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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Who
Non classifié
6 197
Piano & claviers
Piano seul
8 967
Piano, Voix
4 438
Piano Facile
2 422
Piano, Voix et Guitare
2 175
Orgue
511
Instruments en Do
384
Accompagnement Piano
244
1 Piano, 4 mains
181
Piano grosses notes
68
Piano Trio: piano, violon, violoncelle
59
2 Pianos, 4 mains
53
Accordéon
40
Piano (partie séparée)
15
Piano Quatuor: piano, violon, alto, violoncelle
14
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Orgue, Piano (duo)
11
Piano Quatuor: piano, 2 violons, violoncelle
8
Clavecin
7
1 Piano, 6 mains
5
Orgue, Trompette (duo)
4
Ligne De Mélodie, Piano
3
2 Pianos, 8 mains
2
Clavier
2
Ensemble de Pianos
1
Accordéon, Voix
1
Fake Book
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 157
Guitare
487
Ligne De Mélodie, (Paroles) et Accords
415
Paroles et Accords
224
Ukulele
215
Basse electrique
171
2 Guitares (duo)
73
Piano, Guitare (duo)
29
Mandoline
28
Guitare (partie séparée)
24
Dulcimer
22
Banjo
21
3 Guitares (trio)
14
4 Guitares (Quatuor)
14
Ukulele Baryton
8
Ensemble de guitares
7
Mandoline, Guitare (duo)
3
Ensemble de Ukulélés
2
Basse électrique (partie séparée)
2
Guitare, Flûte, Clarinette
2
2 Dulcimers (duo)
1
Guitare Pedal Steel
1
2 Ukuleles
1
Guitare, Violon, Violoncelle (trio)
1
Orchestre à Plectres
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
3 366
Chorale 3 parties
624
Chorale 2 parties
477
Chorale TTBB
314
Chorale Unison
293
Chorale SSAA
178
Voix duo, Piano
155
Voix Soprano, Piano
104
Voix Alto, Piano
91
Voix Tenor, Piano
77
Voix seule
76
Voix Baryton, Piano
68
Pack Instrumental pour Chorale
67
Voix duo
56
Chorale
54
Voix haute
53
Voix Tenor
35
Voix Soprano
26
Voix moyenne, Piano
18
Voix basse, Piano
10
Voix Mezzo-Soprano, Piano
10
Chorale SSATTB
6
Chorale SSAATTBB
4
Chorale SSATB
4
Soli, choeur mixte et accompagnement
3
Voix, Guitare
2
Voix basse
2
Chorale SSAB, Piano
2
Chorale SSAATB
1
+ 24 instrumentations
Retracter
Vents
Flûte traversière et Piano
477
Clarinette et Piano
427
Quatuor de Saxophones: 4 saxophones
397
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
379
Flûte traversière
370
2 Saxophones (duo)
335
Clarinette
313
Hautbois, Piano (duo)
313
Saxophone Alto et Piano
300
Flûte, Hautbois, Clarinette, Basson
269
Saxophone Alto
255
Saxophone (partie séparée)
245
2 Flûtes traversières (duo)
209
Quatuor de Clarinettes: 4 clarinettes
204
2 Clarinettes (duo)
190
Saxophone Tenor et Piano
185
Saxophone Soprano et Piano
163
Saxophone Tenor
160
Hautbois (partie séparée)
158
Quintette de Saxophone: 5 saxophones
143
Saxophone
110
Saxophone Baryton, Piano
107
3 Saxophones (trio)
91
Flûte, Clarinette (duo)
85
Ensemble de Clarinettes
83
Ensemble de Flûtes
81
Quatuor de Flûtes : 4 flûtes
78
Cor anglais, Piano
77
2 Hautbois (duo)
72
3 Clarinettes (trio)
69
Flûte et Guitare
60
Hautbois, Basson (duo)
56
Saxophone, Clarinette (duo)
51
Clarinette (partie séparée)
50
Clarinette, Violon (duo)
46
Ensemble de saxophones
45
Clarinette Basse, Piano
44
Quatuor de Flûtes à bec
42
2 Flûte à bec (duo)
42
Quintette de Clarinettes: 5 clarinettes
42
Saxophone Soprano
37
Flûte à Bec
37
Clarinette, Guitare (duo)
37
Flûte à bec Soprano
35
Trio de Flûtes: 3 flûtes
34
Hautbois
33
Clarinette, Basson (duo)
33
Flute (partie séparée)
32
Flûte, Violon
29
Hautbois, Clarinette (duo)
28
Quintette de Flûte : 5 flûtes
28
Flûte, Hautbois, Clarinette (trio)
27
Cor Anglais
26
Clarinette et Alto
25
5 Flûtes à bec
24
Clarinette, Trompette (duo)
24
Harmonica
19
Hautbois, Clarinette, Basson (trio d'anches)
19
Flûte, Violoncelle
18
Flûte à bec Alto
17
Flûte, Trompette (duo)
17
Hautbois, Flûte
17
Saxophone Baryton
17
Flûte, Alto (duo)
16
Flûte, Saxophone (duo)
16
Flûte, Clarinette et Basson
15
Flûte, Clarinette, Piano (trio)
14
Ocarina
13
Clarinette, Violoncelle (duo)
12
3 Flûtes à bec (trio)
12
Hautbois, Violoncelle
10
Flûte, Hautbois (duo)
10
Flûte à bec Alto, Piano
9
Flûte, Violon, Piano
9
Flûte à bec Soprano, Piano
8
Cor anglais, Guitare (duo)
8
2 Clarinettes, Piano
7
Flûte à bec, Guitare (duo)
7
Instruments en Mib
7
Ensemble De Flûte à bec
7
Flûte à bec Tenor
6
2 Flûtes traversières, Piano
6
Flûte irlandaise
6
Flûte, Hautbois, Piano (trio)
5
Saxophone et Guitare
5
Flûte, Basson et Piano
5
Piccolo, Piano
5
Clarinette, Harpe (duo)
4
Hautbois, violon (duo)
4
4 Hautbois
4
Saxophone et Harpe
4
Saxophone et Orgue
4
Flûte, Hautbois, Basson
4
3 Hautbois
4
Hautbois, Guitare (duo)
3
2 Hautbois, Piano
3
Clarinette Basse
3
Flûte, Clarinette, Violon (trio)
3
2 Cors Anglais Et Pianoforte
3
Hautbois, Basson et Piano
3
Hautbois et alto (duo)
3
Flûte à bec Alto, Basse continue
2
2 Harmonicas
2
Hautbois, Harpe
2
Hautbois, Clarinette et Piano (Trio)
2
Flûte, Trombone (duo)
2
Piccolo
2
Flûte à Bec, Piano
2
Cornemuse
2
Flûte et Quatuor à Cordes
2
2 Saxophones, Piano
2
2 Clarinettes, Basson
2
Flûte, Violoncelle, Guitare
2
Clarinette, Trombone (duo)
2
Flute, harpe et violon
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Hautbois, Violon
1
2 Flûtes à bec, Piano
1
Flûte, Violon et Violoncelle
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Basson, Piano (trio)
1
Ensemble de Hautbois
1
Flûte, trombone et piano
1
Cor anglais et Harpe (duo)
1
Flûte à bec, Harpe
1
Flûte, Violon, Violoncelle et Piano
1
Flûte traversière, Orgue (duo)
1
Flûte, alto et harpe
1
+ 123 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
383
Trompette
326
Trombone et Piano
281
Trompette, Piano
262
Trombone
249
Cor et Piano
221
Quatuor de Cuivres : 2 trompettes, trombone, tuba
210
Cor
165
Trombone (partie séparée)
132
Trompette (partie séparée)
131
Tuba
131
Tuba et Piano
121
2 Trompettes (duo)
95
2 Trombones (duo)
82
Cor anglais, Piano
77
Euphonium, Piano (duo)
76
2 Cors (duo)
59
Quatuor de Cuivres: 2 trompettes, Cor, trombone
49
Trompette, Trombone (duo)
48
Quatuor de Cuivres
41
Quatuor de cuivres: 4 trombones
35
Trompette, Saxophone (duo)
32
2 Tubas (duo)
30
Cor (partie séparée)
27
Cor Anglais
26
Tuba (partie séparée)
25
Trompette, Cor (duo)
20
Ensemble de Trombones
20
Quatuor de cuivres: 4 trompettes
19
Quatuor de cuivres: 4 cors
18
3 Trombones (trio)
17
2 Euphoniums et 2 Tubas
13
Ensemble de Trompettes
12
Tuba et Orgue
12
Ensemble de Cors
12
Trio de Cuivres
11
4 Tubas
10
Euphonium
9
Instruments en Sib
9
Cor anglais, Guitare (duo)
8
Bass Clef Instruments
8
Trombone, Cor (duo)
7
Trombone basse et Piano
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Cor, Tuba (duo)
5
2 Euphoniums (duo)
5
Trompette, Tuba (duo)
5
Cor, Violoncelle (duo)
5
Trombone, Tuba (duo)
5
3 Trompettes (trio)
3
Trompette, Violoncelle et Piano
3
Euphonium, Tuba (duo)
3
Cor et Harpe
3
Trombone basse
3
2 Cors Anglais Et Pianoforte
3
Instruments en Fa
3
Trompette, Harpe
3
2 Trompettes, Clavier (piano ou orgue)
2
3 Tubas (trio)
2
2 Cors, Piano
2
Trompette et Guitare
2
Cor et Orgue
1
Tuba ou Euphonium ou Saxhorn
1
Cor et Basson (duo)
1
Ensemble de Tubas
1
3 Cors (trio)
1
4 Euphoniums
1
Trompette, violon (duo)
1
Cor anglais et Harpe (duo)
1
Trombone et orchestre
1
2 Trombones, Piano
1
Trombone, Violon (duo)
1
+ 67 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
998
Violon et Piano
599
Violon
545
Violoncelle, Piano
401
Violoncelle
344
Alto, Piano
324
Harpe
311
Alto seul
216
2 Violons (duo)
193
Violon, Violoncelle (duo)
188
Trio à Cordes: violon, alto, violoncelle
165
2 Violoncelles (duo)
121
Contre Basse
102
Violon, Alto (duo)
102
Contrebasse, Piano (duo)
99
2 Altos (duo)
95
Alto (partie séparée)
66
Quintette à cordes: 2 violons, alto, violoncelle, basse
63
Trio à Cordes: 2 violons, violoncelle
58
Contrebasse (partie séparée)
43
Violon, Guitare (duo)
43
Violon (partie séparée)
42
Alto, Violoncelle (duo)
40
4 Violoncelles
35
Violoncelle , Guitare (duo)
24
Trio à cordes: 3 violins
24
Trio à Cordes: 3 violoncelles
23
Alto, Guitare (duo)
22
Harpe, Violon (duo)
21
Piano Trio: Violon, Alto, Piano
19
Quatuor à cordes : 4 altos
19
Harpe, Voix
19
Violon, Basson (duo)
18
2 Contrebasses (duo)
17
2 Harpes (duo)
14
Quatuor à cordes: 4 violons
14
Trio à cordes: 3 altos
14
Violoncelle (partie séparée)
13
Violoncelle, Contrebasse (duo)
10
Harpe, Flûte (duo)
9
2 Violons, Piano
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Alto et Basson
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Trio à Cordes: 2 violons, alto
5
4 Contrebasses
4
2 Violoncelles, Piano
4
Alto et Harpe
4
Trio à cordes
4
Ensemble de Violons
3
Violoncelle, Orgue
3
3 Harpes
3
Ensemble de Violoncelles
3
Alto et orchestre
2
5 Harpes
2
Violon, Orgue
1
Harpe, Violon, Violoncelle
1
Violoncelle, Orchestre
1
Alto, Orgue
1
Harpe (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Harpe, Quatuor à cordes
1
Harpe et Piano
1
Ensemble d'Altos
1
Harpe, Violoncelle (duo)
1
2 Altos, Piano
1
Harpe, Trombone (duo)
1
+ 62 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 088
Orchestre
444
Orchestre à Cordes
441
Ensemble Jazz
283
Ensemble de cuivres
244
Cloches
190
Orchestre de chambre
180
Batterie
163
Fanfare
124
Jazz combo
93
Ensemble de Percussions
55
Percussion (partie séparée)
43
Batterie (partie séparée)
27
Marimba
16
Timbales (partie séparée)
9
Percussion
9
Xylophone
8
Vibraphone
6
Ensemble d'École
6
2 Xylophones
6
Xylophone, Piano
5
Piano et Orchestre
2
Quintette à Vent
2
Quintette de Cuivres: autres combinaisons
2
Orchestre, Violon
1
2 Marimbas
1
Vibraphone et Marimba
1
Marimba, Piano (duo)
1
Bongos
1
Xylophone (partie séparée)
1
Instrumentation Flexible
1
Conga
1
Bodhran
1
Marimba et Orgue
1
+ 29 instrumentations
Retracter
Autres
Théorie de la musique
4
Formation musicale - Solfège
3
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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Tomplay
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Pertinence
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Nouveautes
A-Z
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Who
2 Pianos, 4 mains
Partitions à imprimer
53 partitions trouvées
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51
Who's at the door? For Two Pianos
#
2 Pianos, 4 mains
#
FACILE
#
Jazz
#
Biljana Krstić
#
Biljana Krstić
#
Who's at the door? For Two Pia
#
KBMusic
#
SheetMusicPlus
By Biljana Krstić. By Biljana Krstić. Arranged by Biljana Krstić. Children,Instructional,Jazz. 8 pages. KBMusic #846300. Pu...
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By Biljana Krstić. By Biljana Krstić. Arranged by Biljana Krstić. Children,Instructional,Jazz. 8 pages. KBMusic #846300. Published by KBMusic
$7.99
A Whole New World
#
2 Pianos, 4 mains
#
FACILE
#
Contemporain
#
Alan Menken
#
Christian Bennedsen
#
A Whole New World
#
Christian Bennedsen
#
SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766902 Composed by Alan Menken. Arranged by Christian Bennedsen. Contemporary. Scor...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766902 Composed by Alan Menken. Arranged by Christian Bennedsen. Contemporary. Score and parts. 10 pages. Christian Bennedsen #6674355. Published by Christian Bennedsen (A0.766902). KEYBOARDENSEMBLE – WORKSHOP FOR PIANO STUDENTSPurpose: Let piano students experience how it is to play in an orchestra and follow aconductor.It is essential, that the students are well prepared and able to play their parts.Instruments:4–20 keyboards and 2 pianos / grandpianos. Part 1 and2 are played on keyboard by 1-5 students at early intermediate level.Part 4 and5 are played on keyboard by 1-5 (almost) beginners.Part 5 and6 are played on piano by students with good skills.
$12.99
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
#
AVANCÉ
#
achieving the physical decline
#
Germaine Tailleferre
#
Germaine Tailleferre: Trois &E
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,J...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
Piano Quintet in A minor
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2 Pianos, 4 mains
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AVANCÉ
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Florence B
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Mena Williams (b
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Piano Quintet in A minor
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Mena C. Williams | The Unfinished Symphony
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Cla...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Classical. Score. 90 pages. Mena C. Williams | The Unfinished Symphony #1020099. Published by Mena C. Williams | The Unfinished Symphony (A0.1440150). In 1903, Florence B. Price (1887-1953) attended the New England Conservatory for piano, organ, and composition. When Price graduated from NEC in 1910, she returned to Arkansas, bringing music education to her hometown. Unfortunately, due to increased racially charged hostility within Little Rock, Arkansas, Florence Price and many other families who participated in the Great Migration moved to Chicago in 1927, where she found new musical studies and performance opportunities. The opportunity that launched Price’s musical career as a composer was when she won the Wanamaker Prize in 1932 for her Symphony in e minor and became the first Black woman composer to have a major orchestral work performed by an American orchestra. Four years later, Price composed Quintet in a minor for Piano and Strings. Within the Quintet, there are four movements, the “Allegro non troppo”, the “Andante con moto”, the “Juba”, and the “Scherzo”. Quintet in A Minor for Piano and Strings utilizes many of Florence Price’s trademark stylistic ideas, imbuing her music with harmonic freshness and a creative and organic structural approach as well as melodies that reflect her spiritual and cultural heritage, all stemming from how Price’s music brings together the European-classical tradition and African American spirituals and folk tunes. Florence Price was a deeply religious person who brought the music of the African American church and the influences of Romantic composers such as Dvořák and Tchaikovsky. Thus further resulting in the overall appeal of Price’s music. The captivating lyricism and juba (a dance that originated from plantation enslaved people in the Southern US) rhythmic devices.
$4.99
"A Youthful Vow" from An Icelandic Suite
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Ingunn Bjarnadóttir
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Richard Simm
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"A Youthful Vow" fro
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Fol...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
Polka from "Czech Suite", for 2 pianos
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Antonin Dvorak
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Richard Simm
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Polka from "Czech Suite&q
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.800641 Composed by Antonin Dvorak. Arranged by Richard Simm. Romantic Period. Score. 6 pages. Richard Si...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.800641 Composed by Antonin Dvorak. Arranged by Richard Simm. Romantic Period. Score. 6 pages. Richard Simm #6857813. Published by Richard Simm (A0.800641). This arrangement is an exciting challenge for pianists who regret that Dvorak did not write more music for their instrument. As usual, Richard Simm has not simplified the original orchestration for pianists who want to play this fascinating folk-style music. Rather the aim has been to exploit what two pianos can do to approach the composer's unique talent for attractive and evocative orchestration.
$8.95
Concertino Barocco (after C.P.E. Bach and G.B. Pescetti)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach, Gio
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Kiyoshi Tamagawa
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Concertino Barocco
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Mastery for Strings Press
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. Baroque. Score. 12 pages. Mastery for Strings Press #5999147. Published by Mastery for Strings Press (A0.945464). The practice of adding an accompaniment to a composition originally created for a solo instrument is a time-honored tradition in Western art music, whether the additional music be for one or a few instruments or an entire ensemble. In the latter case a concerto movement can be fabricated from a solo work. The Concertino Barocco (Little Baroque Concerto) takes as its basis two pieces of the Baroque era that have long been popular repertoire for advancing students of the keyboard: the Solfeggio (or Solfeggietto) by C.P.E. Bach, and the third movement, Presto, from the Sonata in C minor by Giovanni Battista Pescetti. These works are transformed into two miniature concerto movements by adding and interpolating short tutti passages at various points in the form, rather in the style of Antonio Vivaldi. Not a note has been added or subtracted from the original keyboard solos, so that a student who has mastered the originals may play this Concertino simply by memorizing the exact points in the original pieces where additional music for the orchestra has been added and they must wait to continue.
$9.99
I Shall Not Be Moved (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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I Shall Not Be Moved
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565175 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Stan...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565175 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Standards,Traditional. Score. 13 pages. Sharon Wilson #3516203. Published by Sharon Wilson (A0.565175). This arrangement of the traditional spiritual I Shall Not Be Moved is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the first chorus and verse. Bold and cheerful, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 6-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the words found in Psalm 1: Blessed is the man who doesn’t walk in the counsel of the wicked…but his delight is in Yahweh’s law…He will be like a tree planted by the streams of water… (WEB)Lyrics:I shall not be moved,I shall not be moved,I shall not be moved,Like a tree planted by the water,I shall not be moved.When my cross is heavy,I shall not be moved,When my cross is heavy,I shall not be moved,Like a tree planted by the water,I shall not be moved.
$5.99
A Shropshire Lad - Rhapsody
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2 Pianos, 4 mains
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AVANCÉ
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Richard Simm
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Richard Simm
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A Shropshire Lad - Rhapsody
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1288884 By Richard Simm. By George Butterworth. Arranged by Richard Simm. 20th Century,Chamber,Classical...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1288884 By Richard Simm. By George Butterworth. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 11 pages. Richard Simm #879723. Published by Richard Simm (A0.1288884). George Butterworth was a uniquely gifted composer and arranger of English folk songs, who was tragically killed in action during WW1 at the age of only 31.His small output included the song cycle, A Shropshire Lad, from which he expanded the first song, Loveliest of Trees into a wonderful orchestral rhapsody.The music is full of passion, but also the most delicate sensitivity, capturing the romantic essence of the English countryside from bygone days.This arrangement by Richard Simm for two pianos now gives pianists access to this beautiful music.
$7.95
Scherzo Capriccioso, arr. for 2 pianos
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Antonin Dvorak
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Richard Simm
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Scherzo Capriccioso, arr. for
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.800633 Composed by Antonin Dvorak. Arranged by Richard Simm. Classical,Romantic Period. Score. 39 pages....
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.800633 Composed by Antonin Dvorak. Arranged by Richard Simm. Classical,Romantic Period. Score. 39 pages. Richard Simm #5873553. Published by Richard Simm (A0.800633). Considered by many to be Dvořák's finest orchestral composition, this delightful, brilliant and beautiful work has everything you could want from the composer at his best. He was a master orchestrator, with a uniquely imaginative palette of sounds at his disposal, and his Scherzo Capriccioso shows us everything he could do with a symphony orchestra. This transcription for two pianos by Richard Simm faithfully captures the composer's sense of musical colour, and will richly reward advanced pianists who want to show a new facet of this very popular composer.
$19.95
The Rakes of Mallow
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Richard Simm
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Richard Simm
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The Rakes of Mallow
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #788405. Published by Richard Simm (A0.1188789). This is the final song in Richard Simm's collection of Five Irish Tunes for two pianos. In 1724 some hot springs were discovered in the Irish town of Mallow, which soon became a famous health resort. The Rakes in the title of this well-known polka were a group of young lads who preferred drinking other things than the supposedly health-giving water there, and this catchy tune gives an inkling of the fun and games that seem to have been their main goal in life...
$7.95
I Know Where I'm Going
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Richard Simm
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Richard Simm
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I Know Where I'm Going
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1187941 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1187941 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 2 pages. Richard Simm #787548. Published by Richard Simm (A0.1187941). This suite is based upon Richard Simm's Five Irish Melodies, which were originally composed for beginner students to play as piano duets with their teachers or with advanced students. In their new guise for two pianos, they are technically more challenging, but they have the advantage of allowing each performer total control over the subtle pedalling which is sometimes needed here. The lyrics tell of a girl who knows which man she loves, but heaven only knows which one she'll marry...
$6.95
Gian Paolo Chiti: Play On B.A.C.H. for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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Gian Paolo Chiti
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Gian Paolo Chiti: Play On B.A.
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534395 Composed by Gian Paolo Chiti. Concert,Contemporary,Jazz,Standards. Score and parts....
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534395 Composed by Gian Paolo Chiti. Concert,Contemporary,Jazz,Standards. Score and parts. 15 pages. Musik Fabrik Music Publishing #3417517. Published by Musik Fabrik Music Publishing (A0.534395). Gian Paolo Chiti wrote “Play on B.A.C.H.†for the Moreno Gistain Duo, who premièred the work on the 28th February, 2015, for the concert season of the Fundación Juan March in Madrid. It was also recorded for Spanish National Radio. Juan Fernando Moreno Gistain wrote of the work: “It´s an honour for us that Maestro Chiti composed “Play on B.A.C.H.†for our concert programme dedicated to works based on the motif formed by the notes B.A.C.H. “Play on BACH†is a wonderful piece for piano duo and we are sure many duos will perform this in the future. The work has an amazing feeling of nostalgia, humour and charm; the audience loved it at every performance. It´s a masterwork and fits incredibly well in our concert programme.â€
$19.95
The Flowers of the Forest
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2 Pianos, 4 mains
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FACILE
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Folklorique/Traditionel
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Scottish Folk Song
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Richard Simm
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The Flowers of the Forest
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1108425 Composed by Scottish Folk Song. Arranged by Richard Simm. Folk,Traditional. Score. 3 pages. Rich...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1108425 Composed by Scottish Folk Song. Arranged by Richard Simm. Folk,Traditional. Score. 3 pages. Richard Simm #711067. Published by Richard Simm (A0.1108425). This beautiful ancient melody is treated with great respect by Scottish bagpipers, who play it only on serious ceremonial occasions, and not for mere entertainment. It marks a terrible defeat at the Battle of Flodden, and the text describes the grief of those left at home to mourn. The Flowers in the title are the slain men, and the accompaniment in this 2-piano arrangement by Richard Simm retains the haunting character of distant bagpipe music. The Piano I part is easy, intended for relative beginners, while the second part is for teachers and more advanced pianists.
$7.95
Buxtehude/Roessler Chaconne BuxWV 160 for Two Pianos
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2 Pianos, 4 mains
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Dietrich Buxtehude
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Joseph Roessler (BMI)
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Buxtehude/Roessler Chaconne Bu
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Trace Records LLC
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - SKU: A0.1002564 Composed by Dietrich Buxtehude. Arranged by Joseph Roessler (BMI). Baroque,Contemporary. Sco...
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Instrumental Duet Instrumental Duet,Piano - SKU: A0.1002564 Composed by Dietrich Buxtehude. Arranged by Joseph Roessler (BMI). Baroque,Contemporary. Score and parts. 16 pages. Trace Records LLC #6402375. Published by Trace Records LLC (A0.1002564). This is a transcription of Buxtehude's famous Chaconne in E minor for organ reimagined for two pianos. The pianos engage in a dialogue that is perfect for college students or professionals who want to reimagine the piece for a modern audience. .
$29.99
Canon in F - 2 Pianos, 4 Hands
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Bill Walker
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Bill Walker
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Canon in F - 2 Pianos, 4 Hands
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Bill Walker Music Publishing
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1118276 By Bill Walker. By Bill Walker. Arranged by Bill Walker. Classical,Contemporary,New Age. Score. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1118276 By Bill Walker. By Bill Walker. Arranged by Bill Walker. Classical,Contemporary,New Age. Score. 23 pages. Bill Walker Music Publishing #719791. Published by Bill Walker Music Publishing (A0.1118276). Composer and Pianist Bill Walker was talking to his uncle one day, many years ago, about the chord progression in Canon in D by Pachelbel. After the conversation ended, Bill decided to write a modern day Canon. Thus, Canon in F was born. Originally written for one piano, this version is for two pianos. Grab a friend and a second piano and have fun with this modern piece of music. Both pianists get their time to shine in the spotlight, so it doesn't matter who plays Piano I or Piano II. Key Signature: F major. Pages: 23. Published by Bill Walker Music Publishing.
$6.99
The Irish Washerwoman, arr. for 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Richard Simm
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Richard Simm
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The Irish Washerwoman, arr. fo
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1183771 By Richard Simm. By Irish Folk Tune. Arranged by Richard Simm. Folk,Multicultural,Traditional,Wo...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1183771 By Richard Simm. By Irish Folk Tune. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #783459. Published by Richard Simm (A0.1183771). The third piece in Richard Simm's 2-piano set is an irresistible jig, which needs no introduction, since anyone who has had anything to do with folk dance from the British Isles will know it. The similar English folk tune, Dargason, probably lies behind this melody, but here we are using what is generally considered to be the Irish version - and very lively it is too!
$6.95
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
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