Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
There is a Time
Non classifié
2 301
Piano & claviers
Piano seul
704
Piano, Voix
337
Piano Facile
120
Piano, Voix et Guitare
89
Piano grosses notes
58
Orgue
57
Instruments en Do
19
Piano Trio: piano, violon, violoncelle
17
Accompagnement Piano
11
2 Pianos, 4 mains
10
1 Piano, 4 mains
10
Piano (partie séparée)
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Trompette (duo)
1
2 Pianos, 8 mains
1
Accordéon
1
2 Accordéons
1
Orgue, Piano (duo)
1
+ 16 instrumentations
Retracter
Guitares
Guitare
112
Guitare notes et tablatures
65
2 Guitares (duo)
25
4 Guitares (Quatuor)
13
Guitare (partie séparée)
10
Ukulele
8
Mandoline
7
Basse electrique
5
3 Guitares (trio)
5
Banjo
5
Ensemble de guitares
4
Ligne De Mélodie, (Paroles) et Accords
3
Piano, Guitare (duo)
2
Mandoline, Guitare (duo)
2
Guitare, Orchestre
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
386
Chorale Unison
319
Chorale 3 parties
91
Chorale 2 parties
84
Chorale TTBB
54
Voix duo, Piano
37
Chorale SSAA
30
Voix duo
15
Voix Alto, Piano
10
Voix seule
7
Voix Baryton, Piano
6
Voix Tenor, Piano
6
Voix Soprano, Piano
5
Voix moyenne, Piano
4
Voix haute
3
Chorale
2
Chorale SSAATTBB
1
Voix basse, Piano
1
Voix Tenor
1
+ 14 instrumentations
Retracter
Vents
2 Saxophones (duo)
726
Saxophone, Clarinette (duo)
392
2 Clarinettes (duo)
317
2 Flûtes traversières (duo)
266
Clarinette, Violon (duo)
263
Clarinette, Trompette (duo)
228
Flûte, Clarinette (duo)
156
Flûte traversière et Piano
151
2 Hautbois (duo)
144
Hautbois, Clarinette (duo)
136
Flûte, Violon
133
Clarinette et Alto
131
Hautbois, Basson (duo)
130
Flûte, Saxophone (duo)
129
Hautbois, Flûte
118
Clarinette et Piano
113
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
112
Hautbois, Piano (duo)
105
Flûte, Trompette (duo)
105
Flûte, Alto (duo)
105
Quintette de Saxophone: 5 saxophones
102
Saxophone Alto et Piano
86
Flûte irlandaise
81
Clarinette
78
Ensemble de saxophones
74
Saxophone Soprano et Piano
63
Saxophone Tenor et Piano
62
Flûte traversière
62
Quatuor de Saxophones: 4 saxophones
58
Flûte, Hautbois, Clarinette, Basson
57
Saxophone (partie séparée)
44
Ensemble de Clarinettes
43
Cor anglais, Piano
41
Saxophone Baryton, Piano
37
Saxophone Alto
34
Quatuor de Clarinettes: 4 clarinettes
33
2 Flûte à bec (duo)
33
Hautbois (partie séparée)
30
Clarinette Basse, Piano
30
Ensemble de Flûtes
30
Hautbois
28
3 Saxophones (trio)
24
Saxophone Tenor
23
Flûte et Guitare
22
Quatuor de Flûtes : 4 flûtes
22
Quintette de Flûte : 5 flûtes
19
Trio de Flûtes: 3 flûtes
13
Flûte à bec Soprano
13
Flûte, Hautbois, Clarinette (trio)
10
3 Clarinettes (trio)
10
Flûte, Hautbois (duo)
8
Harmonica
8
Clarinette, Trombone (duo)
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flute (partie séparée)
6
Clarinette, Guitare (duo)
6
Hautbois, violon (duo)
5
Saxophone Soprano
5
Clarinette (partie séparée)
5
Clarinette, Basson (duo)
5
Flûte à bec Soprano, Piano
5
Cor Anglais
5
Quintette de Clarinettes: 5 clarinettes
5
Clarinette, Violoncelle (duo)
5
3 Flûtes à bec (trio)
5
2 Clarinettes, Piano
4
Saxophone Baryton
4
Flûte, Clarinette et Basson
4
Clarinette, Harpe (duo)
3
Flûte, Hautbois, Piano (trio)
3
Quatuor de Flûtes à bec
3
Flûte, Violoncelle
3
Flûte à bec Tenor
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Violon, Piano
3
2 Flûtes traversières, Piano
2
Hautbois, Guitare (duo)
2
Piccolo, Piano
2
Ensemble De Flûte à bec
2
2 Hautbois, Piano
2
Flûte à bec Alto, Piano
2
Flûte, Hautbois, Basson
2
Hautbois, Basson et Piano
2
Flûte à Bec, Piano
1
Clarinette Basse
1
Saxophone et Guitare
1
Flute, harpe et violon
1
Flûte à Bec
1
Flûte, Basson et Piano
1
Hautbois, Violon, Piano
1
Saxophone et Orgue
1
Cor anglais, Guitare (duo)
1
Saxophone
1
Flûte, Clarinette, Violon (trio)
1
Ensemble de Hautbois
1
Hautbois, Clarinette et Piano (Trio)
1
Piccolo
1
+ 92 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
273
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
153
Trompette, Trombone (duo)
148
2 Trombones (duo)
145
2 Trompettes (duo)
136
Trombone et Piano
96
Quatuor de Cuivres : 2 trompettes, trombone, tuba
96
Trompette
76
Trompette, Piano
72
Cor et Piano
62
Trombone
55
Ensemble de Trompettes
49
Euphonium, Piano (duo)
42
Cor anglais, Piano
41
Tuba et Piano
37
Cor
37
Trombone (partie séparée)
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
29
Tuba
27
Ensemble de Trombones
27
Trompette (partie séparée)
23
Quatuor de Cuivres
19
2 Euphoniums (duo)
8
3 Trompettes (trio)
8
Trio de Cuivres
7
Quatuor de cuivres: 4 trombones
7
Quatuor de cuivres: 4 cors
5
Ensemble de Cors
5
Cor Anglais
5
2 Cors (duo)
4
Cor (partie séparée)
4
2 Tubas (duo)
4
3 Trombones (trio)
4
Tuba (partie séparée)
3
Trombone, Cor (duo)
2
Quatuor de cuivres: 4 trompettes
2
Cor, Tuba (duo)
2
Euphonium
2
Trompette, Tuba (duo)
2
2 Euphoniums et 2 Tubas
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
4 Tubas
1
Cor anglais, Guitare (duo)
1
Trombone basse
1
Tuba et Orgue
1
3 Euphoniums
1
2 Cors, Piano
1
+ 43 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
313
Violon, Violoncelle (duo)
290
Violon
184
Trio à Cordes: violon, alto, violoncelle
161
Violon, Alto (duo)
158
2 Violons (duo)
151
2 Altos (duo)
148
Violon et Piano
143
2 Violoncelles (duo)
135
Alto, Piano
104
Violoncelle, Piano
92
Violoncelle
67
Harpe
66
Alto seul
50
Quintette à cordes: 2 violons, alto, violoncelle, basse
49
Trio à Cordes: 2 violons, violoncelle
28
Contre Basse
17
Contrebasse, Piano (duo)
16
Ensemble de Violons
15
Ensemble d'Altos
14
2 Harpes (duo)
12
Violon (partie séparée)
10
Contrebasse (partie séparée)
9
Alto (partie séparée)
9
4 Violoncelles
7
Trio à cordes: 3 violins
6
Alto, Violoncelle (duo)
5
Harpe, Flûte (duo)
4
Trio à Cordes: 2 violons, alto
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Trio à Cordes: 3 violoncelles
3
Harpe, Voix
3
2 Altos, Piano
3
Quatuor à cordes : 4 altos
2
Violon, Guitare (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Contrebasses (duo)
2
Violoncelle (partie séparée)
2
4 Contrebasses
2
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Contrebasse (duo)
1
Violoncelle , Guitare (duo)
1
2 Violons, Piano
1
Violoncelle, Basse continue
1
Quatuor à cordes: 4 violons
1
Violoncelle, Orchestre
1
2 Violoncelles, Piano
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
296
Orchestre à Cordes
212
Orchestre
80
Ensemble Jazz
78
Cloches
66
Ensemble de cuivres
56
Orchestre de chambre
32
Jazz combo
28
Batterie
14
Ensemble de Percussions
14
Batterie (partie séparée)
6
Fanfare
6
2 Xylophones
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Percussion (partie séparée)
2
Ensemble d'École
1
Vibraphone
1
Orchestre, Violon
1
Percussion
1
Quintette de Cuivres: autres combinaisons
1
Bodhran
1
Marimba
1
Piano et Orchestre
1
2 Marimbas
1
+ 19 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
2
Partitions Numériques
10
Librairie Musicale
6
Matériel de Musique
335
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
There is a Time
2 Pianos, 4 mains
Partitions à imprimer
10 partitions trouvées
<
1
Easter Hymns for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE
#
Sharon Wilson
#
Sharon Wilson
#
Easter Hymns for Two Pianos
#
Sharon Wilson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, Matthew Bridges,...
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, Matthew Bridges, and Robert Lowry. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 72 pages. Sharon Wilson #1039070. Published by Sharon Wilson (A0.1460130). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These bright and festive arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude). Though frequently associated with the Easter and Lent season, these arrangements can be performed any time of year as a celebration of Jesus' love for us.PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Are You Washed in theBlood? and the YouTube video features Christ Arose.Song titles included in this collection: Are You Washed in the Blood?Christ Arose (Low in the Grave He Lay)Crown Him with Many CrownsNothing but the BloodPower in the BloodVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
There Is a Fountain (2 Pianos, 4 Hands Duet)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE
#
Sharon Wilson
#
Sharon Wilson
#
There Is a Fountain
#
Sharon Wilson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458068 By Sharon Wilson. By American Folk Song, Folk Song, and William Cowper. Arranged by Sharon Wilso...
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458068 By Sharon Wilson. By American Folk Song, Folk Song, and William Cowper. Arranged by Sharon Wilson. Christian,Easter,Folk,Lent,Sacred. Score. 16 pages. Sharon Wilson #1037039. Published by Sharon Wilson (A0.1458068). The beautiful American folk tune CLEANSING FOUNTAIN has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. Flowing reverently throughout, this piano duet is ideal for a prelude or offertory, or whenever a meditative musical interlude is desired. The purchase price includes a 8-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
#
2 Pianos, 4 mains
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
SURRENDER, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
(+)
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Germaine Tailleferre: Trois Études for two pianos
#
2 Pianos, 4 mains
#
AVANCÉ
#
achieving the physical decline
#
Germaine Tailleferre
#
Germaine Tailleferre: Trois &E
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
(+)
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
Beethoven - Moonlight Sonata Duet Arrangement - (Key Map Tablature)
#
2 Pianos, 4 mains
#
FACILE
#
Classique
#
Ludwig van Beethoven
#
John M
#
Beethoven - Moonlight Sonata D
#
Music Innovators Workshop
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages....
(+)
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages. Music Innovators Workshop #4357665. Published by Music Innovators Workshop (A0.984714). This is a duet arrangement for student and teacher. It is notated on a key map tablature. My students love it!This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.
$2.00
Sonata Hymnica No. 6
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
James Siddons
#
Sonata Hymnica No. 6
#
James Siddons Music and Writings
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Descensus ad Infero (for Two Pianos and Four Hands)
#
2 Pianos, 4 mains
#
Contemporain
#
Tito Abeleda
#
Descensus ad Infero
#
Visionary Quest Records
#
SheetMusicPlus
Piano - SKU: A0.1070270 Composed by Tito Abeleda. 20th Century,Contemporary. Full Performance. Duration 236. Visionary Quest Records #5742347. Published...
(+)
Piano - SKU: A0.1070270 Composed by Tito Abeleda. 20th Century,Contemporary. Full Performance. Duration 236. Visionary Quest Records #5742347. Published by Visionary Quest Records (A0.1070270). Descensus ad Infero is a two piano ensemble piece composed by Tito Abeleda (1964 - ). Digital download is score plus parts = 31 pages.Descensus ad Infero is Latin for Descent into Hell. As such this is a powerful passionate piece with much boldness, dissonance, and angst. There is a driving pulse that is vehement and at times unpleasant and even frenetic because one's descent into the abyss has been adjudged for a life lived accordingly. Piano 1 and Piano 2 trade off on motifs and dynamic changes. Note the melodic motifs that warrant greater emphasis throughout the piece. This piece is rather accessible for the advanced intermediate student. This score would also work well as music for thriller, horror, and/or suspense films.Add this dramatic piece to your music collection today.YouTube - https://bit.ly/DescensusPiano_YouTubeLicense on Songtradr - https://bit.ly/DescensusPiano_SongtradrContact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comVisionary Quest Recordshttps://www.visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$1.99
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
#
2 Pianos, 4 mains
#
FACILE
#
Gospel Spirituel
#
Musique Sacrée
#
Sharon Wilson
#
Sharon Wilson Music
#
When the Saints Go Marching In
#
Sharon Wilson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,J...
(+)
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
Monologe
#
2 Pianos, 4 mains
#
Contemporain
#
Bernd Alois Zimmermann
#
Monologe
#
Schott Music - Digital
#
SheetMusicPlus
2 pianos (4 hands) - Digital Download Composed by Bernd Alois Zimmermann (1918-1970). This edition: Sheet music. Downloadable. Duration 16 minutes 30...
(+)
2 pianos (4 hands) - Digital Download Composed by Bernd Alois Zimmermann (1918-1970). This edition: Sheet music. Downloadable. Duration 16 minutes 30 seconds. Schott Music - Digital #Q2510. Published by Schott Music - Digital
In January 1964 Bernd Alois Zimmermann interrupted the completion of his
opera Die Soldaten [The Soldiers] in order to rearrange his orchestral work Dialoge for two pianos. Monologe resulting therefrom takes up the original material but develops it towards a different direction: Zimmermann's collage technique based on quotations extends over the entire musical setting so that it is not only Mozart (Piano Concerto in C major KV 467) who has his say but Beethoven, Messiaen and Bach as well. 'Monologe - this
is a piece for two pianists. real monologues of these pianists who, though
simultaneously,[...] do not always play at the same 'time'. [...] losing themselves in their 'own thoughts', as it were.' (Zimmermann).
$35.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale