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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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VIOLONCELLE
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CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
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débutant
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expert
avec audio
avec vidéo
avec play-along
Non classifié
4946
PIANO & CLAVIERS
Piano grosses notes
3369
Piano seul
3298
Piano, Voix et Guitare
2362
Orgue
1779
Piano, Voix
1340
Piano Facile
1245
Instruments en Do
430
1 Piano, 4 mains
142
Accompagnement Piano
137
Clavier
61
Piano (partie séparée)
60
Accordéon
37
2 Pianos, 4 mains
31
Piano Trio: piano, violon, violoncelle
26
Piano Quatuor: piano, 2 violons, violoncelle
9
Piano Quatuor: piano, violon, alto, violoncelle
9
Orgue, Piano (duo)
7
Ligne De Mélodie, Piano
7
1 Piano, 6 mains
6
Orgue, Trompette (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Accordéon, Voix
3
2 Pianos, 8 mains
3
Instrument seul et Orgue
2
Clavecin
1
Ensemble d'Accordéons
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
1015
Ligne De Mélodie, (Paroles) et Accords
489
Guitare
328
Paroles et Accords
266
Ukulele
221
Basse electrique
218
Guitare (partie séparée)
96
Banjo
23
2 Guitares (duo)
20
Dulcimer
18
4 Guitares (Quatuor)
15
Mandoline
11
Basse électrique (partie séparée)
11
Piano, Guitare (duo)
10
Ensemble de guitares
9
3 Guitares (trio)
6
2 Dulcimers (duo)
4
Guitare, Violon, Violoncelle (trio)
3
Guitare Pedal Steel
3
Ukulele Baryton
3
2 Ukuleles
1
Ensemble de Ukulélés
1
Partitions De Groupes
1
Instrumentations suivantes
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VOIX
Chorale SATB
1782
Chorale 3 parties
744
Chorale TTBB
492
Chorale 2 parties
441
Pack Instrumental pour Chorale
262
Chorale SSAA
234
Chorale Unison
201
Chorale
119
Voix duo, Piano
92
Voix seule
56
Voix duo
31
Voix haute
25
Voix Soprano, Piano
24
Voix Alto, Piano
23
Voix Baryton, Piano
13
Voix basse, Piano
11
Voix Tenor, Piano
9
Voix moyenne, Piano
8
Chorale SSAATTBB
6
Voix basse
5
Chorale SSAB a cappella
3
Voix Soprano
3
Chorale SSATB
3
Chorale SSATTB
3
Male Voice
3
Chorale SAATB A Cappella
2
Voix Mezzo-Soprano, Piano
2
Chorale SSAB, Piano
2
Voix Tenor
2
Soli, choeur mixte et accompagnement
1
Voix, Guitare
1
Voix Soprano, Orchestre
1
Chorale SSATBB
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
477
Clarinette
325
Flûte traversière
306
Flûte traversière et Piano
272
2 Saxophones (duo)
259
Quatuor de Saxophones: 4 saxophones
253
Saxophone Alto
210
Saxophone Tenor
203
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
192
Clarinette et Piano
185
Quatuor de Clarinettes: 4 clarinettes
172
Hautbois, Piano (duo)
164
Flûte, Hautbois, Clarinette, Basson
159
Saxophone Alto et Piano
158
Clarinette (partie séparée)
152
2 Flûtes traversières (duo)
144
2 Clarinettes (duo)
139
Saxophone
130
Hautbois (partie séparée)
119
Flute (partie séparée)
109
Saxophone Tenor et Piano
104
Quatuor de Flûtes : 4 flûtes
85
Saxophone, Clarinette (duo)
73
Saxophone Soprano et Piano
71
Clarinette, Violon (duo)
57
Flûte, Clarinette (duo)
57
Quintette de Saxophone: 5 saxophones
50
Flûte et Guitare
48
Ensemble de Flûtes
45
Flûte, Violon
45
3 Saxophones (trio)
44
2 Hautbois (duo)
42
3 Clarinettes (trio)
40
Trio de Flûtes: 3 flûtes
39
Ensemble de Clarinettes
39
Clarinette, Trompette (duo)
38
Hautbois, Basson (duo)
35
Saxophone Baryton, Piano
34
Ensemble de saxophones
32
Flûte à Bec
31
Hautbois, Flûte
31
Hautbois
30
Saxophone Soprano
29
Hautbois, Clarinette (duo)
29
Cor anglais, Piano
28
Flûte, Alto (duo)
25
Flûte, Trompette (duo)
25
Flûte, Saxophone (duo)
25
Quintette de Clarinettes: 5 clarinettes
25
2 Flûte à bec (duo)
24
Clarinette et Alto
23
Flûte à bec Soprano
17
Clarinette Basse, Piano
17
Clarinette, Guitare (duo)
15
Instruments en Mib
14
Flûte, Hautbois, Clarinette (trio)
14
Clarinette, Basson (duo)
10
Quintette de Flûte : 5 flûtes
9
Flûte à bec Soprano, Piano
9
Flûte, Clarinette et Basson
8
Flûte, Violoncelle
8
Flûte, Hautbois, Basson
7
Flûte, Violon, Piano
7
Cor Anglais
6
Flûte, Hautbois (duo)
6
Quatuor de Flûtes à bec
6
Flûte à bec Alto, Piano
6
Cor anglais, Guitare (duo)
5
2 Clarinettes, Piano
5
Clarinette, Violoncelle, Piano (trio)
5
Clarinette, Harpe (duo)
5
2 Flûtes traversières, Piano
5
Flûte, Violoncelle, Piano (trio)
5
Flûte à bec Alto
5
Saxophone et Guitare
4
Flûte irlandaise
4
Flûte, Violon, Violoncelle et Piano
4
Flûte, Clarinette, Violon (trio)
4
Flûte, Hautbois, Violon
3
Hautbois, Harpe
3
Saxophone Baryton
3
3 Flûtes à bec (trio)
3
Hautbois, Violoncelle
3
Hautbois, Clarinette, Basson (trio d'anches)
3
3 Hautbois
3
Flûte, Violon et Violoncelle
3
Flute, harpe et violon
3
Ocarina
3
Clarinette Basse
3
Harmonica
3
Hautbois, Guitare (duo)
3
Flûte, Harpe et Violoncelle
2
2 Saxophones, Piano
2
Flûte et Trio à cordes
2
Piccolo, Piano
2
Flûte, Basson et Piano
2
Flûte à Bec, Piano
2
Piccolo
2
Flûte, Trombone (duo)
2
Clarinette, Violoncelle (duo)
2
Flûte à bec Tenor
2
Ensemble De Flûte à bec
1
Clarinette, trompette et piano
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, trombone et piano
1
Hautbois, violon (duo)
1
Saxophone et Orgue
1
Clarinette, Tuba
1
Flûte, Tuba (duo)
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
2 Hautbois, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois et alto (duo)
1
Flûte traversière, Orgue (duo)
1
Flûte, Hautbois, Piano (trio)
1
2 Clarinettes, Basson
1
Clarinette, Trombone (duo)
1
Instrumentations suivantes
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CUIVRES
Trombone (partie séparée)
382
Trompette (partie séparée)
368
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
319
Trompette
310
Trombone
224
Quatuor de Cuivres : 2 trompettes, trombone, tuba
171
Trompette, Piano
152
Trombone et Piano
149
Cor
139
Cor (partie séparée)
102
Cor et Piano
89
Tuba (partie séparée)
84
Tuba
80
2 Trompettes (duo)
74
2 Trombones (duo)
72
Trompette, Saxophone (duo)
69
Quatuor de cuivres: 4 trombones
45
Tuba et Piano
42
Trompette, Trombone (duo)
39
Quatuor de Cuivres: 2 trompettes, Cor, trombone
35
Euphonium, Piano (duo)
34
2 Cors (duo)
31
Quatuor de Cuivres
28
Cor anglais, Piano
28
Quatuor de cuivres: 4 cors
17
Bass Clef Instruments
16
2 Tubas (duo)
16
Ensemble de Trombones
15
Euphonium
13
Instruments en Sib
13
Trio de Cuivres
12
2 Euphoniums et 2 Tubas
9
Trompette, Cor (duo)
9
4 Tubas
8
3 Trombones (trio)
7
Cor Anglais
6
Quatuor de cuivres: 4 trompettes
6
Tuba ou Euphonium ou Saxhorn
6
Cor anglais, Guitare (duo)
5
3 Trompettes (trio)
5
Cor et Harpe
4
Ensemble de Cors
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
2 Euphoniums (duo)
3
Trombone basse
3
Tuba et Orgue
3
Trombone basse et Piano
2
Instruments en Fa
2
2 Trompettes, Clavier (piano ou orgue)
2
Trombone, Tuba (duo)
2
Ensemble de Trompettes
2
Ensemble de Tubas
1
Euphonium, Tuba (duo)
1
Trompette, Trombone, Piano
1
Trompette, Tuba (duo)
1
Trombone, Orgue
1
Trompette, Basson (duo)
1
Cor et Orgue
1
Clarinette, Cor (duo)
1
Trombone, Violon (duo)
1
Trompette, Harpe
1
Cornet et Piano
1
Cor, Tuba (duo)
1
Trompette, Euphonium (duo)
1
3 Cors (trio)
1
2 Cors, Piano
1
Cor et Basson (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
699
Violon
374
Violon et Piano
312
Violoncelle
289
Harpe
218
Violoncelle, Piano
200
Alto seul
188
Alto, Piano
143
Violon, Violoncelle (duo)
133
2 Violons (duo)
114
2 Violoncelles (duo)
113
Contrebasse (partie séparée)
109
Trio à Cordes: violon, alto, violoncelle
103
Violon (partie séparée)
100
Violon, Alto (duo)
70
Contre Basse
61
Alto (partie séparée)
56
2 Altos (duo)
51
Trio à Cordes: 2 violons, violoncelle
51
Contrebasse, Piano (duo)
47
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
2 Harpes (duo)
32
Violoncelle (partie séparée)
22
Alto, Violoncelle (duo)
19
4 Violoncelles
17
Harpe, Flûte (duo)
15
Violoncelle , Guitare (duo)
14
Trio à cordes: 3 violins
14
Trio à Cordes: 3 violoncelles
12
Piano Trio: Violon, Alto, Piano
10
Quatuor à cordes: 4 violons
10
2 Contrebasses (duo)
10
Violoncelle, Contrebasse (duo)
9
Violon, Guitare (duo)
9
Trio à cordes
9
Harpe, Voix
7
Harpe, Violon (duo)
6
Trio à cordes: 3 altos
5
Alto, Guitare (duo)
4
Harpe, Violoncelle (duo)
4
Autoharp
3
Ensemble de Violoncelles
3
Alto et Harpe
3
Harpe et Piano
2
2 Altos, Piano
2
Violon, Basson (duo)
2
Trio à Cordes: 2 violons, alto
2
Harpe, Violon, Violoncelle
2
Flûte, Contrebasse (duo)
1
Quatuor à cordes : 4 altos
1
Violon, Clarinette, Piano (trio)
1
Violon, Tuba (duo)
1
4 Contrebasses
1
Violon, Orgue
1
2 Violons, Piano
1
2 Violoncelles, Piano
1
Alto et Basson
1
Violoncelle, Orgue
1
Harpe et mandoline
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
3 Harpes
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
2276
Ensemble Jazz
681
Orchestre
449
Fanfare
442
Orchestre à Cordes
371
Cloches
261
Batterie
242
Ensemble de cuivres
239
Jazz combo
134
Orchestre de chambre
113
Percussion (partie séparée)
105
Batterie (partie séparée)
89
Ensemble de Percussions
74
Marimba
24
Percussion
21
Timbales (partie séparée)
18
Timbales
12
Vibraphone
9
Xylophone
9
Ensemble d'École
6
Xylophone, Piano
4
Quintette à Vent
3
Quintette de Cuivres: autres combinaisons
2
Batterie-Fanfare
2
Xylophone (partie séparée)
2
Piano et Orchestre
1
Quatuor à Vent : 4 instruments à vents
1
2 Marimbas
1
Orchestre, Violon
1
Bodhran
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Big band
1
Caisse Claire
1
Marimba, Piano (duo)
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
4
Formation musicale - Solfège
4
Vous avez sélectionné:
Up!
2 Pianos, 4 mains
Partitions à imprimer
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Rise Up, O Church of God--Duo Piano (Keyboard).pdf
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809597 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809597 Composed by William Walter/ Aaron Williams. Arranged by Marilyn Thompson. Christian,Gospel,Sacred. Score. 8 pages. Marilyn Thompson #6339185. Published by Marilyn Thompson (A0.809597). A stirring call to the Church to face the challenges of today is reflected in this high-energy duet. The two hymn tunes of FESTAL SONG and ST THOMAS are superimposed in the Finale section of the piece. A Piano/Organ Duet is available on another post. (Please contact marilyn@mtmusicministries.com for further information.) ASCAP.
$4.99
4.56 €
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2 Pianos, 4 mains
#
William Walter/ Aaron Williams
#
Marilyn Thompson
#
Rise Up, O Church of God--Duo Piano
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Marilyn Thompson
#
SheetMusicPlus
Up On the House Top
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.823547 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.823547 Composed by Benjamin Hanby. Arranged by Ashley Ivers. Children,Christmas. Score. 5 pages. Ashley Ivers #4979323. Published by Ashley Ivers (A0.823547). Duet for 2 pianos, 4 hands, duo, two copies needed for performance. .
$4.99
4.56 €
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2 Pianos, 4 mains
#
Benjamin Hanby
#
Ashley Ivers
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Up On the House Top
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Ashley Ivers
#
SheetMusicPlus
Keep Up - Piano Duo (2 Pianos, 4 Hands)
2 Pianos, 4 mains
Piano Duets & Four Hands - Digital Download SKU: AX.00-PB-0000682 Composed by Zach …
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Piano Duets & Four Hands - Digital Download SKU: AX.00-PB-0000682 Composed by Zach Garcia. Instructional. 10 pages. Alfred Music - Digital Sheet Music #00-PB-0000682. Published by Alfred Music - Digital Sheet Music (AX.00-PB-0000682). ISBN 9781470641849. UPC: 038081548722.
$5.50
5.03 €
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2 Pianos, 4 mains
#
Zach Garcia
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Keep Up - Piano Duo
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
If We Ever Broke Up
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1211339 By Mae Ste…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1211339 By Mae Stephens. By Mae Stephens, Morien Van Der Tang, and Natalia I Koronowska. Arranged by Helios D'Andrea. Pop. Score. 9 pages. D'Andrea Helios #809005. Published by D'Andrea Helios (A0.1211339). Arranged for two pianos by Helios D'Andrea.
$4.99
4.56 €
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2 Pianos, 4 mains
#
Mae Stephens
#
Helios D'Andrea
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If We Ever Broke Up
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D'Andrea Helios
#
SheetMusicPlus
Wassail Hiccup and Trip up, fun Christmas Carol Variations for 2 pianos, 4 hands Arr. Simon Peberdy
2 Pianos, 4 mains
Composed by Traditional English Melody. Arranged by Simon Peberdy. Christmas, Contem…
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Composed by Traditional English Melody. Arranged by Simon Peberdy. Christmas, Contemporary, Standards. Score. 7 pages. Simon Peberdy #3681647. Published by Simon Peberdy
$3.99
3.65 €
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2 Pianos, 4 mains
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Traditional English Melody
#
Simon Peberdy
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Wassail Hiccup and Trip up, fun Christmas Carol Variations for 2 pianos, 4 hands Arr. Simon Peberdy
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Simon Peberdy
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
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CURVE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
shut up by Vview Piano - 2 Piano 4-Hands
2 Pianos, 4 mains
Sheet Music for shut up by Vview Piano arranged for 2 Piano 4-Hands;Instrumental Duet in C…
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Sheet Music for shut up by Vview Piano arranged for 2 Piano 4-Hands;Instrumental Duet in C Major. Digital sheet music from Musicnotes. --
$4.99
4.56 €
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2 Pianos, 4 mains
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2 Piano 4-Hands
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Musicnotes
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
SURRENDER, Between the Octaves, A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
Ornament for Two Pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1373528 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1373528 Composed by Jean Ahn. 21st Century,Classical,Contemporary. Score. 18 pages. Jean Ahn #957896. Published by Jean Ahn (A0.1373528). Ornament is about the sparkling chords. The constant six note chords and the shimmering ornaments fill up a resonant space, thus a pianosphere.
$15.00
13.71 €
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2 Pianos, 4 mains
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Jean Ahn
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Ornament for Two Pianos
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Jean Ahn
#
SheetMusicPlus
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
5.48 €
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2 Pianos, 4 mains
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Sharon Wilson
#
Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
#
SheetMusicPlus
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spiritual,Traditional. Score. 9 pages. Sharon Wilson #3516915. Published by Sharon Wilson (A0.565177). This arrangement of the traditional spiritual Swing Low, Sweet Chariot is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. When played with a swing rhythm, this spirited, slightly syncopated dual piano duet is an ideal selection for a church setting.The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the story of Elijah and Elisha in 2 Kings 2 as well as the promise of a future home in heaven for the saints as predicted in Matthew 24:30-31. The prophet Elijah was taken to heaven in a chariot of fire as Elisha, the prophet to take Elijah’s place, witnessed the event: As they continued on and talked, behold, a chariot of fire and horses of fire separated them, and Elijah went up by a whirlwind into heaven. 2 Kings 2:11 WEB…and they will see the Son of Man coming on the clouds of the sky with power and great glory. He will send out his angels with a great sound of a trumpet, and they will gather together his chosen ones from the four winds, from one end of the sky to the other. Matthew 24:30-31 WEBLyrics:Swing low, sweet chariot, coming for to carry me home;Swing low, sweet chariot, coming for to carry me home.I looked over Jordan and what did I see,Coming for to carry me home?A band of angels coming after me,Coming for to carry me home.
$5.99
5.48 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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Swing Low, Sweet Chariot
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Sharon Wilson
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SheetMusicPlus
Løvfald ("Falling Leaves")
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.921614 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.921614 Composed by Christian Vestergaard. Contemporary. Score. 11 pages. Christian Vestergaard #4810583. Published by Christian Vestergaard (A0.921614). A late night improvisation on the piano, about 3½ minutes long. Technically not a particularly difficult piece to learn. I do a lot of improvisations on the piano and sometimes they end up as finished piano works like this one :-)The synth part is optional, so the piece can be performed as a piano solo, or as a duet with a synth player. I recommend using a sustain pedal and mod wheel for the synth, like I did in my own recording of the piece.Christian Vestergaard, Composer & Pianistwww.christianvestergaard.dk www.youtube.com/cvnielsenwww.facebook.com/chrvestergaardwww.soundcloud.com/christian-vestergaard-wennerlin
$3.99
3.65 €
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2 Pianos, 4 mains
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Christian Vestergaard
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Løvfald
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Christian Vestergaard
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SheetMusicPlus
"A Youthful Vow" from An Icelandic Suite
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
4.53 €
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2 Pianos, 4 mains
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Ingunn Bjarnadóttir
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Richard Simm
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"A Youthful Vow" from An Icelandic Suite
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Richard Simm
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SheetMusicPlus
Beethoven - Moonlight Sonata Duet Arrangement - (Key Map Tablature)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.984714 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages. Music Innovators Workshop #4357665. Published by Music Innovators Workshop (A0.984714). This is a duet arrangement for student and teacher. It is notated on a key map tablature. My students love it!This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.
$2.00
1.83 €
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2 Pianos, 4 mains
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Ludwig van Beethoven
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John M
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Beethoven - Moonlight Sonata Duet Arrangement -
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Music Innovators Workshop
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SheetMusicPlus
Christmas Carol Variations for 2 pianos, 4 hands, Book 2, A second collection of 10 by Simon Peberdy
2 Pianos, 4 mains
Composed by Various, traditional carol melodies. Arranged by Simon Peberdy. Christma…
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Composed by Various, traditional carol melodies. Arranged by Simon Peberdy. Christmas, Contemporary. Score. 68 pages. Simon Peberdy #3892889. Published by Simon Peberdy
Christmas Carol Variations for 2 pianos, 4 hands, Book 2 is a second collection of fun variations based on 10 well-known Christmas carols, for 2 pianos, 4 hands. These are all available individually, but buying all 10 together gives you nearly 70 pages of music to enjoy at a price that means you are basically getting 10 pieces for the price of 6.<br> (Also available as a printed book through www.simonpeberdymusic.com)<br> <br> The mp3 is of "Wassail Hiccup and Trip up"<br> <br> 1. Lullay Lullay (https://youtu.be/yfXnmCyfXxI)<br> 2. Little Town of Bethlehem Charleston;<br> 3. The First Noel Gymnopedie (https://www.youtube.com/watch?v=GUlHWQ1zpsU)<br> 4. Hark, the Herald Bluegrass Angels;<br> 5. In the Bleak Midwinter;<br> 6. Joy to the World - Funky! (https://www.youtube.com/watch?v=yAUaDHI7VBo or https://www.youtube.com/watch?v=XHTcGZ0ZLiM)<br> 7. O Little Town of Bethlehem;<br> 8. Wassail Hiccup and Trip up (https://www.youtube.com/watch?v=PABjdC_O7pg);<br> 9. While Shepherds Boogie Woogie;<br> 10. Quem Pastores.<br> <br> The mp3 is of Wassail Hiccup and Trip up.<br> <br> Please note: although both piano parts are printed, you do need 2 copies to play on 2 pianos!<br> (Book 1 is also available with another 10 pieces)<br> Arrangements for piano duet are also available.Christmas Carol Variations for 2 pianos, 4 hands, Book 2 is a second collection of fun variations based on 10 well-known Christmas carols, for 2 pianos, 4 hands. These are all available individually, but buying all 10 together gives you nearly 70 pages of music to enjoy at a price that means you are basically getting 10 pieces for the price of 6.<br> (Also available as a printed book through www.simonpeberdymusic.com)<br> <br> The mp3 is of "Wassail Hiccup and Trip up"<br> <br> 1. Lullay Lullay (https://youtu.be/yfXnmCyfXxI)<br> 2. Little Town of Bethlehem Charleston;<br> 3. The First Noel Gymnopedie (https://www.youtube.com/watch?v=GUlHWQ1zpsU)<br> 4. Hark, the Herald Bluegrass Angels;<br> 5. In the Bleak Midwinter;<br> 6. Joy to the World - Funky! (https://www.youtube.com/watch?v=yAUaDHI7VBo or https://www.youtube.com/watch?v=XHTcGZ0ZLiM)<br> 7. O Little Town of Bethlehem;<br> 8. Wassail Hiccup and Trip up (https://www.youtube.com/watch?v=PABjdC_O7pg);<br> 9. While Shepherds Boogie Woogie;<br> 10. Quem Pastores.<br> <br> The mp3 is of Wassail Hiccup and Trip up.<br> <br> Please note: although both piano parts are printed, you do need 2 copies to play on 2 pianos!<br> (Book 1 is also available with another 10 pieces)<br> Arrangements for piano duet are also available.
$24.99
22.85 €
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2 Pianos, 4 mains
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Various, traditional carol melodies
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Simon Peberdy
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Christmas Carol Variations for 2 pianos, 4 hands, Book 2, A second collection of 10 by Simon Peberdy
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Simon Peberdy
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SheetMusicPlus
Lift Up Ye Heads O Ye Gates
2 Pianos, 4 mains
Composed by George Frideric Handel (1685-1759). Arranged by Sandra Zylstra. Baroque Period…
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Composed by George Frideric Handel (1685-1759). Arranged by Sandra Zylstra. Baroque Period, Christian, Sacred, Christmas, Easter. Sheet Music Single. 7 pages. Published by Sandra Zylstra (S0.43975). - Sheet Music Single - Baroque Period,Christian,Sacred,Christmas,Easter - Sandra Zylstra
$5.25
4.8 €
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2 Pianos, 4 mains
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George Frideric Handel
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Sandra Zylstra
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Lift Up Ye Heads O Ye Gates
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Sandra Zylstra
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SheetMusicPlus
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