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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
War Dance
Non classifié
422
Piano & claviers
Piano seul
384
Piano, Voix
81
Piano Facile
64
Piano, Voix et Guitare
52
Instruments en Do
28
Orgue
18
1 Piano, 4 mains
9
Piano Trio: piano, violon, violoncelle
5
2 Pianos, 4 mains
4
Clavecin
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accordéon
1
2 Accordéons
1
Accompagnement Piano
1
+ 9 instrumentations
Retracter
Guitares
Guitare
22
Guitare notes et tablatures
21
Ligne De Mélodie, (Paroles) et Accords
13
Ukulele
10
3 Guitares (trio)
7
Piano, Guitare (duo)
4
Basse électrique (partie séparée)
3
4 Guitares (Quatuor)
3
Paroles et Accords
3
Basse electrique
2
Mandoline
2
2 Guitares (duo)
1
Banjo
1
Dulcimer
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
76
Chorale 3 parties
20
Chorale TTBB
15
Chorale SSAA
9
Chorale 2 parties
8
Chorale Unison
6
Voix duo
5
Voix Tenor, Piano
3
Voix Alto, Piano
3
Chorale
2
Voix Soprano, Piano
2
Voix duo, Piano
2
Voix Baryton, Piano
1
Voix moyenne, Piano
1
Voix haute
1
Voix Tenor
1
Chorale SSATTB
1
+ 12 instrumentations
Retracter
Vents
2 Saxophones (duo)
56
2 Flûtes traversières (duo)
33
Saxophone, Clarinette (duo)
32
2 Clarinettes (duo)
29
Clarinette, Violon (duo)
28
Quatuor de Saxophones: 4 saxophones
24
Flûte traversière et Piano
24
Saxophone (partie séparée)
22
Clarinette, Guitare (duo)
20
Clarinette, Trompette (duo)
20
Quatuor de Clarinettes: 4 clarinettes
19
Flûte traversière
17
Clarinette et Piano
17
Flûte, Hautbois, Clarinette, Basson
17
Flûte et Guitare
16
Saxophone Alto et Piano
16
Clarinette
15
Flûte, Clarinette (duo)
15
Hautbois, Piano (duo)
14
Flûte, Violon
14
Hautbois, Clarinette (duo)
13
Flûte, Saxophone (duo)
13
2 Hautbois (duo)
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Quatuor de Flûtes : 4 flûtes
12
Saxophone Tenor
12
Saxophone Tenor et Piano
11
Clarinette et Alto
10
Saxophone Soprano et Piano
10
Flûte à bec Soprano
9
Saxophone Baryton, Piano
9
Saxophone Alto
9
Flûte, Trompette (duo)
9
Hautbois, Flûte
9
3 Clarinettes (trio)
7
Ensemble de Clarinettes
7
Ensemble de Flûtes
6
Flûte à bec Alto
6
Hautbois (partie séparée)
6
Flûte à Bec
6
Flûte, Alto (duo)
5
Quintette de Saxophone: 5 saxophones
5
Cor anglais, Piano
5
Clarinette (partie séparée)
5
Hautbois, Basson (duo)
5
Flûte à bec Tenor
4
Flûte, Hautbois, Clarinette (trio)
4
Cor anglais, Guitare (duo)
4
Clarinette Basse, Piano
4
Trio de Flûtes: 3 flûtes
4
Quintette de Clarinettes: 5 clarinettes
4
Hautbois
3
Flute (partie séparée)
3
Ocarina
3
2 Flûte à bec (duo)
3
Saxophone et Guitare
2
Hautbois, violon (duo)
2
3 Flûtes à bec (trio)
2
Clarinette, Violoncelle (duo)
2
Harmonica
2
Flûte, Hautbois, Basson
2
Flûte, Hautbois (duo)
2
Flûte, Violoncelle
2
Clarinette, Basson (duo)
2
Saxophone Baryton
2
Flute, harpe et violon
2
Saxophone Soprano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois et alto (duo)
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette et Basson
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Harpe (duo)
1
Quintette de Flûte : 5 flûtes
1
Ensemble de saxophones
1
3 Saxophones (trio)
1
Cor anglais et Harpe (duo)
1
Hautbois, Violoncelle
1
Flûte traversière, Orgue (duo)
1
Quatuor de Flûtes à bec
1
Flûte à bec, Harpe
1
Saxophone et Orgue
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violon, Piano
1
+ 79 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Trompette
18
Trombone et Piano
16
Trompette, Trombone (duo)
15
Cor et Piano
14
2 Trompettes (duo)
14
Trompette (partie séparée)
13
Trompette, Piano
12
2 Trombones (duo)
12
Cor
12
Trombone
11
Trombone (partie séparée)
10
Tuba
9
Euphonium, Piano (duo)
8
Cor (partie séparée)
6
Tuba et Piano
6
Cor anglais, Piano
5
Cor anglais, Guitare (duo)
4
Tuba (partie séparée)
3
2 Euphoniums et 2 Tubas
2
Trompette, Cor (duo)
2
Trio de Cuivres
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone basse
1
Euphonium, Tuba (duo)
1
Cor anglais et Harpe (duo)
1
Quatuor de cuivres: 4 cors
1
Quatuor de Cuivres
1
Euphonium
1
Quatuor de cuivres: 4 trombones
1
3 Trombones (trio)
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
86
Violon
38
Violon et Piano
32
Violon, Violoncelle (duo)
32
Alto, Piano
24
Violoncelle
23
Violoncelle, Piano
22
Violon, Alto (duo)
17
2 Violoncelles (duo)
16
2 Violons (duo)
16
2 Altos (duo)
13
Harpe
12
Trio à Cordes: violon, alto, violoncelle
11
Trio à Cordes: 2 violons, violoncelle
11
Alto seul
10
Alto (partie séparée)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violon, Guitare (duo)
6
Contre Basse
6
Contrebasse, Piano (duo)
5
Violoncelle , Guitare (duo)
5
Alto, Guitare (duo)
4
Harpe, Flûte (duo)
2
Contrebasse (partie séparée)
2
4 Violoncelles
2
Violon (partie séparée)
2
Violon, Clarinette, Piano (trio)
1
Violoncelle (partie séparée)
1
Violoncelle, Contrebasse (duo)
1
Harpe, Violon (duo)
1
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violon, Basson (duo)
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
245
Orchestre
41
Orchestre à Cordes
39
Fanfare
33
Ensemble Jazz
22
Ensemble de cuivres
16
Batterie (partie séparée)
9
Cloches
8
Ensemble de Percussions
7
Orchestre de chambre
6
Percussion (partie séparée)
3
Batterie
3
Quintette à Vent
2
Jazz combo
2
Percussion
1
Quintette de Cuivres: autres combinaisons
1
Marimba
1
+ 12 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
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ORGUE
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Vous avez sélectionné:
War Dance
2 Pianos, 4 mains
Partitions à imprimer
4 partitions trouvées
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1
Dance of the Comedians (from The Bartered Bride)
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2 Pianos, 4 mains
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AVANCÉ
#
Bedrich Smetana
#
Patrick Speckamp
#
Dance of the Comedians
#
Patrick Speckamp
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1433983 Composed by Bedrich Smetana. Arranged by Patrick Speckamp. 19th Century,Classical. Score. 21 pag...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1433983 Composed by Bedrich Smetana. Arranged by Patrick Speckamp. 19th Century,Classical. Score. 21 pages. Patrick Speckamp #1014212. Published by Patrick Speckamp (A0.1433983). This is a two-piano version of B. Smetana's ever popular and energetic Dance of the Comedians. Smetana employed the lively Czech folk dance Skočná in the third act of his opera The Bartered Bride, where a circus troupe performs an array of tricks and acrobatics. The transcription is intended to be played by two pianists at two pianos. The original orchestral score has been rendered as accurately as possible, while also keeping issues of piano-specific playability in mind. Where appropriate, slight changes to the original text (such as changes in register, piano-specific figurations) have been made to either enhance the overall sound impression and/or to improve playability on the piano. The difficulty level of the arrangement is high-intermediate to advanced. That said, Dance of the Comedians is a rewarding and fun piece - as well as a genuine crowd-pleaser - that may be performed by skilled amateurs and professional pianists alike.
$9.99
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
dislocation I mean a degree of
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Jenni Roditi
#
ENCIRCLE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
dislocation I mean a degree of
#
Jenni Roditi
#
RITUALISE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
(+)
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Tango for the Road - for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
#
Tango
#
Ofer Ben-Amots
#
Tango for the Road - for two p
#
The Composer's Own Press
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer'...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer's Own Press #5041193. Published by The Composer's Own Press (A0.944075). Composer's notes: I have always been fascinated by music that lives on the boundary between popular and highbrow, and Argentinian Tango falls right into this category. I wrote Tango for the Road in the summer of 2015, following an earlier tango in my Odessa Trio, titled Tango Dorfman. The genre has a number of well-defined musical characteristics, often opposing one another: it is rhythmically strict and precise, yet warm and sentimental; it carries melodious tunes accompanied by soft chromaticism and elegance, yet it conceals tremendous spark and inner-power; being a partner dance, it sometimes displays a Leader/Follower relationship and other times an equal vigor and energy between the partners.
$18.00
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War Dance
