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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Them
Sheetmusicplus
Non classifié
11 271
Piano & claviers
Piano seul
7 613
Piano Facile
2 890
Piano, Voix
1 390
Piano, Voix et Guitare
1 082
Instruments en Do
654
Orgue
543
1 Piano, 4 mains
261
Accompagnement Piano
245
Piano grosses notes
160
Piano Trio: piano, violon, violoncelle
122
Accordéon
87
2 Pianos, 4 mains
70
Piano (partie séparée)
41
Piano Quatuor: piano, 2 violons, violoncelle
31
Piano Quatuor: piano, violon, alto, violoncelle
27
Piano Quintette: piano, 2 violons, alto, violoncelle
27
Orgue, Trompette (duo)
19
Clavecin
18
Orgue, Piano (duo)
12
1 Piano, 6 mains
7
Clavier
7
2 Pianos, 8 mains
7
Accordéon, Piano
5
2 Accordéons
3
Ensemble d'Accordéons
2
2 Orgues (duo)
1
Fake Book
1
Accordéon, Corde(s)
1
+ 23 instrumentations
Retracter
Guitares
Guitare notes et tablatures
769
Guitare
560
Basse electrique
398
Ligne De Mélodie, (Paroles) et Accords
328
Ukulele
187
Mandoline
128
Paroles et Accords
81
Piano, Guitare (duo)
64
2 Guitares (duo)
59
Guitare (partie séparée)
39
4 Guitares (Quatuor)
38
Dulcimer
28
Banjo
20
3 Guitares (trio)
19
Ensemble de guitares
18
Basse électrique (partie séparée)
9
Ensemble de Ukulélés
3
Ukulele Baryton
3
Mandoline, Guitare (duo)
3
Guitare, Violon, Violoncelle (trio)
2
2 Dulcimers (duo)
2
Guitare, Quatuor à cordes
1
Guitare, Orchestre
1
Guitare Tab, Voix, Basse, Batterie
1
Bouzouki
1
2 Mandolines (duo)
1
+ 21 instrumentations
Retracter
Voix
Chorale SATB
7 660
Chorale 3 parties
1 495
Chorale Unison
1 179
Chorale 2 parties
1 164
Chorale TTBB
454
Voix duo, Piano
278
Chorale SSAA
242
Pack Instrumental pour Chorale
130
Voix duo
103
Voix Soprano, Piano
52
Voix Alto, Piano
51
Voix seule
40
Chorale
39
Voix Baryton, Piano
39
Voix Tenor, Piano
36
Voix haute
29
Voix moyenne, Piano
19
Chorale SSATB
18
Voix basse, Piano
12
Chorale SSAATTBB
11
Chorale SSATTB
6
Voix Tenor
5
Voix Mezzo-Soprano, Piano
3
Soli, choeur mixte et accompagnement
2
Voix basse
2
Chorale, Orgue
2
Voix Soprano
2
Chorale SSAB, Piano
2
Chorale SATBB
2
Voix haute, Piano
1
Chorale SSAB a cappella
1
Chorale SSATBB
1
Chorale SSAATB
1
Male Voice
1
+ 29 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
797
Flûte traversière et Piano
738
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
708
2 Saxophones (duo)
692
Saxophone (partie séparée)
669
Clarinette et Piano
554
Flûte traversière
507
Flûte, Hautbois, Clarinette, Basson
502
Clarinette
473
Clarinette (partie séparée)
456
Hautbois, Piano (duo)
450
Saxophone Alto et Piano
418
Quatuor de Clarinettes: 4 clarinettes
404
2 Flûtes traversières (duo)
402
2 Clarinettes (duo)
391
Saxophone Alto
362
Quintette de Saxophone: 5 saxophones
332
Saxophone Tenor et Piano
326
Hautbois (partie séparée)
300
Saxophone Tenor
252
Saxophone Soprano et Piano
248
Flute (partie séparée)
184
Flûte, Clarinette (duo)
180
Ensemble de Clarinettes
165
Quatuor de Flûtes : 4 flûtes
162
3 Saxophones (trio)
161
2 Hautbois (duo)
153
Ensemble de saxophones
144
Saxophone, Clarinette (duo)
143
Ensemble de Flûtes
143
Flûte à bec Soprano
136
Saxophone Baryton, Piano
123
3 Clarinettes (trio)
115
Hautbois, Basson (duo)
111
Flûte et Guitare
110
Clarinette, Violon (duo)
99
Hautbois
93
Hautbois, Clarinette (duo)
93
2 Flûte à bec (duo)
90
Clarinette, Trompette (duo)
86
Quintette de Clarinettes: 5 clarinettes
86
Trio de Flûtes: 3 flûtes
83
Flûte à bec Alto
69
Harmonica
63
Flûte, Violon
61
Cor anglais, Piano
61
Clarinette Basse, Piano
59
Hautbois, Flûte
59
Flûte, Alto (duo)
49
Flûte, Saxophone (duo)
47
Flûte, Trompette (duo)
47
Clarinette et Alto
47
Quatuor de Flûtes à bec
43
Saxophone Soprano
40
Quintette de Flûte : 5 flûtes
40
Flûte, Hautbois (duo)
37
Flûte, Clarinette et Basson
35
Clarinette, Basson (duo)
34
Flûte à Bec
29
Flûte, Hautbois, Clarinette (trio)
29
Hautbois, Clarinette, Basson (trio d'anches)
27
Flûte, Hautbois, Basson
26
Flûte, Violoncelle
24
Clarinette, Violoncelle (duo)
23
5 Flûtes à bec
21
Saxophone Baryton
20
Flûte, Violon, Piano
20
Cor Anglais
18
Hautbois, Guitare (duo)
17
Clarinette, Guitare (duo)
17
Flûte, Clarinette, Cor, Basson (Quartet)
14
Clarinette, Trombone (duo)
14
Piccolo
13
Clarinette Basse
13
Hautbois, Violoncelle
13
Flûte, Hautbois, Piano (trio)
12
Ocarina
12
Flûte à bec Alto, Piano
11
3 Flûtes à bec (trio)
10
Flûte à bec Tenor
10
2 Saxophones, Piano
10
2 Clarinettes, Piano
10
Flûte, Clarinette, Piano (trio)
10
Piccolo, Piano
10
Hautbois, violon (duo)
9
Hautbois, Trompette (duo)
9
3 Hautbois
9
Flûte à bec Soprano, Piano
9
Flûte, Basson et Piano
9
Saxophone, Violon (duo)
8
Saxophone
8
Flûte, Violoncelle, Piano (trio)
8
Saxophone et Guitare
8
Ensemble De Flûte à bec
7
Flûte, Violon et Violoncelle
6
Flûte traversière, Orgue (duo)
6
Clarinette, Violoncelle, Piano (trio)
6
Cor anglais, Guitare (duo)
5
Flûte, Alto et Piano
5
4 Hautbois
5
2 Flûtes traversières, Piano
5
Flute, harpe et violon
5
Saxophone et Orgue
4
Clarinette, Basson, Piano (trio)
4
Saxophone et Harpe
4
Flûte, Violon, Violoncelle et Piano
4
Ensemble à vent
4
Flûte, Trombone (duo)
4
Saxophone, Basson (duo)
3
Hautbois et alto (duo)
3
Flûte à Bec, Piano
3
2 Cors Anglais Et Pianoforte
3
2 Clarinettes, Basson
3
Hautbois, Clarinette et Piano (Trio)
2
Flûte, trombone et piano
2
Clarinette, Harpe (duo)
2
Flûte, Violon, Guitare
2
Flûte, Tuba (duo)
2
Clarinette, trompette et piano
2
Hautbois, Harpe
2
Flûte et Trio à cordes
2
Clarinette, Orgue
2
Flûte, Alto et Violoncelle
2
Ensemble de Hautbois
2
Clarinette, Alto et Piano (trio)
2
Hautbois, Basson et Piano
1
Flute, Cor (duo)
1
Melodica
1
2 Harmonicas
1
Harmonica, Piano
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, trombone (duo)
1
2 Hautbois, Piano
1
2 Flûtes à bec, Guitare
1
Clarinette, Tuba
1
Flûte de Pan
1
Flûte traversière, Basse continue
1
2 Hautbois et Cor anglais
1
Flûte à bec, Guitare (duo)
1
2 Flûtes à bec, Piano
1
Flûte, Harpe et Violoncelle
1
Flûte, Hautbois, Violon
1
Flûte irlandaise
1
Hautbois, Violoncelle et Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Cornemuse
1
Flûte à bec Alto, Basse continue
1
+ 142 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 138
Trompette, Piano
461
Trompette
459
Trombone et Piano
452
Trompette (partie séparée)
442
Trombone (partie séparée)
431
Quatuor de Cuivres : 2 trompettes, trombone, tuba
348
Trombone
324
Cor et Piano
308
Cor
308
2 Trompettes (duo)
230
Quatuor de Cuivres
206
2 Trombones (duo)
200
Cor (partie séparée)
194
Tuba et Piano
169
Tuba
160
Tuba (partie séparée)
150
Quatuor de Cuivres: 2 trompettes, Cor, trombone
143
Trompette, Trombone (duo)
117
Trompette, Saxophone (duo)
108
2 Cors (duo)
103
Euphonium, Piano (duo)
83
Quatuor de cuivres: 4 trombones
81
Ensemble de Trompettes
66
Cor anglais, Piano
61
Ensemble de Trombones
60
Quatuor de cuivres: 4 cors
60
Trompette, Cor (duo)
48
2 Tubas (duo)
43
2 Euphoniums et 2 Tubas
43
Ensemble de Cors
38
Quatuor de cuivres: 4 trompettes
29
3 Trompettes (trio)
25
4 Tubas
25
Trio de Cuivres
23
3 Trombones (trio)
23
Trombone, Tuba (duo)
23
Quatuor de cuivres: 2 trompettes, 2 trombones
22
Euphonium
21
Tuba et Orgue
20
Tuba ou Euphonium ou Saxhorn
18
Cor Anglais
18
2 Euphoniums (duo)
12
Trompette, Tuba (duo)
12
Trompette, Basson (duo)
11
Trombone, Cor (duo)
11
Trombone basse
11
Trombone basse et Piano
11
Cor, Violoncelle (duo)
10
Trompette, violon (duo)
8
Trombone, violoncelle (duo)
8
Cor, Tuba (duo)
7
3 Cors (trio)
7
Euphonium, Tuba (duo)
6
Trompette, Violoncelle (duo)
6
Cor anglais, Guitare (duo)
5
Clarinette, Cor (duo)
4
Cornet A Pistons
4
Cor et Basson (duo)
4
Trombone, Orgue
3
Cornet et Piano
3
Trombone, Violon (duo)
3
2 Cors Anglais Et Pianoforte
3
Cor et Harpe
3
Bass Clef Instruments
3
3 Tubas (trio)
2
2 Trompettes, Clavier (piano ou orgue)
2
3 Euphoniums
2
Cor, Trompette, Trombone (trio)
2
Trompette, Orchestre
2
2 Cors, Piano
2
Cornet et orchestre
1
Trompette, Euphonium (duo)
1
Ensemble de Tubas
1
2 Trombones, Piano
1
Cor, Orchestre
1
Cor et Orgue
1
Trombone et orchestre
1
Trompette, Trombone, Piano
1
Trompette, Violoncelle et Piano
1
+ 75 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 875
Violon et Piano
795
Violon
744
Violoncelle, Piano
568
Violoncelle
515
Violon (partie séparée)
453
Alto, Piano
439
Violon, Violoncelle (duo)
395
Alto seul
368
2 Violons (duo)
323
2 Violoncelles (duo)
277
Trio à Cordes: violon, alto, violoncelle
256
Harpe
251
Quintette à cordes: 2 violons, alto, violoncelle, basse
222
2 Altos (duo)
191
Contrebasse (partie séparée)
181
Violon, Alto (duo)
180
Contre Basse
156
Alto (partie séparée)
146
Contrebasse, Piano (duo)
126
Violoncelle (partie séparée)
117
Trio à Cordes: 2 violons, violoncelle
112
Alto, Violoncelle (duo)
82
4 Violoncelles
58
Piano Trio: Violon, Alto, Piano
57
Trio à Cordes: 3 violoncelles
41
Trio à cordes: 3 violins
35
Violon, Guitare (duo)
34
Trio à cordes: 3 altos
25
2 Harpes (duo)
24
Quatuor à cordes: 4 violons
24
Trio à Cordes: 2 violons, alto
22
Violoncelle , Guitare (duo)
21
2 Contrebasses (duo)
21
Quatuor à cordes : 4 altos
21
Violoncelle, Contrebasse (duo)
17
Violon, Basson (duo)
17
Alto, Guitare (duo)
13
Quintette à cordes: 2 violons, 2 altos, violoncelle
12
Alto et Basson
12
Harpe, Voix
11
Trio à cordes
11
Ensemble de Violons
9
Harpe, Violon (duo)
9
Harpe, Flûte (duo)
8
Ensemble d'Altos
7
Ensemble de Violoncelles
7
Flûte, Contrebasse (duo)
6
4 Contrebasses
6
2 Violons, Piano
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Violoncelle, Orchestre
5
Violon, Clarinette, Piano (trio)
5
2 Violoncelles, Piano
4
Harpe, Violoncelle (duo)
3
Violon, Orgue
3
Harpe (partie séparée)
2
Alto et Harpe
2
Violoncelle, Orgue
2
4 Harpes
1
Harpe et mandoline
1
Violon, Violoncelle, Clarinette
1
Violon, Tuba (duo)
1
Harpe et Piano
1
2 Altos, Piano
1
Harpe, Trombone (duo)
1
Alto, Orgue
1
+ 62 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
5 370
Orchestre à Cordes
1 256
Orchestre
1 146
Fanfare
854
Ensemble de cuivres
455
Ensemble Jazz
422
Cloches
406
Percussion (partie séparée)
313
Orchestre de chambre
207
Jazz combo
121
Batterie
116
Ensemble de Percussions
84
Percussion
80
Timbales (partie séparée)
63
Batterie (partie séparée)
48
Marimba
39
Xylophone, Piano
22
Timbales
17
Vibraphone
17
Xylophone
16
2 Xylophones
14
Quintette à Vent
12
Piano et Orchestre
9
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Ensemble d'École
8
Instrumentation Flexible
6
Quintette de Cuivres: autres combinaisons
6
Big band
3
Vibraphone et Marimba
2
Marimba, Piano (duo)
1
Marimba ou Xylophone et Piano
1
3 Marimbas
1
Xylophone ou Marimba ou Vibraphone
1
Orchestre, Violon
1
Vibraphone (partie séparée)
1
Caisse Claire
1
+ 31 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Partitions à imprimer
70 partitions trouvées
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1
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51
Addams Family Theme
#
2 Pianos, 4 mains
#
DÉBUTANT
#
Film/TV
#
Halloween
#
Vic Mizzy
#
Art
#
Addams Family Theme
#
Art.o Artaud
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.1119509 Composed by Vic Mizzy. Arranged by Art.o Artaud. Chamber,Children,Film/TV,Holiday,Instructional....
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2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.1119509 Composed by Vic Mizzy. Arranged by Art.o Artaud. Chamber,Children,Film/TV,Holiday,Instructional. Score. 3 pages. Art.o Artaud #720921. Published by Art.o Artaud (A0.1119509). Arrangement for two EASY level pianos of Vic Mizzy's Addams Family Theme, student/teacher duet, Halloween song.
$4.99
Suite for two Pianos, Op. 20, 4th Movement, Theme & Variations
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE
#
Contemporain
#
David Cundy
#
Variations.
#
Suite for two Pianos, Op. 20,
#
David Cundy
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.904977 Composed by David Cundy. Contemporary. Score and parts. 13 pages. David Cundy #3077...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.904977 Composed by David Cundy. Contemporary. Score and parts. 13 pages. David Cundy #3077357. Published by David Cundy (A0.904977). Suite for two Pianos, Op. 20, 4th Movement, Theme & Variations.
$3.99
Carmen Fantasy
#
2 Pianos, 4 mains
#
AVANCÉ
#
Classique
#
Alexander Rosenblatt
#
Carmen Fantasy
#
Schott Music - Digital
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SheetMusicPlus
2 pianos - difficult - On themes from the opera by Georges Bizet. Composed by Alexander Rosenblatt. This edition: Sheet music. Downloadable. Duratio...
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2 pianos - difficult - On themes from the opera by Georges Bizet. Composed by Alexander Rosenblatt. This edition: Sheet music. Downloadable. Duration 10 minutes. Schott Music - Digital #Q11389. Published by Schott Music - Digital
Alexander Rosenblatt, born in Moscow in 1956, completed his piano and composition studies at the renowned conservatoire of his home town. In his compositions, he combines classical elements with jazz elements to form an original blend of styles, a very characteristic musical language. He made himself a name as a pianist, especially in the piano duo with O. Sinking, a genre which then earned him great success as a creative artist as well: In 2001 he won a special award for his 'Modern Piano Duet' at the International Composition Competition in Tokyo.
In his 'Carmen Fantasy' Rosenblatt uses themes from Bizet's opera in a clever and witty manner, spicing them with jazzy rhythms and surprising harmonies - virtuoso fireworks for two pianos.
$16.99
Keyboard accompaniment for liturgical anthems
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Various
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Chidiebere Oku
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Keyboard accompaniment for lit
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CIDUC
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.705931 By Various. By Handel, Haydn, Beethoven. Arranged by Chidiebere Oku. Baroque,Classical,Contest,Fe...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.705931 By Various. By Handel, Haydn, Beethoven. Arranged by Chidiebere Oku. Baroque,Classical,Contest,Festival,Opera,Sacred. Score. 204 pages. CIDUC #314501. Published by CIDUC (A0.705931). Compilation of accompaniment to popular classical choral works by two keyboards (using appropriate orchestral tone registrations).
$14.99
Mission Impossible Theme
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Film/TV
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Danny Elfman
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poon
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Mission Impossible Theme
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poon
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1246366 Composed by Danny Elfman. Arranged by poon. Film/TV,Pop. Score. 8 pages. Poon #841117. Published...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1246366 Composed by Danny Elfman. Arranged by poon. Film/TV,Pop. Score. 8 pages. Poon #841117. Published by poon (A0.1246366).
$4.99
Theme from Swan Lake - Keyboard Ensemble
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2 Pianos, 4 mains
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FACILE
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Classique
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P
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Christian Bennedsen
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Theme from Swan Lake - Keyboar
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Christian Bennedsen
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SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766914 Composed by P. Tchaikovsky. Arranged by Christian Bennedsen. Romantic Period...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766914 Composed by P. Tchaikovsky. Arranged by Christian Bennedsen. Romantic Period. Score and parts. 9 pages. Christian Bennedsen #6681685. Published by Christian Bennedsen (A0.766914). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
Mozart - Theme from Symphony No. 40 - Keyboard Ensemble
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2 Pianos, 4 mains
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Christian Bennedsen
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Mozart - Theme from Symphony N
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Christian Bennedsen
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SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766911 Composed by Wolfgang Amadeus Mozart. Arranged by Christian Bennedsen. Classi...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766911 Composed by Wolfgang Amadeus Mozart. Arranged by Christian Bennedsen. Classical. Score and parts. 11 pages. Christian Bennedsen #6681623. Published by Christian Bennedsen (A0.766911). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
James Bond Theme
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2 Pianos, 4 mains
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FACILE
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Contemporain
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Monty Norman
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Christian Bennedsen
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James Bond Theme
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Christian Bennedsen
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SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766922 Composed by Monty Norman. Arranged by Christian Bennedsen. Contemporary. Sco...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766922 Composed by Monty Norman. Arranged by Christian Bennedsen. Contemporary. Score and parts. 12 pages. Christian Bennedsen #6682641. Published by Christian Bennedsen (A0.766922). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$12.99
Avenger Theme
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Haim Saban, Jeremy Adam Sweet,
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Kris McNaney
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Avenger Theme
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Kris McNaney
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.928325 Composed by Haim Saban, Jeremy Adam Sweet, Jeremy Sweet, Ron Kenan, and Shuki Levy. Arranged by K...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.928325 Composed by Haim Saban, Jeremy Adam Sweet, Jeremy Sweet, Ron Kenan, and Shuki Levy. Arranged by Kris McNaney. Contemporary. Score. 19 pages. Kris McNaney #5373247. Published by Kris McNaney (A0.928325). 4-part piano piece written for Primo I, Secondo I, Primo II, and Secondo II. This was arranged for piano extravaganzas with multiple pianos being played at the same time. A minimum of two pianos is required to play this piece with two players at each piano. The skill level required for this is Advanced Intermediate.
$4.99
Theme form Moldau - Keyboard Ensemble
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2 Pianos, 4 mains
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FACILE
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Classique
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Bedrich Smetana
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Christian Bennedsen
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Theme form Moldau - Keyboard E
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Christian Bennedsen
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SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766915 Composed by Bedrich Smetana. Arranged by Christian Bennedsen. Romantic Perio...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766915 Composed by Bedrich Smetana. Arranged by Christian Bennedsen. Romantic Period. Score and parts. 14 pages. Christian Bennedsen #6681711. Published by Christian Bennedsen (A0.766915). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
The Office - Theme
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2 Pianos, 4 mains
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FACILE
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Jay Ferguson
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Arr
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The Office - Theme
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Alvaro Metzger
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1163581 Composed by Jay Ferguson. Arranged by Arr. Alvaro Metzger. Comedy,Film/TV,New Age,Rock. Score. 2...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1163581 Composed by Jay Ferguson. Arranged by Arr. Alvaro Metzger. Comedy,Film/TV,New Age,Rock. Score. 2 pages. Alvaro Metzger #763924. Published by Alvaro Metzger (A0.1163581). Beautiful Melody. For Piano 4 HANDS or 2 PIANOS. BEGINNERS level. Same key as the original.Professional QUALITY
$4.99
Thomas Theme
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Film/TV
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Mike O'Donnell and Will
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Mario Stallbaumer
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Thomas Theme
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SheetMusicPlus
Composed by Mike O'Donnell and William Campbell. Arranged by Mario Stallbaumer. Film/TV. Score. 3 pages. Mario Stallbaumer #353369. Published by ...
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Composed by Mike O'Donnell and William Campbell. Arranged by Mario Stallbaumer. Film/TV. Score. 3 pages. Mario Stallbaumer #353369. Published by Mario Stallbaumer
$4.99
Muzio Clementi Sonatine Op. 36 No. 1 Second Movement for 2 Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Classique
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Muzio Clementi
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Philip Kim
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Muzio Clementi Sonatine Op. 36
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.743883 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 3 pages. Philip Kim #190030...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.743883 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 3 pages. Philip Kim #1900307. Published by Philip Kim (A0.743883). I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. 1st and 3rd movements are uploaded separately as well as all 3 movements combined as a single file. Youtube link: https://youtu.be/5lqLu3VpCiE.
$7.00
Muzio Clementi Sonatine Op. 36 No. 4 Third Movement for 2 Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Classique
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Muzio Clementi
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Philip Kim
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Muzio Clementi Sonatine Op. 36
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.743888 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 6 pages. Philip Kim #190043...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.743888 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 6 pages. Philip Kim #1900431. Published by Philip Kim (A0.743888). I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. 1st and 2nd movements are uploaded separately as well as all 3 movements combined as a single file.
$7.00
F. Kuhlau Sonatine Op. 20 No. 1 Third Movement for 2 Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederich Kuhlau
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Philip Kim
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F. Kuhlau Sonatine Op. 20 No.
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743879 Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 11 pages. Philip Kim #190...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743879 Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 11 pages. Philip Kim #1900279. Published by Philip Kim (A0.743879). I wrote a second piano part for this lovely sonatine by Kulau for my students to introduce them to chamber music. I hope you enjoy them as well. There are 1st and 2nd movements also and are uploaded separately. I have also uploaded all 3 movements of this sonatine as a single download. Youtube link: https://youtu.be/tYugVedixf4.
$7.00
Muzio Clementi Piano Sonatine Op. 36 No. 5 Complete Movements
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Muzio Clementi
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Philip Kim
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Muzio Clementi Piano Sonatine
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743981 Composed by Muzio Clementi. Arranged by Philip Kim. Classical,Instructional,Standards. Score. 21 ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743981 Composed by Muzio Clementi. Arranged by Philip Kim. Classical,Instructional,Standards. Score. 21 pages. Philip Kim #5773765. Published by Philip Kim (A0.743981). This is the complete 3 movements of Clementi's Op. 36 No. 5. I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. Complete and each separate movements are also uploaded.
$20.00
One Handed Trio #4
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Tom Rule
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One Handed Trio #4
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MaconMacMusicGuy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacMusicGuy #107812....
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacMusicGuy #107812. Published by MaconMacMusicGuy (A0.492547). Composer’s note: Every piece in the “One Handed Trio†series can be played by 1, 2, or 3 players. They can be played on just piano, keyboards, or any combination - in fact, each piece will have a completely different feel and effect depending on what sounds are used. Feel free to experiment! Each part has OHT #4 has a lot of repetition. Figure out all the separate bits in “your†part, learn them, and THEN try to string them together. That will make it much more fun when you put the piece together. The sample mp3 has two versions, one after another. The first has only piano on all three parts - the repeat uses other keyboard sounds, just to give you a taste of what is possible. Go ahead - explore! Have some fun with this! ….and if you enjoy it, please rate, review, leave a note, and tell others about it. This composer will be grateful.
$1.99
Muzio Clementi Sonatine Op. 36 No. 4 Second Movement for 2 Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Classique
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Muzio Clementi
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Philip Kim
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Muzio Clementi Sonatine Op. 36
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.743887 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 5 pages. Philip Kim #190042...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.743887 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 5 pages. Philip Kim #1900429. Published by Philip Kim (A0.743887). I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. 1st and 3rd movements are uploaded separately as well as all 3 movements combined as a single file. Youtube link: https://youtu.be/7E9kW5jKRpQ.
$7.00
Muzio Clementi Sonatine Op. 36 No. 1 Third Movement for 2 Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Classique
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Muzio Clementi
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Philip Kim
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Muzio Clementi Sonatine Op. 36
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.743884 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 4 pages. Philip Kim #190030...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.743884 Composed by Muzio Clementi. Arranged by Philip Kim. Classical. Score. 4 pages. Philip Kim #1900309. Published by Philip Kim (A0.743884). I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. 1st and 2nd movements are uploaded separately as well as all 3 movements combined as a single file. Youtube link: https://youtu.be/rZAYONZHKRo.
$7.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
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