English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
5
Partitions
Numériques
58
Librairie
Musicale
78
Matériel
de Musique
8 396
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
10788
PIANO & CLAVIERS
Piano seul
11565
Piano, Voix
5656
Piano, Voix et Guitare
4165
Piano Facile
2379
Instruments en Do
630
Orgue
594
1 Piano, 4 mains
299
Piano grosses notes
195
Accompagnement Piano
177
Accordéon
158
Piano Trio: piano, violon, violoncelle
107
2 Pianos, 4 mains
58
Piano (partie séparée)
42
Piano Quatuor: piano, violon, alto, violoncelle
34
Piano Quatuor: piano, 2 violons, violoncelle
30
Piano Quintette: piano, 2 violons, alto, violoncelle
29
Ligne De Mélodie, Piano
25
Orgue, Piano (duo)
23
Orgue, Trompette (duo)
15
Clavecin
15
1 Piano, 6 mains
7
Clavier
7
Accordéon, Voix
4
2 Pianos, 8 mains
2
2 Accordéons
2
Fake Book
1
Instrument seul et Orgue
1
Ensemble d'Accordéons
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
1964
Ligne De Mélodie, (Paroles) et Accords
991
Guitare
869
Ukulele
340
Paroles et Accords
324
Basse electrique
289
2 Guitares (duo)
51
Guitare (partie séparée)
50
4 Guitares (Quatuor)
47
Piano, Guitare (duo)
36
Mandoline
31
3 Guitares (trio)
27
Banjo
23
Dulcimer
17
Ensemble de guitares
15
Guitare, Flûte, Clarinette
12
Basse électrique (partie séparée)
11
Partitions De Groupes
10
Mandoline, Guitare (duo)
9
Ensemble de Ukulélés
7
Guitare, Violon, Violoncelle (trio)
7
2 Mandolines (duo)
2
Guitare Pedal Steel
2
Dobro
2
Guitare Tab, Voix, Basse, Batterie
1
2 Guitares, Clarinette (trio)
1
2 Dulcimers (duo)
1
Guitare, Orchestre
1
Ukulele Baryton
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
4507
Chorale 3 parties
1291
Chorale TTBB
813
Chorale 2 parties
585
Chorale SSAA
413
Pack Instrumental pour Chorale
351
Chorale Unison
306
Chorale
176
Voix duo
160
Voix duo, Piano
158
Voix seule
156
Voix Soprano, Piano
65
Voix Alto, Piano
60
Voix Tenor, Piano
59
Voix haute
52
Voix Baryton, Piano
50
Voix basse, Piano
31
Voix, Guitare
22
Voix moyenne, Piano
19
Voix Mezzo-Soprano, Piano
16
Voix Tenor
13
Chorale SSAATTBB
12
Chorale SSATB
8
Voix Soprano
8
Chorale SSAB, Piano
6
Chorale SSATTB
6
Chorale SSAB a cappella
4
Soli, choeur mixte et accompagnement
3
Chorale SSATBB
2
Chorale SSAATB
1
Male Voice
1
Voix basse
1
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
980
Flûte traversière
739
Quatuor de Saxophones: 4 saxophones
710
Flûte traversière et Piano
685
Clarinette
681
Clarinette (partie séparée)
609
Clarinette et Piano
583
2 Saxophones (duo)
536
Saxophone Alto
510
Quatuor de Clarinettes: 4 clarinettes
488
Saxophone Tenor
476
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
470
Saxophone Alto et Piano
468
Flûte, Hautbois, Clarinette, Basson
458
Hautbois, Piano (duo)
447
2 Flûtes traversières (duo)
420
Flûte et Guitare
416
Quatuor de Flûtes : 4 flûtes
382
Hautbois (partie séparée)
307
Saxophone Tenor et Piano
307
2 Clarinettes (duo)
305
Clarinette, Guitare (duo)
281
Flute (partie séparée)
279
Saxophone
238
Saxophone Soprano et Piano
195
Quintette de Saxophone: 5 saxophones
189
Ensemble de Clarinettes
181
Hautbois
156
3 Clarinettes (trio)
154
Saxophone, Clarinette (duo)
154
Flûte, Clarinette (duo)
138
Ensemble de Flûtes
137
Clarinette, Violon (duo)
137
Trio de Flûtes: 3 flûtes
133
Saxophone Baryton, Piano
122
2 Hautbois (duo)
113
3 Saxophones (trio)
109
Quintette de Clarinettes: 5 clarinettes
102
Cor anglais, Guitare (duo)
102
Flûte à Bec
99
Quatuor de Flûtes à bec
99
Clarinette, Trompette (duo)
98
Flûte, Violon
97
Saxophone et Guitare
86
2 Flûte à bec (duo)
83
Hautbois, Clarinette (duo)
82
Cor anglais, Piano
81
Hautbois, Basson (duo)
81
Clarinette et Alto
72
Hautbois, Clarinette, Basson (trio d'anches)
68
Flûte, Saxophone (duo)
66
Saxophone Soprano
64
Flûte, Alto (duo)
61
Ensemble de saxophones
59
Flûte, Violoncelle
57
Hautbois, Flûte
52
Flûte, Trompette (duo)
47
Flûte, Hautbois, Basson
46
Quintette de Flûte : 5 flûtes
43
Saxophone Baryton
41
Clarinette, Violoncelle (duo)
40
Flûte, Clarinette et Basson
39
Hautbois, Guitare (duo)
38
Flûte à bec Soprano
38
Clarinette, Basson (duo)
38
Clarinette Basse, Piano
34
3 Flûtes à bec (trio)
32
Cor Anglais
32
Hautbois, Violoncelle
28
Flûte à bec Alto
27
Flûte, Hautbois, Clarinette (trio)
27
Harmonica
27
Instruments en Mib
26
Flûte, Violoncelle, Piano (trio)
24
Flûte, Hautbois (duo)
23
Flûte à bec, Guitare (duo)
21
Flûte, Basson et Piano
21
Ocarina
19
2 Clarinettes, Piano
17
Flûte, Violon et Violoncelle
15
Flûte, Violon, Piano
15
Flûte, Clarinette, Piano (trio)
15
Flûte, Trombone (duo)
15
Ensemble De Flûte à bec
14
Flûte à bec Alto, Piano
14
Clarinette, Harpe (duo)
13
5 Flûtes à bec
13
Hautbois et alto (duo)
13
Clarinette Basse
13
Clarinette, Trombone (duo)
13
2 Flûtes traversières, Guitare
12
Hautbois, violon (duo)
12
Flûte, Violoncelle, Guitare
11
Flûte à bec Soprano, Piano
11
Flûte à bec Tenor
9
Clarinette, Violoncelle, Piano (trio)
9
Flûte à bec, Harpe
7
2 Flûtes traversières, Piano
7
Cor anglais et Harpe (duo)
6
Flûte, Alto et Piano
6
Piccolo
6
Saxophone et Orgue
6
Flute, harpe et violon
6
Flûte, Violon, Violoncelle et Piano
5
Flûte, Hautbois, Piano (trio)
5
Flûte, Harpe et Violoncelle
5
Flûte et Trio à cordes
4
Flûte traversière, Basse continue
4
2 Saxophones, Piano
4
Flûte, trombone et piano
4
Clarinette, trompette et piano
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Hautbois, Violon, Piano
3
Saxophone, Violon (duo)
3
Hautbois, Basson et Piano
3
Flûte irlandaise
3
Flûte, Violon, Guitare
3
Flûte et Quatuor à Cordes
3
Flûte, Tuba (duo)
3
Piccolo, Piano
3
Flûte à Bec, Piano
3
Flûte, alto et harpe
3
Clarinette, Basson, Piano (trio)
3
Saxophone et Piano
3
Clarinette, Orchestre
3
Flûte, Clarinette, Violon (trio)
3
2 Clarinettes, Basson
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte traversière, Orgue (duo)
2
4 Hautbois
2
Clarinette, Alto et Piano (trio)
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Saxophone et Harpe
2
Ensemble à vent
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
Hautbois, Harpe
2
Clarinette, Orgue
2
Flûte, Hautbois, Violon
2
Hautbois, Orgue
1
Clarinette, Contrebasse (duo)
1
Flûte à bec Alto, Basse continue
1
Hautbois, trombone (duo)
1
Hautbois, Violoncelle et Piano
1
Saxophone et violoncelle
1
Harmonica, Piano
1
Saxophone, Basson (duo)
1
Flûte traversière, Orchestre
1
Flûte, Alto et Violoncelle
1
Hautbois, Clarinette et Piano (Trio)
1
Saxophone, Tuba (duo)
1
2 Flûtes à bec, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
749
Trombone (partie séparée)
642
Trompette
640
Trompette (partie séparée)
604
Trombone
523
Trompette, Piano
411
Cor
398
Trombone et Piano
358
Cor (partie séparée)
322
Quatuor de Cuivres : 2 trompettes, trombone, tuba
312
Cor et Piano
286
Tuba (partie séparée)
184
Tuba
177
2 Trombones (duo)
176
2 Trompettes (duo)
168
Tuba et Piano
130
Quatuor de Cuivres
124
Trompette, Saxophone (duo)
118
Trompette, Trombone (duo)
106
Quatuor de Cuivres: 2 trompettes, Cor, trombone
102
Cor anglais, Guitare (duo)
102
Cor anglais, Piano
81
Quatuor de cuivres: 4 trombones
78
2 Cors (duo)
75
Euphonium, Piano (duo)
70
Euphonium
63
2 Euphoniums et 2 Tubas
39
Bass Clef Instruments
37
Quatuor de cuivres: 4 cors
34
Cor Anglais
32
Instruments en Sib
30
Trio de Cuivres
30
4 Tubas
29
2 Tubas (duo)
25
Ensemble de Trombones
23
Cor, Violoncelle (duo)
19
Trompette, Cor (duo)
18
Cor, Trompette, Trombone (trio)
17
Cornet A Pistons
17
Tuba ou Euphonium ou Saxhorn
17
Quatuor de cuivres: 4 trompettes
17
Instruments en Fa
14
Ensemble de Trompettes
13
Ensemble de Tubas
12
Ensemble de Cors
12
2 Euphoniums (duo)
12
3 Trombones (trio)
11
Trompette, Violoncelle (duo)
10
Euphonium, Tuba (duo)
9
3 Trompettes (trio)
9
Trompette, violon (duo)
7
Cor et Basson (duo)
7
Cor, Tuba (duo)
6
Cor anglais et Harpe (duo)
6
Tuba et Orgue
5
Trombone basse et Piano
5
Trombone, Tuba (duo)
5
Euphonium (partie séparée)
4
2 Trompettes, Clavier (piano ou orgue)
4
Trombone basse
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Trompette, Basson (duo)
4
Trompette, Trombone, Piano
3
Cor et Harpe
3
Trombone, Violon (duo)
3
3 Cors (trio)
2
Trompette, Violoncelle et Piano
2
Trombone, Orgue
2
Trombone, Cor (duo)
2
Trompette, Tuba (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette et Guitare
2
2 Trombones, Piano
1
Cor, Violoncelle et Piano
1
2 Cors, Piano
1
Trombone, Alto (duo)
1
Cor et Orgue
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trompette, Harpe
1
4 Euphoniums
1
Clarinette, Cor (duo)
1
Bugle
1
3 Euphoniums
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1944
Violon
910
Violon et Piano
887
Violoncelle
675
Violoncelle, Piano
608
Alto, Piano
562
Alto seul
478
Violon, Violoncelle (duo)
377
Violon (partie séparée)
354
Trio à Cordes: violon, alto, violoncelle
304
Harpe
283
2 Violons (duo)
265
2 Violoncelles (duo)
233
Contrebasse (partie séparée)
189
Alto (partie séparée)
189
Violon, Alto (duo)
175
Violoncelle , Guitare (duo)
167
Violon, Guitare (duo)
158
Trio à Cordes: 2 violons, violoncelle
148
Contre Basse
148
2 Altos (duo)
143
Quintette à cordes: 2 violons, alto, violoncelle, basse
140
Contrebasse, Piano (duo)
114
Alto, Guitare (duo)
113
Violoncelle (partie séparée)
111
Trio à cordes: 3 violins
61
Piano Trio: Violon, Alto, Piano
59
Alto, Violoncelle (duo)
59
4 Violoncelles
44
Harpe, Flûte (duo)
32
2 Harpes (duo)
32
Quatuor à cordes: 4 violons
31
Violon, Basson (duo)
30
Trio à cordes: 3 altos
27
Trio à Cordes: 3 violoncelles
26
Violoncelle, Contrebasse (duo)
25
2 Contrebasses (duo)
23
Quatuor à cordes : 4 altos
18
Harpe, Violon (duo)
18
Trio à cordes
16
Alto et Basson
13
Violon, Clarinette, Piano (trio)
13
Harpe, Violoncelle (duo)
12
Trio à Cordes: 2 violons, alto
11
4 Contrebasses
9
Alto et Harpe
9
Harpe, Voix
7
Ensemble de Violoncelles
6
2 Violons, Piano
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Violoncelles, Piano
5
Flûte, Contrebasse (duo)
4
Violoncelle, Orchestre
3
2 Altos, Piano
3
Violoncelle, Basse continue
3
Harpe, Violon, Violoncelle
3
Ensemble de Violons
3
Harpe et Piano
2
Ensemble d'Altos
2
Alto et orchestre
2
Violon, Tuba (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe, Trombone (duo)
2
Violon, Orgue
2
Violon, Violoncelle, Clarinette
1
Violoncelle, Orgue
1
4 Harpes
1
Harpe, Quatuor à cordes
1
Autoharp
1
Alto, Orgue
1
Harpe (partie séparée)
1
Violon, Basse continue
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
4610
Orchestre
1114
Orchestre à Cordes
837
Fanfare
584
Ensemble Jazz
510
Ensemble de cuivres
488
Percussion (partie séparée)
392
Cloches
319
Orchestre de chambre
262
Batterie
232
Ensemble de Percussions
114
Jazz combo
101
Timbales (partie séparée)
101
Percussion
95
Batterie (partie séparée)
62
Marimba
36
Quatuor à Vent : 4 instruments à vents
36
Xylophone
28
Vibraphone
22
Timbales
21
Quintette à Vent
20
Xylophone, Piano
12
Vibraphone (partie séparée)
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Quintette de Cuivres: autres combinaisons
3
Orchestre, Violon
3
Trio à Vent: 3 instruments à vents
2
Caisse Claire
2
Piano et Orchestre
2
Instrumentation Flexible
2
Vibraphone et Marimba
2
2 Xylophones
1
Marimba, Piano (duo)
1
Marimba et Orgue
1
Batterie-Fanfare
1
Instrumentations suivantes
Retracter
AUTRES
Théorie de la musique
1
Vous avez sélectionné:
War
2 Pianos, 4 mains
Partitions à imprimer
58 partitions trouvées
<
1
26
51
March of the Dwarfs, from "Lyric Suite"
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1121874 Composed b…
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1121874 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 7 pages. Richard Simm #723067. Published by Richard Simm (A0.1121874). The final piece in Grieg's orchestral suite is a volatile and powerful depiction of these mysterious characters from Norwegian folklore. Here it has been arranged for two pianos by Richard Simm.
$5.95
5.39 €
#
2 Pianos, 4 mains
#
Edvard Grieg
#
Richard Simm
#
March of the Dwarfs, from "Lyric Suite"
#
Richard Simm
#
SheetMusicPlus
From This Day Forward
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A0.1364124 By Kevin Ke…
(+)
Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A0.1364124 By Kevin Kern. By Kevin Gibbs. Arranged by Dave Prudon. Contemporary,Jazz,New Age,Pop. 7 pages. Prudon String Ensembles #948433. Published by Prudon String Ensembles (A0.1364124). If you've ever had the pleasure of sitting beside a friend or loved one and playing through a piano duet together, you're going to enjoy owning this beautiful arrangement. Â The parts are pretty evenly matched for difficulty so you can have fun playing either part.To see other arrangements for 2 pianists, take a look at:Â Prudon String Ensembles Sheet Music, where you will also find hundreds of other nice arrangements for strings.
$5.99
5.43 €
#
2 Pianos, 4 mains
#
Kevin Kern
#
Dave Prudon
#
From This Day Forward
#
Prudon String Ensembles
#
SheetMusicPlus
Edward Elgar: Nimrod instantly for two pianos
2 Pianos, 4 mains
Instantly downloadable sheet music by Edward Elgar for two pianos of MEDIUM skill level. C…
(+)
Instantly downloadable sheet music by Edward Elgar for two pianos of MEDIUM skill level. Contents: op. 36, opus 36 / classical, patriotic,festival
$4.99
4.52 €
#
2 Pianos, 4 mains
#
Edward Elgar
#
Virtualsheetmusic
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
(+)
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
29.88 €
#
2 Pianos, 4 mains
#
achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
#
Germaine Tailleferre
#
Germaine Tailleferre: Trois Études for two pianos
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Streight Lines
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.998855 Composed by…
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.998855 Composed by Robert A. Howard. 21st Century,Chamber,Contemporary,Contest,Festival,Instructional. Score. 2 pages. Robert A. Howard #6224931. Published by Robert A. Howard (A0.998855). This graphic score composition 'Streight Lines' is deliberately entitled as such (and spelled that way) as a pun on Steve Reich's minimalist classic 'Eight Lines'. The work focuses on various straight lines, superimposed over traditional music staves. These give an implication of pitch, duration, and texture, and perhaps other elements, without being too specific. The score indicates the basic outline of musical contours on staves (thus always implying certain pitches). However, many elements, such as dynamics, and exact pitches and durations, are left for the performer to determine. The work remains accessible for the listener and is appropriate for most standards of pianist, including students and professionals.Variable durationRegistered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.49
2.26 €
#
2 Pianos, 4 mains
#
Robert A
#
Streight Lines
#
Robert A. Howard
#
SheetMusicPlus
Porgy and Bess™ Fantasy for Two Pianos
2 Pianos, 4 mains
Piano Duets & Four Hands - Digital Download SKU: AX.00-PB-0000614 Composed by Dorot…
(+)
Piano Duets & Four Hands - Digital Download SKU: AX.00-PB-0000614 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Percy Aldridge Grainger. Classical. 44 pages. Alfred Music - Digital Sheet Music #00-PB-0000614. Published by Alfred Music - Digital Sheet Music (AX.00-PB-0000614). ISBN 9780769260136. UPC: 029156130751.
$12.00
10.88 €
#
2 Pianos, 4 mains
#
Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin
#
Percy Aldridge Grainger
#
Porgy and Bess™ Fantasy for Two Pianos
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Swanee
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1175185 By Paul Po…
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Classical,Jazz,Standards. Score. 10 pages. Paul Posnak #775326. Published by Paul Posnak (A0.1175185). Arrangement for 2 pianos, 4 hands of Swanee by George Gershwin.Foreword by the arranger:George Gershwin, since his days as a teenage song-plugger in Tin Pan Alley, loved the medium of two pianos. A consummate improviser with a harmonically sophisticated, jazz-influenced,orchestral approach to the treatment of melody, he was born into the great age of touring duo piano teams, such as Bauer and Gabrilowitsch, Josef and Rhosina Levine, Luboshutz and Nemenoff, and Gershwin's favorite team, Arden and Ohman. Gershwin loved the multi-voiced orchestral color, power and range of two pianists playing and improvising together. In his first major show written with brother Ira, the 1924 Lady Be Good, he incorporated the renowned team of Phil Ohman and Victor Arden into the musical theater pit orchestra, not only to add to the orchestra's sound and rhythmic drive, but also to play during breaks in the action and during Intermission. They even played encores! This successful formula was repeated for the 1926 show, Oh, Kay, and for the 1927 show, Funny Face.Gershwin's own bravura improvisations on his songs sound, even to the trained ear, like two pianos. I have transcribed (and digitally re-recorded) a number of these improvisations note-for-note from the old LP-remastered 78 rpm records and radio broadcasts. I have tried to capture his own two-fisted orchestral keyboard style: his love of inner voices, contrapuntal runs, jazz figurations, sophisticated chordal textures, and swing.These arrangements resulted from my appearance in 2003 as one of two soloists in several all-Gershwin concerts with The National Symphony Orchestra under the direction of Marvin Hamlisch. Marvin suggested that I also play a couple of my Gershwin improvisation transcriptions, and we thought it would be a perfect touch for Lorin Hollander, the other soloist, and me to play a short two-piano piece. I was surprised to find very few two-piano arrangements of Gershwin's songs. I became inspired to fill this void in the duo piano repertoire. It is my hope that these settings will offer a worthy challenge and musical reward for intermediate and advanced piano students and amateurs, and a unique addition to the duo piano literature for professional pianists and duo piano teams the world over.Paul Posnak.
$12.00
10.88 €
#
2 Pianos, 4 mains
#
Paul Posnak & Anita Castiglione
#
Paul Posnak
#
Swanee
#
Paul Posnak
#
SheetMusicPlus
Scherzo Capriccioso, arr. for 2 pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.800633 Composed by…
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.800633 Composed by Antonin Dvorak. Arranged by Richard Simm. Classical,Romantic Period. Score. 39 pages. Richard Simm #5873553. Published by Richard Simm (A0.800633). Considered by many to be Dvořák's finest orchestral composition, this delightful, brilliant and beautiful work has everything you could want from the composer at his best. He was a master orchestrator, with a uniquely imaginative palette of sounds at his disposal, and his Scherzo Capriccioso shows us everything he could do with a symphony orchestra. This transcription for two pianos by Richard Simm faithfully captures the composer's sense of musical colour, and will richly reward advanced pianists who want to show a new facet of this very popular composer.
$19.95
18.09 €
#
2 Pianos, 4 mains
#
Antonin Dvorak
#
Richard Simm
#
Scherzo Capriccioso, arr. for 2 pianos
#
Richard Simm
#
SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.13 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
SURRENDER, Between the Octaves, A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.13 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.13 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.13 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.13 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.13 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
(+)
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.13 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
Lily Was Here
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.635148 By David St…
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.635148 By David Stewart int. C.Dulfer. By David Stewart. Arranged by Fishel Pustilnik. Jazz. Score. 9 pages. F & N Enterprise #4800634. Published by F & N Enterprise (A0.635148). An excellent arrangement of the famous Song Lily Was Here performed by Candy Dulfer for Tenor Sax and Piano-Jazz/Pop Version. The video for Alto Sax & Keyboard: https://www.youtube.com/watch?v=y2Xzx-tJFhA
$4.99
4.52 €
#
2 Pianos, 4 mains
#
David Stewart int
#
Fishel Pustilnik
#
Lily Was Here
#
F & N Enterprise
#
SheetMusicPlus
Lights
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.796758 By Ellie Go…
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.796758 By Ellie Goulding. By Ashley Francis Howes, Elena Goulding, and Richard Stannard. Arranged by Gary D. Belshaw (ASCAP). Pop. Score. 43 pages. DR GARY D BELSHAW #5869247. Published by DR GARY D BELSHAW (A0.796758). Piano Quartet (2 Pianos 8 hands). Duration about 3:30. An arrangement of Ellie Goulding's hit single, Lights, for 2 piano, 8 hands. This advanced level piano quartet is in the original key of G-sharp Minor (5 sharps). This synth-pop hit will give your audiences something to rock on about, and will inspire piano students by giving them something powerful to work toward.Lights was released on Ellie's Bright Lights album which spent 33 weeks on the charts, and peaked at #2 on the Billboard Hot 100. Many listeners will relate to the singers own inability to sleep with the light off. As a personal statement, the music of Lights then is intense, yet calming. Would make an excellent choice for various social functions, including fund-raisers for appropriate causes.
$13.99
12.68 €
#
2 Pianos, 4 mains
#
Ellie Goulding
#
Gary D
#
Lights
#
DR GARY D BELSHAW
#
SheetMusicPlus
Hark! The Herald Angels Sing (2 piano duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712487 Composed by…
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712487 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandra Zylstra. Christian,Christmas,Sacred. Score. 8 pages. Sandra dee zylstra #6039401. Published by sandra dee zylstra (A0.712487). Luke 2:13-14 And suddenly there was with the angel a multitude of the heavenly host praising God and saying: Glory to God in the highest, and on earth peace, goodwill toward men! Hark! The Herald Angels Sing is a great classic Christmas carol. This late intermediate two-piano duet arrangement takes on a new twist with some extra syncopated rhythms! This arrangement includes both piano parts. (Approximately 3:30, 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$5.25
4.76 €
#
2 Pianos, 4 mains
#
Felix Bartholdy Mendelssohn
#
Sandra Zylstra
#
Hark! The Herald Angels Sing
#
sandra dee zylstra
#
SheetMusicPlus
Lights
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.796760 By Ellie Go…
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.796760 By Ellie Goulding. By Ashley Francis Howes, Elena Goulding, and Richard Stannard. Arranged by Gary D. Belshaw (ASCAP). Pop. Score. 43 pages. DR GARY D BELSHAW #5869803. Published by DR GARY D BELSHAW (A0.796760). Piano Quartet (2 Pianos 8 hands). Duration about 3:30. An arrangement of Ellie Goulding's hit single, Lights, for 2 pianos, 8 hands. This advanced intermediate level piano quartet is in the key of A-sharp Minor (no sharps or flats). Your audiences something to rock on about with this synth-pop hit, and it will inspire piano students by giving them something cool, yet substantial to work toward.Lights was released on Ellie's Bright Lights album. It spent 33 weeks on the charts, and peaked at #2 on the Billboard Hot 100. Some of your fans will no doubt be able to relate to the singers own inability to sleep with the light off. As a personal statement, the music of Lights then is intense, yet calming. Would make an excellent choice for various social functions, including fund-raisers for appropriate causes.
$12.99
11.78 €
#
2 Pianos, 4 mains
#
Ellie Goulding
#
Gary D
#
Lights
#
DR GARY D BELSHAW
#
SheetMusicPlus
Journey Into The Star Cluster
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1301821 By Star Wa…
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1301821 By Star Wars Rebels Season 2. By Kevin D. Kiner. Arranged by Gabriel Lawson. 21st Century,Film/TV. Score. 5 pages. Gabriel Lawson #891414. Published by Gabriel Lawson (A0.1301821). “Journey Into The Star Cluster†from Star Wars Rebels Season 2 is yet another masterpiece by Kevin Kiner. Arranged for two pianos four hands.Original key.Difficulty 6/10.
$4.99
4.52 €
#
2 Pianos, 4 mains
#
Star Wars Rebels Season 2
#
Gabriel Lawson
#
Journey Into The Star Cluster
#
Gabriel Lawson
#
SheetMusicPlus
Aurore (2 Pianos)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1342846 By Francoi…
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1342846 By Francois Du Bois. By Francois Du Bois. Arranged by Francois Du Bois. 21st Century,Contemporary,Contest,Festival,Multicultural,Spiritual,World. Score. 20 pages. D-Project Co., Ltd. #928358. Published by D-Project Co., Ltd. (A0.1342846). Aurore (2 Pianos) presents a duet rendition of the original quartet piece Aurore, featured in the album TBMT with marimba, two pianos, drums, and percussion. This extended composition, designed for advanced players, unfolds across four distinctive sections. Notably, it includes engaging parts for both piano 1 and 2, with an exchange segment towards the conclusion.
$20.00
18.13 €
#
2 Pianos, 4 mains
#
Francois Du Bois
#
Francois Du Bois
#
Aurore
#
D-Project Co., Ltd.
#
SheetMusicPlus
Hymns of Reflection for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458057 By Sharon …
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458057 By Sharon Wilson. By American Folk Song, Grant Colfax Tullar, Henri A. C. Malan, Horatio G. Spafford, James L Nicholson, Lowell Mason, Philip P. Bliss, and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Folk,Lent,Sacred. Score. 75 pages. Sharon Wilson #1037027. Published by Sharon Wilson (A0.1458057). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Face to Face and the YouTube video features It Is Well with My Soul.Song titles included in this collection: Face to FaceIt Is Well with My SoulTake My Life and Let It BeThere Is a FountainWhiter Than SnowVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
13.6 €
#
2 Pianos, 4 mains
#
Sharon Wilson
#
Sharon Wilson
#
Hymns of Reflection for Two Pianos
#
Sharon Wilson
#
SheetMusicPlus
Easter Hymns for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1460130 By Sharon …
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, Matthew Bridges, and Robert Lowry. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 72 pages. Sharon Wilson #1039070. Published by Sharon Wilson (A0.1460130). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These bright and festive arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude). Though frequently associated with the Easter and Lent season, these arrangements can be performed any time of year as a celebration of Jesus' love for us.PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Are You Washed in theBlood? and the YouTube video features Christ Arose.Song titles included in this collection: Are You Washed in the Blood?Christ Arose (Low in the Grave He Lay)Crown Him with Many CrownsNothing but the BloodPower in the BloodVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
13.6 €
#
2 Pianos, 4 mains
#
Sharon Wilson
#
Sharon Wilson
#
Easter Hymns for Two Pianos
#
Sharon Wilson
#
SheetMusicPlus
Hymns of Praise for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455795 By Sharon …
(+)
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Reginald Heber, William H. Doane, and William J. Kirkpatrick. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 61 pages. Sharon Wilson #1034892. Published by Sharon Wilson (A0.1455795). This collection contains 5 favorite praise hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. An optional repeat is provided for some songs in case a longer selection is desired. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays one verse of And Can It Be? and the YouTube video features To God Be the Glory.Song titles included in this collection: And Can It Be?He Keeps Me SingingHoly, Holy, HolyRedeemed, How I Love to Proclaim ItTo God Be the GloryVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
13.6 €
#
2 Pianos, 4 mains
#
Sharon Wilson
#
Sharon Wilson
#
Hymns of Praise for Two Pianos
#
Sharon Wilson
#
SheetMusicPlus
<
1
26
51
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale