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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
a
Sheetmusicplus
Non classifié
74 347
Piano & claviers
Piano seul
52 531
Piano, Voix
37 124
Piano Facile
17 230
Piano, Voix et Guitare
9 634
Orgue
6 509
Instruments en Do
4 428
Piano grosses notes
3 500
Accompagnement Piano
2 605
1 Piano, 4 mains
1 675
Accordéon
887
Piano Trio: piano, violon, violoncelle
883
Piano (partie séparée)
538
2 Pianos, 4 mains
408
Piano Quatuor: piano, 2 violons, violoncelle
254
Piano Quatuor: piano, violon, alto, violoncelle
204
Orgue, Trompette (duo)
164
Orgue, Piano (duo)
134
Clavecin
129
Piano Quintette: piano, 2 violons, alto, violoncelle
115
Clavier
88
1 Piano, 6 mains
72
2 Pianos, 8 mains
30
2 Accordéons
11
Fake Book
5
2 Orgues (duo)
4
Tous Les Instruments
3
Ensemble d'Accordéons
3
Accordéon, Piano
3
Accordéon et Orchestre
3
Orgue, Voix
3
Accordéon, Corde(s)
2
Ensemble de Pianos
2
Orgue et Orchestre
1
+ 28 instrumentations
Retracter
Guitares
Guitare notes et tablatures
7 298
Guitare
5 053
Ligne De Mélodie, (Paroles) et Accords
2 478
Ukulele
1 988
Basse electrique
1 376
Guitare (partie séparée)
937
Paroles et Accords
851
2 Guitares (duo)
810
Mandoline
487
Dulcimer
310
Piano, Guitare (duo)
287
4 Guitares (Quatuor)
229
Banjo
209
3 Guitares (trio)
121
Ensemble de guitares
100
Ukulele Baryton
30
Basse électrique (partie séparée)
29
2 Dulcimers (duo)
27
Mandoline, Guitare (duo)
23
Mandoline, Piano (duo)
17
Guitare, Violon, Violoncelle (trio)
17
2 Ukuleles
16
Guitare Pedal Steel
15
Ensemble de Ukulélés
8
Dobro
6
2 Mandolines (duo)
5
Guitare, Quatuor à cordes
3
Orchestre à Plectres
3
Guitare, Orchestre
3
Guitare, Flûte, Clarinette
2
Guitare Tab, Voix, Basse, Batterie
2
Luth
1
3 Dulcimers (trio)
1
Cithare
1
+ 29 instrumentations
Retracter
Voix
Chorale SATB
32 195
Chorale 3 parties
10 389
Chorale 2 parties
8 546
Chorale TTBB
7 425
Chorale SSAA
5 046
Chorale Unison
4 433
Pack Instrumental pour Chorale
3 960
Voix duo, Piano
2 734
Voix duo
1 130
Chorale
809
Voix Soprano, Piano
709
Voix seule
538
Voix Alto, Piano
507
Voix Tenor, Piano
465
Voix haute
426
Voix Baryton, Piano
316
Voix basse, Piano
192
Voix moyenne, Piano
167
Chorale SSAATTBB
119
Voix Tenor
97
Chorale SSATB
93
Chorale SSAB a cappella
64
Voix Soprano
52
Chorale SSATTB
41
Voix Mezzo-Soprano, Piano
31
Voix basse
28
Soli, choeur mixte et accompagnement
25
Chorale SSAB, Piano
22
Voix, Guitare
15
Chorale SSAATB
12
Chorale SSAATB A Cappella
10
Chorale SATBB
10
Voix Soprano, Orchestre
7
Chorale SAATB A Cappella
7
Chorale SATTBB A Cappella
6
Voix haute, Piano
4
Chorale, Orgue
4
Voix Moyenne
3
Male Voice
3
Voix duo, Orgue
2
Voix Baryton
1
Chorale SSATBB
1
+ 37 instrumentations
Retracter
Vents
Flûte traversière et Piano
6 265
Saxophone (partie séparée)
5 454
Quatuor de Saxophones: 4 saxophones
5 120
Clarinette et Piano
4 640
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3 974
Flûte traversière
3 792
Flûte, Hautbois, Clarinette, Basson
3 712
Hautbois, Piano (duo)
3 554
2 Saxophones (duo)
3 375
Saxophone Alto et Piano
3 275
2 Flûtes traversières (duo)
3 085
Clarinette
3 064
Quatuor de Clarinettes: 4 clarinettes
2 955
Saxophone Alto
2 575
Saxophone Tenor et Piano
2 501
2 Clarinettes (duo)
2 389
Saxophone Tenor
2 193
Hautbois (partie séparée)
1 799
Saxophone Soprano et Piano
1 720
Quintette de Saxophone: 5 saxophones
1 564
Quatuor de Flûtes : 4 flûtes
1 553
Clarinette (partie séparée)
1 390
3 Clarinettes (trio)
1 307
Flûte et Guitare
1 168
Flûte, Clarinette (duo)
1 106
3 Saxophones (trio)
986
Ensemble de Clarinettes
888
Flute (partie séparée)
850
Trio de Flûtes: 3 flûtes
773
Saxophone Baryton, Piano
752
Ensemble de Flûtes
689
Quintette de Clarinettes: 5 clarinettes
639
Ensemble de saxophones
621
2 Hautbois (duo)
621
Clarinette, Violon (duo)
590
Flûte à bec Soprano
555
Cor anglais, Piano
518
2 Flûte à bec (duo)
514
Saxophone, Clarinette (duo)
513
Hautbois, Basson (duo)
508
Flûte, Violon
493
Hautbois
478
Hautbois, Clarinette (duo)
436
Flûte, Violon, Piano
374
Flûte, Hautbois, Clarinette (trio)
365
Flûte à bec Alto
357
Ocarina
330
Harmonica
316
Flûte, Clarinette et Basson
308
Quintette de Flûte : 5 flûtes
299
Clarinette Basse, Piano
295
Clarinette, Trompette (duo)
293
Saxophone Soprano
283
Clarinette, Guitare (duo)
271
Flûte à Bec
271
Quatuor de Flûtes à bec
270
Flûte, Hautbois (duo)
263
Clarinette, Basson (duo)
250
Flûte, Violoncelle
245
Clarinette et Alto
232
Flûte, Alto (duo)
229
Hautbois, Clarinette, Basson (trio d'anches)
227
Flûte, Saxophone (duo)
208
Hautbois, Flûte
207
Flûte, Clarinette, Piano (trio)
202
Flûte, Trompette (duo)
190
Cor Anglais
187
Clarinette, Harpe (duo)
164
Clarinette, Violoncelle (duo)
161
Flûte, Hautbois, Basson
150
Saxophone Baryton
148
Hautbois, Violoncelle
143
Flûte, Violon et Violoncelle
141
2 Flûtes traversières, Piano
133
2 Clarinettes, Piano
127
Ensemble De Flûte à bec
122
Flûte, Violoncelle, Piano (trio)
119
Flûte, Clarinette, Violon (trio)
99
Flûte, Hautbois, Violon
98
3 Flûtes à bec (trio)
97
Flûte à bec Alto, Piano
96
Flûte irlandaise
90
Hautbois, violon (duo)
83
Flûte à bec Soprano, Piano
81
Flûte, Trombone (duo)
81
Flûte, Basson et Piano
81
Clarinette, Violoncelle, Piano (trio)
79
5 Flûtes à bec
75
Saxophone
74
Flûte à bec Tenor
73
2 Saxophones, Piano
70
Flûte, Hautbois, Piano (trio)
68
Piccolo
64
Saxophone et Guitare
62
Flute, harpe et violon
61
Hautbois, Guitare (duo)
58
Hautbois et alto (duo)
57
Cor anglais, Guitare (duo)
57
Flûte, Alto et Piano
54
2 Clarinettes, Basson
48
Clarinette, Trombone (duo)
47
Clarinette Basse
42
Cornemuse
41
Piccolo, Piano
38
Saxophone et Piano
34
Instruments en Mib
34
Flûte à Bec, Piano
34
Saxophone et Orgue
34
Flûte, trombone et piano
33
Flûte, Violon, Violoncelle et Piano
33
Flûte, Tuba (duo)
30
Clarinette, Basson, Piano (trio)
30
Flûte, Clarinette, Cor, Basson (Quartet)
29
Flûte, Harpe et Violoncelle
29
3 Hautbois
28
4 Hautbois
28
Hautbois, Trompette (duo)
28
Saxophone, Violon (duo)
27
Saxophone et Harpe
26
Clarinette, trompette et piano
25
Hautbois, Harpe
25
Flûte traversière, Orgue (duo)
24
Flûte à bec, Guitare (duo)
22
Hautbois, trombone (duo)
21
Clarinette, Tuba
21
Flûte et Trio à cordes
20
Ensemble à vent
19
Clarinette, Alto et Piano (trio)
18
Flute, Cor (duo)
18
Hautbois, Violoncelle et Piano
17
Hautbois, Basson et Piano
16
Flûte, Violoncelle, Guitare
15
Clarinette, Contrebasse (duo)
14
Hautbois, Clarinette et Piano (Trio)
12
Quintette de Clarinette: Clarinette, Quatuor à Cordes
12
2 Cors Anglais Et Pianoforte
12
Hautbois, Violin, Alto et Violoncelle (Quatuor)
10
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
10
Clarinette, Orgue
10
Hautbois, Violon, Piano
8
Flûte, alto et harpe
8
Flûte, Violon, Guitare
8
Flûte à bec, Harpe
8
Cor anglais et Harpe (duo)
8
Flûte à bec Alto, Basse continue
7
Flûte et Quatuor à Cordes
6
Saxophone et violoncelle
6
Flûte traversière, Orchestre
6
Flûte traversière, Basse continue
5
Clarinette, Orchestre
5
2 Flûtes à bec, Piano
5
Saxophone, Basson (duo)
4
2 Flûtes, Basse continue
4
2 Hautbois, Piano
4
Ensemble de Hautbois
4
2 Flûtes, 2 Clarinettes (Quatuor)
3
Melodica
3
2 Hautbois et Basson
3
Saxophone, Tuba (duo)
3
Flûte de Pan
3
3 Flûtes à bec, Piano
2
2 Harmonicas
2
Harmonica, Piano
2
Hautbois, Orgue
2
2 Flûtes traversières, Harpe
2
Flûte à bec Soprano, Basse continue
1
2 Flûtes à bec, Guitare
1
2 Hautbois, 2 Cors et 2 Bassons
1
2 Hautbois et Cor anglais
1
Hautbois et Orchestre
1
Clarinette, Saxophone, Piano
1
Flute, alto, violoncelle et guitare
1
Flûte, Alto et Violoncelle
1
+ 168 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4 493
Trompette
3 294
Trombone (partie séparée)
3 206
Trompette, Piano
3 046
Trompette (partie séparée)
3 012
Trombone et Piano
3 008
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2 793
Trombone
2 336
Cor et Piano
2 092
Cor
1 701
2 Trompettes (duo)
1 236
Tuba
1 131
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1 009
2 Trombones (duo)
1 007
Quatuor de Cuivres
991
Tuba et Piano
961
Cor (partie séparée)
840
Tuba (partie séparée)
654
Trompette, Trombone (duo)
634
Quatuor de cuivres: 4 trombones
549
2 Cors (duo)
547
Euphonium, Piano (duo)
542
Cor anglais, Piano
518
Trompette, Saxophone (duo)
452
Quatuor de cuivres: 4 cors
437
Euphonium
399
Trompette, Cor (duo)
318
Ensemble de Trombones
273
3 Trombones (trio)
223
2 Euphoniums et 2 Tubas
205
Trio de Cuivres
195
Cor Anglais
187
2 Tubas (duo)
175
Ensemble de Trompettes
168
4 Tubas
127
Ensemble de Cors
122
Quatuor de cuivres: 4 trompettes
117
3 Trompettes (trio)
98
Quatuor de cuivres: 2 trompettes, 2 trombones
80
Trombone, Tuba (duo)
72
Trompette, Tuba (duo)
71
Tuba et Orgue
65
Euphonium, Tuba (duo)
61
Bass Clef Instruments
60
Trombone basse
59
Cor anglais, Guitare (duo)
57
Cor, Violoncelle (duo)
56
Trombone, Orgue
48
2 Trompettes, Clavier (piano ou orgue)
46
Trompette, Violoncelle (duo)
42
Trompette, Basson (duo)
40
Trompette, violon (duo)
40
Trombone, Cor (duo)
39
Cor, Tuba (duo)
37
Trompette, Violoncelle et Piano
35
Trombone basse et Piano
34
2 Euphoniums (duo)
34
Cor et Harpe
31
Instruments en Sib
30
Tuba ou Euphonium ou Saxhorn
30
Trombone, Violon (duo)
27
3 Cors (trio)
27
Trompette, Harpe
26
Trompette, Trombone, Piano
26
Trombone, violoncelle (duo)
25
Cor et Basson (duo)
25
Clarinette, Cor (duo)
19
2 Trombones, Piano
18
Cor et Orgue
17
Trompette et Guitare
17
3 Tubas (trio)
17
Cor, Trompette, Trombone (trio)
17
Cornet A Pistons
14
2 Cors Anglais Et Pianoforte
12
Ensemble de Tubas
9
Cor anglais et Harpe (duo)
8
Cornet et Piano
7
Instruments en Fa
7
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
7
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
7
Trombone et orchestre
6
2 Cors, Piano
6
Trombone, Alto (duo)
5
Cor, Orchestre
5
Cor, Violoncelle et Piano
5
3 Euphoniums
4
Euphonium (partie séparée)
3
Trompette, Euphonium (duo)
3
4 Euphoniums
2
Cornet et orchestre
2
Trompette, Orchestre
1
Euphonium Ou Saxhorn Et Piano
1
+ 87 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
12 736
Violon et Piano
7 203
Violon
4 997
Violoncelle, Piano
4 693
Harpe
3 905
Alto, Piano
3 716
Violoncelle
3 475
Violon, Violoncelle (duo)
2 470
Trio à Cordes: violon, alto, violoncelle
2 230
2 Violons (duo)
2 193
Alto seul
2 119
2 Violoncelles (duo)
1 397
Violon (partie séparée)
1 361
Violon, Alto (duo)
1 186
Contrebasse (partie séparée)
1 130
Quintette à cordes: 2 violons, alto, violoncelle, basse
1 129
2 Altos (duo)
904
Alto (partie séparée)
900
Contrebasse, Piano (duo)
885
Contre Basse
876
Trio à Cordes: 2 violons, violoncelle
861
Harpe, Flûte (duo)
488
Piano Trio: Violon, Alto, Piano
480
Alto, Violoncelle (duo)
467
Trio à cordes: 3 violins
419
Violon, Guitare (duo)
410
Violoncelle (partie séparée)
367
4 Violoncelles
363
2 Harpes (duo)
302
Harpe, Violon (duo)
252
Violoncelle , Guitare (duo)
224
Trio à Cordes: 3 violoncelles
200
Quatuor à cordes: 4 violons
193
Trio à Cordes: 2 violons, alto
192
2 Contrebasses (duo)
166
Violoncelle, Contrebasse (duo)
154
Alto, Guitare (duo)
151
Violon, Basson (duo)
132
Trio à cordes: 3 altos
120
Quatuor à cordes : 4 altos
105
Quintette à cordes: 2 violons, 2 altos, violoncelle
79
Trio à cordes
67
Harpe, Violoncelle (duo)
62
Alto et Basson
61
2 Violons, Piano
57
Harpe, Voix
52
Alto et Harpe
52
Violon, Clarinette, Piano (trio)
52
Violoncelle, Orgue
47
Quintette à cordes : 2 violons, alto et 2 violoncelles
45
Ensemble de Violons
40
Flûte, Contrebasse (duo)
37
4 Contrebasses
34
Ensemble d'Altos
29
Harpe, Violon, Violoncelle
25
Violon, Tuba (duo)
24
Violoncelle, Orchestre
24
Violon, Orgue
23
2 Violoncelles, Piano
23
Ensemble de Violoncelles
18
Harpe et Piano
18
3 Contrebasses
13
Harpe, Trombone (duo)
13
Harpe et mandoline
13
Violon, Basse continue
12
Violoncelle, Basse continue
11
Violon, Violoncelle, Clarinette
11
Autoharp
10
3 Harpes
9
Violon, Trompette et Piano
9
Harpe (partie séparée)
8
2 Altos, Piano
7
Harpe, Quatuor à cordes
4
Alto, Orgue
4
Harpe et Orgue
3
4 Harpes
3
5 Harpes
2
Alto et orchestre
2
2 Violons et Basse continue
2
+ 74 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
24 199
Orchestre à Cordes
6 066
Ensemble Jazz
4 976
Orchestre
4 774
Ensemble de cuivres
3 173
Cloches
3 105
Fanfare
2 836
Orchestre de chambre
1 685
Jazz combo
1 420
Batterie
1 088
Percussion (partie séparée)
826
Ensemble de Percussions
634
Batterie (partie séparée)
619
Marimba
211
Percussion
197
Timbales (partie séparée)
194
Vibraphone
129
Xylophone, Piano
90
Xylophone
84
Piano et Orchestre
50
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
40
Quintette à Vent
38
Timbales
36
Orchestre, Violon
29
2 Xylophones
24
Quatuor à Vent : 4 instruments à vents
18
Caisse Claire
17
Quintette de Cuivres: autres combinaisons
16
Big band
12
Ensemble d'École
10
Vibraphone et Marimba
9
Instrumentation Flexible
9
Xylophone (partie séparée)
9
Vibraphone (partie séparée)
7
3 Marimbas
5
Marimba, Piano (duo)
4
Xylophone ou Marimba ou Vibraphone
4
Marimba et Orgue
4
Voix et Orchestre
2
Bongos
2
2 Marimbas
2
Cajon
2
Bodhran
2
Conga
2
3 Percussions
2
Marimba ou Xylophone et Piano
1
2 Percussions
1
2 Caisses Claires (duo)
1
+ 43 instrumentations
Retracter
Autres
Formation musicale - Solfège
152
Théorie de la musique
10
Papeterie
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Piano Quintet in A minor
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2 Pianos, 4 mains
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AVANCÉ
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Florence B
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Mena Williams (b
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Piano Quintet in A minor
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Mena C. Williams | The Unfinished Symphony
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Cla...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1440150 Composed by Florence B. Price (1887-1953). Arranged by Mena Williams (b. 2002). 20th Century,Classical. Score. 90 pages. Mena C. Williams | The Unfinished Symphony #1020099. Published by Mena C. Williams | The Unfinished Symphony (A0.1440150). In 1903, Florence B. Price (1887-1953) attended the New England Conservatory for piano, organ, and composition. When Price graduated from NEC in 1910, she returned to Arkansas, bringing music education to her hometown. Unfortunately, due to increased racially charged hostility within Little Rock, Arkansas, Florence Price and many other families who participated in the Great Migration moved to Chicago in 1927, where she found new musical studies and performance opportunities. The opportunity that launched Price’s musical career as a composer was when she won the Wanamaker Prize in 1932 for her Symphony in e minor and became the first Black woman composer to have a major orchestral work performed by an American orchestra. Four years later, Price composed Quintet in a minor for Piano and Strings. Within the Quintet, there are four movements, the “Allegro non troppo”, the “Andante con moto”, the “Juba”, and the “Scherzo”. Quintet in A Minor for Piano and Strings utilizes many of Florence Price’s trademark stylistic ideas, imbuing her music with harmonic freshness and a creative and organic structural approach as well as melodies that reflect her spiritual and cultural heritage, all stemming from how Price’s music brings together the European-classical tradition and African American spirituals and folk tunes. Florence Price was a deeply religious person who brought the music of the African American church and the influences of Romantic composers such as Dvořák and Tchaikovsky. Thus further resulting in the overall appeal of Price’s music. The captivating lyricism and juba (a dance that originated from plantation enslaved people in the Southern US) rhythmic devices.
$4.99
Reflections on a Winter's Morning
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2 Pianos, 4 mains
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AVANCÉ
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Matthew Nunes
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Reflections on a Winter's Morn
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Matthew Nunes Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1263486 Composed by Matthew Nunes. Chamber,Christmas,Classical. Score. 32 pages. Matthew Nunes Music #85...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1263486 Composed by Matthew Nunes. Chamber,Christmas,Classical. Score. 32 pages. Matthew Nunes Music #856450. Published by Matthew Nunes Music (A0.1263486). Listen to this piece hereCommissioned by James EhmerReflections on a Winter’s Morning is a piece especially composed for James Ehmer, a composer, euphonium player, and soon to be medical student, as a personal thank you for his generous donation to my “Get Matt to Maryland†Rally via rally.org. James came to me with two wonderful poems describing idyllic winter scenes and the awe of a morning’s sun. These instantly reminded me of the first mornings I would ever wake to snow fall. The two pianos share multiple roles in recalling these moments: the persistence of an alarm clock in a drowsy morning, the first few fluttering snowflakes, a child teeming with excitement, and finally the grandeur of the sun reigning over the flurry.Orlando, May 2014- Matthew Nunes.
$9.99
A Footbridge at Dusk
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2 Pianos, 4 mains
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Classique
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Frederic Chopin
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Gary D
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A Footbridge at Dusk
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DR GARY D BELSHAW
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - SKU: A0.796773 Composed by Frederic Chopin. Arranged by Gary D. Belshaw (ASCAP). Contemporary. Score. 3 pages. DR GARY D B...
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2 Pianos,4 Hands,Piano Duet - SKU: A0.796773 Composed by Frederic Chopin. Arranged by Gary D. Belshaw (ASCAP). Contemporary. Score. 3 pages. DR GARY D BELSHAW #6319919. Published by DR GARY D BELSHAW (A0.796773). Duration: a little over 2 minutes. A soothing mood piece built on a Chopin Prelude. Perfect for recital performance on digital keyboards, either as a duet for student and teacher, or with overlaid tracks recorded independently by a solo player. A great opportunity to develop a pianist's ability to play well with others (including him/herself ) - to collaborate in performance, yielding control of elements of performance - tempo, tempo changes, dynamic balance, etc. .
$4.99
Air from a string quartet by Mozart for 2 pianos (additional piano part by Simon Peberdy)
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2 Pianos, 4 mains
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FACILE
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Piano II: Mozart, PIano I: Sim
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Simon Peberdy
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Air from a string quartet by M
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757055 Composed by Piano II: Mozart, PIano I: Simon Peberdy. Arranged by Simon Peberdy. Children,Instruc...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757055 Composed by Piano II: Mozart, PIano I: Simon Peberdy. Arranged by Simon Peberdy. Children,Instructional,Standards. Score. 4 pages. Simon Peberdy #3680441. Published by Simon Peberdy (A0.757055). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 3 standard, so a great introduction to playing music for 2 pianos.This piece appears (with separate piano parts too) in the collection 5 Easy Pieces for 2 Pianos Book 2 arranged by Simon Peberdy, a second book of arrangements to follow 5 Easy Pieces for 2 Pianos  Book 1. There is also a Book 3.Video of all of Book 2: https://youtu.be/WvSNEp_eq-wFor more compositions and arrangements, please visit www.simonpeberdymusic.comThe mp3 is a computer generated one at the moment, I'm afraid.
$1.99
Hymns of Reflection for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Hymns of Reflection for Two Pi
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458057 By Sharon Wilson. By American Folk Song, Grant Colfax Tullar, Henri A. C. Malan, Horatio G. Spaf...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458057 By Sharon Wilson. By American Folk Song, Grant Colfax Tullar, Henri A. C. Malan, Horatio G. Spafford, James L Nicholson, Lowell Mason, Philip P. Bliss, and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Folk,Lent,Sacred. Score. 75 pages. Sharon Wilson #1037027. Published by Sharon Wilson (A0.1458057). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Face to Face and the YouTube video features It Is Well with My Soul.Song titles included in this collection: Face to FaceIt Is Well with My SoulTake My Life and Let It BeThere Is a FountainWhiter Than SnowVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Study in A minor (August Müller) for 2 pianos 4 hands (additional piano part by Simon Peberdy)
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2 Pianos, 4 mains
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FACILE
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Piano II: Müller, PIano I:
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Simon Peberdy
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Study in A minor
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757071 Composed by Piano II: Müller, PIano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Child...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757071 Composed by Piano II: Müller, PIano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Classical,Instructional,Standards. Score. 4 pages. Simon Peberdy #4313333. Published by Simon Peberdy (A0.757071). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 4, the fourth book in a series of 5.Video of Book 4: https://youtu.be/lwNeO_YaBEIFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
Gian Paolo Chiti: Play On B.A.C.H. for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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Gian Paolo Chiti
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Gian Paolo Chiti: Play On B.A.
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534395 Composed by Gian Paolo Chiti. Concert,Contemporary,Jazz,Standards. Score and parts....
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534395 Composed by Gian Paolo Chiti. Concert,Contemporary,Jazz,Standards. Score and parts. 15 pages. Musik Fabrik Music Publishing #3417517. Published by Musik Fabrik Music Publishing (A0.534395). Gian Paolo Chiti wrote “Play on B.A.C.H.†for the Moreno Gistain Duo, who premièred the work on the 28th February, 2015, for the concert season of the Fundación Juan March in Madrid. It was also recorded for Spanish National Radio. Juan Fernando Moreno Gistain wrote of the work: “It´s an honour for us that Maestro Chiti composed “Play on B.A.C.H.†for our concert programme dedicated to works based on the motif formed by the notes B.A.C.H. “Play on BACH†is a wonderful piece for piano duo and we are sure many duos will perform this in the future. The work has an amazing feeling of nostalgia, humour and charm; the audience loved it at every performance. It´s a masterwork and fits incredibly well in our concert programme.â€
$19.95
I Have a Little Dreidel (The Dreidel Song)
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2 Pianos, 4 mains
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DÉBUTANT
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Klezmer
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Wanda Canfield
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I Have a Little Dreidel
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Wanda Canfield
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.799805 Arranged by Wanda Canfield. Concert,Hanukkah,Jewish,Standards. Score. 12 pages. Wanda Canfield #3...
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2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.799805 Arranged by Wanda Canfield. Concert,Hanukkah,Jewish,Standards. Score. 12 pages. Wanda Canfield #3897609. Published by Wanda Canfield (A0.799805). Easy versatile arrangement included several easy solo parts and a simple accompaniment. Parts work together to create a trio at one piano. More players can be added to a second piano! Enough parts to print for at least 6 people. Buying this allows more copies to be made for additional players in one group. Both a normal note and a large, big note with letter inside versions are included.
$3.99
There Is a Fountain (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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There Is a Fountain
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458068 By Sharon Wilson. By American Folk Song, Folk Song, and William Cowper. Arranged by Sharon Wilso...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458068 By Sharon Wilson. By American Folk Song, Folk Song, and William Cowper. Arranged by Sharon Wilson. Christian,Easter,Folk,Lent,Sacred. Score. 16 pages. Sharon Wilson #1037039. Published by Sharon Wilson (A0.1458068). The beautiful American folk tune CLEANSING FOUNTAIN has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. Flowing reverently throughout, this piano duet is ideal for a prelude or offertory, or whenever a meditative musical interlude is desired. The purchase price includes a 8-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Easter Hymns for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Easter Hymns for Two Pianos
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, Matthew Bridges,...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, Matthew Bridges, and Robert Lowry. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 72 pages. Sharon Wilson #1039070. Published by Sharon Wilson (A0.1460130). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These bright and festive arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude). Though frequently associated with the Easter and Lent season, these arrangements can be performed any time of year as a celebration of Jesus' love for us.PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Are You Washed in theBlood? and the YouTube video features Christ Arose.Song titles included in this collection: Are You Washed in the Blood?Christ Arose (Low in the Grave He Lay)Crown Him with Many CrownsNothing but the BloodPower in the BloodVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Hymns of Praise for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Hymns of Praise for Two Pianos
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Re...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Reginald Heber, William H. Doane, and William J. Kirkpatrick. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 61 pages. Sharon Wilson #1034892. Published by Sharon Wilson (A0.1455795). This collection contains 5 favorite praise hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. An optional repeat is provided for some songs in case a longer selection is desired. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays one verse of And Can It Be? and the YouTube video features To God Be the Glory.Song titles included in this collection: And Can It Be?He Keeps Me SingingHoly, Holy, HolyRedeemed, How I Love to Proclaim ItTo God Be the GloryVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Sounds of Creation (A Collection of 7 Keyboard Duets, for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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some soothing, some startling
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Sounds of Creation
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contempora...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contemporary,Instructional,New Age. Score. 87 pages. Sharon Wilson #990042. Published by Sharon Wilson (A0.1407365). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling.  This collection features 7 piano duets inspired by the sounds of nature. Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements (for 2 Pianos, 4 Hands) are as inspirational to play as they are to listen to. These duets sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. For each song there is a grand staff with both piano parts on each page plus the alternate format with each piano part on separate pages. Each duet is also available separately with accompanying preview pages and audio samples. Titles included in this collection: PreludePastoralSerenadeIntermezzoNocturneFantasiaFinale Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$17.99
Minuet in A minor (J S Bach) from the little music book of Anna Magdalena, Arr Simon Peberdy
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2 Pianos, 4 mains
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FACILE
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Piano II: J S Bach, Piano I: S
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Simon Peberdy
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Minuet in A minor
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Simon Peberdy
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SheetMusicPlus
Small Ensemble 2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757079 Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy....
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Small Ensemble 2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.757079 Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Instructional,Standards. Score. 4 pages. Simon Peberdy #4350643. Published by Simon Peberdy (A0.757079). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 5, (Book 1, 2, 3 & 4 are also available). Video of Book 5: https://youtu.be/eRbF5QeR95QFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
Sussex Carol (On Christmas Night) fun Christmas Carol Variations for 2 pianos, 4 hands (on a traditi
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Noël
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Simon Peberdy
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Sussex Carol
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.757141 Composed by Simon Peberdy (on a traditional carol melody). Christmas,Contemporary. Score. 5 pages...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.757141 Composed by Simon Peberdy (on a traditional carol melody). Christmas,Contemporary. Score. 5 pages. Simon Peberdy #6657991. Published by Simon Peberdy (A0.757141). Another in a series of Christmas Carol Variations for 2 pianos, 4 hands.(Also available in a piano duet version)Please visit http://wwwsimonpeberdymusic.com for more new music.
$3.99
A Christmas Tale for piano 4-hands | New edition 2020
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Lena Orsa
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Lena Orsa
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A Christmas Tale for piano 4-h
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Lena Orsa
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.913873 Composed by Lena Orsa. Arranged by Lena Orsa. Children,Christmas,Concert,Contemporary,Standards. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.913873 Composed by Lena Orsa. Arranged by Lena Orsa. Children,Christmas,Concert,Contemporary,Standards. Score. 12 pages. Lena Orsa #6115343. Published by Lena Orsa (A0.913873). A Christmas Tale. It's a fairytale atmosphere but not quite. I wrote this piece after watching Gremlins movie, so there is a place for both magic and sarcasm.
$7.99
"A Youthful Vow" from An Icelandic Suite
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Ingunn Bjarnadóttir
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Richard Simm
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"A Youthful Vow" fro
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Fol...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
He's A Pirate
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Film/TV
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Geoffrey Zanelli, Hans Zimmer,
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Marcos Fernandez-Barrero
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He's A Pirate
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Marcos Fernandez-Barrero
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1083190 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Marcos Fernandez-Barrer...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1083190 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Marcos Fernandez-Barrero. 20th Century,Classical,Contemporary,Film/TV,Pop. Score. 5 pages. Marcos Fernandez-Barrero #687422. Published by Marcos Fernandez-Barrero (A0.1083190). An arrangement for a piano duet (four hands piano or 2 pianos) of He's A Pirate (from Pirates Of The Caribbean). This version passes the melody in between the two different pianists so it is an ideal piece for chamber exams, such as the performance exams of the GCSE or A-Levels of the UK. It is also ideal for academic enviroments or coursework of duetos or chamber groups at conservatoire level.
$4.99
A Shropshire Lad - Rhapsody
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2 Pianos, 4 mains
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AVANCÉ
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Richard Simm
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Richard Simm
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A Shropshire Lad - Rhapsody
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1288884 By Richard Simm. By George Butterworth. Arranged by Richard Simm. 20th Century,Chamber,Classical...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1288884 By Richard Simm. By George Butterworth. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 11 pages. Richard Simm #879723. Published by Richard Simm (A0.1288884). George Butterworth was a uniquely gifted composer and arranger of English folk songs, who was tragically killed in action during WW1 at the age of only 31.His small output included the song cycle, A Shropshire Lad, from which he expanded the first song, Loveliest of Trees into a wonderful orchestral rhapsody.The music is full of passion, but also the most delicate sensitivity, capturing the romantic essence of the English countryside from bygone days.This arrangement by Richard Simm for two pianos now gives pianists access to this beautiful music.
$7.95
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