English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
26
Librairie
Musicale
0
Matériel
de Musique
17
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
2709
PIANO & CLAVIERS
Piano seul
3367
Piano, Voix et Guitare
920
Piano, Voix
569
Piano Facile
460
Orgue
168
Instruments en Do
144
1 Piano, 4 mains
70
Accompagnement Piano
68
Piano grosses notes
40
Piano Trio: piano, violon, violoncelle
38
Piano Quatuor: piano, violon, alto, violoncelle
29
2 Pianos, 4 mains
26
Accordéon
20
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Piano (partie séparée)
10
Clavecin
3
Orgue, Piano (duo)
3
Piano Quatuor: piano, 2 violons, violoncelle
2
1 Piano, 6 mains
2
2 Accordéons
2
Ensemble d'Accordéons
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
282
Guitare
216
Ukulele
121
Ligne De Mélodie, (Paroles) et Accords
90
Paroles et Accords
48
Basse electrique
46
2 Guitares (duo)
25
Guitare (partie séparée)
16
4 Guitares (Quatuor)
12
Dulcimer
10
Banjo
7
Piano, Guitare (duo)
6
Mandoline
3
Basse électrique (partie séparée)
2
2 Dulcimers (duo)
2
3 Guitares (trio)
1
Ensemble de guitares
1
Ukulele Baryton
1
Guitare, Violon, Violoncelle (trio)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
899
Chorale 3 parties
281
Chorale TTBB
152
Pack Instrumental pour Chorale
148
Chorale 2 parties
148
Chorale Unison
85
Chorale SSAA
79
Voix duo, Piano
32
Voix Soprano, Piano
20
Voix haute
15
Chorale
14
Voix seule
12
Voix duo
10
Voix Alto, Piano
8
Voix Baryton, Piano
7
Voix Tenor, Piano
6
Voix moyenne, Piano
4
Voix basse, Piano
3
Voix Soprano
2
Voix, Guitare
2
Chorale SSAATTBB
2
Voix Tenor
1
Voix Soprano, Orchestre
1
Voix (avec Boîtes d'Accords)
1
Chorale SSAB, Piano
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
297
Clarinette et Piano
168
Saxophone (partie séparée)
158
Quatuor de Saxophones: 4 saxophones
158
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
153
Saxophone Alto et Piano
148
Hautbois, Piano (duo)
133
Flûte traversière
101
2 Saxophones (duo)
99
Flûte, Hautbois, Clarinette, Basson
98
Clarinette
95
Clarinette (partie séparée)
89
Saxophone Tenor et Piano
89
2 Flûtes traversières (duo)
81
Saxophone Soprano et Piano
76
2 Clarinettes (duo)
66
Quatuor de Clarinettes: 4 clarinettes
60
Saxophone Alto
56
Saxophone Tenor
55
Saxophone Baryton, Piano
51
Quintette de Saxophone: 5 saxophones
48
Hautbois (partie séparée)
46
Quatuor de Flûtes : 4 flûtes
39
Flute (partie séparée)
34
Ensemble de Flûtes
32
Flûte et Guitare
31
Flûte, Clarinette (duo)
27
Ensemble de Clarinettes
26
Trio de Flûtes: 3 flûtes
24
Clarinette Basse, Piano
24
3 Clarinettes (trio)
23
Cor anglais, Piano
23
Saxophone, Clarinette (duo)
22
3 Saxophones (trio)
21
Hautbois, Basson (duo)
19
Clarinette, Violon (duo)
19
Quintette de Clarinettes: 5 clarinettes
18
Clarinette, Trompette (duo)
17
2 Hautbois (duo)
17
2 Flûte à bec (duo)
16
Saxophone et Orchestre
15
Clarinette, Guitare (duo)
14
Hautbois
14
Hautbois, Flûte
14
Quatuor de Flûtes à bec
13
Flûte, Violon, Piano
13
Ensemble de saxophones
13
Hautbois, Clarinette (duo)
12
Flûte, Clarinette, Piano (trio)
11
Flûte, Violon
11
Saxophone Soprano
10
Flûte, Alto (duo)
10
Flûte à Bec
9
Flûte, Saxophone (duo)
9
Flûte, Trompette (duo)
9
5 Flûtes à bec
8
3 Flûtes à bec (trio)
8
Clarinette et Alto
8
Saxophone et Guitare
7
Flûte, Hautbois, Clarinette (trio)
7
Hautbois, Guitare (duo)
6
Clarinette, Violoncelle (duo)
6
Flûte, Clarinette et Basson
6
Hautbois, Clarinette, Basson (trio d'anches)
5
Quintette de Flûte : 5 flûtes
5
Saxophone Baryton
5
Clarinette, Harpe (duo)
5
Flûte, Basson et Piano
5
Flûte, Violoncelle, Piano (trio)
5
2 Clarinettes, Piano
4
Cor anglais, Guitare (duo)
4
Flûte à bec Alto, Piano
4
Clarinette, Basson (duo)
4
Flûte, Hautbois (duo)
4
Piccolo, Piano
4
2 Flûtes traversières, Piano
4
Flûte, Violoncelle
3
3 Hautbois
3
Saxophone et Harpe
3
Cor Anglais
3
Flûte, Hautbois, Piano (trio)
3
Flûte à bec Soprano
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Hautbois, Basson
3
Flûte, Violon et Violoncelle
3
Flûte à bec Tenor
2
Hautbois, Violoncelle
2
Ocarina
2
Flûte à bec, Guitare (duo)
2
Hautbois, violon (duo)
2
Flûte à bec Soprano, Piano
2
Flûte traversière, Basse continue
2
Flute, harpe et violon
2
2 Clarinettes, Basson
2
Hautbois, Basson et Piano
2
Saxophone et Orgue
2
Harmonica
2
Flûte, Violoncelle, Guitare
2
Hautbois et alto (duo)
2
Flûte à Bec, Piano
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flute, alto, violoncelle et guitare
1
Flûte et Trio à cordes
1
Cornemuse
1
2 Cors Anglais Et Pianoforte
1
Flûte irlandaise
1
Saxophone et violoncelle
1
Hautbois, Harpe
1
Clarinette, trompette et piano
1
Flûte à bec Alto, Basse continue
1
Saxophone
1
Saxophone et Piano
1
Piccolo
1
Flûte, Guitare, Piano
1
Flûte, Violon, Violoncelle et Piano
1
2 Saxophones, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violon, Guitare
1
Flûte traversière, Orgue (duo)
1
Flûte, Alto et Piano
1
Saxophone, Basson (duo)
1
Flûte à bec Alto
1
Clarinette, Basson, Piano (trio)
1
Clarinette, Trombone (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Instruments en Mib
1
Ensemble De Flûte à bec
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
147
Trombone (partie séparée)
130
Trompette (partie séparée)
115
Trompette
96
Trombone et Piano
95
Quatuor de Cuivres : 2 trompettes, trombone, tuba
88
Trompette, Piano
83
Trombone
68
Cor et Piano
66
Cor
49
Tuba et Piano
42
Cor (partie séparée)
41
Euphonium, Piano (duo)
33
Tuba (partie séparée)
32
Quatuor de Cuivres: 2 trompettes, Cor, trombone
28
2 Trompettes (duo)
27
Tuba
23
Quatuor de Cuivres
23
Cor anglais, Piano
23
2 Trombones (duo)
21
Trompette, Saxophone (duo)
18
Quatuor de cuivres: 4 trombones
16
Quatuor de cuivres: 4 cors
13
Trompette, Trombone (duo)
13
Ensemble de Trombones
12
2 Euphoniums et 2 Tubas
10
2 Cors (duo)
9
Trompette, Cor (duo)
6
Cor anglais, Guitare (duo)
4
Trompette, Harpe
4
Cor et Harpe
3
Euphonium
3
Ensemble de Trompettes
3
Trompette, violon (duo)
3
Cor Anglais
3
Trio de Cuivres
3
Trombone, Tuba (duo)
3
Trombone basse et Piano
3
Ensemble de Cors
3
Bass Clef Instruments
2
Trompette, Violoncelle et Piano
2
Trompette, Tuba (duo)
2
Trombone, Orgue
2
Trombone, Cor (duo)
2
2 Cors Anglais Et Pianoforte
1
Tuba et Orgue
1
3 Trompettes (trio)
1
Trompette et Guitare
1
Euphonium, Tuba (duo)
1
Trompette, Orchestre
1
2 Cors, Piano
1
Instruments en Sib
1
Trompette, Basson (duo)
1
3 Trombones (trio)
1
Trombone basse
1
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor, Tuba (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
554
Violon et Piano
376
Violoncelle, Piano
239
Alto, Piano
182
Harpe
142
Violon
139
Violon (partie séparée)
106
Violoncelle
103
Violon, Violoncelle (duo)
94
Trio à Cordes: violon, alto, violoncelle
93
Alto seul
89
2 Violons (duo)
57
Contrebasse (partie séparée)
52
Contrebasse, Piano (duo)
36
Violoncelle (partie séparée)
35
2 Violoncelles (duo)
35
Trio à Cordes: 2 violons, violoncelle
35
Alto (partie séparée)
33
Violon, Alto (duo)
32
2 Altos (duo)
31
Contre Basse
23
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Violon, Guitare (duo)
19
Violoncelle , Guitare (duo)
15
Harpe, Flûte (duo)
13
Trio à cordes: 3 violins
12
Alto, Guitare (duo)
12
Alto, Violoncelle (duo)
10
4 Violoncelles
7
Trio à Cordes: 3 violoncelles
7
Harpe, Violon (duo)
7
Piano Trio: Violon, Alto, Piano
6
2 Harpes (duo)
6
Violon, Clarinette, Piano (trio)
5
Quatuor à cordes: 4 violons
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violoncelle, Contrebasse (duo)
4
Trio à Cordes: 2 violons, alto
4
Alto et Harpe
4
Harpe, Violoncelle (duo)
3
Trio à cordes: 3 altos
3
Violoncelle, Orchestre
3
Alto et Basson
3
2 Contrebasses (duo)
3
Quatuor à cordes : 4 altos
2
Ensemble de Violons
2
Violon, Basse continue
2
Violon, Basson (duo)
1
Harpe, Trombone (duo)
1
3 Contrebasses
1
2 Violons et Basse continue
1
Alto et orchestre
1
Violoncelle, Basse continue
1
2 Violons, Piano
1
Trio à cordes
1
Harpe, Voix
1
Harpe, Violon, Violoncelle
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1003
Orchestre à Cordes
312
Orchestre
272
Cloches
197
Ensemble Jazz
152
Ensemble de cuivres
132
Fanfare
119
Batterie
83
Orchestre de chambre
75
Percussion (partie séparée)
59
Jazz combo
30
Timbales (partie séparée)
17
Ensemble de Percussions
17
Batterie (partie séparée)
13
Percussion
9
Vibraphone
6
Marimba
6
Xylophone, Piano
4
Orchestre, Violon
2
Piano et Orchestre
1
3 Percussions
1
Quintette de Cuivres: autres combinaisons
1
Marimba, Piano (duo)
1
Voix Mezzo-Soprano, Orchestre
1
Marimba, Saxophone (duo)
1
Quintette à Vent
1
2 Marimbas
1
Instrumentation Flexible
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Turn
SheetMusicPlus
Partitions à imprimer
26 partitions trouvées
<
1
26
Nocturne for two pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1497521 By Gold an…
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1497521 By Gold and Fizdale. By Germaine Tailleferre. 20th Century,Chamber,Classical,Contemporary. Score. 5 pages. Musik Fabrik Music Publishing #1073934. Published by Musik Fabrik Music Publishing (A0.1497521). The manuscript for this Nocturne was found in Tailleferre's personal archives, which are now part of Robert Shapiro's private collection. The work was titled Partita for Two Pianos, but only the manuscript for the Nocturne was found. It appears that Tailleferre intended to adapt her Partita for Solo Piano for a piano duo for her friends Gold and Fizdale. It is likely that Gold and Fizdale arranged for the publication of two works (the Partita for Solo Piano and the serial Solo Clarinet Sonata) during the 1960s with the firm Rongwen Music, which was later acquired by Broude Brothers Limited. Thanks are due to Ronald Broude for authorizing the publication of this work.
$12.95
11.79 €
#
2 Pianos, 4 mains
#
Gold and Fizdale
#
Nocturne for two pianos
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Notturno, from Lyric Suite
2 Pianos, 4 mains
Composed by Edvard Grieg (1843-1907). Arranged by Richard Simm. Classical, Romantic …
(+)
Composed by Edvard Grieg (1843-1907). Arranged by Richard Simm. Classical, Romantic Period. Score. 6 pages. Richard Simm #722165. Published by Richard Simm
$5.95
5.42 €
#
2 Pianos, 4 mains
#
Edvard Grieg (1843-1907)
#
Richard Simm
#
Notturno, from Lyric Suite
#
Richard Simm
#
SheetMusicPlus
23. Le Retour (The Return) 25 Progressive Studies Opus 100 for 2 pianos Friedrich Burgmüller
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.743951 Composed by…
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.743951 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. Score. 3 pages. Philip Kim #4354259. Published by Philip Kim (A0.743951). This is my arrangement for 2 pianos of 25 Études faciles et progressives Op.100 by Friedrich Burgmüller. I arranged the 2nd piano part with the teacher in mind or an advanced student.
$5.00
4.55 €
#
2 Pianos, 4 mains
#
Johann Friedrich Burgmuller
#
Philip Kim
#
23. Le Retour
#
Philip Kim
#
SheetMusicPlus
Blues Nocturne - Piano Duo (2 Pianos, 4 Hands)
2 Pianos, 4 mains
Composed by Robert D. Vandall. Instructional. 8 pages. Alfred Music - Digital Sheet Mu…
(+)
Composed by Robert D. Vandall. Instructional. 8 pages. Alfred Music - Digital Sheet Music #00-PB-0000663. Published by Alfred Music - Digital Sheet Music
$9.95
9.06 €
#
2 Pianos, 4 mains
#
Robert D
#
Blues Nocturne - Piano Duo
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
SURRENDER, Between the Octaves, A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
The Carousel Waltz
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1042682 Composed b…
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1042682 Composed by Richard Rodgers. Arranged by Richard Simm. Broadway,Musical/Show. Score. 22 pages. Richard Simm #647110. Published by Richard Simm (A0.1042682). The amazing harmonic and melodic gifts of Richard Rodgers, which fit so perfectly with the lyric talents of Oscar Hammerstein II, have inspired some equally amazing musical achievements in Hollywood, where some of the most remarkable musicians of our time worked upon Rodgers's original scores and enhanced them with truly wonderful orchestral arrangements of the accompaniments to the songs. Richard Simm was in turn inspired by their unsurpassed work to give this item from Carousel a new treatment as two-piano music. It was arranged with the generous permission of the Rodgers & Hammerstein company.
$12.95
11.79 €
#
2 Pianos, 4 mains
#
Richard Rodgers
#
Richard Simm
#
The Carousel Waltz
#
Richard Simm
#
SheetMusicPlus
Piano Quintet in A minor
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1440150 Composed b…
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Classical. Score. 90 pages. Mena C. Williams | The Unfinished Symphony #1020099. Published by Mena C. Williams | The Unfinished Symphony (A0.1440150). In 1903, Florence B. Price (1887-1953) attended the New England Conservatory for piano, organ, and composition. When Price graduated from NEC in 1910, she returned to Arkansas, bringing music education to her hometown. Unfortunately, due to increased racially charged hostility within Little Rock, Arkansas, Florence Price and many other families who participated in the Great Migration moved to Chicago in 1927, where she found new musical studies and performance opportunities. The opportunity that launched Price’s musical career as a composer was when she won the Wanamaker Prize in 1932 for her Symphony in e minor and became the first Black woman composer to have a major orchestral work performed by an American orchestra. Four years later, Price composed Quintet in a minor for Piano and Strings. Within the Quintet, there are four movements, the “Allegro non troppo”, the “Andante con moto”, the “Juba”, and the “Scherzo”. Quintet in A Minor for Piano and Strings utilizes many of Florence Price’s trademark stylistic ideas, imbuing her music with harmonic freshness and a creative and organic structural approach as well as melodies that reflect her spiritual and cultural heritage, all stemming from how Price’s music brings together the European-classical tradition and African American spirituals and folk tunes. Florence Price was a deeply religious person who brought the music of the African American church and the influences of Romantic composers such as Dvořák and Tchaikovsky. Thus further resulting in the overall appeal of Price’s music. The captivating lyricism and juba (a dance that originated from plantation enslaved people in the Southern US) rhythmic devices.
$4.99
4.54 €
#
2 Pianos, 4 mains
#
Florence B
#
Mena Williams (b
#
Piano Quintet in A minor
#
Mena C. Williams | The Unfinished Symphony
#
SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
(+)
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30 €
#
2 Pianos, 4 mains
#
achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
#
Germaine Tailleferre
#
Germaine Tailleferre: Trois Études for two pianos
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Hopak, from "Sorochyntsi Fair"
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1274763 Composed b…
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1274763 Composed by Modest Petrovich Mussorgsky. Arranged by Richard Simm. 19th Century,Classical,Folk,Opera,Romantic Period. Score. 5 pages. Richard Simm #866912. Published by Richard Simm (A0.1274763). This lively dance comes from the closing scene of Mussorgsky's comic opera, The Fair at Sorochyntsi. He wrote the libretto himself, basing it on a short Ukrainian story by Gogol, and he also arranged the Hopak for piano solo. Richard Simm has returned to the available orchestral material as the basis for his colourful 2-piano version.
$6.95
6.33 €
#
2 Pianos, 4 mains
#
Modest Petrovich Mussorgsky
#
Richard Simm
#
Hopak, from "Sorochyntsi Fair"
#
Richard Simm
#
SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
(+)
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
She Moved Through the Fair - arr. for 2 pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1183755 By Richard…
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1183755 By Richard Simm. By Irish Folk Tune. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #783447. Published by Richard Simm (A0.1183755). Probably one of the loveliest folk melodies that have ever existed, this mysterious, key-elusive tune tells the story of a lover whose sweetheart has received permission from her family to marry him. He sees her move away from him at the fair, as she tells him, It will not be long, love, till our wedding day. But their love is ill-fated, as the sad ending of the story has her returning to him that night as a ghost, repeating the same words...
$6.95
6.33 €
#
2 Pianos, 4 mains
#
Richard Simm
#
Richard Simm
#
She Moved Through the Fair - arr. for 2 pianos
#
Richard Simm
#
SheetMusicPlus
Piano Concerto No. 5, for Full Orchestra and Piano Soloist, Two Pianos/Four Hands
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1287203 Composed b…
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1287203 Composed by James Nathaniel Holland. 21st Century,Contemporary. Score. 72 pages. James Nathaniel Holland #878214. Published by James Nathaniel Holland (A0.1287203). TWO PIANOS/FOUR HANDS (Piano 2 is Orchestral Reduction)  The fifth of 21st century, Moonlight on the Seas, American composer James Nathaniel Holland’s Piano Concertos.  This colorful piece evokes moonlight and the sea. Movement one evokes a tempestuous storm with crashing and churning waves against the rocky coast.  Movement is maritime serenity and three returns to tempestuous emotions. (License or permission to perform may apply.)Instrumentation:  Fl 1.2., Ob, EH, Cl Bb 1.2., Bsn 1.2., Hrn 1.2.3., Tpt 1.2.3., Trom 1.2., Tba, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal,Snare, Bass Drum, Glockenspiel ) PIANO SOLOIST, Hrp., StringsTwo Pianos/Four Hands, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration:  Approximately 30 minutes.
$13.99
12.74 €
#
2 Pianos, 4 mains
#
James Nathaniel Holland
#
Piano Concerto No. 5, for Full Orchestra and Piano Soloist, Two Pianos/Four Hands
#
James Nathaniel Holland
#
SheetMusicPlus
Say Something
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.998587 By A Great …
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.998587 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by Sam C. Lee. Pop. Score. 11 pages. Sam Lee #5998079. Published by Sam Lee (A0.998587). A duet for two pianos. This arrangement takes an otherwise solemn piece and turns it into something powerful and flamboyant with the persistent heavy chords in the second piano and the striking melody in the first.
$4.99
4.54 €
#
2 Pianos, 4 mains
#
A Great Big World
#
Sam C
#
Say Something
#
Sam Lee
#
SheetMusicPlus
Alone
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.891220 By Marshmel…
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.891220 By Marshmello. By Marshmello. Arranged by JoLaYo. Contemporary. Score. 15 pages. Josiah Yowell #4791595. Published by Josiah Yowell (A0.891220). This is a 2 Piano arrangement of the popular song Alone written by Marshmello. In addition to the full score (both piano parts side-by-side), there is an individual copy of each piano part included in the arrangement. This way, you only have to make one copy and you won't have to make as many page turns. Also, you can even have the option of playing the Piano 1 part as a solo arrangement!As an arranger/transcriber, I strive to make my arrangements/sheets as high-quality and performer-friendly as possible. If you enjoy this arrangement, please feel free to contact me to make requests for future arrangements!Email me at: sebbyomusic@gmail.com
$4.99
4.54 €
#
2 Pianos, 4 mains
#
Marshmello
#
JoLaYo
#
Alone
#
Josiah Yowell
#
SheetMusicPlus
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon W…
(+)
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
5.45 €
#
2 Pianos, 4 mains
#
Sharon Wilson
#
Sharon Wilson Music
#
When the Saints Go Marching In
#
Sharon Wilson
#
SheetMusicPlus
Sounds of Creation (A Collection of 7 Keyboard Duets, for 2 Pianos, 4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1407365 By Sharon …
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contemporary,Instructional,New Age. Score. 87 pages. Sharon Wilson #990042. Published by Sharon Wilson (A0.1407365). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling.  This collection features 7 piano duets inspired by the sounds of nature. Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements (for 2 Pianos, 4 Hands) are as inspirational to play as they are to listen to. These duets sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. For each song there is a grand staff with both piano parts on each page plus the alternate format with each piano part on separate pages. Each duet is also available separately with accompanying preview pages and audio samples. Titles included in this collection: PreludePastoralSerenadeIntermezzoNocturneFantasiaFinale Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$17.99
16.38 €
#
2 Pianos, 4 mains
#
Sharon Wilson
#
Sharon Wilson
#
some soothing, some startling
#
Sounds of Creation
#
Sharon Wilson
#
SheetMusicPlus
Sounds of Creation - Pastoral (Keyboard Duet; 2 Pianos, 4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.564490 By Sharon W…
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.564490 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,New Age,Praise & Worship,Sacred. Score. 11 pages. Sharon Wilson #1776277. Published by Sharon Wilson (A0.564490). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling. This piece is one of seven in a series of keyboard duets inspired by the sounds of nature.Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements are as inspirational to play as they are to listen to. This piece sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. The purchase price includes a combined score with both parts on each page plus a separate score for each part. Titles in the Sounds of Creation†series: Prelude, Pastoral, Serenade, Intermezzo, Nocturne, Fantasia, FinaleVisit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
4.54 €
#
2 Pianos, 4 mains
#
Sharon Wilson
#
Sharon Wilson
#
some soothing, some startling
#
Sounds of Creation - Pastoral
#
Sharon Wilson
#
SheetMusicPlus
Piccola musica notturna
2 Pianos, 4 mains
By Wolfgang Amadeus Mozart (1756-1791). Arranged by E.Alessandrini. For Piano Duet. Classi…
(+)
By Wolfgang Amadeus Mozart (1756-1791). Arranged by E.Alessandrini. For Piano Duet. Classical Period. Early Intermediate. Score. Published by ester
$14.00
12.75 €
#
2 Pianos, 4 mains
#
Wolfgang Amadeus Mozart
#
E
#
Piccola musica notturna
#
ester
#
SheetMusicPlus
Sounds of Creation - Nocturne (Keyboard Duet)
2 Pianos, 4 mains
Composed by Sharon Wilson. For Piano Duet, For two keyboards: acoustic piano, digital or e…
(+)
Composed by Sharon Wilson. For Piano Duet, For two keyboards: acoustic piano, digital or electronic keyboard, harpsichord, or synthesizer; 2 pianos, 4-hands. Secular, Christian, 21st Century. Early Intermediate. Sheet Music Single, Set of Parts. Published
$4.99
4.54 €
#
2 Pianos, 4 mains
#
Sharon Wilson
#
2 pianos, 4-hands
#
Sounds of Creation - Nocturne
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale