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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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663
PIANO & CLAVIERS
Piano seul
446
Piano, Voix
150
Piano Facile
136
Piano, Voix et Guitare
107
Accompagnement Piano
64
Instruments en Do
45
Accordéon
36
Orgue
35
1 Piano, 4 mains
8
2 Pianos, 4 mains
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
3
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2
Piano grosses notes
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Clavecin
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Piano Quatuor: piano, 2 violons, violoncelle
1
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GUITARES
Basse electrique
65
Guitare
56
Guitare notes et tablatures
54
Ukulele
23
Ligne De Mélodie, (Paroles) et Accords
17
Paroles et Accords
10
Dulcimer
5
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3
Mandoline
2
3 Guitares (trio)
1
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VOIX
Chorale SATB
409
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156
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82
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73
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69
Chorale Unison
59
Voix seule
37
Voix Soprano, Piano
27
Voix Tenor, Piano
17
Voix Alto, Piano
16
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13
Pack Instrumental pour Chorale
12
Chorale
8
Voix duo
6
Voix Tenor
5
Voix haute
3
Voix Mezzo-Soprano, Piano
2
Voix Baryton, Piano
2
Voix, Guitare
1
Chorale SSAB, Piano
1
Voix Soprano
1
Chorale SSAATB
1
Voix basse, Piano
1
Chorale SSAATTBB
1
Instrumentations suivantes
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VENTS
Saxophone
169
Clarinette
118
Flûte traversière
111
2 Saxophones (duo)
58
Saxophone Alto
56
Quatuor de Saxophones: 4 saxophones
41
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
Flûte traversière et Piano
30
Saxophone Tenor
29
2 Flûtes traversières (duo)
29
Clarinette et Piano
26
Hautbois
26
Saxophone, Clarinette (duo)
25
2 Clarinettes (duo)
24
Flûte, Hautbois, Clarinette, Basson
23
Quintette de Saxophone: 5 saxophones
20
Saxophone Alto et Piano
20
Hautbois, Piano (duo)
19
Flûte à Bec
18
Saxophone Tenor et Piano
15
Hautbois (partie séparée)
14
Saxophone (partie séparée)
14
Saxophone Soprano
14
Clarinette, Violon (duo)
14
Flûte, Clarinette (duo)
14
Clarinette, Trompette (duo)
14
Ensemble de Flûtes
13
Cor Anglais
13
Flûte à bec Soprano
12
2 Hautbois (duo)
12
Hautbois, Basson (duo)
11
Saxophone Soprano et Piano
9
Hautbois, Clarinette (duo)
9
Quatuor de Clarinettes: 4 clarinettes
9
Ensemble de Clarinettes
9
Clarinette et Alto
9
3 Saxophones (trio)
9
Hautbois, Flûte
9
Saxophone Baryton
8
Quatuor de Flûtes : 4 flûtes
8
Flûte, Saxophone (duo)
8
Flûte, Violon
7
Flûte à bec Alto
6
Flûte, Alto (duo)
6
Quintette de Clarinettes: 5 clarinettes
5
Ocarina
5
Trio de Flûtes: 3 flûtes
5
Flûte, Trompette (duo)
5
Quintette de Flûte : 5 flûtes
5
Saxophone Baryton, Piano
4
Harmonica
4
Cor anglais, Piano
3
Clarinette (partie séparée)
3
2 Flûte à bec (duo)
3
Clarinette Basse
3
3 Clarinettes (trio)
3
Quatuor de Flûtes à bec
2
3 Flûtes à bec (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Trombone (duo)
1
Clarinette Basse, Piano
1
Flûte à bec Soprano, Piano
1
Clarinette, Guitare (duo)
1
Clarinette, Contrebasse (duo)
1
Clarinette, Alto et Piano (trio)
1
Flûte, Violon, Piano
1
Flute, harpe et violon
1
Clarinette, Tuba
1
Flûte, Violoncelle
1
Flûte et Guitare
1
Clarinette, Basson (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
5 Flûtes à bec
1
Ensemble de Hautbois
1
Flûte, Trombone (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Clarinette et Basson
1
Instrumentations suivantes
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CUIVRES
Trompette
109
Trombone
103
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
48
Trompette, Piano
28
Cor
27
Tuba
24
Trombone et Piano
23
Trompette, Saxophone (duo)
18
Cor et Piano
18
Quatuor de Cuivres
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Quatuor de cuivres: 4 trombones
14
Trompette, Trombone (duo)
14
Cor Anglais
13
2 Trombones (duo)
12
Tuba et Piano
11
Euphonium
10
2 Trompettes (duo)
10
Trio de Cuivres
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trompette (partie séparée)
6
Euphonium, Piano (duo)
6
2 Cors (duo)
5
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Cor anglais, Piano
3
Trompette, Cor (duo)
3
3 Trombones (trio)
2
3 Cors (trio)
2
3 Tubas (trio)
2
2 Euphoniums et 2 Tubas
2
Trombone basse
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Cor (duo)
1
Clarinette, Cor (duo)
1
4 Tubas
1
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Ensemble de Cors
1
Trombone basse et Piano
1
Tuba et Orgue
1
Ensemble de Trombones
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
112
Violon
57
Violoncelle
51
Violon et Piano
41
Alto seul
36
Violoncelle, Piano
28
Alto, Piano
25
Violon, Violoncelle (duo)
17
Trio à Cordes: violon, alto, violoncelle
17
Contre Basse
15
2 Violoncelles (duo)
14
2 Violons (duo)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Violon, Alto (duo)
13
2 Altos (duo)
10
Harpe
8
Alto (partie séparée)
7
Harpe, Voix
4
Piano Trio: Violon, Alto, Piano
3
Trio à Cordes: 3 violoncelles
3
Alto, Violoncelle (duo)
3
2 Harpes (duo)
2
Harpe (partie séparée)
2
Trio à cordes: 3 violins
2
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
Contrebasse (partie séparée)
1
Contrebasse, Piano (duo)
1
Violoncelle, Orgue
1
Harpe, Flûte (duo)
1
Flûte, Contrebasse (duo)
1
4 Violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Guitare (duo)
1
Quatuor à cordes : 4 altos
1
Violon (partie séparée)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
83
Batterie
69
Orchestre
58
Cloches
38
Orchestre à Cordes
25
Orchestre de chambre
24
Ensemble Jazz
16
Ensemble de cuivres
13
Xylophone
8
Marimba
7
Jazz combo
4
Percussion (partie séparée)
4
Fanfare
3
Percussion
1
Batterie (partie séparée)
1
Ensemble de Percussions
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Sun King
2 Pianos, 4 mains
Partitions à imprimer
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Sunday Worship For Two, Volume 2 (late intermediate to early advanced 2 piano duets)
2 Pianos, 4 mains
Composed by Various. Arranged by Sandra Zylstra. Christian, Praise & Worship, Sacr…
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Composed by Various. Arranged by Sandra Zylstra. Christian, Praise & Worship, Sacred. Score. 60 pages. Sandra dee zylstra #5988719. Published by sandra dee zylstra
This is the second book in the series of hymns from long ago that have stood the test of time and are still used in churches today. The following hymns and medleys are included: A Mighty Fortress Is Our God, Come, Thou Fount Of Every Blessing, Glory And Praise, How Great Thou Art, In The Blood Of The Lamb, Leaning On God\'s Promises, Standing Firm, Worship The Almighty King. All of these hymns can also be viewed and purchased separately. (57 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/This is the second book in the series of hymns from long ago that have stood the test of time and are still used in churches today. The following hymns and medleys are included: A Mighty Fortress Is Our God, Come, Thou Fount Of Every Blessing, Glory And Praise, How Great Thou Art, In The Blood Of The Lamb, Leaning On God\'s Promises, Standing Firm, Worship The Almighty King. All of these hymns can also be viewed and purchased separately. (57 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$17.00
15.48 €
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2 Pianos, 4 mains
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Various
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Worship, Sacred
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Sunday Worship For Two, Volume 2
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sandra dee zylstra
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SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30 €
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2 Pianos, 4 mains
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achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
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Germaine Tailleferre
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Germaine Tailleferre: Trois Études for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Gartan Mother's Lullaby, from "Five Irish Tunes"
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1185006 By Richard…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1185006 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #784681. Published by Richard Simm (A0.1185006). The original text of this beautiful Irish lullaby has been lost, but new lyrics were added for the song's first publication in 1904. The imagery used includes kings, fairies and other folk beings, sung while rocking a child to sleep beside the dyin' fire.
$6.95
6.33 €
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2 Pianos, 4 mains
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Richard Simm
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Richard Simm
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The Gartan Mother's Lullaby, from "Five Irish Tunes"
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Richard Simm
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SheetMusicPlus
Sonata Hymnica No. 6
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
9.11 €
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2 Pianos, 4 mains
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
Clementi - Sonatina Op36 No3 1st Mvt - 2nd. Piano Part
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.824029 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.824029 Composed by TK Tim Murray. Classical,Standards. Score. 4 pages. TK (Tim) Murray #4786377. Published by TK (Tim) Murray (A0.824029). This 2nd Piano part is a beautifully stylistic and equal in interest duet part for the original - making the whole performance experience even more enjoyable. It can be used by a teacher to motivate their student in lessons or, as was intended, it is a 2nd part for Concert performance.Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
6.33 €
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2 Pianos, 4 mains
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TK Tim Murray
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tkmurraycomp@aol
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Clementi - Sonatina Op36 No3 1st Mvt - 2nd. Piano Part
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TK
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SheetMusicPlus
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