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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Rhythm of Life
Sheetmusicplus
Non classifié
388
Piano & claviers
Piano seul
132
Piano Facile
37
Piano grosses notes
36
Instruments en Do
17
Orgue
15
Piano, Voix et Guitare
15
Piano, Voix
11
Piano Trio: piano, violon, violoncelle
7
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 4 mains
2
Piano (partie séparée)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 8 instrumentations
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Guitares
Guitare
12
Guitare notes et tablatures
11
Banjo
2
Basse electrique
2
4 Guitares (Quatuor)
2
Guitare (partie séparée)
2
Piano, Guitare (duo)
1
Dulcimer
1
3 Guitares (trio)
1
Basse électrique (partie séparée)
1
+ 5 instrumentations
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Voix
Chorale SATB
94
Chorale 3 parties
31
Chorale TTBB
11
Chorale 2 parties
10
Chorale Unison
10
Chorale SSAA
6
Chorale
3
Voix Soprano, Piano
2
Voix duo, Piano
2
Voix seule
1
Pack Instrumental pour Chorale
1
Voix moyenne, Piano
1
Chorale SSAB a cappella
1
Chorale SSAATTBB
1
+ 9 instrumentations
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Vents
2 Saxophones (duo)
62
Quatuor de Saxophones: 4 saxophones
32
2 Flûtes traversières (duo)
30
3 Saxophones (trio)
22
Clarinette et Piano
21
Flûte traversière et Piano
20
Hautbois, Piano (duo)
20
2 Clarinettes (duo)
20
Clarinette, Violon (duo)
15
Quatuor de Clarinettes: 4 clarinettes
14
Saxophone, Clarinette (duo)
14
Flûte traversière
13
Flûte, Clarinette (duo)
13
Hautbois, Basson (duo)
13
2 Hautbois (duo)
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Quintette de Saxophone: 5 saxophones
11
Hautbois, Clarinette (duo)
11
Clarinette, Trompette (duo)
10
Saxophone Tenor et Piano
10
Saxophone Soprano et Piano
10
2 Flûte à bec (duo)
9
Saxophone Alto et Piano
9
Flûte, Hautbois, Clarinette, Basson
8
Saxophone (partie séparée)
8
Quatuor de Flûtes : 4 flûtes
8
Clarinette et Alto
8
Saxophone Alto
7
Cor anglais, Piano
7
Quintette de Clarinettes: 5 clarinettes
7
Saxophone Baryton, Piano
7
Clarinette
7
Flûte, Hautbois (duo)
6
Flûte, Violon
6
Flûte, Saxophone (duo)
6
Flûte, Hautbois, Basson
5
Hautbois, Clarinette, Basson (trio d'anches)
5
3 Clarinettes (trio)
5
Trio de Flûtes: 3 flûtes
5
Flûte, Trompette (duo)
5
Flûte, Alto (duo)
5
Hautbois
4
Flûte, Hautbois, Piano (trio)
4
Clarinette Basse, Piano
4
Hautbois, Flûte
4
Quatuor de Flûtes à bec
3
3 Flûtes à bec (trio)
3
Flûte, Violoncelle
3
Clarinette, Basson (duo)
3
Clarinette, Violoncelle (duo)
3
Saxophone Tenor
3
Hautbois, Violoncelle
3
Saxophone Baryton
2
Hautbois, violon (duo)
2
Saxophone Soprano
2
Hautbois (partie séparée)
2
Ensemble de saxophones
2
Ensemble de Clarinettes
2
Quintette de Flûte : 5 flûtes
2
Hautbois et alto (duo)
2
Flûte à bec Soprano
2
Clarinette, Guitare (duo)
2
Piccolo, Piano
1
Flute (partie séparée)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette (partie séparée)
1
5 Flûtes à bec
1
Flûte à bec Alto, Piano
1
+ 63 instrumentations
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Cuivres
Trombone et Piano
17
Cor et Piano
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trompette
12
Trompette, Saxophone (duo)
10
Trompette, Piano
10
Cor anglais, Piano
7
Trompette, Trombone (duo)
7
2 Trompettes (duo)
7
2 Trombones (duo)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Cor
6
Euphonium, Piano (duo)
6
Trompette (partie séparée)
6
Trombone
5
Trombone (partie séparée)
5
Tuba et Piano
4
Tuba
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de Cuivres
2
Ensemble de Cors
2
Ensemble de Trompettes
2
Trombone basse et Piano
1
Trompette, Basson (duo)
1
2 Euphoniums et 2 Tubas
1
Tuba et Orgue
1
2 Tubas (duo)
1
+ 22 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violon et Piano
33
Violon, Violoncelle (duo)
23
Violoncelle, Piano
23
2 Violons (duo)
19
Alto, Piano
19
2 Violoncelles (duo)
18
Violon
16
2 Altos (duo)
15
Violon, Alto (duo)
13
Violoncelle
12
Contrebasse, Piano (duo)
10
Trio à Cordes: violon, alto, violoncelle
10
Alto seul
9
Quatuor à cordes : 4 altos
6
Trio à Cordes: 3 violoncelles
6
Contre Basse
6
4 Violoncelles
6
Alto, Violoncelle (duo)
5
Trio à cordes: 3 violins
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Quatuor à cordes: 4 violons
4
Trio à cordes: 3 altos
3
Violon, Basson (duo)
2
Harpe
2
Trio à Cordes: 2 violons, violoncelle
1
Ensemble de Violons
1
Violon, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Clarinette, Piano (trio)
1
2 Violons, Piano
1
Contrebasse (partie séparée)
1
+ 28 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
115
Orchestre
30
Ensemble Jazz
19
Cloches
17
Orchestre à Cordes
17
Orchestre de chambre
6
Fanfare
6
Ensemble de cuivres
4
Jazz combo
4
Marimba
3
Batterie
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Ensemble de Percussions
2
Xylophone
2
Marimba, Piano (duo)
1
Batterie (partie séparée)
1
Xylophone, Piano
1
Percussion
1
+ 13 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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LIVRES
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MARIMBA
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ORCHESTRE
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Vous avez sélectionné:
The Rhythm of Life
SheetMusicPlus
Partitions à imprimer
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Take My Life and Let It Be (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Take My Life and Let It Be
#
Sharon Wilson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharo...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Romantic Period,Sacred. Score. 13 pages. Sharon Wilson #1037036. Published by Sharon Wilson (A0.1458066). The classic hymn tune HENDON by Henri A. Malan has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of G major and then transitions to the key of C major for the second verse.This slightly rhythmic, yet flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by Frances R. Havergal: Take my life, and let it be Consecrated, Lord, to Thee; Take my moments and my days, Let them flow in ceaseless praise.The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
#
James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
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The Rhythm of Life
