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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
What\\\\\\\\\\\\\\\
Sheetmusicplus
Non classifié
3 599
Piano & claviers
Piano seul
3 291
Piano, Voix et Guitare
1 637
Piano Facile
1 357
Piano, Voix
1 300
Orgue
238
Instruments en Do
209
1 Piano, 4 mains
92
Piano grosses notes
84
Accompagnement Piano
53
Piano (partie séparée)
48
Piano Trio: piano, violon, violoncelle
40
2 Pianos, 4 mains
27
Accordéon
22
Piano Quatuor: piano, violon, alto, violoncelle
12
Orgue, Piano (duo)
8
Orgue, Trompette (duo)
7
Clavier
6
Piano Quatuor: piano, 2 violons, violoncelle
4
Clavecin
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
1 Piano, 6 mains
3
2 Pianos, 8 mains
2
Fake Book
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
578
Ligne De Mélodie, (Paroles) et Accords
317
Guitare
264
Ukulele
197
Paroles et Accords
149
Basse electrique
96
Guitare (partie séparée)
71
Dulcimer
20
2 Guitares (duo)
18
Piano, Guitare (duo)
14
Banjo
11
Mandoline
10
4 Guitares (Quatuor)
8
3 Guitares (trio)
6
Basse électrique (partie séparée)
5
2 Dulcimers (duo)
4
Ukulele Baryton
3
Ensemble de guitares
3
2 Guitares, Clarinette (trio)
1
Guitare, Orchestre
1
Guitare, Violon, Violoncelle (trio)
1
Guitare Pedal Steel
1
Mandoline, Piano (duo)
1
Ensemble de Ukulélés
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
1 413
Chorale 3 parties
444
Pack Instrumental pour Chorale
356
Chorale 2 parties
331
Chorale TTBB
292
Chorale Unison
190
Chorale SSAA
152
Voix duo, Piano
77
Voix duo
56
Voix seule
51
Voix Alto, Piano
48
Chorale
43
Voix haute
37
Voix Baryton, Piano
36
Voix Tenor
29
Voix Soprano, Piano
29
Voix Soprano
27
Voix Tenor, Piano
15
Voix moyenne, Piano
9
Voix basse, Piano
8
Chorale SSAATTBB
8
Chorale SSATB
4
Chorale SSAB a cappella
3
Chorale SSAATB
2
Voix Mezzo-Soprano, Piano
1
Voix Moyenne
1
Chorale SSATTB
1
Voix, Guitare
1
Voix basse
1
+ 24 instrumentations
Retracter
Vents
Saxophone (partie séparée)
407
Quatuor de Saxophones: 4 saxophones
272
Flûte traversière et Piano
248
Flûte traversière
227
Flûte, Hautbois, Clarinette, Basson
211
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
209
Clarinette
196
Clarinette et Piano
192
Saxophone Alto
173
Saxophone Alto et Piano
161
2 Saxophones (duo)
154
Hautbois, Piano (duo)
149
Saxophone Tenor
146
Quintette de Saxophone: 5 saxophones
132
Saxophone Tenor et Piano
125
Hautbois (partie séparée)
120
Quatuor de Clarinettes: 4 clarinettes
109
2 Flûtes traversières (duo)
99
Clarinette (partie séparée)
94
2 Clarinettes (duo)
90
Saxophone Soprano et Piano
82
Flute (partie séparée)
80
Quatuor de Flûtes : 4 flûtes
54
Ensemble de Flûtes
46
Flûte, Clarinette (duo)
42
3 Saxophones (trio)
41
Saxophone Baryton, Piano
38
3 Clarinettes (trio)
37
Ensemble de Clarinettes
37
Flûte et Guitare
30
Trio de Flûtes: 3 flûtes
26
Ensemble de saxophones
26
Quintette de Clarinettes: 5 clarinettes
23
Clarinette, Violon (duo)
23
Cor anglais, Piano
22
Saxophone, Clarinette (duo)
21
Hautbois, Basson (duo)
21
2 Hautbois (duo)
21
Flûte, Violon
20
Hautbois
17
Cor Anglais
17
Flûte, Hautbois, Clarinette (trio)
17
Quintette de Flûte : 5 flûtes
17
2 Flûte à bec (duo)
15
Flûte à bec Soprano
15
Hautbois, Clarinette, Basson (trio d'anches)
14
Hautbois, Clarinette (duo)
13
Flûte, Clarinette, Piano (trio)
12
Flûte, Violon, Piano
11
Harmonica
10
Saxophone Soprano
10
Flûte, Hautbois (duo)
10
Flûte, Clarinette, Cor, Basson (Quartet)
10
Clarinette, Trompette (duo)
10
Quatuor de Flûtes à bec
10
2 Clarinettes, Piano
9
Flûte, Hautbois, Basson
9
Clarinette, Guitare (duo)
9
Clarinette et Alto
9
2 Flûtes traversières, Piano
9
Flûte, Trompette (duo)
8
Clarinette, Basson (duo)
8
Flûte à bec Alto
7
Flûte, Saxophone (duo)
7
Flûte, Clarinette et Basson
7
Hautbois, Flûte
7
Clarinette Basse, Piano
6
Flûte à bec Tenor
6
Flûte, Clarinette, Violon (trio)
6
Clarinette, Harpe (duo)
6
Flûte irlandaise
6
Ocarina
6
Instruments en Mib
6
Saxophone Baryton
5
Flûte, Violon et Violoncelle
5
Piccolo
5
Flûte à bec Alto, Piano
5
Flûte, Hautbois, Violon
5
Flute, harpe et violon
5
Flûte, Violoncelle
5
Saxophone, Violon (duo)
4
Clarinette, Violoncelle, Piano (trio)
4
Ensemble De Flûte à bec
4
Flûte, Alto (duo)
4
Flûte à Bec
4
Hautbois, Trompette (duo)
4
Hautbois, violon (duo)
4
Flûte, Alto et Piano
4
Flûte, Hautbois, Piano (trio)
3
Hautbois, Guitare (duo)
3
Cor anglais, Guitare (duo)
3
Flûte, Trombone (duo)
3
2 Hautbois, Piano
3
2 Clarinettes, Basson
3
Saxophone
3
3 Flûtes à bec (trio)
3
Flûte à bec Soprano, Piano
3
Clarinette, Violoncelle (duo)
3
Saxophone et Harpe
3
Flûte, Violoncelle, Piano (trio)
3
Clarinette, trompette et piano
2
Flûte à bec, Guitare (duo)
2
4 Hautbois
2
Flûte, Harpe et Violoncelle
2
Hautbois, Harpe
2
Hautbois, Violoncelle
2
Flûte, trombone et piano
2
Saxophone et Guitare
2
Flûte à Bec, Piano
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Trombone (duo)
2
Hautbois, Basson et Piano
2
Clarinette, Alto et Piano (trio)
2
2 Saxophones, Piano
2
Harmonica, Piano
1
Saxophone et Orgue
1
Hautbois, trombone (duo)
1
Saxophone et Piano
1
Flûte, Violoncelle, Guitare
1
Saxophone, Basson (duo)
1
Piccolo, Piano
1
Flûte, Basson et Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte et Trio à cordes
1
Hautbois, Violon, Piano
1
Saxophone et violoncelle
1
Flûte traversière, Orgue (duo)
1
Flûte, Guitare, Piano
1
2 Flûtes traversières, Guitare
1
2 Flûtes traversières, Harpe
1
2 Hautbois, 2 Cors et 2 Bassons
1
3 Hautbois
1
5 Flûtes à bec
1
+ 128 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
292
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
254
Trombone (partie séparée)
238
Trompette
176
Trompette, Piano
167
Trombone et Piano
155
Trombone
149
Cor
128
Quatuor de Cuivres : 2 trompettes, trombone, tuba
114
Quatuor de Cuivres
101
Cor et Piano
99
2 Trombones (duo)
63
Tuba
60
Cor (partie séparée)
57
Quatuor de cuivres: 4 trombones
49
Tuba (partie séparée)
47
Tuba et Piano
46
Quatuor de Cuivres: 2 trompettes, Cor, trombone
44
2 Trompettes (duo)
38
Trompette, Trombone (duo)
25
Trompette, Saxophone (duo)
24
Cor anglais, Piano
22
Euphonium, Piano (duo)
19
2 Cors (duo)
19
Cor Anglais
17
Euphonium
15
Quatuor de cuivres: 4 cors
15
Trio de Cuivres
15
Bass Clef Instruments
13
Ensemble de Trombones
13
2 Euphoniums et 2 Tubas
11
Ensemble de Trompettes
10
2 Euphoniums (duo)
9
4 Tubas
9
Trompette, Cor (duo)
9
3 Trompettes (trio)
6
Quatuor de cuivres: 4 trompettes
6
2 Trompettes, Clavier (piano ou orgue)
6
Instruments en Sib
6
2 Tubas (duo)
6
3 Trombones (trio)
5
Ensemble de Cors
5
Trombone, violoncelle (duo)
4
Trompette, violon (duo)
4
2 Cors, Piano
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor anglais, Guitare (duo)
3
Trombone basse
3
Euphonium, Tuba (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone et orchestre
2
Instruments en Fa
2
Tuba ou Euphonium ou Saxhorn
2
Cor, Violoncelle (duo)
2
Clarinette, Cor (duo)
2
Trombone, Orgue
2
Trompette, Tuba (duo)
2
Cor et Harpe
2
Trompette, Harpe
2
Trombone basse et Piano
2
Trompette, Basson (duo)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Cor et Basson (duo)
1
Cor, Tuba (duo)
1
2 Trombones, Piano
1
Trombone, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
Trombone, Alto (duo)
1
Trompette, Trombone, Piano
1
Trompette, Violoncelle et Piano
1
Trombone, Cor (duo)
1
Trombone, Violon (duo)
1
+ 67 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
653
Violon et Piano
333
Violon
293
Violoncelle
215
Violoncelle, Piano
213
Alto, Piano
190
Harpe
171
Alto seul
142
Violon, Violoncelle (duo)
103
Quintette à cordes: 2 violons, alto, violoncelle, basse
103
Trio à Cordes: violon, alto, violoncelle
99
2 Violons (duo)
92
Contrebasse (partie séparée)
71
Violon (partie séparée)
63
2 Violoncelles (duo)
54
Alto (partie séparée)
54
Violon, Alto (duo)
50
Contrebasse, Piano (duo)
50
Contre Basse
50
Trio à Cordes: 2 violons, violoncelle
39
2 Altos (duo)
34
Alto, Violoncelle (duo)
23
Piano Trio: Violon, Alto, Piano
20
Violoncelle (partie séparée)
19
2 Harpes (duo)
16
Trio à cordes: 3 violins
16
4 Violoncelles
15
Harpe, Flûte (duo)
13
Violon, Guitare (duo)
12
Trio à Cordes: 3 violoncelles
10
Harpe, Violon (duo)
9
Violoncelle, Contrebasse (duo)
9
Violoncelle , Guitare (duo)
9
Quatuor à cordes: 4 violons
9
Trio à Cordes: 2 violons, alto
9
Ensemble de Violons
8
Trio à cordes
7
2 Violons, Piano
7
Harpe, Voix
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Alto et Harpe
4
Harpe et Piano
4
Alto, Guitare (duo)
4
2 Contrebasses (duo)
4
4 Harpes
3
Ensemble d'Altos
3
Quatuor à cordes : 4 altos
3
4 Contrebasses
3
Violon, Clarinette, Piano (trio)
3
Harpe, Violoncelle (duo)
3
Violon, Orgue
3
2 Altos, Piano
2
2 Violoncelles, Piano
2
Harpe, Trombone (duo)
2
Violoncelle, Orgue
2
Violon, Basson (duo)
2
Alto et Basson
2
Harpe, Violon, Violoncelle
2
Trio à cordes: 3 altos
1
Violon, Violoncelle, Clarinette
1
Ensemble de Violoncelles
1
Violon, Trompette et Piano
1
+ 57 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 216
Ensemble Jazz
338
Orchestre
307
Orchestre à Cordes
246
Fanfare
235
Cloches
151
Ensemble de cuivres
138
Batterie
115
Orchestre de chambre
79
Percussion (partie séparée)
69
Batterie (partie séparée)
67
Jazz combo
50
Ensemble de Percussions
26
Vibraphone
12
Timbales (partie séparée)
10
Marimba
10
Piano et Orchestre
6
Percussion
5
Xylophone, Piano
3
Trio à Vent: 3 instruments à vents
2
Xylophone
1
Ensemble d'École
1
3 Marimbas
1
2 Percussions
1
Caisse Claire
1
Xylophone (partie séparée)
1
Vibraphone et Marimba
1
Timbales
1
+ 23 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLONCELLE
XYLOPHONE
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CHANSON FRANÇAISE
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COMEDIES MUSICALES -…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Partitions à imprimer
27 partitions trouvées
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1
26
Do You Hear What I Hear
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Christian contemporain
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Country
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Carrie Underwood
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Lynn Hutchinson
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Do You Hear What I Hear
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Lynn Hutchinson Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.914814 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Lynn Hutchinson. Christian,Gos...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.914814 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Lynn Hutchinson. Christian,Gospel,Rock. Score. 19 pages. Lynn Hutchinson Music #4896239. Published by Lynn Hutchinson Music (A0.914814). Doubled piano and horn instrumentation makes this setting both visually and sonically captivating. And really fun to play (thus says the pianist!). Upbeat and modern yet suitable for conservative audiences, this arrangement is ideal for both concert stage and church setting. Price includes score and parts.
$15.99
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
One Handed Trio #4
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Tom Rule
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One Handed Trio #4
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MaconMacMusicGuy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacMusicGuy #107812....
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacMusicGuy #107812. Published by MaconMacMusicGuy (A0.492547). Composer’s note: Every piece in the “One Handed Trio†series can be played by 1, 2, or 3 players. They can be played on just piano, keyboards, or any combination - in fact, each piece will have a completely different feel and effect depending on what sounds are used. Feel free to experiment! Each part has OHT #4 has a lot of repetition. Figure out all the separate bits in “your†part, learn them, and THEN try to string them together. That will make it much more fun when you put the piece together. The sample mp3 has two versions, one after another. The first has only piano on all three parts - the repeat uses other keyboard sounds, just to give you a taste of what is possible. Go ahead - explore! Have some fun with this! ….and if you enjoy it, please rate, review, leave a note, and tell others about it. This composer will be grateful.
$1.99
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois &E
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
Harmonic Spaces (four-hands piano)
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2 Pianos, 4 mains
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AVANCÉ
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Contemporain
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Publ...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Swing Low, Sweet Chariot
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spir...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spiritual,Traditional. Score. 9 pages. Sharon Wilson #3516915. Published by Sharon Wilson (A0.565177). This arrangement of the traditional spiritual Swing Low, Sweet Chariot is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. When played with a swing rhythm, this spirited, slightly syncopated dual piano duet is an ideal selection for a church setting.The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the story of Elijah and Elisha in 2 Kings 2 as well as the promise of a future home in heaven for the saints as predicted in Matthew 24:30-31. The prophet Elijah was taken to heaven in a chariot of fire as Elisha, the prophet to take Elijah’s place, witnessed the event: As they continued on and talked, behold, a chariot of fire and horses of fire separated them, and Elijah went up by a whirlwind into heaven. 2 Kings 2:11 WEB…and they will see the Son of Man coming on the clouds of the sky with power and great glory. He will send out his angels with a great sound of a trumpet, and they will gather together his chosen ones from the four winds, from one end of the sky to the other. Matthew 24:30-31 WEBLyrics:Swing low, sweet chariot, coming for to carry me home;Swing low, sweet chariot, coming for to carry me home.I looked over Jordan and what did I see,Coming for to carry me home?A band of angels coming after me,Coming for to carry me home.
$5.99
Once In Royal David's City variations for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Henry John Gauntlett
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James Mayhew
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Once In Royal David's City var
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James Mayhew
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.996518 Composed by Henry John Gauntlett. Arranged by James Mayhew. Christmas,Contemporary,Romantic Perio...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.996518 Composed by Henry John Gauntlett. Arranged by James Mayhew. Christmas,Contemporary,Romantic Period. Score. 10 pages. James Mayhew #4969389. Published by James Mayhew (A0.996518). This is a piece for two pianos (4 hands), which starts out with the Once In Royal David's City theme, and then there are 5 variations on it. The 1st, 2nd and 3rd variations are in G major, while the 4th and the start of the 5th ones are in G minor. The 5th variation is an extended variation with a fugato start in G minor which transitions back to G major again for a triumphant final play of the theme, and a small coda. It is quite challenging - probably early advanced level, particularly the 5th variation, although the other variations are more like late intermediate level. Listen to the computer played recording to get an idea of what it's like!You may print it twice or copy the first print to have two copies. .
$4.99
Polka from "Czech Suite", for 2 pianos
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Antonin Dvorak
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Richard Simm
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Polka from "Czech Suite&q
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.800641 Composed by Antonin Dvorak. Arranged by Richard Simm. Romantic Period. Score. 6 pages. Richard Si...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.800641 Composed by Antonin Dvorak. Arranged by Richard Simm. Romantic Period. Score. 6 pages. Richard Simm #6857813. Published by Richard Simm (A0.800641). This arrangement is an exciting challenge for pianists who regret that Dvorak did not write more music for their instrument. As usual, Richard Simm has not simplified the original orchestration for pianists who want to play this fascinating folk-style music. Rather the aim has been to exploit what two pianos can do to approach the composer's unique talent for attractive and evocative orchestration.
$8.95
"Raven's Feast" from An Icelandic Suite
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Richard Simm
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Richard Simm
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"Raven's Feast" from
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1128421 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditi...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1128421 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditional,World. Score. 4 pages. Richard Simm #729041. Published by Richard Simm (A0.1128421). In the freezing Icelandic winter, a cold and hungry raven wonders what on earth a poor soul is supposed to eat. Following his nose, he gets lucky and finds a dead sheep near a garden.
$4.95
Between the Lakes - Piano duo (2 pianos, 4 hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Rebekah Barker
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Between the Lakes - Piano duo
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Rebekah Barker
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.905084 Composed by Rebekah Barker. Concert. Score and parts. 8 pages. Rebekah Barker #4293...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.905084 Composed by Rebekah Barker. Concert. Score and parts. 8 pages. Rebekah Barker #4293569. Published by Rebekah Barker (A0.905084). Between the Lakes is a piano duo perfect for advanced intermediate pianists. The song starts out in G flat major and transitions to G major. The tempo is 80 mm, but the performers should play with rubato as they feel necessary. SIDE NOTE: The title of the song does not mean what you might think. Rather the song was titled after living in Interlagos, São Paulo, Brazil, where I was originally inspired with the creation of the piece. (Interlagos in Portuguese means between the lakes.).
$8.99
Beethoven - Moonlight Sonata Duet Arrangement - (Key Map Tablature)
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2 Pianos, 4 mains
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FACILE
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Classique
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Ludwig van Beethoven
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John M
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Beethoven - Moonlight Sonata D
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Music Innovators Workshop
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages....
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages. Music Innovators Workshop #4357665. Published by Music Innovators Workshop (A0.984714). This is a duet arrangement for student and teacher. It is notated on a key map tablature. My students love it!This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.
$2.00
The Irish Washerwoman, arr. for 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Richard Simm
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Richard Simm
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The Irish Washerwoman, arr. fo
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1183771 By Richard Simm. By Irish Folk Tune. Arranged by Richard Simm. Folk,Multicultural,Traditional,Wo...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1183771 By Richard Simm. By Irish Folk Tune. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #783459. Published by Richard Simm (A0.1183771). The third piece in Richard Simm's 2-piano set is an irresistible jig, which needs no introduction, since anyone who has had anything to do with folk dance from the British Isles will know it. The similar English folk tune, Dargason, probably lies behind this melody, but here we are using what is generally considered to be the Irish version - and very lively it is too!
$6.95
Concerto No. 5 for Piano and Orchestra (Second Edition)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Alexander Peskanov
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Alexander Peskanov
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Concerto No. 5 for Piano and O
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Classical Video Concepts, Inc.
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SheetMusicPlus
Small Ensemble 2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.864662 Composed by Alexander Peskanov. Contemporary,Romantic Period. Score. 43 pages. Cla...
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Small Ensemble 2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.864662 Composed by Alexander Peskanov. Contemporary,Romantic Period. Score. 43 pages. Classical Video Concepts, Inc. #6865397. Published by Classical Video Concepts, Inc. (A0.864662). (Arranged for Two Pianos). By Alexander Peskanov. For Piano, 2 Pianos, 4 Hands. Concerto No. 5 for Piano and Orchestra (Second Edition) is written in post romantic style of 20th century. It has been influenced by music of Rachmaninov and Shostakovich. It has many colors, long, melodic lines, as well as some dark and somewhat sarcastic characters.
$20.00
Sonata for Two Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Gary R
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Sonata for Two Pianos
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Gary Smoke
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.835952 Composed by Gary R. Smoke. Concert,Contemporary. Score. 41 pages. Gary Smoke #6307395. Published ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.835952 Composed by Gary R. Smoke. Concert,Contemporary. Score. 41 pages. Gary Smoke #6307395. Published by Gary Smoke (A0.835952). In three movements: the first (an allegro) is somewhat inspired in feel and scope by Mozart's Sonata for Two pianos; the second movement (subtitled Lullaby) is a slow and lyrical; and, the third movement is fast, highly chromatic and fairly aggressive.The starting times for the movements on the mp3 file: 1) 0:00; 2) 5:33; 3) 10:05. The total time for performance is ca. 15:30This is a MIDI perfomance (Piano1 is in right channel, Piano 2 in the left channel).
$25.00
Piano Concerto No 3 2 Pianos 4 Hands Arrangement by James Nathaniel Holland
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2 Pianos, 4 mains
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AVANCÉ
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James Nathaniel Holland
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Piano Concerto No 3 2 Pianos 4
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730283 Composed by James Nathaniel Holland. Contemporary,Romantic Period. Score. 64 pages. James Nathani...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730283 Composed by James Nathaniel Holland. Contemporary,Romantic Period. Score. 64 pages. James Nathaniel Holland #2112277. Published by James Nathaniel Holland (A0.730283). Piano Concerto No. 3 Arranged for 2 Pianos 4 Hands Music by James Nathaniel Holland Website: https://www.facebook.com/jamesnathanielholland/ Duration: 22 minutes The third piano concerto of 21st Century American composer James Nathaniel Holland, a very mystical and romantic piece that follows somewhat in the vein of Russian composer Rachmaninoff. YouTube Video Presentation of Piano with Orchestra: https://www.youtube.com/watch?v=juYohREyCBY
$10.95
What A Wonderful World
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2 Pianos, 4 mains
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Louis Armstrong
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Mark Phillips
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What A Wonderful World
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A. J. Cornell Publications
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SheetMusicPlus
By Louis Armstrong. Arranged by Mark Phillips. Sheet Music Single. 4 pages. Published by A. J. Cornell Publications (H0.250505-915947). - Sheet Music Single - ...
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By Louis Armstrong. Arranged by Mark Phillips. Sheet Music Single. 4 pages. Published by A. J. Cornell Publications (H0.250505-915947). - Sheet Music Single - - A. J. Cornell Publications
$4.99
Do You Hear What I Hear? (Piano Duet)
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2 Pianos, 4 mains
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Third Day
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Christina Fordham
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Do You Hear What I Hear?
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Christina Fordham
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SheetMusicPlus
By Third Day. Arranged by Christina Fordham. Sheet Music Single. 3 pages. Published by Christina Fordham (H0.284383-198537). - Sheet Music Single - - Christina...
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By Third Day. Arranged by Christina Fordham. Sheet Music Single. 3 pages. Published by Christina Fordham (H0.284383-198537). - Sheet Music Single - - Christina Fordham
$4.99
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