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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
TINA
Sheetmusicplus
Non classifié
1 565
Piano & claviers
Piano seul
1 530
Piano Facile
514
Piano, Voix et Guitare
346
Orgue
226
Piano, Voix
223
Instruments en Do
91
Orgue, Trompette (duo)
88
1 Piano, 4 mains
52
Piano grosses notes
30
2 Pianos, 4 mains
26
Accordéon
22
Accompagnement Piano
19
Piano Trio: piano, violon, violoncelle
18
1 Piano, 6 mains
13
Clavecin
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano (partie séparée)
5
Concertina
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
2
Accordéon, Corde(s)
1
Clavier
1
Fake Book
1
2 Orgues (duo)
1
+ 20 instrumentations
Retracter
Guitares
Ukulele
447
Guitare
407
Guitare notes et tablatures
207
Mandoline
74
Ligne De Mélodie, (Paroles) et Accords
69
Basse electrique
40
2 Guitares (duo)
24
Paroles et Accords
20
Guitare (partie séparée)
7
4 Guitares (Quatuor)
7
Piano, Guitare (duo)
6
Dulcimer
4
Guitare Pedal Steel
2
Mandoline, Piano (duo)
2
Mandoline, Guitare (duo)
2
3 Guitares (trio)
2
Ensemble de guitares
2
Ensemble de Ukulélés
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
499
Chorale 3 parties
171
Chorale 2 parties
88
Chorale SSAA
76
Chorale TTBB
64
Chorale Unison
32
Pack Instrumental pour Chorale
28
Voix duo, Piano
20
Voix Soprano, Piano
13
Voix haute
10
Voix duo
9
Chorale
7
Chorale SSATB
7
Voix Alto, Piano
7
Voix seule
6
Voix Baryton, Piano
5
Voix Mezzo-Soprano, Piano
3
Voix moyenne, Piano
2
Chorale SSAB a cappella
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
103
Saxophone (partie séparée)
98
Flûte traversière
95
Clarinette et Piano
88
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
81
Clarinette
71
Saxophone Alto
68
Quatuor de Saxophones: 4 saxophones
59
Saxophone Tenor
51
Hautbois (partie séparée)
46
Flûte, Hautbois, Clarinette, Basson
46
Hautbois, Piano (duo)
46
Saxophone Alto et Piano
44
Ensemble de saxophones
40
2 Clarinettes (duo)
36
Quintette de Saxophone: 5 saxophones
35
2 Saxophones (duo)
33
Clarinette (partie séparée)
31
Saxophone Soprano et Piano
31
Quatuor de Clarinettes: 4 clarinettes
30
2 Flûtes traversières (duo)
29
Saxophone Tenor et Piano
27
Flûte, Clarinette (duo)
26
Flûte et Guitare
18
3 Saxophones (trio)
17
2 Hautbois (duo)
14
Quatuor de Flûtes : 4 flûtes
14
Saxophone, Clarinette (duo)
14
Ensemble de Clarinettes
13
Flute (partie séparée)
13
Clarinette, Violon (duo)
12
Flûte, Violon
12
Flûte, Hautbois (duo)
12
Hautbois, Basson (duo)
11
3 Clarinettes (trio)
11
Ensemble de Flûtes
11
Flûte traversière, Orgue (duo)
10
Flûte à bec Alto, Piano
9
Saxophone Baryton, Piano
9
Flûte, Clarinette et Basson
8
Hautbois, Clarinette (duo)
8
Clarinette, Guitare (duo)
7
Flûte à bec, Guitare (duo)
7
Trio de Flûtes: 3 flûtes
7
Hautbois
7
Saxophone et Guitare
6
Flûte, Hautbois, Clarinette (trio)
6
Flûte, Hautbois, Basson
6
Quatuor de Flûtes à bec
5
Clarinette, Trompette (duo)
5
Flûte à bec Soprano
5
Quintette de Clarinettes: 5 clarinettes
5
Hautbois, violon (duo)
5
Flûte, Trompette (duo)
5
Hautbois, Trompette (duo)
4
Saxophone, Violon (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette Basse, Piano
4
Clarinette, Basson (duo)
4
2 Flûte à bec (duo)
4
Hautbois, Flûte
4
Quintette de Flûte : 5 flûtes
4
Flûte, Saxophone (duo)
4
Saxophone Soprano
4
Cor anglais, Piano
4
Flûte à bec Soprano, Piano
3
Clarinette, Violoncelle (duo)
3
Cor anglais, Guitare (duo)
3
Clarinette et Alto
3
Saxophone
3
Flûte, Violon et Violoncelle
2
Flûte, Clarinette, Violon (trio)
2
Clarinette, Trombone (duo)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violoncelle
2
Flûte, Violon, Piano
2
Flûte, Violoncelle, Piano (trio)
2
2 Clarinettes, Basson
2
Flûte, Trombone (duo)
2
Flûte, Violoncelle, Guitare
1
Ensemble De Flûte à bec
1
Ensemble à vent
1
Saxophone Baryton
1
Flûte, Hautbois, Violon
1
Clarinette, Alto et Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte et Trio à cordes
1
2 Saxophones, Piano
1
Flûte, Alto et Piano
1
Cor Anglais
1
Cornemuse
1
Clarinette, Contrebasse (duo)
1
Ocarina
1
Clarinette, Harpe (duo)
1
Piccolo, Piano
1
Flûte à Bec
1
2 Flûtes traversières, Piano
1
Flûte, Basson et Piano
1
Flûte, trombone et piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Harpe et Violoncelle
1
Clarinette, Tuba
1
Flûte à bec Alto
1
Flûte irlandaise
1
Flûte, Violon, Guitare
1
3 Hautbois
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Alto (duo)
1
Flute, harpe et violon
1
Hautbois, Violoncelle
1
+ 105 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
86
Trompette
80
Trombone
64
Trompette, Piano
54
Trompette (partie séparée)
48
Cor
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
46
Trombone (partie séparée)
37
Tuba
36
Cor et Piano
34
Trombone et Piano
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
26
Tuba et Piano
20
Euphonium, Piano (duo)
16
2 Trombones (duo)
13
Euphonium
13
2 Trompettes (duo)
13
Cor (partie séparée)
11
2 Trompettes, Clavier (piano ou orgue)
10
Trompette, Saxophone (duo)
10
2 Cors (duo)
10
Ensemble de Trombones
9
Tuba (partie séparée)
7
Quatuor de Cuivres
7
Trompette, Trombone (duo)
6
2 Euphoniums et 2 Tubas
6
Ensemble de Trompettes
6
Quatuor de cuivres: 4 trombones
5
Trompette, Basson (duo)
4
Trombone, violoncelle (duo)
4
Trompette, violon (duo)
4
Cor anglais, Piano
4
Cor anglais, Guitare (duo)
3
Cornet A Pistons
3
Cor et Orgue
2
Cornet et Piano
2
Trompette et Guitare
2
3 Trombones (trio)
2
Trombone basse et Piano
2
Trio de Cuivres
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trompette, Euphonium (duo)
1
Trompette, Cor (duo)
1
2 Tubas (duo)
1
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
Trombone basse
1
Cor Anglais
1
Cor, Tuba (duo)
1
Cor, Violoncelle (duo)
1
Ensemble de Cors
1
Trombone, Orgue
1
+ 48 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
303
Violon
147
Violon et Piano
143
Violoncelle
86
Violoncelle, Piano
83
Alto, Piano
73
Violon, Violoncelle (duo)
66
Alto seul
66
Harpe
65
Trio à Cordes: violon, alto, violoncelle
57
2 Violons (duo)
54
Violon (partie séparée)
46
Violon, Alto (duo)
43
2 Violoncelles (duo)
32
2 Altos (duo)
31
Contrebasse (partie séparée)
26
Alto, Violoncelle (duo)
25
Trio à Cordes: 2 violons, violoncelle
25
Alto (partie séparée)
23
Contre Basse
20
Contrebasse, Piano (duo)
17
Violoncelle (partie séparée)
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Violon, Orgue
14
Violon, Guitare (duo)
12
4 Violoncelles
11
Violoncelle , Guitare (duo)
10
Alto, Guitare (duo)
9
Violoncelle, Orgue
8
Violon, Basse continue
8
Trio à cordes
7
Trio à Cordes: 3 violoncelles
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Ensemble de Violons
4
Trio à cordes: 3 violins
4
Harpe, Violon (duo)
4
Ensemble d'Altos
3
Harpe et Piano
3
Violon, Basson (duo)
2
Harpe, Violon, Violoncelle
2
Harpe, Voix
2
Quatuor à cordes: 4 violons
2
Trio à Cordes: 2 violons, alto
2
Alto, Orgue
2
Harpe, Flûte (duo)
2
2 Contrebasses (duo)
1
Trio à cordes: 3 altos
1
Alto et Harpe
1
Flûte, Contrebasse (duo)
1
Quatuor à cordes : 4 altos
1
2 Harpes (duo)
1
Alto et Basson
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
358
Orchestre à Cordes
93
Ensemble Jazz
82
Orchestre
74
Cloches
48
Fanfare
42
Ensemble de cuivres
41
Orchestre de chambre
32
Batterie
24
Percussion (partie séparée)
17
Marimba
11
Jazz combo
10
Batterie (partie séparée)
7
Ensemble de Percussions
7
Timbales (partie séparée)
5
Voix et Orchestre
3
Percussion
3
Xylophone
1
2 Marimbas
1
+ 14 instrumentations
Retracter
Autres
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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIELLE A RO…
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VIOLON
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
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FUNK
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
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OPERA
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
TINA
SheetMusicPlus
Partitions à imprimer
26 partitions trouvées
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1
26
Sonatina in G Major for 2 pianos
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2 Pianos, 4 mains
#
INTERMÉDIAIRE
#
Claudio Porstmann
#
Sonatina in G Major for 2 pian
#
Claudio Porstmann
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1096457 By Claudio Porstmann. By Claudio Porstmann. Chamber,Classical,Instructional,Romantic Period,Trad...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1096457 By Claudio Porstmann. By Claudio Porstmann. Chamber,Classical,Instructional,Romantic Period,Traditional. Score. 9 pages. Claudio Porstmann #700437. Published by Claudio Porstmann (A0.1096457). A fun piece for 2 pianos, in the style of the Clementi sonatinas which are so enjoyable, and perfectly suited for students. Since most piano teachers have 2 pianos in their studio, this is a great piece to practice playing together, and learning the different aspects of ensemble music, like adjusting the tempo, dynamics and general expression so that both players together sound like one instrument.
$6.99
VALENTINA TERESHKOVA
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Hilary Brooks
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PianoPiano
#
VALENTINA TERESHKOVA
#
PianoPiano
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.999670 Composed by Hilary Brooks. Arranged by PianoPiano. Contemporary. Score. 10 pages. PianoPiano #601...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.999670 Composed by Hilary Brooks. Arranged by PianoPiano. Contemporary. Score. 10 pages. PianoPiano #6016629. Published by PianoPiano (A0.999670). The story of Valentina Tereshkova told in music and text. Part of a collection with nine other compositions about iconic women.
$3.99
Beethoven - Sonatina in G - 2nd Piano Accompaniment Part
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2 Pianos, 4 mains
#
FACILE
#
Classique
#
TK Murray
#
TK Murray
#
Beethoven - Sonatina in G - 2n
#
TK
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1212399 By TK Murray. By Ludwig van Beethoven. Arranged by TK Murray. Classical. Score. 5 pages. TK (Tim...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1212399 By TK Murray. By Ludwig van Beethoven. Arranged by TK Murray. Classical. Score. 5 pages. TK (Tim) Murray #809905. Published by TK (Tim) Murray (A0.1212399). Beetheven's ever popular Sonatina in G Major is given an elegant 2nd Piano Part for the complete work giving it a 'Concerto' feeling as premiered in the Royal Albert Hall, London in 2016.
$7.99
Sonatina caballeresca para dos pianos
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2 Pianos, 4 mains
#
Abraham Espinosa
#
Sonatina caballeresca para dos
#
Abraham Espinosa
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - SKU: A0.942146 Composed by Abraham Espinosa. 20th Century,Romantic Period. Score. 36 pages. Abraham Espinosa #6089817. Pub...
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2 Pianos,4 Hands,Piano Duet - SKU: A0.942146 Composed by Abraham Espinosa. 20th Century,Romantic Period. Score. 36 pages. Abraham Espinosa #6089817. Published by Abraham Espinosa (A0.942146). Sonatina caballeresca
$14.95
Beethoven - Sonatina in F Major - 2nd Piano Part
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2 Pianos, 4 mains
#
FACILE
#
Classique
#
TK Murray
#
TK Murray
#
Beethoven - Sonatina in F Majo
#
TK
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1212370 By TK Murray. By Ludwig van Beethoven. Arranged by TK Murray. Classical. Score. 6 pages. TK (Tim...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1212370 By TK Murray. By Ludwig van Beethoven. Arranged by TK Murray. Classical. Score. 6 pages. TK (Tim) Murray #809873. Published by TK (Tim) Murray (A0.1212370). Beetheven's ever popular Sonatina in F Major is given an elegant 2nd Piano Part for the complete work giving it a 'Concerto' feeling as premiered in the Royal Albert Hall, London in 2023.
$6.99
Toccatina - Piano Duo (2 Pianos, 4 Hands)
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2 Pianos, 4 mains
#
Classique
#
E
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Toccatina - Piano Duo
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Composed by E. L. Lancaster and Kenon D. Renfrow. Instructional. 7 pages. Alfred Music - Digital Sheet Music #00-PB-0000828. Published by Alfred Music...
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Composed by E. L. Lancaster and Kenon D. Renfrow. Instructional. 7 pages. Alfred Music - Digital Sheet Music #00-PB-0000828. Published by Alfred Music - Digital Sheet Music
$4.95
Clementi - Sonatina Op36 No3 1st Mvt - 2nd. Piano Part
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2 Pianos, 4 mains
#
FACILE
#
TK Tim Murray
#
tkmurraycomp@aol
#
Clementi - Sonatina Op36 No3 1
#
TK
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.824029 Composed by TK Tim Murray. Classical,Standards. Score. 4 pages. TK (Tim) Murray #4786377. Publish...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.824029 Composed by TK Tim Murray. Classical,Standards. Score. 4 pages. TK (Tim) Murray #4786377. Published by TK (Tim) Murray (A0.824029). This 2nd Piano part is a beautifully stylistic and equal in interest duet part for the original - making the whole performance experience even more enjoyable. It can be used by a teacher to motivate their student in lessons or, as was intended, it is a 2nd part for Concert performance.Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
Sonatina for Two - Piano Duo (2 Pianos, 4 Hands)
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2 Pianos, 4 mains
#
Classique
#
George Peter Tingley
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Sonatina for Two - Piano Duo
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Composed by George Peter Tingley. Instructional. 8 pages. Alfred Music - Digital Sheet Music #00-PB-0000840. Published by Alfred Music - Digital Sheet...
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Composed by George Peter Tingley. Instructional. 8 pages. Alfred Music - Digital Sheet Music #00-PB-0000840. Published by Alfred Music - Digital Sheet Music
$6.99
Sonatina (Handel) for 2 pianos (additional piano part by Simon Peberdy). Easy music for 2 pianos.
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2 Pianos, 4 mains
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FACILE
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Classique
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George Frideric Handel
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Sonatina
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Simon Peberdy
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SheetMusicPlus
Composed by George Frideric Handel (1685-1759). Arranged by Simon Peberdy. Children, Instructional, Standards. Score. 4 pages. Simon Peberdy #3681135....
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Composed by George Frideric Handel (1685-1759). Arranged by Simon Peberdy. Children, Instructional, Standards. Score. 4 pages. Simon Peberdy #3681135. Published by Simon Peberdy
$1.99
Diabelli Sonatina, Op. 151, No.1 in G Major for 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Diabelli, Kevin G
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Kevin G
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Diabelli Sonatina, Op. 151, No
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Kevin G. Pace
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SheetMusicPlus
Composed by Antonio Diabelli, Kevin G. Pace (ASCAP). Arranged by Kevin G. Pace (ASCAP). 150, 20th Century, Classical. Score. 18 pages. Kevin G. Pace #...
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Composed by Antonio Diabelli, Kevin G. Pace (ASCAP). Arranged by Kevin G. Pace (ASCAP). 150, 20th Century, Classical. Score. 18 pages. Kevin G. Pace #814819. Published by Kevin G. Pace
$4.99
Do You Hear What I Hear? (Piano Duet)
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2 Pianos, 4 mains
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Third Day
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Christina Fordham
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Do You Hear What I Hear?
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Christina Fordham
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SheetMusicPlus
By Third Day. Arranged by Christina Fordham. Sheet Music Single. 3 pages. Published by Christina Fordham (H0.284383-198537). - Sheet Music Single - - Christina...
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By Third Day. Arranged by Christina Fordham. Sheet Music Single. 3 pages. Published by Christina Fordham (H0.284383-198537). - Sheet Music Single - - Christina Fordham
$4.99
Secret Agent Man (Piano Duet)
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2 Pianos, 4 mains
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Johnny Rivers
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Christina Bradley
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Secret Agent Man
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Christina Bradley
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SheetMusicPlus
By Johnny Rivers. Arranged by Christina Bradley. Sheet Music Single. 5 pages. Published by Christina Bradley (H0.151743-722630). - Sheet Music Single - - Chris...
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By Johnny Rivers. Arranged by Christina Bradley. Sheet Music Single. 5 pages. Published by Christina Bradley (H0.151743-722630). - Sheet Music Single - - Christina Bradley
$4.99
Prelude on the Doxology for Two Pianos
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2 Pianos, 4 mains
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AVANCÉ
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Musique Sacrée
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Louis Bourgeois
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Christina Harmon
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Prelude on the Doxology for Tw
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Christina Harmon
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SheetMusicPlus
Composed by Louis Bourgeois. Arranged by Christina Harmon. 163. Score and parts. 18 pages. Christina Harmon #716918. Published by Christina Harmon...
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Composed by Louis Bourgeois. Arranged by Christina Harmon. 163. Score and parts. 18 pages. Christina Harmon #716918. Published by Christina Harmon
$8.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.  Â
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.Â
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
#
dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.Â
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself.  Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Morceaux(6)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Contemporain
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Reinhold Moritzovich Gliere
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KVN klavar
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Morceaux(6)
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Joop van Zoelen
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1406104 Composed by Reinhold Moritzovich Gliere. Arranged by KVN klavar. 20th Century. Score. 3 pages. J...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1406104 Composed by Reinhold Moritzovich Gliere. Arranged by KVN klavar. 20th Century. Score. 3 pages. Joop van Zoelen #989195. Published by Joop van Zoelen (A0.1406104). Opus 41 no.4 Basso OstinatoArrangement in klavar notation.
$4.99
Pre Zoom II [for 2 pianos]
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2 Pianos, 4 mains
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AVANCÉ
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Masakazu YAMAMOTO
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Pre Zoom II [for 2 pianos]
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Motch Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.912065 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. Score. 22 pages. Motch...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.912065 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. Score. 22 pages. Motch Music #517993. Published by Motch Music (A0.912065). Original work by Masakazu Yamamoto.Work for 2 pianos. It consists of an improvisational approach and an ostinato contrast, and a slightly jazzy and rhythmic ensemble. Premiered at the concert that produced for 21st Century Music Creation from Yamanashi-Concert Part III by Yamanashi Composers held at Kingswell Hall (Kai City, Yamanashi Prefecture) in October 2018. Duration : about 12'40 Works For Piano Original Composition (Sheet Music Plus / Sheet Music Direct)→Music For Children (Sheet Music Plus / Sheet Music Direct) ​Arrangement (Sheet Music Plus / Sheet Music Direct)→Christmas Arrangement (Sheet Music Plus / Sheet Music Direct) Music Analysis (Sheet Music Plus / Sheet Music Direct) ----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english ÂÂ
$21.00
Toccata - for Two Pianos
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2 Pianos, 4 mains
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Contemporain
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Abel Lifschutz
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Toccata - for Two Pianos
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Abel Lifschutz
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - SKU: A0.926873 Composed by Abel Lifschutz. Contemporary. Score and parts. 8 pages. Abel Lifschutz #3471023. ...
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Instrumental Duet Instrumental Duet,Piano - SKU: A0.926873 Composed by Abel Lifschutz. Contemporary. Score and parts. 8 pages. Abel Lifschutz #3471023. Published by Abel Lifschutz (A0.926873). Toccata, by Abel Lifschutz, is a fast exciting showpiece for piano duet. It features a repeated note ostinato and a brilliant finale that shows off the players skill. .
$9.99
A Thousand Years: Piano Duet
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2 Pianos, 4 mains
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Pop musique
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Christina Perri
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Chas Hathaway
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A Thousand Years: Piano Duet
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Chas Hathaway
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SheetMusicPlus
By Christina Perri. Arranged by Chas Hathaway. Sheet Music Single. 11 pages. Published by Chas Hathaway (H0.314233-221373). - Sheet Music Single - - Chas Hatha...
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By Christina Perri. Arranged by Chas Hathaway. Sheet Music Single. 11 pages. Published by Chas Hathaway (H0.314233-221373). - Sheet Music Single - - Chas Hathaway
$5.99
5 Easy Pieces for 2 pianos Books 1, 2, 3, 4 and 5 - 25 Classics - 2 pianos, 4 hands by Simon Peberdy
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Classique
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Piano II: Various, Piano I:
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Simon Peberdy
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5 Easy Pieces for 2 pianos Boo
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Simon Peberdy
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SheetMusicPlus
2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Various, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Classical...
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2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Various, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Classical Period, Baroque Period, Repertoire, General Instructional, Children's Music. 70 pages. Published by Simon Peberdy
Have fun with 25 newly arranged pieces for 2 pianos, 4 hands with a brand new additional piano part by Simon Peberdy.
This anthology is a special offer giving you a saving $10 compared to if you buy the books separately.
This is a collection of books 1-5 of my series of Easy Pieces for 2 pianos, 4 hands.
Excellent for learners with other learners or teachers, or for more advanced pianists wanting to have some fun sight reading on 2 pianos.
Book 1: https://www.youtube.com/watch?v=nsxdXu3Q9DY
Schumann - Stückchen
W A Mozart - Menuett
Tschaikowsky - Old French song
G F Handel - Sarabande
Haydn - German Dance
Book 2: https://www.youtube.com/watch?v=WvSNEp_eq-w
Haydn - Shepherd's Song
Mozart - Air from a String Quartet
Handel - Sonatina in B flat
Rathgeber - Vivace in A
Hook - Pastorale
Book 3: https://www.youtube.com/watch?v=7BugdfBm_2Y
W.A. Mozart - Minuet in F (K5)
Hook - Tempo di Minuetto
J.S. Bach - Gavotte en Rondeau
Gurlitt - Wild Mignonette
W.F. Bach - Menuett
Book 4: (https://www.youtube.com/watch?v=lwNeO_YaBEI
Hook - Air
Müller - Study in A minor
Purcell - Round O'
Couperin - Gavotte
Rameau - Minuet
Book 5: https://www.youtube.com/watch?v=eRbF5QeR95Q
J.S. Bach - Minuet in G (I)
J.S. Bach - Minuet in G minor
J.S. Bach - Minuet in G (II)
J.S. Bach - Minuet in A minor
J.S. Bach - Minuet in D minor
Arranged for 2 pianos, 4 hands by Simon Peberdy.
The pieces are also available individually from www.simonpeberdymusic.com
If you print out everything, there are 70 pages.
The mp3 is of Rameau's Minuet from Book 4 and is computer generated, I'm afraid. To hear the other pieces, please call them up individually from www.simonpeberdymusic.com
$19.99
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