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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Time:
Sheetmusicplus
Non classifié
15 197
Piano & claviers
Piano seul
13 438
Piano, Voix
6 048
Piano Facile
3 861
Piano, Voix et Guitare
2 197
Instruments en Do
1 051
Orgue
564
Accompagnement Piano
437
1 Piano, 4 mains
381
Piano Trio: piano, violon, violoncelle
187
Piano grosses notes
95
2 Pianos, 4 mains
93
Piano (partie séparée)
72
Accordéon
65
Piano Quatuor: piano, 2 violons, violoncelle
53
Piano Quatuor: piano, violon, alto, violoncelle
48
Piano Quintette: piano, 2 violons, alto, violoncelle
22
Orgue, Piano (duo)
17
Orgue, Trompette (duo)
16
Clavecin
14
1 Piano, 6 mains
11
2 Pianos, 8 mains
6
2 Accordéons
4
Clavier
2
Ensemble d'Accordéons
2
Ensemble de Pianos
2
Accordéon et Orchestre
1
Tous Les Instruments
1
+ 22 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 097
Guitare
769
Ligne De Mélodie, (Paroles) et Accords
534
Ukulele
253
Paroles et Accords
227
Basse electrique
158
Guitare (partie séparée)
144
2 Guitares (duo)
143
Mandoline
85
Banjo
53
Dulcimer
44
Piano, Guitare (duo)
38
4 Guitares (Quatuor)
37
3 Guitares (trio)
17
Mandoline, Guitare (duo)
13
Ensemble de guitares
10
Basse électrique (partie séparée)
8
Guitare, Violon, Violoncelle (trio)
4
Dobro
4
2 Dulcimers (duo)
4
Guitare, Flûte, Clarinette
3
Guitare Pedal Steel
3
2 Ukuleles
3
Ensemble de Ukulélés
3
Mandoline, Piano (duo)
2
2 Mandolines (duo)
1
Ukulele Baryton
1
Cithare
1
Bouzouki
1
Guitare, Orchestre
1
Guitare Tab, Voix, Basse, Batterie
1
+ 26 instrumentations
Retracter
Voix
Chorale SATB
4 938
Chorale 2 parties
2 149
Chorale 3 parties
1 746
Chorale Unison
1 069
Voix duo, Piano
880
Chorale TTBB
739
Chorale SSAA
461
Voix duo
302
Pack Instrumental pour Chorale
147
Voix Tenor, Piano
137
Voix Soprano, Piano
136
Voix Alto, Piano
115
Voix Baryton, Piano
99
Voix seule
72
Voix haute
57
Chorale
34
Voix moyenne, Piano
24
Voix basse, Piano
17
Chorale SSAATTBB
16
Voix Tenor
14
Chorale SSATB
10
Soli, choeur mixte et accompagnement
6
Voix basse
5
Voix Mezzo-Soprano, Piano
5
Voix Soprano, Orchestre
4
Chorale SSAB, Piano
4
Voix Soprano
3
Voix, Guitare
3
Chorale SSAB a cappella
3
Male Voice
2
Chorale SATTBB A Cappella
2
Voix haute, Piano
2
Voix Moyenne
2
Chorale SATBB
1
Chorale SAATB A Cappella
1
Chorale SSAATB
1
+ 31 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
1 476
2 Saxophones (duo)
1 333
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 201
Flûte traversière et Piano
1 171
Flûte, Hautbois, Clarinette, Basson
1 152
Clarinette et Piano
1 001
Quatuor de Clarinettes: 4 clarinettes
792
Saxophone Alto et Piano
779
Hautbois, Piano (duo)
777
Quintette de Saxophone: 5 saxophones
739
Saxophone (partie séparée)
737
2 Flûtes traversières (duo)
714
2 Clarinettes (duo)
648
Flûte traversière
640
Clarinette
638
Saxophone Tenor et Piano
610
Saxophone Soprano et Piano
545
Saxophone Alto
497
Saxophone, Clarinette (duo)
422
Saxophone Tenor
378
Ensemble de saxophones
367
Flûte, Clarinette (duo)
354
Clarinette, Violon (duo)
316
Ensemble de Clarinettes
308
2 Hautbois (duo)
293
Hautbois (partie séparée)
293
Quatuor de Flûtes : 4 flûtes
285
Saxophone Baryton, Piano
256
3 Saxophones (trio)
251
Clarinette, Trompette (duo)
250
Hautbois, Clarinette (duo)
231
Hautbois, Basson (duo)
229
2 Flûte à bec (duo)
217
3 Clarinettes (trio)
198
Flûte, Violon
185
Hautbois
181
Trio de Flûtes: 3 flûtes
169
Clarinette (partie séparée)
161
Clarinette et Alto
159
Quintette de Clarinettes: 5 clarinettes
156
Cor anglais, Piano
154
Flûte, Saxophone (duo)
153
Ensemble de Flûtes
151
Hautbois, Flûte
149
Flûte, Alto (duo)
135
Clarinette Basse, Piano
116
Flûte, Trompette (duo)
115
Flute (partie séparée)
107
Flûte et Guitare
98
Flûte, Clarinette et Basson
98
Saxophone Soprano
91
Flûte à bec Soprano
90
Flûte irlandaise
82
Quintette de Flûte : 5 flûtes
79
Clarinette, Basson (duo)
77
Flûte, Hautbois, Clarinette (trio)
69
Flûte, Violon, Piano
64
Saxophone Baryton
64
Hautbois, Clarinette, Basson (trio d'anches)
63
Flûte, Violoncelle
61
Flûte, Hautbois (duo)
59
Hautbois, Violoncelle
58
Quatuor de Flûtes à bec
55
Cor Anglais
53
Clarinette, Violoncelle (duo)
53
Clarinette, Guitare (duo)
43
Flûte, Hautbois, Basson
43
Flûte à Bec
39
Flûte à bec Alto
38
Flûte, Violoncelle, Piano (trio)
35
2 Clarinettes, Piano
33
Ensemble De Flûte à bec
32
Flûte, Hautbois, Piano (trio)
28
2 Flûtes traversières, Piano
27
Piccolo, Piano
27
Saxophone
25
3 Flûtes à bec (trio)
25
5 Flûtes à bec
24
Flûte, Violon et Violoncelle
24
Flûte à bec Soprano, Piano
24
Hautbois, violon (duo)
23
Flûte, Clarinette, Piano (trio)
23
Clarinette, Violoncelle, Piano (trio)
22
Harmonica
20
Flûte à bec Alto, Piano
19
Flûte à bec Tenor
19
Hautbois et alto (duo)
18
Clarinette, Trombone (duo)
17
Flûte, Clarinette, Cor, Basson (Quartet)
16
Saxophone et Orgue
13
2 Saxophones, Piano
13
Flûte, Basson et Piano
12
Flûte, Trombone (duo)
12
Ocarina
12
Flûte à Bec, Piano
11
Flûte, Alto et Piano
11
Cor anglais, Guitare (duo)
11
Clarinette Basse
10
Saxophone et Guitare
9
2 Cors Anglais Et Pianoforte
9
Clarinette, Harpe (duo)
9
Hautbois, Guitare (duo)
8
Piccolo
8
Hautbois, Violoncelle et Piano
7
Clarinette, Basson, Piano (trio)
6
Instruments en Mib
6
Clarinette, Alto et Piano (trio)
6
Hautbois, Clarinette et Piano (Trio)
6
Flûte traversière, Orgue (duo)
6
Flûte, trombone et piano
5
3 Hautbois
5
Flûte, Violon, Violoncelle et Piano
5
Clarinette, Tuba
5
Clarinette, Contrebasse (duo)
4
Hautbois, trombone (duo)
4
Hautbois, Basson et Piano
4
Flûte à bec Alto, Basse continue
4
2 Clarinettes, Basson
4
Clarinette, trompette et piano
4
Flûte, Violon, Guitare
3
Clarinette, Orchestre
3
Ensemble à vent
3
Flûte, Tuba (duo)
3
Hautbois, Violon, Piano
3
2 Hautbois, Piano
3
Flute, harpe et violon
3
Flûte, Hautbois, Violon
3
Flûte traversière, Basse continue
3
Flûte et Trio à cordes
3
Flûte à bec, Guitare (duo)
3
Ensemble de Hautbois
2
Clarinette, Orgue
2
Cornemuse
2
Cor anglais et Harpe (duo)
2
Hautbois, Harpe
2
Flûte, alto et harpe
2
Flute, Cor (duo)
2
Saxophone et Piano
2
Flûte, Harpe et Violoncelle
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Clarinette, Violon (trio)
2
4 Hautbois
2
Flûte traversière, Orchestre
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Violoncelle, Guitare
1
Flûte de Pan
1
Hautbois, Trompette (duo)
1
Flûte à bec, Harpe
1
+ 143 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 700
Trompette, Piano
777
Trombone et Piano
763
Quatuor de Cuivres : 2 trompettes, trombone, tuba
673
Trompette
651
Cor et Piano
536
Trombone (partie séparée)
483
Trompette (partie séparée)
453
Trombone
442
2 Trompettes (duo)
366
Cor
358
Tuba et Piano
338
2 Trombones (duo)
335
Trompette, Saxophone (duo)
306
Trompette, Trombone (duo)
276
Quatuor de Cuivres: 2 trompettes, Cor, trombone
272
Tuba
270
Quatuor de Cuivres
247
Euphonium, Piano (duo)
160
Cor anglais, Piano
154
2 Cors (duo)
151
Ensemble de Trompettes
105
Cor (partie séparée)
101
Tuba (partie séparée)
90
Quatuor de cuivres: 4 trombones
87
Trompette, Cor (duo)
83
2 Tubas (duo)
73
Ensemble de Trombones
65
Quatuor de cuivres: 4 cors
58
Cor Anglais
53
Trio de Cuivres
39
2 Euphoniums et 2 Tubas
37
Euphonium
33
Quatuor de cuivres: 4 trompettes
32
3 Trombones (trio)
30
Trombone basse et Piano
27
Ensemble de Cors
27
3 Trompettes (trio)
24
Tuba et Orgue
22
Cor, Violoncelle (duo)
21
4 Tubas
21
Trombone, Cor (duo)
16
Trompette, Violoncelle (duo)
15
Bass Clef Instruments
14
2 Euphoniums (duo)
14
Trombone basse
14
Trompette, Tuba (duo)
14
Trompette, Basson (duo)
11
Cor anglais, Guitare (duo)
11
Cor et Basson (duo)
9
2 Cors Anglais Et Pianoforte
9
Trombone, Orgue
9
Quatuor de cuivres: 2 trompettes, 2 trombones
8
3 Tubas (trio)
7
Cor, Tuba (duo)
7
Euphonium, Tuba (duo)
6
Trompette et Guitare
6
Trompette, Trombone, Piano
6
Trompette, Violoncelle et Piano
6
2 Trompettes, Clavier (piano ou orgue)
6
Trombone, Tuba (duo)
5
Instruments en Sib
5
3 Cors (trio)
4
Cor et Orgue
3
2 Trombones, Piano
3
Tuba ou Euphonium ou Saxhorn
3
Trompette, violon (duo)
3
Cor anglais et Harpe (duo)
2
Cor et Harpe
2
Trombone, Violon (duo)
2
2 Cors, Piano
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
Cornet et Piano
1
Trompette, Euphonium (duo)
1
Trompette, Harpe
1
Clarinette, Cor (duo)
1
Trompette, Orchestre
1
Trombone et orchestre
1
Ensemble de Tubas
1
3 Euphoniums
1
Cor, Violoncelle et Piano
1
+ 77 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3 097
Violon et Piano
1 428
Violon
1 167
Violoncelle, Piano
1 013
Alto, Piano
973
Violon, Violoncelle (duo)
963
Violoncelle
734
Trio à Cordes: violon, alto, violoncelle
682
2 Violons (duo)
502
Quintette à cordes: 2 violons, alto, violoncelle, basse
492
Alto seul
491
Harpe
399
2 Violoncelles (duo)
383
Violon, Alto (duo)
377
2 Altos (duo)
320
Contrebasse, Piano (duo)
273
Contre Basse
263
Trio à Cordes: 2 violons, violoncelle
235
Violon (partie séparée)
181
Contrebasse (partie séparée)
148
Alto (partie séparée)
134
Alto, Violoncelle (duo)
111
Piano Trio: Violon, Alto, Piano
98
2 Harpes (duo)
72
4 Violoncelles
71
Trio à cordes: 3 violins
67
2 Contrebasses (duo)
64
Violon, Guitare (duo)
59
Trio à Cordes: 3 violoncelles
57
Violon, Basson (duo)
53
Violoncelle (partie séparée)
39
Quatuor à cordes : 4 altos
38
Violoncelle , Guitare (duo)
38
Quintette à cordes: 2 violons, 2 altos, violoncelle
37
Harpe, Flûte (duo)
36
Trio à Cordes: 2 violons, alto
36
Quintette à cordes : 2 violons, alto et 2 violoncelles
31
Quatuor à cordes: 4 violons
30
Alto et Basson
23
Ensemble de Violons
22
Trio à cordes: 3 altos
20
Ensemble d'Altos
19
Violoncelle, Contrebasse (duo)
18
Alto, Guitare (duo)
16
Violoncelle, Orgue
14
Harpe, Violon (duo)
13
2 Violons, Piano
12
Trio à cordes
11
Harpe, Voix
11
Violon, Clarinette, Piano (trio)
9
Violoncelle, Orchestre
8
Harpe, Violon, Violoncelle
7
Ensemble de Violoncelles
7
Alto, Orgue
5
Flûte, Contrebasse (duo)
5
2 Violoncelles, Piano
5
4 Contrebasses
4
Harpe, Violoncelle (duo)
4
Alto et Harpe
4
2 Altos, Piano
4
Alto et orchestre
3
Violon, Tuba (duo)
3
Violon, Orgue
3
Violoncelle, Basse continue
3
Violon, Violoncelle, Clarinette
3
4 Harpes
3
Harpe, Trombone (duo)
2
3 Harpes
1
Autoharp
1
Harpe et Orgue
1
Harpe et mandoline
1
+ 66 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
4 007
Orchestre à Cordes
1 212
Ensemble Jazz
931
Orchestre
911
Fanfare
744
Ensemble de cuivres
659
Cloches
496
Orchestre de chambre
278
Batterie
182
Jazz combo
181
Ensemble de Percussions
123
Percussion (partie séparée)
106
Batterie (partie séparée)
103
Marimba
54
Xylophone, Piano
33
Xylophone
30
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
24
Percussion
19
Vibraphone
17
Quintette à Vent
14
Timbales (partie séparée)
11
Orchestre, Violon
7
Quintette de Cuivres: autres combinaisons
7
Caisse Claire
6
Ensemble d'École
5
Vibraphone (partie séparée)
4
Piano et Orchestre
4
Instrumentation Flexible
3
2 Xylophones
3
2 Caisses Claires (duo)
2
Voix Mezzo-Soprano, Orchestre
2
Quatuor à Vent : 4 instruments à vents
2
Vibraphone et Marimba
2
Timbales
1
Bodhran
1
Marimba ou Xylophone et Piano
1
Trio à Vent: 3 instruments à vents
1
Marimba, Piano (duo)
1
Big band
1
2 Marimbas
1
+ 35 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Partitions à imprimer
93 partitions trouvées
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76
Turkish March (Rondo Alla Turca)-Ragtime Piano Arrangement
#
2 Pianos, 4 mains
#
AVANCÉ
#
Classique
#
Mozart
#
Wolfgang Amadeus Mozart
#
Chamal Rashmika
#
Turkish March
#
Chamal Rashmika
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.924343 Composed by Wolfgang Amadeus Mozart. Arranged by Chamal Rashmika. Baroque,Classical,Jazz,Ragtime,...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.924343 Composed by Wolfgang Amadeus Mozart. Arranged by Chamal Rashmika. Baroque,Classical,Jazz,Ragtime,Romantic Period. Score. 8 pages. Chamal Rashmika #3447325. Published by Chamal Rashmika (A0.924343). Original rangtime/Jazz piano arrangement for Piano duet/Piano/Piano accompaniment for the composition Rondo Alla Turca(Turkish march) By Mozart.
$4.00
6 Good Time Gems for Early Intermediate Piano Duos
#
2 Pianos, 4 mains
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FACILE
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Classical, Americana, and Jama
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Amy O'Grady
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6 Good Time Gems for Early Int
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Life at the Speed of Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1359564 Composed by Classical, Americana, and Jamaican Traditionals. Arranged by Amy O'Grady. Classical,...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1359564 Composed by Classical, Americana, and Jamaican Traditionals. Arranged by Amy O'Grady. Classical,Comedy,Traditional. Score. 13 pages. Life at the Speed of Music #944027. Published by Life at the Speed of Music (A0.1359564). With Part I as playful as Part II, school, private studio, adult education, and recreational center teachers need only leave the pages on a piano or iPad for students to spring into action! Parts are just one page, so players can easily practice together, then coordinate over counting and performance. Includes Banana Boat Song, Circus Time Can-Can, Chopsticks Ole!, Good Night, Ladies, The Entertainer, and Waltz Time.
$7.99
Every Time I Feel the Spirit (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Every Time I Feel the Spirit
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565174 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Praise & Worship...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565174 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Praise & Worship,Sacred,Spiritual. Score. 10 pages. Sharon Wilson #3515435. Published by Sharon Wilson (A0.565174). This arrangement of the traditional spiritual Every Time I Feel the Spirit is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. Bright and energetic, this dual piano duet is ideal for a postlude, offertory, or special music. The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 2 minutes.This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.
$5.99
For The First Time In Forever (reprise - Broadway Version)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Kristen Anderson-Lopez and Rob
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Halle Kaye
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For The First Time In Forever
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Halle Kaye
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.491259 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Halle Kaye. Broadway,Film/TV,Mus...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.491259 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Halle Kaye. Broadway,Film/TV,Musical/Show,Pop. Score. 11 pages. Halle Kaye #106795. Published by Halle Kaye (A0.491259). Piano duet based on Frozen Broadway's For the First Time in Forever (reprise). Piano 1 sings Elsa's melody and piano 2 sings Anna's melody. I really love the tension in this piece and I think it is represented beautifully through this dueling piano style. This is the full score. If you would like individual parts please reach out!
$7.00
Two Time Blues (Piano duet)
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2 Pianos, 4 mains
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DÉBUTANT
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Leonie Capararo
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Two Time Blues
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Notewell Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.892897 Composed by Leonie Capararo. Children,Jazz. Score. 5 pages. Notewell Music #5315193. Published by...
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2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.892897 Composed by Leonie Capararo. Children,Jazz. Score. 5 pages. Notewell Music #5315193. Published by Notewell Music (A0.892897). A short jazzy duet for the beginning pianist.
$5.00
Tango for the Road - for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Ofer Ben-Amots
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Tango for the Road - for two p
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The Composer's Own Press
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer'...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer's Own Press #5041193. Published by The Composer's Own Press (A0.944075). Composer's notes: I have always been fascinated by music that lives on the boundary between popular and highbrow, and Argentinian Tango falls right into this category. I wrote Tango for the Road in the summer of 2015, following an earlier tango in my Odessa Trio, titled Tango Dorfman. The genre has a number of well-defined musical characteristics, often opposing one another: it is rhythmically strict and precise, yet warm and sentimental; it carries melodious tunes accompanied by soft chromaticism and elegance, yet it conceals tremendous spark and inner-power; being a partner dance, it sometimes displays a Leader/Follower relationship and other times an equal vigor and energy between the partners.
$18.00
The Knuckle Song - for piano duet
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2 Pianos, 4 mains
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Traditional
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Samuel Stokes
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The Knuckle Song - for piano d
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SamuelStokesMusic.com
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SheetMusicPlus
Composed by Traditional. Arranged by Samuel Stokes. Ragtime, Folk, Children's Music, Recital, Old-time. 8 pages. Published by SamuelStokesMusic.com (S0.218671)....
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Composed by Traditional. Arranged by Samuel Stokes. Ragtime, Folk, Children's Music, Recital, Old-time. 8 pages. Published by SamuelStokesMusic.com (S0.218671). - - Ragtime,Folk,Children's Music,Recital,Old-time - SamuelStokesMusic.com
$6.99
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
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2 Pianos, 4 mains
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AVANCÉ
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James Nathaniel Holland
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Jazz Piano Concerto No 2 in Ab
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. J...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. James Nathaniel Holland #442965. Published by James Nathaniel Holland (A0.730240). (Duration: 25 minutes) 2 Pianos, 4 Hands (Revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers. Newly revised (2018) with measure numbers and rehearsal letters that match the full score.YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: https://facebook.com/jamesnathanielholland/ YouTube Channel: https://www.youtube.com/user/composerjnholland
$9.95
Sonata for Two Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Gary R
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Sonata for Two Pianos
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Gary Smoke
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.835952 Composed by Gary R. Smoke. Concert,Contemporary. Score. 41 pages. Gary Smoke #6307395. Published ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.835952 Composed by Gary R. Smoke. Concert,Contemporary. Score. 41 pages. Gary Smoke #6307395. Published by Gary Smoke (A0.835952). In three movements: the first (an allegro) is somewhat inspired in feel and scope by Mozart's Sonata for Two pianos; the second movement (subtitled Lullaby) is a slow and lyrical; and, the third movement is fast, highly chromatic and fairly aggressive.The starting times for the movements on the mp3 file: 1) 0:00; 2) 5:33; 3) 10:05. The total time for performance is ca. 15:30This is a MIDI perfomance (Piano1 is in right channel, Piano 2 in the left channel).
$25.00
Concerto for piano and orchestra No. 2
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2 Pianos, 4 mains
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Erik Chisholm
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Concerto for piano and orchest
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Schott Music - Digital
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SheetMusicPlus
2 pianos - SKU: S9.Q5862 Based on Hindustani themes. Composed by Erik Chisholm. This edition: piano reduction for 2 pianos. Downloadable, Piano r...
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2 pianos - SKU: S9.Q5862 Based on Hindustani themes. Composed by Erik Chisholm. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction. Duration 30 minutes. Schott Music - Digital #Q5862. Published by Schott Music - Digital (S9.Q5862). The Piano Concerto No.2 was first performed in Cape Town in 1949 and in the following year was broadcast on the BBC Radio Third Programme. It was enthusiastically received by the critics, Ernest Newman writing of it ’I was particularly intrigued by the skill with which the composer has managed to fuse Hindustani modes of expression and European ways of thought and factors of design into a single organic whole. I was greatly intrigued by it’. It had many performances and broadcasts in the composer’s life time but after his death, was not heard again until 2007 when it was specially recorded for broadcast one evening in ‘Scotland’s Musicâ€, a BBC Radio Scotland’s series of weekly programmes. John Purser, writer and presenter of the series which ran for a year, comments ‘The Concerto emerges as a major achievement in terms of over-all conception, technical innovation and brilliance and superb handling of the orchestra’. The soloist, Dutch pianist Ronald Brautigam, said of his experience “It is a great privilege to be working on such a wonderful Concerto! I have completely fallen in love with the piece. The work is definitely challenging, but the wealth of musical ideas, the refinement of the slow movement, the humour and boisterousness of the finale make one forget that at times fingers need to be scraped off the keyboard’.
$25.99
Piano Concerto No. 5, for Full Orchestra and Piano Soloist, Two Pianos/Four Hands
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2 Pianos, 4 mains
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AVANCÉ
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James Nathaniel Holland
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Piano Concerto No. 5, for Full
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1287203 Composed by James Nathaniel Holland. 21st Century,Contemporary. Score. 72 pages. James Nathaniel...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1287203 Composed by James Nathaniel Holland. 21st Century,Contemporary. Score. 72 pages. James Nathaniel Holland #878214. Published by James Nathaniel Holland (A0.1287203). TWO PIANOS/FOUR HANDS (Piano 2 is Orchestral Reduction)  The fifth of 21st century, Moonlight on the Seas, American composer James Nathaniel Holland’s Piano Concertos.  This colorful piece evokes moonlight and the sea. Movement one evokes a tempestuous storm with crashing and churning waves against the rocky coast.  Movement is maritime serenity and three returns to tempestuous emotions. (License or permission to perform may apply.)Instrumentation:  Fl 1.2., Ob, EH, Cl Bb 1.2., Bsn 1.2., Hrn 1.2.3., Tpt 1.2.3., Trom 1.2., Tba, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal,Snare, Bass Drum, Glockenspiel ) PIANO SOLOIST, Hrp., StringsTwo Pianos/Four Hands, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration:  Approximately 30 minutes.
$13.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Pick A Bale of Cotton
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2 Pianos, 4 mains
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Americana
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Folklorique/Traditionel
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Public Domain
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Ellen Foncannon Stephenson
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Pick A Bale of Cotton
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Ellen Foncannon Stephenson
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SheetMusicPlus
Composed by Public Domain. Arranged by Ellen Foncannon Stephenson. Repertoire, Folk, Old-time, Americana. 9 pages. Published by Ellen Foncannon Stephenson (S0.3...
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Composed by Public Domain. Arranged by Ellen Foncannon Stephenson. Repertoire, Folk, Old-time, Americana. 9 pages. Published by Ellen Foncannon Stephenson (S0.315911). - - Repertoire,Folk,Old-time,Americana - Ellen Foncannon Stephenson
$4.99
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Epilogue
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2 Pianos, 4 mains
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AVANCÉ
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Justin Hurwitz
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Danny McGarry
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Epilogue
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Danny McGarry
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1470047 Composed by Justin Hurwitz. Arranged by Danny McGarry. 21st Century,Film/TV,Jazz,Romantic Period...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1470047 Composed by Justin Hurwitz. Arranged by Danny McGarry. 21st Century,Film/TV,Jazz,Romantic Period. Score. 21 pages. Danny McGarry #1047770. Published by Danny McGarry (A0.1470047). Accurately and artistically arranged for Virtuosic 2-Piano Duet. Much time was spent carefully mapping harmonies and optimizing rhythm from the original orchestration while utilizing a wide range of techniques unique to the piano. All fingerings are personally tested and informed from over a decade of experience playing advanced/virtuosic piano music. This duet is designed for balanced difficulty, melody/harmony balance, and solo time between parts.Approx. length: ~8:00If you enjoy this piece, please consider checking out the rest of my catalogue for more arrangements from film scores, musicals, radio classics, and original compositions in the future!
$12.99
Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Johann Simon Mayr
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Fabrizio Capitanio
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Concerto for Cembalo [Fortepia
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructio...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 92 pages. Artistic Score Engraving di Galvagno Michele #953678. Published by Artistic Score Engraving di Galvagno Michele (A0.1369322). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible. M° Capitanio also realised the reduction for two pianos for this title (ASE 0051).The full score is available under Catalogue N° ASE 0047, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$26.95
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois &E
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
The Valley of the High Plains - original piano duet for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Kevin G
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The Valley of the High Plains
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Kevin G. Pace
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.701128 Composed by Kevin G. Pace (ASCAP). Contemporary,Standards. Score and parts. 7 pages...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.701128 Composed by Kevin G. Pace (ASCAP). Contemporary,Standards. Score and parts. 7 pages. Kevin G. Pace #3025091. Published by Kevin G. Pace (A0.701128). A brilliant, beautiful, piano duet for two pianos for moderately advanced pianists. A polyrhythmic composition. Piano one is in 4/4 time. Piano two is in 3/4 time.
$3.95
Beethoven - Moonlight Sonata Duet Arrangement - (Key Map Tablature)
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2 Pianos, 4 mains
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FACILE
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Classique
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Ludwig van Beethoven
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John M
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Beethoven - Moonlight Sonata D
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Music Innovators Workshop
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages....
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages. Music Innovators Workshop #4357665. Published by Music Innovators Workshop (A0.984714). This is a duet arrangement for student and teacher. It is notated on a key map tablature. My students love it!This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.
$2.00
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