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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
This way
Non classifié
7 558
Piano & claviers
Piano, Voix
7 009
Piano seul
5 726
Piano, Voix et Guitare
4 899
Piano Facile
2 772
Instruments en Do
969
Piano grosses notes
524
Orgue
442
1 Piano, 4 mains
247
Accordéon
158
Accompagnement Piano
107
Piano Trio: piano, violon, violoncelle
61
Piano (partie séparée)
39
2 Pianos, 4 mains
37
Piano Quatuor: piano, violon, alto, violoncelle
25
Ligne De Mélodie, Piano
15
Piano Quintette: piano, 2 violons, alto, violoncelle
15
Clavier
13
Accordéon, Voix
13
Orgue, Piano (duo)
8
Piano Quatuor: piano, 2 violons, violoncelle
7
1 Piano, 6 mains
3
Clavecin
3
2 Pianos, 8 mains
2
Orgue, Voix
1
Orgue, Trompette (duo)
1
+ 20 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
1 797
Guitare notes et tablatures
1 696
Guitare
573
Ukulele
446
Basse electrique
295
Piano, Guitare (duo)
125
Guitare (partie séparée)
58
Paroles et Accords
43
Mandoline
32
2 Guitares (duo)
31
Banjo
30
Dulcimer
29
4 Guitares (Quatuor)
12
Ukulele Baryton
9
3 Guitares (trio)
6
Mandoline, Guitare (duo)
3
Ensemble de guitares
3
Dobro
3
Guitare, Flûte, Clarinette
2
Basse électrique (partie séparée)
2
Partitions De Groupes
2
2 Mandolines (duo)
2
2 Dulcimers (duo)
2
Cithare
1
2 Ukuleles
1
Guitare, Orchestre
1
+ 21 instrumentations
Retracter
Voix
Chorale SATB
2 391
Chorale 3 parties
950
Pack Instrumental pour Chorale
899
Chorale 2 parties
524
Chorale TTBB
483
Chorale SSAA
309
Chorale Unison
229
Voix seule
181
Voix duo, Piano
114
Voix haute
63
Voix Soprano, Piano
54
Voix duo
44
Voix Baryton, Piano
24
Voix Tenor, Piano
17
Chorale
17
Voix Alto, Piano
16
Voix Tenor
14
Voix basse, Piano
14
Voix Mezzo-Soprano, Piano
12
Chorale SSATB
9
Voix, Guitare
5
Chorale SSATTB
4
Chorale SSAATTBB
4
Voix basse
3
Chorale SSAB, Piano
3
Voix moyenne, Piano
3
Voix Soprano
2
Chorale SSAB a cappella
2
Chorale SSATBB
1
Chorale SATBB
1
Chorale SSAATB
1
+ 26 instrumentations
Retracter
Vents
Flûte traversière
868
Clarinette
816
Saxophone
714
Flûte traversière et Piano
658
Clarinette et Piano
593
Saxophone (partie séparée)
575
2 Saxophones (duo)
573
Quatuor de Saxophones: 4 saxophones
551
Saxophone Alto
529
Hautbois, Piano (duo)
509
Saxophone Tenor
472
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
435
Saxophone Alto et Piano
406
Saxophone Tenor et Piano
339
Flûte, Hautbois, Clarinette, Basson
337
2 Flûtes traversières (duo)
314
2 Clarinettes (duo)
267
Quintette de Saxophone: 5 saxophones
237
Clarinette (partie séparée)
233
Quatuor de Clarinettes: 4 clarinettes
220
Hautbois (partie séparée)
215
Saxophone, Clarinette (duo)
161
Flute (partie séparée)
136
Saxophone Soprano et Piano
135
Clarinette, Violon (duo)
134
Quatuor de Flûtes : 4 flûtes
121
Flûte, Clarinette (duo)
119
Flûte à Bec
107
Saxophone Baryton, Piano
104
Hautbois
100
2 Hautbois (duo)
98
Clarinette, Trompette (duo)
96
Hautbois, Basson (duo)
89
Ensemble de Flûtes
80
Flûte, Violon
78
Ensemble de Clarinettes
77
3 Saxophones (trio)
73
Hautbois, Clarinette (duo)
69
Clarinette et Alto
66
3 Clarinettes (trio)
65
Saxophone Soprano
59
Flûte, Alto (duo)
58
Ensemble de saxophones
58
Hautbois, Flûte
55
Flûte, Saxophone (duo)
50
Flûte à bec Soprano
49
Trio de Flûtes: 3 flûtes
49
Quintette de Clarinettes: 5 clarinettes
48
Flûte, Trompette (duo)
46
Cor anglais, Piano
41
Flûte et Guitare
36
Flûte, Clarinette et Basson
35
2 Flûtes traversières, Piano
34
Cor Anglais
32
Saxophone Baryton
32
Flûte, Hautbois, Clarinette (trio)
30
Quintette de Flûte : 5 flûtes
29
Flûte, Violon, Piano
28
Clarinette Basse, Piano
28
Clarinette, Violoncelle (duo)
28
2 Flûte à bec (duo)
26
Flûte, Hautbois (duo)
25
Clarinette, Basson (duo)
25
Flûte, Violoncelle
23
Harmonica
22
Ocarina
20
Hautbois, Violoncelle
20
Hautbois, violon (duo)
17
Clarinette, Guitare (duo)
15
Quatuor de Flûtes à bec
15
Hautbois et alto (duo)
13
Clarinette, Harpe (duo)
12
Hautbois, Clarinette, Basson (trio d'anches)
11
Flûte, Clarinette, Piano (trio)
11
Flûte, Basson et Piano
11
Flûte, Clarinette, Cor, Basson (Quartet)
10
Flute, harpe et violon
9
Flûte, Clarinette, Violon (trio)
9
Flûte irlandaise
9
Flûte, Violoncelle, Piano (trio)
9
Flûte, Harpe et Violoncelle
8
Flûte, Hautbois, Basson
7
Saxophone et Guitare
7
Flûte, Alto et Piano
6
Flûte, Violon et Violoncelle
6
Flûte à bec Alto
6
Clarinette, Trombone (duo)
6
Flûte, Hautbois, Violon
6
Hautbois, Guitare (duo)
6
5 Flûtes à bec
6
Flûte à bec Tenor
5
Flûte, Hautbois, Piano (trio)
5
Clarinette, Violoncelle, Piano (trio)
5
Cor anglais, Guitare (duo)
4
Hautbois, Basson et Piano
4
Flûte à bec Alto, Piano
4
Ensemble à vent
4
Hautbois, trombone (duo)
4
2 Saxophones, Piano
4
Clarinette Basse
4
3 Flûtes à bec (trio)
4
Flûte, Tuba (duo)
4
Hautbois, Violon, Piano
3
4 Hautbois
3
2 Clarinettes, Basson
3
Flûte, Trombone (duo)
3
Flûte et Trio à cordes
3
2 Clarinettes, Piano
3
Instruments en Mib
3
Clarinette, trompette et piano
3
Flûte, Violon, Violoncelle et Piano
3
Clarinette, Tuba
3
Piccolo
2
Piccolo, Piano
2
Hautbois, Clarinette et Piano (Trio)
2
Flûte à bec Soprano, Piano
2
Flûte, Violon, Guitare
2
Ensemble De Flûte à bec
2
Clarinette, Alto et Piano (trio)
2
Clarinette, Contrebasse (duo)
2
Cor anglais et Harpe (duo)
2
Flûte traversière, Basse continue
1
Flûte, trombone et piano
1
Saxophone et Orgue
1
Hautbois, Trompette (duo)
1
Saxophone et Piano
1
2 Flûtes traversières, Harpe
1
Ensemble de Hautbois
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Basson, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte et Quatuor à Cordes
1
Hautbois, Violoncelle et Piano
1
Flûte à bec, Harpe
1
Flûte, Violoncelle, Guitare
1
+ 130 instrumentations
Retracter
Cuivres
Trompette
799
Trombone
709
Trompette (partie séparée)
571
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
478
Cor
433
Trombone (partie séparée)
413
Trompette, Piano
381
Trombone et Piano
361
Cor et Piano
215
Quatuor de Cuivres : 2 trompettes, trombone, tuba
199
Tuba
162
2 Trompettes (duo)
157
2 Trombones (duo)
155
Quatuor de Cuivres
127
Cor (partie séparée)
127
Trompette, Saxophone (duo)
118
Tuba et Piano
116
Quatuor de Cuivres: 2 trompettes, Cor, trombone
93
Trompette, Trombone (duo)
87
Euphonium
78
Tuba (partie séparée)
74
2 Cors (duo)
51
Euphonium, Piano (duo)
43
Cor anglais, Piano
41
Quatuor de cuivres: 4 trombones
39
Cor Anglais
32
2 Euphoniums et 2 Tubas
28
2 Tubas (duo)
27
Quatuor de cuivres: 4 cors
23
3 Trombones (trio)
18
Trompette, Cor (duo)
18
Tuba et Orgue
17
Trio de Cuivres
15
Ensemble de Cors
13
Quatuor de cuivres: 4 trompettes
13
Ensemble de Trompettes
10
Ensemble de Trombones
10
Trompette, Tuba (duo)
8
Trompette, Violoncelle (duo)
7
Trompette, Basson (duo)
7
Bass Clef Instruments
6
Trombone, Tuba (duo)
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Cor anglais, Guitare (duo)
4
Trombone, Violon (duo)
4
Trompette, Trombone, Piano
4
2 Trompettes, Clavier (piano ou orgue)
4
Cor, Violoncelle (duo)
4
Euphonium, Tuba (duo)
3
3 Cors (trio)
3
Instruments en Sib
3
Trompette, violon (duo)
3
Trombone basse
2
Trombone basse et Piano
2
Tuba ou Euphonium ou Saxhorn
2
Trompette, Violoncelle et Piano
2
2 Euphoniums (duo)
2
3 Tubas (trio)
2
Cor anglais et Harpe (duo)
2
3 Trompettes (trio)
2
Cor et Basson (duo)
1
Cor, Trompette, Trombone (trio)
1
2 Cors, Piano
1
2 Trombones, Piano
1
Trombone, Cor (duo)
1
Clarinette, Cor (duo)
1
4 Tubas
1
Cor, Violoncelle et Piano
1
Trombone, violoncelle (duo)
1
Trompette et Guitare
1
+ 65 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 145
Violon
761
Violon et Piano
747
Violoncelle
624
Violoncelle, Piano
563
Alto seul
522
Alto, Piano
516
2 Violons (duo)
266
Harpe
227
Violon, Violoncelle (duo)
226
Violon (partie séparée)
189
2 Violoncelles (duo)
183
Trio à Cordes: violon, alto, violoncelle
171
Quintette à cordes: 2 violons, alto, violoncelle, basse
167
Violon, Alto (duo)
153
2 Altos (duo)
139
Contrebasse, Piano (duo)
128
Contre Basse
117
Trio à Cordes: 2 violons, violoncelle
98
Contrebasse (partie séparée)
96
Alto (partie séparée)
95
Alto, Violoncelle (duo)
35
2 Harpes (duo)
30
Violoncelle (partie séparée)
27
2 Contrebasses (duo)
26
Violon, Guitare (duo)
24
Trio à cordes: 3 violins
21
4 Violoncelles
20
Trio à Cordes: 2 violons, alto
18
Violon, Basson (duo)
16
Piano Trio: Violon, Alto, Piano
15
Harpe, Flûte (duo)
13
Violoncelle, Contrebasse (duo)
13
Violoncelle , Guitare (duo)
13
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Trio à Cordes: 3 violoncelles
11
Quatuor à cordes: 4 violons
11
Harpe, Violon (duo)
10
2 Violons, Piano
8
Alto et Basson
8
Quintette à cordes : 2 violons, alto et 2 violoncelles
7
Violon, Clarinette, Piano (trio)
6
Harpe, Voix
6
Alto, Guitare (duo)
5
Quatuor à cordes : 4 altos
5
Harpe, Violoncelle (duo)
5
Violon, Tuba (duo)
4
Ensemble de Violoncelles
3
Harpe et Piano
3
Harpe, Violon, Violoncelle
3
Violoncelle, Orgue
2
Trio à cordes
2
Trio à cordes: 3 altos
2
Flûte, Contrebasse (duo)
2
Alto, Orgue
2
Alto et Harpe
2
Ensemble d'Altos
1
Ensemble de Violons
1
Violoncelle, Orchestre
1
Violon, Trompette et Piano
1
Harpe, Trombone (duo)
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
3 212
Fanfare
1 520
Orchestre
693
Orchestre à Cordes
597
Ensemble Jazz
586
Ensemble de cuivres
247
Cloches
246
Batterie
213
Percussion (partie séparée)
193
Orchestre de chambre
119
Jazz combo
115
Batterie (partie séparée)
57
Ensemble de Percussions
55
Caisse Claire
52
Timbales (partie séparée)
31
Percussion
22
Marimba
20
Xylophone, Piano
15
Vibraphone
13
Xylophone
9
Ensemble d'École
6
Instrumentation Flexible
5
2 Xylophones
5
Quintette de Cuivres: autres combinaisons
2
Big band
2
2 Marimbas
1
Timbales
1
Voix et Orchestre
1
Piano et Orchestre
1
Orchestre, Violon
1
Bodhran
1
Vibraphone (partie séparée)
1
Vibraphone et Marimba
1
+ 28 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
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CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
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ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
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Vous avez sélectionné:
This way
2 Pianos, 4 mains
Partitions à imprimer
37 partitions trouvées
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1
26
Poor Wayfaring Stranger - Piano Duet - 2 pianos, 4 hands
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2 Pianos, 4 mains
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DÉBUTANT
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Traditional
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Ene Nixon
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Poor Wayfaring Stranger - Pian
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Ene Nixon
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.896678 Composed by Traditional. Arranged by Ene Nixon. Folk,Multicultural,Spiritual,World. Score. 5 page...
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2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.896678 Composed by Traditional. Arranged by Ene Nixon. Folk,Multicultural,Spiritual,World. Score. 5 pages. Ene Nixon #6324193. Published by Ene Nixon (A0.896678). Poor Wayfaring Stranger is a well-known American folk and gospel song. This is a piano duet arrangement for 2 pianos and 4 hands. Perfect as a teacher-student duet!Primo part is for a beginner (left hand plays simple chords, right hand plays a single melodic line). Secondo part uses some arpeggiated chords and bigger jumps between octaves - suitable for an early intermediate player.
$3.99
For The First Time In Forever (reprise - Broadway Version)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Kristen Anderson-Lopez and Rob
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Halle Kaye
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For The First Time In Forever
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Halle Kaye
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.491259 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Halle Kaye. Broadway,Film/TV,Mus...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.491259 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Halle Kaye. Broadway,Film/TV,Musical/Show,Pop. Score. 11 pages. Halle Kaye #106795. Published by Halle Kaye (A0.491259). Piano duet based on Frozen Broadway's For the First Time in Forever (reprise). Piano 1 sings Elsa's melody and piano 2 sings Anna's melody. I really love the tension in this piece and I think it is represented beautifully through this dueling piano style. This is the full score. If you would like individual parts please reach out!
$7.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Alone
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Marshmello
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JoLaYo
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Alone
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Josiah Yowell
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.891220 By Marshmello. By Marshmello. Arranged by JoLaYo. Contemporary. Score. 15 pages. Josiah Yowell #4...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.891220 By Marshmello. By Marshmello. Arranged by JoLaYo. Contemporary. Score. 15 pages. Josiah Yowell #4791595. Published by Josiah Yowell (A0.891220). This is a 2 Piano arrangement of the popular song Alone written by Marshmello. In addition to the full score (both piano parts side-by-side), there is an individual copy of each piano part included in the arrangement. This way, you only have to make one copy and you won't have to make as many page turns. Also, you can even have the option of playing the Piano 1 part as a solo arrangement!As an arranger/transcriber, I strive to make my arrangements/sheets as high-quality and performer-friendly as possible. If you enjoy this arrangement, please feel free to contact me to make requests for future arrangements!Email me at: sebbyomusic@gmail.com
$4.99
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Monologe
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2 Pianos, 4 mains
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Contemporain
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Bernd Alois Zimmermann
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Monologe
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Schott Music - Digital
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SheetMusicPlus
2 pianos (4 hands) - Digital Download Composed by Bernd Alois Zimmermann (1918-1970). This edition: Sheet music. Downloadable. Duration 16 minutes 30...
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2 pianos (4 hands) - Digital Download Composed by Bernd Alois Zimmermann (1918-1970). This edition: Sheet music. Downloadable. Duration 16 minutes 30 seconds. Schott Music - Digital #Q2510. Published by Schott Music - Digital
In January 1964 Bernd Alois Zimmermann interrupted the completion of his
opera Die Soldaten [The Soldiers] in order to rearrange his orchestral work Dialoge for two pianos. Monologe resulting therefrom takes up the original material but develops it towards a different direction: Zimmermann's collage technique based on quotations extends over the entire musical setting so that it is not only Mozart (Piano Concerto in C major KV 467) who has his say but Beethoven, Messiaen and Bach as well. 'Monologe - this
is a piece for two pianists. real monologues of these pianists who, though
simultaneously,[...] do not always play at the same 'time'. [...] losing themselves in their 'own thoughts', as it were.' (Zimmermann).
$35.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
The campanella for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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Franz Liszt
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Roy R
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The campanella for two pianos
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R.Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1401526 Composed by Franz Liszt. Arranged by Roy R. Davila Gomez (R.Music). Classical,Historic,Multicult...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1401526 Composed by Franz Liszt. Arranged by Roy R. Davila Gomez (R.Music). Classical,Historic,Multicultural,Romantic Period,World. Score. 18 pages. R.Music #984709. Published by R.Music (A0.1401526). The score of La Campanella for two pianos is a gem of the piano repertoire that captures the magic and virtuosity of Franz Liszt's musical genius. has been adapted for two pianos, offering performers a unique experience of musical collaboration.The score presents exciting technical challenges for both pianists, from dizzying arpeggios to dazzling melodic passages. Liszt's ability to create an enchanting atmosphere is reflected in every note, transporting the listener to a world of beauty and passion.This edition for two pianos allows you to explore the harmonic richness and structural complexity of the piece in a new and exciting way. The two pianists immerse themselves in a fluid musical dialogue, creating a unique and captivating performance that will delight both performers and audiences.Get this musical masterpiece today and let yourself be carried away by the magic of Franz Liszt's La Campanella in the privacy of two pianos!
$9.99
Streight Lines
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Robert A
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Streight Lines
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Robert A. Howard
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.998855 Composed by Robert A. Howard. 21st Century,Chamber,Contemporary,Contest,Festival,Instructional. S...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.998855 Composed by Robert A. Howard. 21st Century,Chamber,Contemporary,Contest,Festival,Instructional. Score. 2 pages. Robert A. Howard #6224931. Published by Robert A. Howard (A0.998855). This graphic score composition 'Streight Lines' is deliberately entitled as such (and spelled that way) as a pun on Steve Reich's minimalist classic 'Eight Lines'. The work focuses on various straight lines, superimposed over traditional music staves. These give an implication of pitch, duration, and texture, and perhaps other elements, without being too specific. The score indicates the basic outline of musical contours on staves (thus always implying certain pitches). However, many elements, such as dynamics, and exact pitches and durations, are left for the performer to determine. The work remains accessible for the listener and is appropriate for most standards of pianist, including students and professionals.Variable durationRegistered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.49
Chorale Prelude Op.67 N.49 for Piano Duet (2 Pianos)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Max Reger
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Cristiano Vecchi
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L
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Chorale Prelude Op.67 N.49 for
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Cristiano Vecchi
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.963576 Composed by Max Reger. Arranged by Cristiano Vecchi. Christian,Concert,Instructional,Romantic Per...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.963576 Composed by Max Reger. Arranged by Cristiano Vecchi. Christian,Concert,Instructional,Romantic Period,Sacred. Score. 16 pages. Cristiano Vecchi #6589577. Published by Cristiano Vecchi (A0.963576). Werde munter mein Gemüte (Be alert, my soul):a warm chorale prelude with a rhythmic diminutio in the way of the ancient fantasia and an interesting dynamic bass part, originally composed for Organ by Max Reger in five real parts. Arrangement for two Pianos. Since the 1st Piano Part is easier, this arrangement can be played by pupil and teacher, in a recital or for a sight-reading exercitation. Added extra parts to replace the 1st Piano with two instruments, like a Piano Trio: R.H. Fl. Ob. Vl. Vla. Cl.Bb Sopr.Sax Cl. Eb; L.H. Bass Fl. Engl. or French Horn Cl.Bb Bsn. Vlc. Vla. Bass Cl. Tenor Sax Alto Sax.Duration: 1'35.Also available for Woodwind Quintet, String Quintet (in D Major like this one).SCORE and PARTS. MP3 also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists.
$3.99
Toccata from Organ Symphony No. 5
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2 Pianos, 4 mains
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AVANCÉ
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Richard Simm
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Richard Simm
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Toccata from Organ Symphony No
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1423827 By Richard Simm. By Charles Marie Widor. Arranged by Richard Simm. Classical,Praise & Worship,Re...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1423827 By Richard Simm. By Charles Marie Widor. Arranged by Richard Simm. Classical,Praise & Worship,Religious,Romantic Period,Sacred. Score. 13 pages. Richard Simm #1005053. Published by Richard Simm (A0.1423827). Richard Simm having some serious 2-piano fun with Widor's famous Toccata from his 5th Organ Symphony. The original is a technical marathon for the performer's right hand, although the footwork is relatively easy. So the idea here was to arrange this spectacular work in a new format for two pianos, and in such a way as to redistribute all those right-hand notes between two hands and generally give both performers a more comfortable time.
$8.95
The Way You Look Tonight by Fred Astaire - Instrumental Parts
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2 Pianos, 4 mains
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Fred Astaire
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The Way You Look Tonight
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Musicnotes
Performed by: Fred Astaire: The Way You Look Tonight - from Swing Time Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable...
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Performed by: Fred Astaire: The Way You Look Tonight - from Swing Time Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement does not contain lyrics), scoring: Instrumental Duet;Instrumental Parts, instruments: Piano 1;Piano 2; 8 pages -- Movie/TV~~Tin Pan Alley~~Standards~~Traditional Pop~~Soundtrack
$5.25
Blue Christmas
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Rock
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Elvis Presley
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Fishel Pustilnik
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Blue Christmas
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F & N Enterprise
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.632804 By Elvis Presley. By Billy Hayes and Jay Johnson. Arranged by Fishel Pustilnik. Rock. Score. 6 pa...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.632804 By Elvis Presley. By Billy Hayes and Jay Johnson. Arranged by Fishel Pustilnik. Rock. Score. 6 pages. F & N Enterprise #3133845. Published by F & N Enterprise (A0.632804). An excellent arrangement of famous Blue Christmas for Alto Sax and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Sir Duke
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Soul/R&B
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Stevie Wonder
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Fishel Pustilnik
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Sir Duke
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F & N Enterprise
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.635785 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score. 7 pages. F & N...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.635785 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score. 7 pages. F & N Enterprise #5798587. Published by F & N Enterprise (A0.635785). An excellent arrangement of the famous Song Sir Duke for Oboe and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/mRT5rBfIA2Y The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Concerto for piano and orchestra No. 2
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2 Pianos, 4 mains
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Erik Chisholm
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Concerto for piano and orchest
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Schott Music - Digital
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SheetMusicPlus
2 pianos - SKU: S9.Q5862 Based on Hindustani themes. Composed by Erik Chisholm. This edition: piano reduction for 2 pianos. Downloadable, Piano r...
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2 pianos - SKU: S9.Q5862 Based on Hindustani themes. Composed by Erik Chisholm. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction. Duration 30 minutes. Schott Music - Digital #Q5862. Published by Schott Music - Digital (S9.Q5862). The Piano Concerto No.2 was first performed in Cape Town in 1949 and in the following year was broadcast on the BBC Radio Third Programme. It was enthusiastically received by the critics, Ernest Newman writing of it ’I was particularly intrigued by the skill with which the composer has managed to fuse Hindustani modes of expression and European ways of thought and factors of design into a single organic whole. I was greatly intrigued by it’. It had many performances and broadcasts in the composer’s life time but after his death, was not heard again until 2007 when it was specially recorded for broadcast one evening in ‘Scotland’s Musicâ€, a BBC Radio Scotland’s series of weekly programmes. John Purser, writer and presenter of the series which ran for a year, comments ‘The Concerto emerges as a major achievement in terms of over-all conception, technical innovation and brilliance and superb handling of the orchestra’. The soloist, Dutch pianist Ronald Brautigam, said of his experience “It is a great privilege to be working on such a wonderful Concerto! I have completely fallen in love with the piece. The work is definitely challenging, but the wealth of musical ideas, the refinement of the slow movement, the humour and boisterousness of the finale make one forget that at times fingers need to be scraped off the keyboard’.
$25.99
Mean
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Pop musique
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Taylor Swift
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Gary D
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you can tell me anything!
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Mean
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DR GARY D BELSHAW
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.796619 By Taylor Swift. By Taylor Swift. Arranged by Gary D. Belshaw (ASCAP). Pop. Score. 23 pages. DR G...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.796619 By Taylor Swift. By Taylor Swift. Arranged by Gary D. Belshaw (ASCAP). Pop. Score. 23 pages. DR GARY D BELSHAW #3062971. Published by DR GARY D BELSHAW (A0.796619). A Pop! Seriously! arrangement from Gary D. Belshaw Music. Price includes 2 copies of the score! Duration: about four and one-half minutes. As simple as may seem, this hit from Taylor Swift's 2010 album, Speak Now, makes for some awesome art music interaction among the four hands! Infused with energy, this is arranged with serious piano artistry in mind. The collaboration required for performing this is great preparation for students whose goals include the concerto repertoire. This will rapidly become a favorite for advanced intermediate students. Make the most of the contrasting dynamics, articulations, and phrasing. Write a review of this music here in Sheet Music Plus online. Follow us on Facebook and Twitter. Your reviews, views, opinions, experiences, and comments are always welcome and appreciated. Go ahead; you can tell me anything!
$7.99
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,J...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
Sonata for 2 pianos
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2 Pianos, 4 mains
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Contemporain
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Liudmila Knyazeva & Daria Yaki
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Sonata for 2 pianos
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Liudmila Knyaz
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - SKU: A0.495151 By Liudmila Knyazeva & Daria Yakimovich. By Liudmila Knyazeva. Classical,Contemporary. Score. 27 pages. Pub...
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2 Pianos,4 Hands,Piano Duet - SKU: A0.495151 By Liudmila Knyazeva & Daria Yakimovich. By Liudmila Knyazeva. Classical,Contemporary. Score. 27 pages. Published by Liudmila Knyaz (A0.495151). Lyudmila Knyazeva's spectacular concert composition for a piano duet can decorate the program of even the most demanding performers. This composition is often performed in live concerts and always evokes a standing ovation from the audience. The composition begins with a slow intro. Then comes the Sonata Allegro - fast and bravura music. Composition requires skill and professionalism of the performer. It is also important to be able to work with modern music, to know and understand its language, dynamics, complex harmonies. Lyudmila Knyazeva is a living composer of the 21st century.
$5.00
Dumba
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Lahkang Myu Awng
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Dumba
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Myu A Shingni
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1137117 Composed by Lahkang Myu Awng. Classical,Contemporary,Folk. Score. 16 pages. Myu A Shingni #73722...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1137117 Composed by Lahkang Myu Awng. Classical,Contemporary,Folk. Score. 16 pages. Myu A Shingni #737224. Published by Myu A Shingni (A0.1137117). “Dumba†is a piano four-hand composition of Lahkang Myu Awng (Myo Aung), and it is required two pianos. The composer employs Kachin's traditional folk tune and which is part of completely pentatonic. Dumba is the name of the wind instrument of the Kachin people, and it always uses in traditional Manau dance. It is one of the necessary instruments. It makes with a Buffalo horn, and it has a few holes. Those holes generate some unique pitches when the fingering alternately moves. The timbre of Dumba is mellow, and the melodic materials are a unique cadence. In this piece, the composer deliberately inserts a short melodic material from Dumba, especially in the cadence of each passage. Instrumentation: Pianos Four-hand Duration: 3:43.
$4.99
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