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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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Non classifié
7067
PIANO & CLAVIERS
Piano seul
5277
Piano grosses notes
3307
Piano Facile
3084
Orgue
2085
Piano, Voix
1372
Piano, Voix et Guitare
854
Instruments en Do
302
1 Piano, 4 mains
196
Accordéon
92
Piano Trio: piano, violon, violoncelle
71
Clavier
69
Accompagnement Piano
69
2 Pianos, 4 mains
58
1 Piano, 6 mains
22
Piano Quatuor: piano, violon, alto, violoncelle
16
Piano Quatuor: piano, 2 violons, violoncelle
12
Orgue, Trompette (duo)
9
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Piano (partie séparée)
9
Clavecin
8
Orgue, Piano (duo)
8
Ligne De Mélodie, Piano
2
Accordéon, Voix
2
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GUITARES
Guitare notes et tablatures
1078
Guitare
599
Basse electrique
322
Ligne De Mélodie, (Paroles) et Accords
214
Ukulele
179
Dulcimer
142
Piano, Guitare (duo)
115
2 Guitares (duo)
109
Paroles et Accords
94
Mandoline
46
Banjo
44
4 Guitares (Quatuor)
29
Guitare (partie séparée)
21
3 Guitares (trio)
18
Ensemble de guitares
11
2 Dulcimers (duo)
9
Guitare Pedal Steel
4
Basse électrique (partie séparée)
3
Dobro
2
Luth
1
2 Ukuleles
1
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VOIX
Chorale SATB
836
Chorale 3 parties
217
Chorale 2 parties
195
Chorale TTBB
131
Chorale Unison
116
Chorale SSAA
94
Voix Soprano, Piano
77
Voix Baryton, Piano
69
Voix Alto, Piano
64
Voix Tenor, Piano
58
Pack Instrumental pour Chorale
42
Voix seule
36
Voix duo, Piano
31
Voix duo
28
Voix haute
16
Voix basse, Piano
15
Chorale
12
Voix Soprano
5
Voix moyenne, Piano
5
Voix Tenor
4
Chorale SSATB
4
Voix, Guitare
2
Chorale SSATTB
2
Chorale SSAATTBB
2
Chorale SSAB, Piano
1
Chorale SATTB
1
Voix Mezzo-Soprano, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSAB a cappella
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
707
Hautbois, Piano (duo)
680
2 Saxophones (duo)
641
Clarinette et Piano
635
Quatuor de Saxophones: 4 saxophones
583
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
549
Flûte, Hautbois, Clarinette, Basson
539
Saxophone Alto et Piano
500
Quatuor de Clarinettes: 4 clarinettes
444
Flûte traversière
443
Quintette de Saxophone: 5 saxophones
401
Clarinette
385
Saxophone Tenor et Piano
323
2 Flûtes traversières (duo)
321
2 Clarinettes (duo)
299
Saxophone Alto
233
Saxophone (partie séparée)
191
Saxophone, Clarinette (duo)
182
Saxophone Soprano et Piano
176
Saxophone Tenor
175
Hautbois (partie séparée)
166
Flûte, Clarinette (duo)
143
Clarinette, Violon (duo)
134
Quatuor de Flûtes : 4 flûtes
123
Hautbois, Basson (duo)
116
2 Hautbois (duo)
113
Saxophone Baryton, Piano
110
Ensemble de Clarinettes
110
Clarinette, Trompette (duo)
97
Ensemble de saxophones
94
2 Flûte à bec (duo)
90
3 Clarinettes (trio)
89
Flûte irlandaise
84
Trio de Flûtes: 3 flûtes
84
Hautbois, Clarinette (duo)
83
3 Saxophones (trio)
77
Flûte, Violon
76
Hautbois
75
Saxophone
71
Clarinette et Alto
70
Flûte, Alto (duo)
68
Ensemble de Flûtes
65
Hautbois, Flûte
64
Flûte, Saxophone (duo)
62
Cor anglais, Piano
56
Flûte et Guitare
55
Quintette de Clarinettes: 5 clarinettes
50
Flûte à bec Soprano
50
Flûte, Trompette (duo)
49
Clarinette, Basson (duo)
46
Flûte, Violon, Piano
43
Flûte, Violoncelle
42
Clarinette, Violoncelle (duo)
42
Clarinette (partie séparée)
41
Clarinette Basse, Piano
40
Quintette de Flûte : 5 flûtes
38
Saxophone Soprano
38
Flûte, Hautbois, Clarinette (trio)
35
Hautbois, Violoncelle
34
Flûte, Clarinette et Basson
29
Flute (partie séparée)
26
Cor Anglais
26
Saxophone Baryton
24
Flûte à Bec
22
Flûte, Hautbois (duo)
22
Quatuor de Flûtes à bec
22
Flûte, Hautbois, Basson
22
Flûte à Bec, Piano
21
Harmonica
17
Flûte, Basson et Piano
16
Flûte à bec Alto
15
Flûte, Trombone (duo)
14
Clarinette, Trombone (duo)
14
2 Saxophones, Piano
14
Hautbois et alto (duo)
13
3 Flûtes à bec (trio)
13
Flûte à bec Soprano, Piano
13
5 Flûtes à bec
12
Hautbois, violon (duo)
12
Flûte à bec Alto, Piano
12
Clarinette, Guitare (duo)
11
Flûte à bec Tenor
11
Flute, harpe et violon
9
Piccolo
8
Ensemble De Flûte à bec
8
Flûte, Hautbois, Piano (trio)
8
Piccolo, Piano
7
2 Clarinettes, Basson
6
Saxophone et Orgue
6
Hautbois, Guitare (duo)
6
Flûte, Clarinette, Piano (trio)
6
Saxophone et Guitare
5
Instruments en Mib
5
Flûte, Alto et Piano
5
Clarinette Basse
5
2 Flûtes traversières, Piano
5
Clarinette, Basson, Piano (trio)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette, Alto et Piano (trio)
3
2 Clarinettes, Piano
3
Cor anglais, Guitare (duo)
3
Clarinette, Violoncelle, Piano (trio)
3
Hautbois, Violon, Piano
3
Flûte, Violoncelle, Piano (trio)
3
3 Hautbois
3
Hautbois, Basson et Piano
3
4 Hautbois
3
Flûte, Clarinette, Violon (trio)
2
Hautbois, Clarinette et Piano (Trio)
2
Clarinette, Contrebasse (duo)
2
Flûte, Harpe et Violoncelle
2
Hautbois, trombone (duo)
2
Hautbois, Violoncelle et Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Clarinette, Orchestre
2
Ensemble de Hautbois
2
Flûte et Trio à cordes
2
Ocarina
2
Flûte traversière, Orgue (duo)
2
Flûte, Violon et Violoncelle
1
Clarinette, Harpe (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Hautbois, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte traversière, Orchestre
1
Ensemble à vent
1
2 Cors Anglais Et Pianoforte
1
Flûte de Pan
1
Hautbois, Trompette (duo)
1
Clarinette, Tuba
1
Flûte et Quatuor à Cordes
1
Cor anglais et Harpe (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à bec, Harpe
1
Clarinette, Orgue
1
Instrumentations suivantes
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CUIVRES
Trombone et Piano
506
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
504
Trompette
458
Trompette, Piano
425
Quatuor de Cuivres : 2 trompettes, trombone, tuba
284
Trombone
272
Cor et Piano
271
Cor
195
2 Trompettes (duo)
187
Tuba et Piano
147
2 Trombones (duo)
144
Trompette, Saxophone (duo)
132
Tuba
123
Trompette (partie séparée)
123
Trompette, Trombone (duo)
116
Quatuor de Cuivres: 2 trompettes, Cor, trombone
105
2 Cors (duo)
96
Trombone (partie séparée)
93
Ensemble de Trompettes
77
Quatuor de Cuivres
61
Cor anglais, Piano
56
Euphonium, Piano (duo)
47
Ensemble de Trombones
40
Quatuor de cuivres: 4 trombones
39
Quatuor de cuivres: 4 cors
35
2 Tubas (duo)
35
Trompette, Cor (duo)
29
Cor Anglais
26
Cor (partie séparée)
25
Euphonium
20
Quatuor de cuivres: 4 trompettes
19
3 Trompettes (trio)
17
Tuba (partie séparée)
17
Cor, Violoncelle (duo)
15
3 Trombones (trio)
13
2 Euphoniums (duo)
11
2 Euphoniums et 2 Tubas
11
Cor, Tuba (duo)
10
Trombone basse
9
Tuba et Orgue
8
3 Cors (trio)
8
Bass Clef Instruments
8
Trompette, Tuba (duo)
7
Euphonium, Tuba (duo)
7
Ensemble de Cors
7
Trio de Cuivres
7
Instruments en Sib
7
4 Tubas
7
Trompette, violon (duo)
6
Trompette et Guitare
6
Trombone, Cor (duo)
6
Trompette, Violoncelle (duo)
5
Trombone, Tuba (duo)
5
Cor et Basson (duo)
5
Trompette, Basson (duo)
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Trombone, Orgue
3
Cor anglais, Guitare (duo)
3
Tuba ou Euphonium ou Saxhorn
3
Trombone basse et Piano
3
Trompette, Violoncelle et Piano
2
3 Tubas (trio)
2
Instruments en Fa
2
Ensemble de Tubas
1
Cor et Orgue
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor anglais et Harpe (duo)
1
3 Euphoniums
1
Trompette, Euphonium (duo)
1
Cor, Trompette, Trombone (trio)
1
2 Cors, Piano
1
Trombone, Alto (duo)
1
Trompette, Trombone, Piano
1
Instrumentations suivantes
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CORDES
Harpe
1235
Quatuor à cordes: 2 violons, alto, violoncelle
1114
Violon et Piano
922
Violon
685
Alto, Piano
595
Violoncelle, Piano
582
Violoncelle
531
Violon, Violoncelle (duo)
408
2 Violons (duo)
307
Alto seul
267
Trio à Cordes: violon, alto, violoncelle
217
Violon, Alto (duo)
216
2 Violoncelles (duo)
210
2 Harpes (duo)
178
2 Altos (duo)
159
Contrebasse, Piano (duo)
129
Contre Basse
121
Trio à Cordes: 2 violons, violoncelle
118
Quintette à cordes: 2 violons, alto, violoncelle, basse
94
Alto (partie séparée)
82
Alto, Violoncelle (duo)
77
Violon (partie séparée)
75
Trio à cordes: 3 violins
38
4 Violoncelles
38
Contrebasse (partie séparée)
36
Violon, Basson (duo)
32
Violon, Guitare (duo)
31
Piano Trio: Violon, Alto, Piano
28
Quatuor à cordes: 4 violons
28
Trio à Cordes: 3 violoncelles
22
Ensemble de Violons
21
Ensemble d'Altos
19
2 Contrebasses (duo)
19
Quatuor à cordes : 4 altos
18
Trio à cordes: 3 altos
17
Violoncelle, Contrebasse (duo)
16
Violoncelle (partie séparée)
16
Alto et Basson
15
Trio à Cordes: 2 violons, alto
13
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Violoncelle , Guitare (duo)
10
Harpe, Flûte (duo)
9
Harpe, Voix
8
Violon, Clarinette, Piano (trio)
5
Harpe, Violon, Violoncelle
5
Flûte, Contrebasse (duo)
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Alto, Guitare (duo)
4
Autoharp
4
Ensemble de Violoncelles
4
3 Harpes
3
2 Violons, Piano
3
Harpe, Violoncelle (duo)
3
2 Violoncelles, Piano
2
5 Harpes
2
2 Altos, Piano
2
Harpe et mandoline
2
Violon, Violoncelle, Clarinette
2
Alto et Harpe
2
Violoncelle, Orgue
2
Harpe et Piano
1
Violoncelle, Orchestre
1
Alto et orchestre
1
Harpe, Violon (duo)
1
Violon, Tuba (duo)
1
Violon, Basse continue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1393
Orchestre à Cordes
679
Ensemble Jazz
334
Orchestre
322
Ensemble de cuivres
281
Orchestre de chambre
157
Cloches
135
Batterie
130
Fanfare
91
Ensemble de Percussions
91
Jazz combo
47
2 Xylophones
44
Percussion (partie séparée)
26
Xylophone
21
Xylophone, Piano
17
Batterie (partie séparée)
15
Marimba
15
Vibraphone
12
Percussion
10
Ensemble d'École
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Caisse Claire
4
Quintette à Vent
3
Quintette de Cuivres: autres combinaisons
3
Bodhran
3
Bongos
2
Conga
2
Cajon
2
Orchestre, Violon
2
Timbales
1
Piano et Orchestre
1
Xylophone ou Marimba ou Vibraphone
1
Timbales (partie séparée)
1
Marimba, Piano (duo)
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
1
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2 Pianos, 4 mains
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"Winterland" for two pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.500397 By Shao Suan LOW and …
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.500397 By Shao Suan LOW and Shao Ying LOW. By Shao Suan LOW. 20th Century,Classical,Contemporary,Romantic Period. Score. 9 pages. Published by Shao Suan low (A0.500397). Winterland for two pianos was written in the style of French composer, Jean-Michel DAMASE. This piece is in Ternary form, and it depicts scenes of a fun fair in winter. [3’44â€].
$8.00
7.28 €
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2 Pianos, 4 mains
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Shao Suan LOW and Shao Ying LOW
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"Winterland" for two pianos
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Shao Suan low
#
SheetMusicPlus
Piano Concerto No. 5
2 Pianos, 4 mains
Piano and orchestra - difficult - Digital Download SKU: S9.Q3160 Composed by Rodion…
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Piano and orchestra - difficult - Digital Download SKU: S9.Q3160 Composed by Rodion Shchedrin. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction. Duration 32 minutes. Schott Music - Digital #Q3160. Published by Schott Music - Digital (S9.Q3160). Shchedrin, son of a composer and music teacher, underwent a thorough musical training in Moscow. His versatility and dazzling competence across a wide variety of musical genres are surely a result of his studies. The composer is also an exceptional pianist and frequently performs his own piano works (concertos, sonatas, 24 preludes and fugues, etc.) on the concert platform. While employing a variety of modern compositional techniques he has, nevertheless, succeeded in uniting traditional and contemporary forms. His work is suffused with his love for Russian folkmusic, poetry and literature, yet it is not just relevant in his homeland but speaks to a wider audience. His more recent works too, are characterized by this fusion of a deep Slavic sensitivity with outstanding virtuosity.3 (3. auch Picc.) · 3 (3. auch Engl. Hr.) · 2 · 2 – 4 · 3 · 3 · 1 – 4 P. S. (I: hg. Crot. [chrom.] · Tr. [h.] · Choclo · Glass-chimes; II: Gong [h.] · Tamt. [t.] · Tr. [m.] · Choclo · Guiro [m.]; III: Sonagli [Troika] · gr. Tr. · Bambusi [oder Guiro h.]) (3 Spieler) – Str. (16 · 14 · 12 · 10 · 8).
$43.99
40.06 €
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2 Pianos, 4 mains
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Rodion Shchedrin
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II: Gong [h
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Piano Concerto No. 5
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Schott Music - Digital
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SheetMusicPlus
Jan Freidlin: Contemplation for two pianos, 4-hands
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.533311
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.533311 Composed by Jan Freidlin. 20th Century,Concert,Contemporary,Standards. Score and parts. 11 pages. Musik Fabrik Music Publishing #2341115. Published by Musik Fabrik Music Publishing (A0.533311). A work in a lyrical, minimalist style for two-pianos, four-hands by the noted Israeli composer. Buying this product gives the right to print two copies. The work also exists in a version for piano and string orchestra.
$19.95
18.17 €
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2 Pianos, 4 mains
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Jan Freidlin
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Jan Freidlin: Contemplation for two pianos, 4-hands
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Musik Fabrik Music Publishing
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SheetMusicPlus
I Have a Little Dreidel (The Dreidel Song)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.799805 Arranged by…
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2 Pianos,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.799805 Arranged by Wanda Canfield. Concert,Hanukkah,Jewish,Standards. Score. 12 pages. Wanda Canfield #3897609. Published by Wanda Canfield (A0.799805). Easy versatile arrangement included several easy solo parts and a simple accompaniment. Parts work together to create a trio at one piano. More players can be added to a second piano! Enough parts to print for at least 6 people. Buying this allows more copies to be made for additional players in one group. Both a normal note and a large, big note with letter inside versions are included.
$3.99
3.63 €
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2 Pianos, 4 mains
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Wanda Canfield
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I Have a Little Dreidel
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Wanda Canfield
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SheetMusicPlus
Hark! The Herald Angels Sing (2 piano duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712487 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712487 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandra Zylstra. Christian,Christmas,Sacred. Score. 8 pages. Sandra dee zylstra #6039401. Published by sandra dee zylstra (A0.712487). Luke 2:13-14 And suddenly there was with the angel a multitude of the heavenly host praising God and saying: Glory to God in the highest, and on earth peace, goodwill toward men! Hark! The Herald Angels Sing is a great classic Christmas carol. This late intermediate two-piano duet arrangement takes on a new twist with some extra syncopated rhythms! This arrangement includes both piano parts. (Approximately 3:30, 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$5.25
4.78 €
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2 Pianos, 4 mains
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Felix Bartholdy Mendelssohn
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Sandra Zylstra
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Hark! The Herald Angels Sing
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sandra dee zylstra
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SheetMusicPlus
"La Fleur" from "Carmen", arr. for 2 pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1170301 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1170301 Composed by Georges Bizet. Arranged by Richard Simm. 19th Century,Classical,Opera,Romantic Period. Score. 6 pages. Richard Simm #770661. Published by Richard Simm (A0.1170301). The brigadier, Don José, has fallen madly in love with Carmen, but she already has her eyes on another man, the bull-fighter, Escamillo. In this aria Don José declares his love for Carmen, but she belittles his passionate attempts to convince her of his feelings, saying that if he really loved her, he would take her away from her humble surroundings to a place where she could really be free.The arranger has added a short bridge passage between the opera's initial scenes of communal life centred around a cigarette factory and Don José's beautiful expression of his ill-fated love in Act II.
$7.95
7.24 €
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2 Pianos, 4 mains
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Georges Bizet
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Richard Simm
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"La Fleur" from "Carmen", arr. for 2 pianos
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Richard Simm
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SheetMusicPlus
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
5.45 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
Gwyn, Lord of Cinder
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1461609 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1461609 Composed by Yuka Kitamura. Arranged by Jefferson Sequeira. 21st Century,Film/TV,Medieval,Video Game. Score. 9 pages. Jeff Sequeira #1040353. Published by Jeff Sequeira (A0.1461609). Immerse yourself in the majesty and intensity of this iconic musical piece from the original Dark Souls game. This two-piano arrangement captures all the grandeur and drama of battling the Lords of Cinder, transporting you directly to the dark and immersive landscapes of Lordran.Meticulously designed for pianists and game enthusiasts alike, this arrangement showcases both the technical skill and emotional depth required to master its performance. From its powerful opening chords to its evocative and moving melodies, each note is carefully chosen to capture the essence of combat against formidable foes.Perfect for live performances, studio recordings, or simply enjoying at home, this two-piano arrangement of Lord of Cinder is a musical masterpiece that transcends the boundaries of classical interpretation and the gaming universe. Prepare to explore and rediscover the emotional intensity and narrative of Dark Souls through this exceptionally powerful and moving interpretation.Discover why Lord of Cinder from the original Dark Souls remains a benchmark in video game music and delve into this unique musical experience that blends the best of classical artistry with gaming culture.
$10.00
9.11 €
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2 Pianos, 4 mains
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Yuka Kitamura
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Jefferson Sequeira
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Gwyn, Lord of Cinder
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Jeff Sequeira
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SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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SURRENDER, Between the Octaves, A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
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2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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INITIATE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
The campanella for two pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1401526 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1401526 Composed by Franz Liszt. Arranged by Roy R. Davila Gomez (R.Music). Classical,Historic,Multicultural,Romantic Period,World. Score. 18 pages. R.Music #984709. Published by R.Music (A0.1401526). The score of La Campanella for two pianos is a gem of the piano repertoire that captures the magic and virtuosity of Franz Liszt's musical genius. has been adapted for two pianos, offering performers a unique experience of musical collaboration.The score presents exciting technical challenges for both pianists, from dizzying arpeggios to dazzling melodic passages. Liszt's ability to create an enchanting atmosphere is reflected in every note, transporting the listener to a world of beauty and passion.This edition for two pianos allows you to explore the harmonic richness and structural complexity of the piece in a new and exciting way. The two pianists immerse themselves in a fluid musical dialogue, creating a unique and captivating performance that will delight both performers and audiences.Get this musical masterpiece today and let yourself be carried away by the magic of Franz Liszt's La Campanella in the privacy of two pianos!
$9.99
9.1 €
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2 Pianos, 4 mains
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Franz Liszt
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Roy R
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The campanella for two pianos
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R.Music
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SheetMusicPlus
Streight Lines
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.998855 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.998855 Composed by Robert A. Howard. 21st Century,Chamber,Contemporary,Contest,Festival,Instructional. Score. 2 pages. Robert A. Howard #6224931. Published by Robert A. Howard (A0.998855). This graphic score composition 'Streight Lines' is deliberately entitled as such (and spelled that way) as a pun on Steve Reich's minimalist classic 'Eight Lines'. The work focuses on various straight lines, superimposed over traditional music staves. These give an implication of pitch, duration, and texture, and perhaps other elements, without being too specific. The score indicates the basic outline of musical contours on staves (thus always implying certain pitches). However, many elements, such as dynamics, and exact pitches and durations, are left for the performer to determine. The work remains accessible for the listener and is appropriate for most standards of pianist, including students and professionals.Variable durationRegistered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.49
2.27 €
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2 Pianos, 4 mains
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Robert A
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Streight Lines
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Robert A. Howard
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SheetMusicPlus
The Gartan Mother's Lullaby, from "Five Irish Tunes"
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1185006 By Richard…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1185006 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #784681. Published by Richard Simm (A0.1185006). The original text of this beautiful Irish lullaby has been lost, but new lyrics were added for the song's first publication in 1904. The imagery used includes kings, fairies and other folk beings, sung while rocking a child to sleep beside the dyin' fire.
$6.95
6.33 €
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2 Pianos, 4 mains
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Richard Simm
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Richard Simm
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The Gartan Mother's Lullaby, from "Five Irish Tunes"
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Richard Simm
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SheetMusicPlus
The Swan
2 Pianos, 4 mains
2 pianos - advanced - Digital Download SKU: S9.Q771472 Composed by Camille Saint-Sa…
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2 pianos - advanced - Digital Download SKU: S9.Q771472 Composed by Camille Saint-Saens. Arranged by Emile Naoumoff. Experience a new dimension of musicality with this fascinating arrangement of the „Swan from Saint-Saëns' „Carnival of the Animals for two pianos. Enjoy the charming melody and expressive interpretation while playing together. Downloadable, Separate edition. Duration 3' 14. Schott Music - Digital #Q771472. Published by Schott Music - Digital (S9.Q771472). Experience a new dimension of musicality with this fascinating arrangement of the „Swan from Saint-Saëns' „Carnival of the Animals for two pianos. Enjoy the charming melody and expressive interpretation while playing together.
$9.99
9.1 €
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2 Pianos, 4 mains
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Camille Saint-Saens
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Emile Naoumoff
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The Swan
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Schott Music - Digital
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SheetMusicPlus
Sucker
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1363305 By Jonas Br…
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Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1363305 By Jonas Brothers. By Adam Feeney, Homer Steinweiss, Joseph Jonas, Kevin Jonas, Louis Bell, Miles Ale, Mustafa Ahmed, Nick Jonas, and Ryan Tedder. Arranged by Dave Prudon. Pop,Rock. 8 pages. Prudon String Ensembles #947813. Published by Prudon String Ensembles (A0.1363305). One of the most satisfying musical experiences one can have is sitting next to a friend or loved one and playing through a piano duet together.  This arrangement of Sucker by the Jonas Brothers, will bring a smile to your face every time you play through it.  Written for two different levels of playing ability, it's perfect when played by a teacher and student, or a parent and child. You can find other duets like this one at:  Prudon String Ensembles Sheet Music, where you'll also find tons of nice arrangements for strings.
$5.99
5.45 €
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2 Pianos, 4 mains
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Jonas Brothers
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Dave Prudon
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Sucker
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Prudon String Ensembles
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SheetMusicPlus
From This Day Forward
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A0.1364124 By Kevin Ke…
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Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A0.1364124 By Kevin Kern. By Kevin Gibbs. Arranged by Dave Prudon. Contemporary,Jazz,New Age,Pop. 7 pages. Prudon String Ensembles #948433. Published by Prudon String Ensembles (A0.1364124). If you've ever had the pleasure of sitting beside a friend or loved one and playing through a piano duet together, you're going to enjoy owning this beautiful arrangement. Â The parts are pretty evenly matched for difficulty so you can have fun playing either part.To see other arrangements for 2 pianists, take a look at:Â Prudon String Ensembles Sheet Music, where you will also find hundreds of other nice arrangements for strings.
$5.99
5.45 €
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2 Pianos, 4 mains
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Kevin Kern
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Dave Prudon
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From This Day Forward
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Prudon String Ensembles
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SheetMusicPlus
Sonata Hymnica No. 6
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
9.11 €
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2 Pianos, 4 mains
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
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