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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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479
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113
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94
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1 Piano, 4 mains
14
Piano Trio: piano, violon, violoncelle
11
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9
2 Pianos, 4 mains
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6
Piano grosses notes
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3
1 Piano, 6 mains
2
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Ligne De Mélodie, (Paroles) et Accords
85
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43
Guitare
39
Ukulele
14
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9
Basse electrique
7
Piano, Guitare (duo)
6
Banjo
6
4 Guitares (Quatuor)
4
Mandoline
3
2 Guitares (duo)
3
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3
Cithare
1
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1
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1
Dulcimer
1
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VOIX
Chorale SATB
237
Chorale 3 parties
72
Chorale 2 parties
36
Chorale TTBB
27
Chorale Unison
22
Chorale SSAA
21
Voix duo, Piano
18
Voix Soprano, Piano
10
Voix seule
6
Voix duo
4
Voix Tenor, Piano
3
Voix Alto, Piano
3
Voix haute
2
Voix basse, Piano
2
Chorale SSAATTBB
2
Voix moyenne, Piano
2
Chorale SSATB
1
Voix, Guitare
1
Chorale
1
Chorale SSATTB
1
Chorale SAATB A Cappella
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
162
Quintette de Saxophone: 5 saxophones
156
Flûte, Hautbois, Clarinette, Basson
112
Quatuor de Saxophones: 4 saxophones
110
Flûte traversière et Piano
84
Ensemble de saxophones
64
Hautbois, Piano (duo)
59
Clarinette et Piano
57
Saxophone Alto
56
Saxophone Alto et Piano
52
2 Saxophones (duo)
52
Clarinette
48
Flûte traversière
47
Saxophone (partie séparée)
46
Quatuor de Clarinettes: 4 clarinettes
42
Ensemble de Clarinettes
36
3 Saxophones (trio)
29
Saxophone Soprano et Piano
29
Saxophone Tenor et Piano
28
2 Flûtes traversières, Piano
27
Hautbois (partie séparée)
27
Quintette de Flûte : 5 flûtes
25
Quatuor de Flûtes à bec
25
Saxophone Baryton, Piano
24
Quatuor de Flûtes : 4 flûtes
20
2 Clarinettes (duo)
20
2 Flûtes traversières (duo)
20
2 Flûte à bec (duo)
17
Cor anglais, Piano
16
5 Flûtes à bec
15
Quintette de Clarinettes: 5 clarinettes
13
Ensemble de Flûtes
13
Hautbois
11
Trio de Flûtes: 3 flûtes
11
3 Clarinettes (trio)
11
Saxophone
10
Flûte, Clarinette (duo)
10
Saxophone Tenor
8
Clarinette, Basson (duo)
8
Hautbois, Flûte
8
2 Hautbois (duo)
7
Cor Anglais
7
Saxophone Soprano
7
3 Flûtes à bec (trio)
7
Saxophone, Clarinette (duo)
6
Flûte à bec Soprano
6
Saxophone Baryton
6
Flûte à Bec
5
Clarinette, Violon (duo)
5
Flûte, Violoncelle, Piano (trio)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Hautbois, Clarinette (trio)
3
Clarinette Basse, Piano
3
Hautbois, Clarinette (duo)
3
Flûte à bec Alto
3
Clarinette, Trompette (duo)
3
Hautbois, Basson (duo)
3
Flûte à bec Tenor
3
Flûte et Trio à cordes
2
Ensemble à vent
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte, Clarinette et Basson
2
Flûte, Trompette (duo)
2
Ensemble De Flûte à bec
2
Clarinette et Alto
2
Flûte et Guitare
2
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2
Flûte, Violon
2
Flûte à bec Alto, Basse continue
1
Clarinette (partie séparée)
1
Harmonica
1
Flûte à Bec, Piano
1
Flûte irlandaise
1
Ensemble de Hautbois
1
4 Hautbois
1
Flûte à bec Alto, Piano
1
Saxophone et Guitare
1
Flute, harpe et violon
1
Clarinette, Orgue
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Basson et Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte à bec Soprano, Piano
1
Flûte, Alto (duo)
1
Flute (partie séparée)
1
3 Hautbois
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
203
Ensemble de Trompettes
111
Quatuor de Cuivres : 2 trompettes, trombone, tuba
104
Trompette
53
Trompette, Piano
49
Trombone et Piano
46
Ensemble de Trombones
37
Trombone
36
Cor et Piano
34
Quatuor de Cuivres: 2 trompettes, Cor, trombone
34
Tuba
31
Cor
30
Tuba et Piano
29
Ensemble de Cors
19
Quatuor de Cuivres
17
Cor anglais, Piano
16
2 Trompettes (duo)
13
Quatuor de cuivres: 4 trombones
13
Euphonium, Piano (duo)
12
Quatuor de cuivres: 4 trompettes
12
2 Trombones (duo)
9
4 Tubas
8
Cor Anglais
7
Euphonium
6
2 Cors (duo)
6
Quatuor de cuivres: 4 cors
6
2 Euphoniums et 2 Tubas
5
Trompette, Trombone (duo)
5
Tuba et Orgue
4
Trompette, Cor (duo)
4
Trompette, Saxophone (duo)
4
2 Tubas (duo)
3
Trombone (partie séparée)
3
3 Tubas (trio)
2
Trompette (partie séparée)
2
3 Cors (trio)
2
Trombone, Orgue
2
Trio de Cuivres
2
3 Trombones (trio)
2
Trombone basse
1
Cor (partie séparée)
1
Cor, Tuba (duo)
1
Trompette, Tuba (duo)
1
Cor et Orgue
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Cor (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
204
Violon et Piano
86
Violon
86
Violoncelle, Piano
71
Alto, Piano
59
Violoncelle (partie séparée)
41
Alto seul
37
Trio à Cordes: violon, alto, violoncelle
29
Contrebasse, Piano (duo)
23
Violon, Violoncelle (duo)
21
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
Violoncelle
19
Violon, Alto (duo)
19
Harpe
18
Contre Basse
18
2 Violons (duo)
16
Ensemble de Violons
14
4 Violoncelles
14
2 Altos (duo)
13
Ensemble d'Altos
12
2 Harpes (duo)
12
Trio à Cordes: 2 violons, violoncelle
12
2 Violoncelles (duo)
11
Alto (partie séparée)
10
Quatuor à cordes: 4 violons
9
Alto, Violoncelle (duo)
7
Trio à cordes: 3 altos
7
Trio à cordes: 3 violins
7
Trio à Cordes: 3 violoncelles
7
Harpe, Voix
6
Violoncelle, Contrebasse (duo)
6
Quatuor à cordes : 4 altos
6
Harpe, Quatuor à cordes
3
Violon (partie séparée)
3
Contrebasse (partie séparée)
2
Violoncelle, Basse continue
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Violon, Violoncelle
2
Harpe, Flûte (duo)
2
2 Violons, Piano
1
Violon, Guitare (duo)
1
Alto, Guitare (duo)
1
4 Contrebasses
1
3 Harpes
1
Piano Trio: Violon, Alto, Piano
1
Ensemble de Violoncelles
1
Violon, Basson (duo)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle , Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
397
Orchestre à Cordes
75
Orchestre
75
Ensemble de cuivres
68
Orchestre de chambre
43
Ensemble Jazz
38
Marimba
19
Jazz combo
17
Cloches
16
Ensemble de Percussions
7
Ensemble d'École
4
Percussion (partie séparée)
3
Xylophone, Piano
3
Fanfare
2
Orchestre, Violon
2
Batterie
2
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Voix Mezzo-Soprano, Orchestre
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
2
Vous avez sélectionné:
The Music of Being
2 Pianos, 4 mains
Partitions à imprimer
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Tango for the Road - for two pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.944075 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer's Own Press #5041193. Published by The Composer's Own Press (A0.944075). Composer's notes: I have always been fascinated by music that lives on the boundary between popular and highbrow, and Argentinian Tango falls right into this category. I wrote Tango for the Road in the summer of 2015, following an earlier tango in my Odessa Trio, titled Tango Dorfman. The genre has a number of well-defined musical characteristics, often opposing one another: it is rhythmically strict and precise, yet warm and sentimental; it carries melodious tunes accompanied by soft chromaticism and elegance, yet it conceals tremendous spark and inner-power; being a partner dance, it sometimes displays a Leader/Follower relationship and other times an equal vigor and energy between the partners.
$18.00
16.59 €
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2 Pianos, 4 mains
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Ofer Ben-Amots
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Tango for the Road - for two pianos
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The Composer's Own Press
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SheetMusicPlus
Sonata Hymnica No. 6
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
9.22 €
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2 Pianos, 4 mains
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
Fourth Rendez Vous (Easy Piano Duet)
2 Pianos, 4 mains
Easy Piano, Piano Duet, Drums - Easy/Beginner - Digital Download By Jean-Michel Jarre…
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Easy Piano, Piano Duet, Drums - Easy/Beginner - Digital Download By Jean-Michel Jarre. Arranged by G L Harvey. Score, Set of Parts. 11 pages. Published by G L Harvey
This 1986 electronic classic by Jean-Michel Jarre is a dynamic foot tapper and students will love being transported back to the 80's. Arranged as a beginner duet for piano in traditional notation with an optional drum kit part. Great for school ensemble work and adaptable for any four hands on keyboards or synthesizers (especially useful when an ensemble is required for 4 fairly easy single hand keyboard parts, plus drums). It would also work as a full percussion ensemble with 3/4 tuned parts and drums. To be printed portrait on A4. Pdf includes full score, primo/secondo parts and drum kit part (11 pages in total).<br> Duration about 3 minutes with all repeats
$4.99
4.6 €
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2 Pianos, 4 mains
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Jean-Michel Jarre
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G L Harvey
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Fourth Rendez Vous
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G L Harvey
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SheetMusicPlus
"Conversations" A piece for Piano Four (4) Hands
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.991619 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.991619 Composed by Antonis Koundourakis. Concert,Contemporary,Instructional,Standards. Score. 11 pages. ANTONIOS KOUNDOURAKIS #3471903. Published by ANTONIOS KOUNDOURAKIS (A0.991619). In this piece Antonis explores the polyphonic and the homophonic style of composition with the added benefit and freedom of having 2 extra hands on the keyboard. Therefore there is a wide range being used simultaneously and in many cases the piece requires good coordination of the performers while in other cases independence of dynamics and phrasing. There is an extended period of stretto immitations, normally found in the style of the Fugue, and a 7 voice homophonic section resembling choral music. The different styles are juxtaposed in the form of a conversation, hence the title of the piece.This piece is ideal for live performance but can also be played by teacher and student while interchanging the parts they play for added benefit of learing coordination and understanding the challenges of the other performer when playing together. In case you buy and perform the piece don't hesitate to contact Antonis at midnightnotesband@gmail.com to give him any feedback on the score legibility/playability and the experience of playing his composition! Videos are also very welcome!
$6.00
5.53 €
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2 Pianos, 4 mains
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Antonis Koundourakis
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"Conversations" A piece for Piano Four
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ANTONIOS KOUNDOURAKIS
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SheetMusicPlus
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. James Nathaniel Holland #442965. Published by James Nathaniel Holland (A0.730240). (Duration: 25 minutes) 2 Pianos, 4 Hands (Revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers. Newly revised (2018) with measure numbers and rehearsal letters that match the full score.YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: https://facebook.com/jamesnathanielholland/ YouTube Channel: https://www.youtube.com/user/composerjnholland
$9.95
9.17 €
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2 Pianos, 4 mains
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James Nathaniel Holland
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Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
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James Nathaniel Holland
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SheetMusicPlus
Harmonic Spaces (four-hands piano)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
9.22 €
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2 Pianos, 4 mains
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
Streight Lines
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.998855 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.998855 Composed by Robert A. Howard. 21st Century,Chamber,Contemporary,Contest,Festival,Instructional. Score. 2 pages. Robert A. Howard #6224931. Published by Robert A. Howard (A0.998855). This graphic score composition 'Streight Lines' is deliberately entitled as such (and spelled that way) as a pun on Steve Reich's minimalist classic 'Eight Lines'. The work focuses on various straight lines, superimposed over traditional music staves. These give an implication of pitch, duration, and texture, and perhaps other elements, without being too specific. The score indicates the basic outline of musical contours on staves (thus always implying certain pitches). However, many elements, such as dynamics, and exact pitches and durations, are left for the performer to determine. The work remains accessible for the listener and is appropriate for most standards of pianist, including students and professionals.Variable durationRegistered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.49
2.29 €
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2 Pianos, 4 mains
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Robert A
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Streight Lines
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Robert A. Howard
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SheetMusicPlus
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