachers or with advanced students. In their new form for two pianos, they are more embellished and technically challenging than the originals, but are short enough not to present too much of a hurdle. Four of the five songs are known to every Icelander, and their original texts often have stark, dramatic undertones.
$4.95
4.56 €
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2 Pianos, 4 mains
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Richard Simm
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Richard Simm
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"Ghost Story" from An Icelandic Suite
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Richard Simm
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SheetMusicPlus
Suite for two Pianos, Op. 20, 2nd Movement, Acrobats
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.904544
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.904544 Composed by David Cundy. Contemporary. Score and parts. 14 pages. David Cundy #3077353. Published by David Cundy (A0.904544). Suite for two Pianos, Op. 20, 2nd Movement, Acrobats.
$3.99
3.68 €
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2 Pianos, 4 mains
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David Cundy
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Suite for two Pianos, Op. 20, 2nd Movement, Acrobats
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David Cundy
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SheetMusicPlus
Suite for two Pianos, Op. 20, 4th Movement, Theme & Variations
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.904977
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.904977 Composed by David Cundy. Contemporary. Score and parts. 13 pages. David Cundy #3077357. Published by David Cundy (A0.904977). Suite for two Pianos, Op. 20, 4th Movement, Theme & Variations.
$3.99
3.68 €
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2 Pianos, 4 mains
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David Cundy
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Variations.
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Suite for two Pianos, Op. 20, 4th Movement, Theme & Variations
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David Cundy
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SheetMusicPlus
Bourree 1 & 2 from Suite No 1, BWV 1066 for piano duet, 4 hands (score only)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.530879 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.530879 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 2 pages. Amadeus Music #12617. Published by Amadeus Music (A0.530879). Score only. Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
$4.95
4.56 €
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2 Pianos, 4 mains
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Johann Sebastian Bach
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Klas Krantz
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Bourree 1 & 2 from Suite No 1, BWV 1066 for piano duet, 4 hands
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Amadeus Music
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SheetMusicPlus
"A Youthful Vow" from An Icelandic Suite
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
4.56 €
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2 Pianos, 4 mains
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Ingunn Bjarnadóttir
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Richard Simm
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"A Youthful Vow" from An Icelandic Suite
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Richard Simm
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SheetMusicPlus
Polka from "Czech Suite", for 2 pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.800641 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.800641 Composed by Antonin Dvorak. Arranged by Richard Simm. Romantic Period. Score. 6 pages. Richard Simm #6857813. Published by Richard Simm (A0.800641). This arrangement is an exciting challenge for pianists who regret that Dvorak did not write more music for their instrument. As usual, Richard Simm has not simplified the original orchestration for pianists who want to play this fascinating folk-style music. Rather the aim has been to exploit what two pianos can do to approach the composer's unique talent for attractive and evocative orchestration.
$8.95
8.25 €
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2 Pianos, 4 mains
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Antonin Dvorak
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Richard Simm
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Polka from "Czech Suite", for 2 pianos
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Richard Simm
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SheetMusicPlus
Bourree Suite 2 BWV 1067 for piano duet (2 pianos)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.532422 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.532422 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 6 pages. Amadeus Music #6070527. Published by Amadeus Music (A0.532422). Score and parts.Johann Sebastian Bach (1685–1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
$3.95
3.64 €
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2 Pianos, 4 mains
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Johann Sebastian Bach
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Klas Krantz
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Bourree Suite 2 BWV 1067 for piano duet
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Amadeus Music
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SheetMusicPlus
"Raven's Feast" from An Icelandic Suite
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1128421 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1128421 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditional,World. Score. 4 pages. Richard Simm #729041. Published by Richard Simm (A0.1128421). In the freezing Icelandic winter, a cold and hungry raven wonders what on earth a poor soul is supposed to eat. Following his nose, he gets lucky and finds a dead sheep near a garden.
$4.95
4.56 €
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2 Pianos, 4 mains
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Richard Simm
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Richard Simm
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"Raven's Feast" from An Icelandic Suite
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Richard Simm
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SheetMusicPlus
Grieg - Rigaudon from Holberg Suite - Keyboard Ensemble
2 Pianos, 4 mains
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.7…
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766913 Composed by Edvard Grieg. Arranged by Christian Bennedsen. Romantic Period. Score and parts. 13 pages. Christian Bennedsen #6681675. Published by Christian Bennedsen (A0.766913). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
4.6 €
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2 Pianos, 4 mains
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Edvard Grieg
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Christian Bennedsen
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Grieg - Rigaudon from Holberg Suite - Keyboard Ensemble
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Christian Bennedsen
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SheetMusicPlus
Orchestral Suite 2 BWV 1067, mov. 2-7 for piano duet
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.530862 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.530862 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 14 pages. Amadeus Music #2026685. Published by Amadeus Music (A0.530862). For piano duet, score, no parts, 13 pages. Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
$8.95
8.25 €
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2 Pianos, 4 mains
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Johann Sebastian Bach
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Klas Krantz
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Orchestral Suite 2 BWV 1067, mov. 2-7 for piano duet
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Amadeus Music
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SheetMusicPlus
Germaine Tailleferre : "Il était un Petit Navire" Suite for two pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1155034 By Gold an…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1155034 By Gold and Fizdale. By Germaine Tailleferre. 20th Century,Chamber,Opera. Score. 36 pages. Musik Fabrik Music Publishing #755315. Published by Musik Fabrik Music Publishing (A0.1155034). Written for Gold and Fizdale during their 1948 visit to Tailleferre home in Grasse, France. This work is four selections from Tailleferre's comic opera.
$32.95
30.38 €
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2 Pianos, 4 mains
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Gold and Fizdale
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Germaine Tailleferre : "Il était un Petit Navire" Suite for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
SUITE ARMORIAL Nº 3 PARA TUBA E PIANO
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.969234 Composed by FERNANDO …
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.969234 Composed by FERNANDO MORAIS. Contemporary. Score. 25 pages. FERNANDO J MORAIS #5801963. Published by FERNANDO J MORAIS (A0.969234).
$5.00
4.61 €
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2 Pianos, 4 mains
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FERNANDO MORAIS
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SUITE ARMORIAL Nº 3 PARA TUBA E PIANO
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FERNANDO J MORAIS
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SheetMusicPlus
"Lullaby" from An Icelandic Suite
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1130804 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1130804 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #731074. Published by Richard Simm (A0.1130804). This innocent title belies another sad tale of Iceland's desperate and often tragic past, with battles against Nature at her most harsh, and the need to survive uppermost in everyone's thoughts. There are two well-known melodies to the lullaby, which was also used in a play about a kind of Icelandic Robin Hood, but the arranger found this one particularly beautiful.
$4.95
4.56 €
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2 Pianos, 4 mains
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Richard Simm
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Richard Simm
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"Lullaby" from An Icelandic Suite
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Richard Simm
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SheetMusicPlus
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