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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
You And I
Non classifié
7 461
Piano & claviers
Piano, Voix et Guitare
5 415
Piano seul
4 762
Piano, Voix
2 712
Piano Facile
1 708
Instruments en Do
1 042
Orgue
440
Piano grosses notes
392
1 Piano, 4 mains
184
Accompagnement Piano
99
Accordéon
73
2 Pianos, 4 mains
68
Piano Trio: piano, violon, violoncelle
50
Piano (partie séparée)
31
Orgue, Piano (duo)
19
Piano Quatuor: piano, 2 violons, violoncelle
14
Clavier
13
Piano Quatuor: piano, violon, alto, violoncelle
13
Piano Quintette: piano, 2 violons, alto, violoncelle
10
Ligne De Mélodie, Piano
9
Orgue, Trompette (duo)
9
Clavecin
3
Ensemble d'Accordéons
2
2 Accordéons
2
2 Pianos, 8 mains
2
Accordéon, Voix
2
1 Piano, 6 mains
2
+ 21 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
1 773
Guitare notes et tablatures
1 727
Paroles et Accords
646
Guitare
568
Basse electrique
556
Ukulele
338
Piano, Guitare (duo)
143
2 Guitares (duo)
66
Guitare (partie séparée)
51
4 Guitares (Quatuor)
35
Mandoline
33
Banjo
25
Dulcimer
14
3 Guitares (trio)
12
Ensemble de guitares
9
Basse électrique (partie séparée)
5
Mandoline, Guitare (duo)
2
Ensemble de Ukulélés
2
Guitare, Violon, Violoncelle (trio)
2
2 Ukuleles
1
Ukulele Baryton
1
2 Dulcimers (duo)
1
+ 17 instrumentations
Retracter
Voix
Chorale SATB
1 984
Chorale 3 parties
895
Chorale 2 parties
683
Chorale TTBB
501
Chorale SSAA
307
Voix duo, Piano
198
Chorale Unison
178
Voix seule
108
Pack Instrumental pour Chorale
105
Voix Soprano, Piano
86
Voix Alto, Piano
72
Voix Baryton, Piano
67
Voix duo
66
Voix Tenor, Piano
53
Voix haute
50
Chorale
43
Voix Tenor
30
Voix Soprano
24
Voix moyenne, Piano
11
Voix basse, Piano
10
Chorale SSAATTBB
4
Chorale SSATB
3
Chorale SSAB, Piano
3
Chorale SATBB
2
Voix Mezzo-Soprano, Piano
2
Voix basse
2
Chorale SAATB A Cappella
1
Chorale SSATBB
1
Voix, Guitare
1
Chorale SSATTB
1
Chorale SSAB a cappella
1
Soli, choeur mixte et accompagnement
1
+ 27 instrumentations
Retracter
Vents
Flûte traversière et Piano
543
Clarinette et Piano
498
Saxophone (partie séparée)
489
Flûte traversière
461
Hautbois, Piano (duo)
451
Quatuor de Saxophones: 4 saxophones
425
Clarinette
405
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
404
Quintette de Saxophone: 5 saxophones
375
Saxophone Alto et Piano
374
Flûte, Hautbois, Clarinette, Basson
352
Saxophone Tenor et Piano
318
Saxophone Alto
296
Saxophone
295
Saxophone Tenor
259
2 Saxophones (duo)
231
2 Flûtes traversières (duo)
218
Hautbois (partie séparée)
199
Quatuor de Clarinettes: 4 clarinettes
193
Ensemble de saxophones
162
2 Clarinettes (duo)
161
Saxophone Soprano et Piano
131
Ensemble de Clarinettes
112
Flûte, Clarinette (duo)
84
Quatuor de Flûtes : 4 flûtes
82
Flûte et Guitare
82
Clarinette (partie séparée)
81
Ensemble de Flûtes
79
Saxophone Baryton, Piano
76
Flute (partie séparée)
70
2 Hautbois (duo)
66
3 Clarinettes (trio)
64
3 Saxophones (trio)
53
Trio de Flûtes: 3 flûtes
53
Hautbois, Basson (duo)
42
Quintette de Flûte : 5 flûtes
42
Flûte, Hautbois, Clarinette (trio)
41
Quintette de Clarinettes: 5 clarinettes
40
Hautbois
39
Flûte, Violon
38
Saxophone Soprano
36
Clarinette, Violon (duo)
35
Cor anglais, Piano
32
Flûte à bec Soprano
32
Flûte, Violoncelle
29
Flûte à Bec
28
Saxophone, Clarinette (duo)
27
Hautbois, Clarinette (duo)
27
Clarinette, Guitare (duo)
26
Flûte, Alto (duo)
23
Clarinette et Alto
22
2 Flûte à bec (duo)
22
Cor Anglais
21
Ocarina
21
Flûte à bec Alto
18
Harmonica
17
Flûte, Violon, Piano
17
Instruments en Mib
17
Flûte, Hautbois (duo)
15
Clarinette Basse, Piano
14
Clarinette, Basson (duo)
14
Clarinette, Harpe (duo)
14
Clarinette, Trompette (duo)
13
Hautbois, Flûte
13
Flûte, Clarinette et Basson
13
Hautbois, Clarinette, Basson (trio d'anches)
12
Flûte, Clarinette, Piano (trio)
12
2 Clarinettes, Piano
12
Saxophone Baryton
11
Flûte, Violoncelle, Piano (trio)
11
2 Flûtes traversières, Piano
11
Hautbois, Guitare (duo)
10
Quatuor de Flûtes à bec
10
Clarinette, Violoncelle (duo)
9
Cor anglais, Guitare (duo)
9
Flûte, Violon et Violoncelle
8
Flûte, Saxophone (duo)
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Flûte à bec Tenor
7
Clarinette Basse
7
Flûte, Clarinette, Violon (trio)
6
Flûte, Harpe et Violoncelle
6
Hautbois, Violoncelle
6
Saxophone et Orgue
6
Flûte irlandaise
6
Flûte, Hautbois, Violon
6
Ensemble De Flûte à bec
5
5 Flûtes à bec
5
2 Saxophones, Piano
5
Saxophone et Guitare
5
Piccolo
5
Flûte, Trompette (duo)
4
Hautbois et alto (duo)
4
Flûte, Basson et Piano
4
Flute, harpe et violon
4
Hautbois, violon (duo)
3
Flûte, Hautbois, Piano (trio)
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Clarinette, Trombone (duo)
3
Flûte et Trio à cordes
3
2 Hautbois, Piano
3
Flûte, Hautbois, Basson
3
Clarinette, Orgue
3
Flûte à bec Soprano, Piano
3
Flûte à bec Alto, Piano
3
Flûte, Alto et Piano
2
Flûte traversière, Orgue (duo)
2
Saxophone et Harpe
2
Hautbois, Basson et Piano
2
2 Clarinettes, Basson
2
Ensemble à vent
2
Flûte, trombone et piano
2
Flûte, Tuba (duo)
1
Flûte, Trombone (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
2 Flûtes traversières, Harpe
1
Harmonica, Piano
1
Piccolo, Piano
1
Flûte de Pan
1
Hautbois, Clarinette et Piano (Trio)
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Basson, Piano (trio)
1
Flûte et Quatuor à Cordes
1
Cornemuse
1
Clarinette, trompette et piano
1
Flûte à Bec, Piano
1
2 Flûtes à bec, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Harpe
1
+ 125 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
550
Trompette
498
Trombone et Piano
350
Trombone
345
Trompette (partie séparée)
299
Quatuor de Cuivres : 2 trompettes, trombone, tuba
297
Trompette, Piano
280
Trombone (partie séparée)
246
Cor et Piano
166
Quatuor de Cuivres
163
Cor
158
Tuba et Piano
102
Tuba
100
Ensemble de Trompettes
97
Quatuor de Cuivres: 2 trompettes, Cor, trombone
90
2 Trombones (duo)
81
2 Trompettes (duo)
69
Ensemble de Trombones
64
Cor (partie séparée)
50
Quatuor de cuivres: 4 trombones
49
Trompette, Trombone (duo)
48
Euphonium
38
Bass Clef Instruments
37
Tuba (partie séparée)
36
2 Cors (duo)
35
Cor anglais, Piano
32
Euphonium, Piano (duo)
32
Cor Anglais
21
Trio de Cuivres
21
2 Euphoniums et 2 Tubas
17
3 Trombones (trio)
17
Quatuor de cuivres: 4 cors
16
Instruments en Sib
16
Trompette, Saxophone (duo)
15
Trombone, Tuba (duo)
15
Ensemble de Cors
15
2 Tubas (duo)
12
Cor anglais, Guitare (duo)
9
Trompette, Cor (duo)
8
2 Trompettes, Clavier (piano ou orgue)
7
3 Trompettes (trio)
6
Quatuor de cuivres: 4 trompettes
5
Tuba et Orgue
5
2 Cors, Piano
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Trombone, Piano
3
Trompette, Tuba (duo)
3
Trombone, Orgue
3
4 Tubas
2
Euphonium, Tuba (duo)
2
3 Cors (trio)
2
Trombone basse
2
Clarinette, Cor (duo)
2
Trombone basse et Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Cor et Basson (duo)
1
Cor et Harpe
1
Trompette, Basson (duo)
1
Trompette, Violoncelle (duo)
1
Trompette, Euphonium (duo)
1
Cor et Orgue
1
Tuba ou Euphonium ou Saxhorn
1
Cor, Violoncelle (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Euphoniums (duo)
1
Cor, Tuba (duo)
1
Trompette, Harpe
1
Ensemble de Tubas
1
Instruments en Fa
1
+ 64 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 732
Violon
760
Violon et Piano
648
Violon, Violoncelle (duo)
541
Trio à Cordes: violon, alto, violoncelle
444
Alto, Piano
442
Violoncelle
439
Violoncelle, Piano
434
Harpe
378
Quintette à cordes: 2 violons, alto, violoncelle, basse
335
Alto seul
265
2 Violons (duo)
230
Violon, Alto (duo)
134
2 Violoncelles (duo)
134
2 Harpes (duo)
121
Contre Basse
107
2 Altos (duo)
106
Alto (partie séparée)
93
Contrebasse, Piano (duo)
92
Trio à Cordes: 2 violons, violoncelle
79
Violon (partie séparée)
74
Contrebasse (partie séparée)
71
Alto, Violoncelle (duo)
54
4 Violoncelles
48
Trio à cordes: 3 violins
39
Ensemble de Violons
29
Ensemble d'Altos
28
Violon, Guitare (duo)
27
Violoncelle, Contrebasse (duo)
23
2 Contrebasses (duo)
22
Quatuor à cordes: 4 violons
21
Harpe, Flûte (duo)
19
Trio à Cordes: 2 violons, alto
18
Harpe, Violon (duo)
18
Violoncelle , Guitare (duo)
18
Trio à Cordes: 3 violoncelles
17
Violoncelle (partie séparée)
17
Piano Trio: Violon, Alto, Piano
15
Harpe, Voix
12
Trio à cordes: 3 altos
12
Alto et Harpe
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Harpe, Violoncelle (duo)
9
2 Violons, Piano
9
Quatuor à cordes : 4 altos
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
4 Contrebasses
4
Harpe, Violon, Violoncelle
4
Flûte, Contrebasse (duo)
4
Violon, Basson (duo)
4
Alto, Guitare (duo)
4
2 Violoncelles, Piano
3
Violoncelle, Orgue
3
2 Altos, Piano
3
Trio à cordes
2
Alto et Basson
2
Violon, Tuba (duo)
2
Alto, Orgue
1
Harpe, Trombone (duo)
1
Harpe et mandoline
1
Harpe et Piano
1
Ensemble de Violoncelles
1
Violon, Violoncelle, Clarinette
1
+ 58 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 301
Orchestre à Cordes
676
Ensemble Jazz
630
Orchestre
512
Ensemble de cuivres
232
Batterie
212
Orchestre de chambre
162
Fanfare
150
Jazz combo
131
Cloches
124
Ensemble de Percussions
82
Percussion (partie séparée)
54
Marimba
52
Batterie (partie séparée)
48
Xylophone
19
Xylophone, Piano
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
10
Vibraphone
8
Percussion
8
Timbales (partie séparée)
7
3 Marimbas
5
Big band
4
2 Xylophones
3
Xylophone ou Marimba ou Vibraphone
3
Caisse Claire
1
Instrumentation Flexible
1
Ensemble d'École
1
Marimba, Piano (duo)
1
Timbales
1
Voix et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
+ 26 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLON
VIOLONCELLE
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JAZZ MANOUCHE - SWIN…
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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Crtitères actifs :
You And I
2 Pianos, 4 mains
Partitions à imprimer
68 partitions trouvées
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51
5 Easy Pieces for 2 pianos Books 1, 2, 3, 4 and 5 - 25 Classics - 2 pianos, 4 hands by Simon Peberdy
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE
#
Classique
#
Piano II: Various, Piano I:
#
Simon Peberdy
#
5 Easy Pieces for 2 pianos Boo
#
Simon Peberdy
#
SheetMusicPlus
2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Various, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Classical...
(+)
2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Various, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Classical Period, Baroque Period, Repertoire, General Instructional, Children's Music. 70 pages. Published by Simon Peberdy
Have fun with 25 newly arranged pieces for 2 pianos, 4 hands with a brand new additional piano part by Simon Peberdy.
This anthology is a special offer giving you a saving $10 compared to if you buy the books separately.
This is a collection of books 1-5 of my series of Easy Pieces for 2 pianos, 4 hands.
Excellent for learners with other learners or teachers, or for more advanced pianists wanting to have some fun sight reading on 2 pianos.
Book 1: https://www.youtube.com/watch?v=nsxdXu3Q9DY
Schumann - Stckchen
W A Mozart - Menuett
Tschaikowsky - Old French song
G F Handel - Sarabande
Haydn - German Dance
Book 2: https://www.youtube.com/watch?v=WvSNEp_eq-w
Haydn - Shepherd's Song
Mozart - Air from a String Quartet
Handel - Sonatina in B flat
Rathgeber - Vivace in A
Hook - Pastorale
Book 3: https://www.youtube.com/watch?v=7BugdfBm_2Y
W.A. Mozart - Minuet in F (K5)
Hook - Tempo di Minuetto
J.S. Bach - Gavotte en Rondeau
Gurlitt - Wild Mignonette
W.F. Bach - Menuett
Book 4: (https://www.youtube.com/watch?v=lwNeO_YaBEI
Hook - Air
Mller - Study in A minor
Purcell - Round O'
Couperin - Gavotte
Rameau - Minuet
Book 5: https://www.youtube.com/watch?v=eRbF5QeR95Q
J.S. Bach - Minuet in G (I)
J.S. Bach - Minuet in G minor
J.S. Bach - Minuet in G (II)
J.S. Bach - Minuet in A minor
J.S. Bach - Minuet in D minor
Arranged for 2 pianos, 4 hands by Simon Peberdy.
The pieces are also available individually from www.simonpeberdymusic.com
If you print out everything, there are 70 pages.
The mp3 is of Rameau's Minuet from Book 4 and is computer generated, I'm afraid. To hear the other pieces, please call them up individually from www.simonpeberdymusic.com
$19.99
Mahler - Symphony No. 7, I. Langsam, Adagio
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2 Pianos, 4 mains
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AVANCÉ
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7, I. La
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389348 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 1...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389348 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 112 pages. Barry Mortichesky #972931. Published by Barry Mortichesky (A0.1389348). This is my version of the first of five movements, Langsam-Adagio, from Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles.Thank you, and I hope you enjoy.
$15.00
Whiter Than Snow (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Whiter Than Snow
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458061 By Sharon Wilson. By James L. Nicholson and William G. Fischer. Arranged by Sharon Wilson. 19th ...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458061 By Sharon Wilson. By James L. Nicholson and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 16 pages. Sharon Wilson #1037031. Published by Sharon Wilson (A0.1458061). Here is the beautiful hymn Whiter Than Snow by William G. Fischer arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of C major and then transitions to the key of G major for the second verse.This relaxed and flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by James L. Nicholson: Lord Jesus, I long to be perfectly whole; I want Thee forever to live in my soul . . . Whiter than snow, yes, whiter than snow, Now wash me, and I shall be whiter than snow.The purchase price includes an 8-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Minuet (J P Rameau) - 2 pianos, 4 hands by Simon Peberdy
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2 Pianos, 4 mains
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FACILE
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Piano II: Jean Philippe Rameau
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Simon Peberdy
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Minuet
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757074 Composed by Piano II: Jean Philippe Rameau, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Ba...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757074 Composed by Piano II: Jean Philippe Rameau, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Instructional,Standards. Score. 5 pages. Simon Peberdy #4321405. Published by Simon Peberdy (A0.757074). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 4, the fourth in a series of 5 books.Video of all of Book 4: https://youtu.be/lwNeO_YaBEIFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
Study in A minor (August Müller) for 2 pianos 4 hands (additional piano part by Simon Peberdy)
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2 Pianos, 4 mains
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FACILE
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Piano II: Müller, PIano I:
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Simon Peberdy
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Study in A minor
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757071 Composed by Piano II: Müller, PIano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Child...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757071 Composed by Piano II: Müller, PIano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Classical,Instructional,Standards. Score. 4 pages. Simon Peberdy #4313333. Published by Simon Peberdy (A0.757071). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 4, the fourth book in a series of 5.Video of Book 4: https://youtu.be/lwNeO_YaBEIFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
Concertino in C major I. Allegretto for Early Intermediate Piano
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2 Pianos, 4 mains
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FACILE
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Sibylle Kuder
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Concertino in C major I. Alleg
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Sibylle Kuder
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1119510 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional. Score. 6 pages. Sibylle Kud...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1119510 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional. Score. 6 pages. Sibylle Kuder #720922. Published by Sibylle Kuder (A0.1119510). I frequently make changes to my compositions. If you would like to make sure that you have the latest edition, please send an email to sibyllekuder@gmail.com ~ If there is a newer edition I will gladly send you the updated PDF file! ~ Early Intermediate. ~ Cheerful, light-hearted, needs very energetic staccato. ~ The PDF file has two versions: a 6-page practice version with lots of white space for adding comments, and a performance version condensed onto four pages, to fit the average music stand.
$3.99
Hymns of Praise for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Hymns of Praise for Two Pianos
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Re...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Reginald Heber, William H. Doane, and William J. Kirkpatrick. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 61 pages. Sharon Wilson #1034892. Published by Sharon Wilson (A0.1455795). This collection contains 5 favorite praise hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. An optional repeat is provided for some songs in case a longer selection is desired. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays one verse of And Can It Be? and the YouTube video features To God Be the Glory.Song titles included in this collection: And Can It Be?He Keeps Me SingingHoly, Holy, HolyRedeemed, How I Love to Proclaim ItTo God Be the GloryVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Concertino in C major II. Minuet and Trio for Early Intermediate Piano
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2 Pianos, 4 mains
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FACILE
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Sibylle Kuder
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Concertino in C major II. Minu
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Sibylle Kuder
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1119315 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional. Score. 4 pages. Sibylle Kud...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.1119315 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional. Score. 4 pages. Sibylle Kuder #720730. Published by Sibylle Kuder (A0.1119315). I frequently make changes to my compositions. If you would like to make sure that you have the latest edition, please send an email to sibyllekuder@gmail.com ~ If there is a newer edition I will gladly send you the updated PDF file! ~.
$2.99
Do You Hear What I Hear
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Christian contemporain
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Country
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Carrie Underwood
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Lynn Hutchinson
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Do You Hear What I Hear
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Lynn Hutchinson Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.914814 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Lynn Hutchinson. Christian,Gos...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.914814 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Lynn Hutchinson. Christian,Gospel,Rock. Score. 19 pages. Lynn Hutchinson Music #4896239. Published by Lynn Hutchinson Music (A0.914814). Doubled piano and horn instrumentation makes this setting both visually and sonically captivating. And really fun to play (thus says the pianist!). Upbeat and modern yet suitable for conservative audiences, this arrangement is ideal for both concert stage and church setting. Price includes score and parts.
$15.99
Between the Lakes - Piano duo (2 pianos, 4 hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Rebekah Barker
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Between the Lakes - Piano duo
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Rebekah Barker
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.905084 Composed by Rebekah Barker. Concert. Score and parts. 8 pages. Rebekah Barker #4293...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.905084 Composed by Rebekah Barker. Concert. Score and parts. 8 pages. Rebekah Barker #4293569. Published by Rebekah Barker (A0.905084). Between the Lakes is a piano duo perfect for advanced intermediate pianists. The song starts out in G flat major and transitions to G major. The tempo is 80 mm, but the performers should play with rubato as they feel necessary. SIDE NOTE: The title of the song does not mean what you might think. Rather the song was titled after living in Interlagos, São Paulo, Brazil, where I was originally inspired with the creation of the piece. (Interlagos in Portuguese means between the lakes.).
$8.99
Mahler - Symphony No. 7, II. Nachtmusik
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2 Pianos, 4 mains
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AVANCÉ
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7, II. N
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389349 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 5...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389349 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 59 pages. Barry Mortichesky #972932. Published by Barry Mortichesky (A0.1389349). This is my version of the second of five movements, the first of two Nachtmusik andantes, from Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles. Thank you, and I hope you enjoy.
$15.00
Sir Duke
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Soul/R&B
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Stevie Wonder
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Fishel Pustilnik
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Sir Duke
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F & N Enterprise
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.635785 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score. 7 pages. F & N...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.635785 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score. 7 pages. F & N Enterprise #5798587. Published by F & N Enterprise (A0.635785). An excellent arrangement of the famous Song Sir Duke for Oboe and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/mRT5rBfIA2Y The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Mahler - Symphony No. 7 (1905)
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2 Pianos, 4 mains
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AVANCÉ
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389358 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 3...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389358 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 389 pages. Barry Mortichesky #972943. Published by Barry Mortichesky (A0.1389358). This is my complete version of Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles. The mp3 recordings are available listen under each movement's individual entries. Thank you, and I hope you enjoy.
$70.00
Mahler - Symphony No. 7, III. Scherzo
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2 Pianos, 4 mains
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AVANCÉ
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7, III.
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389350 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 6...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389350 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 69 pages. Barry Mortichesky #972933. Published by Barry Mortichesky (A0.1389350). This is my version of the third of five movements, the Scherzo, from Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles. Thank you, and I hope you enjoy.
$15.00
Mahler - Symphony No. 7, V. Rondo-Finale
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2 Pianos, 4 mains
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AVANCÉ
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7, V. Ro
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389355 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 9...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389355 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 96 pages. Barry Mortichesky #972939. Published by Barry Mortichesky (A0.1389355). This is my version of the last of five movements, the Rondo-Finale, from Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles. Thank you, and I hope you enjoy.
$15.00
Blue Christmas
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Rock
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Elvis Presley
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Fishel Pustilnik
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Blue Christmas
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F & N Enterprise
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.632804 By Elvis Presley. By Billy Hayes and Jay Johnson. Arranged by Fishel Pustilnik. Rock. Score. 6 pa...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.632804 By Elvis Presley. By Billy Hayes and Jay Johnson. Arranged by Fishel Pustilnik. Rock. Score. 6 pages. F & N Enterprise #3133845. Published by F & N Enterprise (A0.632804). An excellent arrangement of famous Blue Christmas for Alto Sax and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Reflections on a Winter's Morning
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2 Pianos, 4 mains
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AVANCÉ
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Matthew Nunes
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Reflections on a Winter's Morn
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Matthew Nunes Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1263486 Composed by Matthew Nunes. Chamber,Christmas,Classical. Score. 32 pages. Matthew Nunes Music #85...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1263486 Composed by Matthew Nunes. Chamber,Christmas,Classical. Score. 32 pages. Matthew Nunes Music #856450. Published by Matthew Nunes Music (A0.1263486). Listen to this piece hereCommissioned by James EhmerReflections on a Winter’s Morning is a piece especially composed for James Ehmer, a composer, euphonium player, and soon to be medical student, as a personal thank you for his generous donation to my “Get Matt to Maryland†Rally via rally.org. James came to me with two wonderful poems describing idyllic winter scenes and the awe of a morning’s sun. These instantly reminded me of the first mornings I would ever wake to snow fall. The two pianos share multiple roles in recalling these moments: the persistence of an alarm clock in a drowsy morning, the first few fluttering snowflakes, a child teeming with excitement, and finally the grandeur of the sun reigning over the flurry.Orlando, May 2014- Matthew Nunes.
$9.99
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
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