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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
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FILM WALT DISNEY
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FLAMENCO
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
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MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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RAGTIME
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Note4Piano
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SheetMusicPlus
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difficulté (tous)
débutant
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avec audio
avec vidéo
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Non classifié
3360
PIANO & CLAVIERS
Piano seul
1309
Piano, Voix
476
Piano Facile
328
Accompagnement Piano
221
Piano, Voix et Guitare
195
1 Piano, 4 mains
108
Instruments en Do
71
Orgue
67
Piano (partie séparée)
53
Piano Trio: piano, violon, violoncelle
27
2 Pianos, 4 mains
17
Accordéon
13
Orgue, Trompette (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Clavier
1
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
Instrumentations suivantes
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GUITARES
Guitare (partie séparée)
105
Guitare notes et tablatures
94
Guitare
89
Ukulele
44
Ligne De Mélodie, (Paroles) et Accords
19
Basse electrique
16
Piano, Guitare (duo)
15
Mandoline
6
4 Guitares (Quatuor)
6
Ensemble de guitares
3
Paroles et Accords
3
2 Guitares (duo)
2
2 Ukuleles
1
Banjo
1
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VOIX
Chorale SATB
826
Chorale 3 parties
578
Chorale 2 parties
339
Chorale TTBB
306
Chorale SSAA
263
Chorale Unison
167
Voix duo, Piano
127
Voix duo
52
Voix Alto, Piano
34
Voix Soprano, Piano
31
Voix Tenor, Piano
28
Voix haute
21
Voix Baryton, Piano
19
Voix basse, Piano
13
Voix moyenne, Piano
8
Voix basse
5
Voix Tenor
5
Voix seule
4
Voix Soprano
4
Chorale SSAATTBB
1
Chorale
1
Chorale SATBB
1
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VENTS
Flûte, Hautbois, Clarinette, Basson
360
Quatuor de Saxophones: 4 saxophones
357
Quatuor de Clarinettes: 4 clarinettes
314
Saxophone (partie séparée)
275
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
268
Quintette de Saxophone: 5 saxophones
240
2 Saxophones (duo)
224
Flûte traversière et Piano
201
Saxophone Alto et Piano
187
Clarinette et Piano
155
Hautbois, Piano (duo)
140
2 Clarinettes (duo)
123
Saxophone Tenor et Piano
121
2 Flûtes traversières (duo)
111
Saxophone Alto
109
Saxophone Tenor
102
Flûte traversière
67
Flûte, Clarinette (duo)
63
Clarinette, Violon (duo)
62
Saxophone, Clarinette (duo)
60
Saxophone Soprano et Piano
57
Clarinette
56
Clarinette, Trompette (duo)
49
2 Hautbois (duo)
45
Flute (partie séparée)
43
2 Flûte à bec (duo)
42
3 Saxophones (trio)
38
Hautbois, Clarinette (duo)
36
Ensemble de Clarinettes
35
Hautbois, Basson (duo)
35
3 Clarinettes (trio)
34
Clarinette et Alto
32
Flûte et Guitare
30
Flûte, Violon
29
Flûte, Alto (duo)
29
Flûte, Saxophone (duo)
27
Ensemble de saxophones
27
Quintette de Flûte : 5 flûtes
25
Saxophone Baryton, Piano
22
Clarinette (partie séparée)
21
Hautbois (partie séparée)
21
Flûte, Hautbois (duo)
20
Quatuor de Flûtes : 4 flûtes
19
Quintette de Clarinettes: 5 clarinettes
18
Flûte, Trompette (duo)
18
Ensemble de Flûtes
18
Trio de Flûtes: 3 flûtes
17
Cor anglais, Piano
15
Hautbois, Flûte
14
Hautbois, violon (duo)
13
Clarinette, Guitare (duo)
12
Flûte, Clarinette, Piano (trio)
12
Saxophone Soprano
11
Hautbois
11
Flûte à Bec
9
Harmonica
9
Flûte, Hautbois, Piano (trio)
7
Flûte, Violon, Piano
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Clarinette, Trombone (duo)
6
Flûte, Hautbois, Clarinette (trio)
6
Flûte, Hautbois, Basson
5
Saxophone Baryton
5
Clarinette, Basson (duo)
5
Flûte, Clarinette et Basson
5
Flûte à bec Soprano
4
Clarinette Basse, Piano
4
Flûte, Clarinette, Cor, Basson (Quartet)
3
Saxophone et Orgue
3
Flûte, Violoncelle
3
2 Flûtes traversières, Piano
3
2 Clarinettes, Piano
3
Quatuor de Flûtes à bec
3
Hautbois, Clarinette et Piano (Trio)
2
Saxophone et Guitare
2
3 Flûtes à bec (trio)
2
Hautbois, Guitare (duo)
2
Ensemble à vent
2
Flûte, Violoncelle, Piano (trio)
2
2 Saxophones, Piano
2
Clarinette, Violoncelle (duo)
2
Hautbois, Basson et Piano
2
Flûte à bec Soprano, Piano
2
Saxophone
2
Flûte à bec Tenor
2
Flûte traversière, Orgue (duo)
1
Clarinette, Harpe (duo)
1
Flûte à bec Alto, Piano
1
3 Hautbois
1
Cor Anglais
1
Cor anglais, Guitare (duo)
1
2 Hautbois, Piano
1
Hautbois, Violoncelle
1
Flûte à bec Alto
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violon et Violoncelle
1
Flûte, Basson et Piano
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
283
Trombone (partie séparée)
230
Trompette (partie séparée)
182
Quatuor de Cuivres : 2 trompettes, trombone, tuba
157
Trombone et Piano
119
Trompette
115
Trompette, Piano
102
Cor et Piano
100
Trombone
73
Quatuor de cuivres: 4 trombones
60
Ensemble de Trompettes
51
2 Trompettes (duo)
50
2 Trombones (duo)
47
Trompette, Saxophone (duo)
46
Cor (partie séparée)
42
Tuba (partie séparée)
41
Trompette, Trombone (duo)
34
Quatuor de Cuivres: 2 trompettes, Cor, trombone
31
Ensemble de Trombones
25
2 Cors (duo)
21
Tuba et Piano
20
Cor
19
Cor anglais, Piano
15
Quatuor de Cuivres
12
Tuba
11
2 Euphoniums (duo)
8
2 Euphoniums et 2 Tubas
7
2 Tubas (duo)
6
Quatuor de cuivres: 4 cors
6
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Trompette, Cor (duo)
5
3 Trompettes (trio)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Euphonium, Piano (duo)
3
Trombone, Orgue
3
Trio de Cuivres
2
Quatuor de cuivres: 4 trompettes
2
Trombone, Tuba (duo)
2
Cor, Tuba (duo)
2
Trompette, Tuba (duo)
2
Trombone, Cor (duo)
2
3 Trombones (trio)
2
Euphonium, Tuba (duo)
2
Trombone basse
1
4 Tubas
1
Cor Anglais
1
Cor anglais, Guitare (duo)
1
3 Cors (trio)
1
Euphonium
1
Cor et Orgue
1
Ensemble de Tubas
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
506
Violon et Piano
296
Alto, Piano
155
Violoncelle, Piano
145
Harpe
112
Violon
99
2 Violons (duo)
92
Violoncelle
90
Trio à Cordes: violon, alto, violoncelle
76
Contrebasse (partie séparée)
69
Violon, Violoncelle (duo)
65
Violon, Alto (duo)
63
2 Violoncelles (duo)
53
2 Altos (duo)
53
Alto seul
46
Trio à Cordes: 2 violons, violoncelle
36
Violon (partie séparée)
35
Quintette à cordes: 2 violons, alto, violoncelle, basse
32
Trio à cordes: 3 violins
21
Contre Basse
17
Harpe, Flûte (duo)
16
Contrebasse, Piano (duo)
16
Violon, Guitare (duo)
15
Harpe, Violon (duo)
15
4 Violoncelles
14
Quatuor à cordes: 4 violons
14
Alto (partie séparée)
14
Alto et Harpe
13
Harpe, Violoncelle (duo)
11
Ensemble de Violons
11
Ensemble d'Altos
10
Trio à cordes: 3 altos
10
Trio à Cordes: 3 violoncelles
10
Alto, Violoncelle (duo)
8
Violoncelle, Contrebasse (duo)
7
Quatuor à cordes : 4 altos
6
Piano Trio: Violon, Alto, Piano
6
Trio à cordes
6
Violoncelle (partie séparée)
6
2 Contrebasses (duo)
5
Violoncelle, Orgue
5
Trio à Cordes: 2 violons, alto
5
Harpe, Voix
4
Violoncelle , Guitare (duo)
3
2 Violons, Piano
2
Alto, Orgue
2
4 Harpes
1
Violon, Violoncelle, Clarinette
1
Alto, Guitare (duo)
1
2 Violoncelles, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Ensemble de Violoncelles
1
2 Harpes (duo)
1
4 Contrebasses
1
2 Altos, Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
730
Ensemble Jazz
374
Orchestre à Cordes
289
Cloches
181
Orchestre
135
Orchestre de chambre
106
Ensemble de cuivres
80
Jazz combo
64
Batterie (partie séparée)
52
Ensemble de Percussions
25
Marimba
12
Fanfare
12
Percussion (partie séparée)
11
Vibraphone
10
Batterie
9
Xylophone, Piano
2
Percussion
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
1
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2 Pianos, 4 mains
Partitions à imprimer
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1
Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1369322 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 92 pages. Artistic Score Engraving di Galvagno Michele #953678. Published by Artistic Score Engraving di Galvagno Michele (A0.1369322). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible. M° Capitanio also realised the reduction for two pianos for this title (ASE 0051).The full score is available under Catalogue N° ASE 0047, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$26.95
24.64 €
#
2 Pianos, 4 mains
#
Johann Simon Mayr
#
Fabrizio Capitanio
#
Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos
#
Artistic Score Engraving di Galvagno Michele
#
SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
SURRENDER, Between the Octaves, A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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RITUALISE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Minuet in A minor (J S Bach) from the little music book of Anna Magdalena, Arr Simon Peberdy
2 Pianos, 4 mains
Small Ensemble 2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757079
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Small Ensemble 2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757079 Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Instructional,Standards. Score. 4 pages. Simon Peberdy #4350643. Published by Simon Peberdy (A0.757079). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 5, (Book 1, 2, 3 & 4 are also available). Video of Book 5: https://youtu.be/eRbF5QeR95QFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
1.82 €
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2 Pianos, 4 mains
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Piano II: J S Bach, Piano I: Simon Peberdy
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Simon Peberdy
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Minuet in A minor
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Simon Peberdy
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SheetMusicPlus
Minuet in G minor (J S Bach) from the little music book of Anna Magdalena, Arr Simon Peberdy
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757078 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757078 Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Instructional,Standards. Score. 4 pages. Simon Peberdy #4347415. Published by Simon Peberdy (A0.757078). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 5, (Book 1, 2, 3 & 4 are also available). Video of Book 5: https://youtu.be/eRbF5QeR95QFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
1.82 €
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2 Pianos, 4 mains
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Piano II: J S Bach, Piano I: Simon Peberdy
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Simon Peberdy
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Minuet in G minor
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Simon Peberdy
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SheetMusicPlus
Minuet in G (II) from Anna Magdalena's Notebook (J S Bach), arr for 2 pianos by Simon Peberdy
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757072 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757072 Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Classical,Instructional,Standards. Score. 4 pages. Simon Peberdy #4319611. Published by Simon Peberdy (A0.757072). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 5, (Book 1, 2, 3 & 4 are also available).Video of Book 5: https://youtu.be/eRbF5QeR95QFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
1.82 €
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2 Pianos, 4 mains
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Piano II: J S Bach, Piano I: Simon Peberdy
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Simon Peberdy
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Minuet in G
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Simon Peberdy
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SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Hopak, from "Sorochyntsi Fair"
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1274763 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1274763 Composed by Modest Petrovich Mussorgsky. Arranged by Richard Simm. 19th Century,Classical,Folk,Opera,Romantic Period. Score. 5 pages. Richard Simm #866912. Published by Richard Simm (A0.1274763). This lively dance comes from the closing scene of Mussorgsky's comic opera, The Fair at Sorochyntsi. He wrote the libretto himself, basing it on a short Ukrainian story by Gogol, and he also arranged the Hopak for piano solo. Richard Simm has returned to the available orchestral material as the basis for his colourful 2-piano version.
$6.95
6.35 €
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2 Pianos, 4 mains
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Modest Petrovich Mussorgsky
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Richard Simm
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Hopak, from "Sorochyntsi Fair"
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Richard Simm
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SheetMusicPlus
"Ding Dong Glory Christmas Rag", carol variations for 2 pianos, 4 hands by Simon Peberdy
2 Pianos, 4 mains
Piano Duet, 2 pianos, 4 hands - Digital Download Composed by Simon Peberdy (based on tradi…
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Piano Duet, 2 pianos, 4 hands - Digital Download Composed by Simon Peberdy (based on traditional Christmas Carols). 21st Century, Christmas, Recital. 9 pages. Published by Simon Peberdy
Ding Dong Merrily on High, Angels from the Realms of Glory, Let all Mortal Flesh Keep Silence, Good King Wenceslas, and Personent Hodie all come through the masher in this fun Christmas Carol rag.One of a series of carol variations for 2 pianos, 4 hands. More available, and duet versions too, at www.simonpeberdymusic.com Video of a performance of this in America: https://www.youtube.com/watch?v=Duusqfvx-HY and another at https://youtu.be/rVoVh8kF8lY?t=142Ding Dong Merrily on High, Angels from the Realms of Glory, Let all Mortal Flesh Keep Silence, Good King Wenceslas, and Personent Hodie all come through the masher in this fun Christmas Carol rag.One of a series of carol variations for 2 pianos, 4 hands. More available, and duet versions too, at www.simonpeberdymusic.com Video of a performance of this in America: https://www.youtube.com/watch?v=Duusqfvx-HY and another at https://youtu.be/rVoVh8kF8lY?t=142
$3.99
3.65 €
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2 Pianos, 4 mains
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Simon Peberdy
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"Ding Dong Glory Christmas Rag", carol variations for 2 pianos, 4 hands by Simon Peberdy
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Simon Peberdy
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SheetMusicPlus
Christmas Carol Variations for 2 pianos, 4 hands, Book 2, A second collection of 10 by Simon Peberdy
2 Pianos, 4 mains
Composed by Various, traditional carol melodies. Arranged by Simon Peberdy. Christma…
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Composed by Various, traditional carol melodies. Arranged by Simon Peberdy. Christmas, Contemporary. Score. 68 pages. Simon Peberdy #3892889. Published by Simon Peberdy
Christmas Carol Variations for 2 pianos, 4 hands, Book 2 is a second collection of fun variations based on 10 well-known Christmas carols, for 2 pianos, 4 hands. These are all available individually, but buying all 10 together gives you nearly 70 pages of music to enjoy at a price that means you are basically getting 10 pieces for the price of 6.<br> (Also available as a printed book through www.simonpeberdymusic.com)<br> <br> The mp3 is of "Wassail Hiccup and Trip up"<br> <br> 1. Lullay Lullay (https://youtu.be/yfXnmCyfXxI)<br> 2. Little Town of Bethlehem Charleston;<br> 3. The First Noel Gymnopedie (https://www.youtube.com/watch?v=GUlHWQ1zpsU)<br> 4. Hark, the Herald Bluegrass Angels;<br> 5. In the Bleak Midwinter;<br> 6. Joy to the World - Funky! (https://www.youtube.com/watch?v=yAUaDHI7VBo or https://www.youtube.com/watch?v=XHTcGZ0ZLiM)<br> 7. O Little Town of Bethlehem;<br> 8. Wassail Hiccup and Trip up (https://www.youtube.com/watch?v=PABjdC_O7pg);<br> 9. While Shepherds Boogie Woogie;<br> 10. Quem Pastores.<br> <br> The mp3 is of Wassail Hiccup and Trip up.<br> <br> Please note: although both piano parts are printed, you do need 2 copies to play on 2 pianos!<br> (Book 1 is also available with another 10 pieces)<br> Arrangements for piano duet are also available.Christmas Carol Variations for 2 pianos, 4 hands, Book 2 is a second collection of fun variations based on 10 well-known Christmas carols, for 2 pianos, 4 hands. These are all available individually, but buying all 10 together gives you nearly 70 pages of music to enjoy at a price that means you are basically getting 10 pieces for the price of 6.<br> (Also available as a printed book through www.simonpeberdymusic.com)<br> <br> The mp3 is of "Wassail Hiccup and Trip up"<br> <br> 1. Lullay Lullay (https://youtu.be/yfXnmCyfXxI)<br> 2. Little Town of Bethlehem Charleston;<br> 3. The First Noel Gymnopedie (https://www.youtube.com/watch?v=GUlHWQ1zpsU)<br> 4. Hark, the Herald Bluegrass Angels;<br> 5. In the Bleak Midwinter;<br> 6. Joy to the World - Funky! (https://www.youtube.com/watch?v=yAUaDHI7VBo or https://www.youtube.com/watch?v=XHTcGZ0ZLiM)<br> 7. O Little Town of Bethlehem;<br> 8. Wassail Hiccup and Trip up (https://www.youtube.com/watch?v=PABjdC_O7pg);<br> 9. While Shepherds Boogie Woogie;<br> 10. Quem Pastores.<br> <br> The mp3 is of Wassail Hiccup and Trip up.<br> <br> Please note: although both piano parts are printed, you do need 2 copies to play on 2 pianos!<br> (Book 1 is also available with another 10 pieces)<br> Arrangements for piano duet are also available.
$24.99
22.85 €
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2 Pianos, 4 mains
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Various, traditional carol melodies
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Simon Peberdy
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Christmas Carol Variations for 2 pianos, 4 hands, Book 2, A second collection of 10 by Simon Peberdy
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Simon Peberdy
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SheetMusicPlus
Five Joyful Tunes for Two Pianos (A Collection of 5 Mixed Level Piano Duets for 2 Pianos, 4 Hands)
2 Pianos, 4 mains
By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Folk, Jazz, P…
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By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Folk, Jazz, Praise & Worship, Sacred, Spiritual. Score. 51 pages. Sharon Wilson #3519307. Published by Sharon Wilson
Here is a collection of 5 traditional spirituals arranged for two piano players with different "intermediate" skill levels. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. <br> <br> Two formats are provided for each song:<br> 1. four-staff, grand stave with both parts (PIANO 1 and PIANO 2) on each page<br> 2. two-staff score for each part; PIANO 1 and PIANO 2 on separate pages<br> <br> These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for early-intermediate students and suitable for performances in a church setting. Each song is also available separately with accompanying preview pages and audio samples.<br> <br> Song titles included in this collection:<br> Every Time I Feel the Spirit<br> I Shall Not Be Moved<br> I’m So Glad Jesus Lifted Me<br> Swing Low, Sweet Chariot<br> When the Saints Go marching InHere is a collection of 5 traditional spirituals arranged for two piano players with different "intermediate" skill levels. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. <br> <br> Two formats are provided for each song:<br> 1. four-staff, grand stave with both parts (PIANO 1 and PIANO 2) on each page<br> 2. two-staff score for each part; PIANO 1 and PIANO 2 on separate pages<br> <br> These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for early-intermediate students and suitable for performances in a church setting. Each song is also available separately with accompanying preview pages and audio samples.<br> <br> Song titles included in this collection:<br> Every Time I Feel the Spirit<br> I Shall Not Be Moved<br> I’m So Glad Jesus Lifted Me<br> Swing Low, Sweet Chariot<br> When the Saints Go marching In
$15.00
13.71 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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Worship, Sacred, Spiritual
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Five Joyful Tunes for Two Pianos
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Sharon Wilson
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SheetMusicPlus
Passionate Piano Moments: Emotional Piano Music
2 Pianos, 4 mains
Composed by Tito Abeleda. 21st Century, Contemporary Classical, Neo-Classical, Recit…
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Composed by Tito Abeleda. 21st Century, Contemporary Classical, Neo-Classical, Recital. Individual Part, Score, Set of Parts. 156 pages. Published by Visionary Quest Records
Addnew life to your piano repertoire, piano recital, and next concert withPassionate Piano Moments, #1 new release in New Age Music on Amazon. Get the PDF digital download version here onSheet Music Plus. Perfect gift for the pianist in your life. On sale here until 12/31/2020. Listen to the music inPassionate Piano Moments on Spotify - https://bit.ly/PassionatePianoMoments_Spotify.<br> <br> PassionatePiano Moments is a 155-page collection of emotional, dramatic piano music forintermediate to advanced pianists. Passionate Piano Moments will add new lifeto your piano repertoire, recital, or next concert with its 10 impassionedpiano solos, 1 two piano duet, and 1 four piano quartet. The music was composedby Tito Abeleda. Each piece reflects the emotions he was feeling at the timeeach piece was written. Passionate Piano Moments includes 1) Drifting; 2) DyingBreath; 3) Missing You; 4) Beautiful Memories; 5) a new intimate yet cinematicarrangement of Silent Night, Holy Night; 6) Forever Touched by Your Love; 7)Running, Searching; 8) Phoenix Rising; 9) a new dramatic arrangement of O HolyNight; 10) Tempus Fugit; 11) Descensus ad Infero for two pianos including scoreplus parts; and 12) Procession in D Minor for four pianos also including scoreplus parts.<br> <br> Awardwinning Film/TV composer Rob Pottorf writes in the book's Foreword"...This book is truly one of a kind. It will inspire, as he takes you notonly through his collection of music, but into his own journey of creating.Mozart was the guy who said, ‘Neither a lofty degree of intelligence norimagination nor both together go to the making of genius. Love, love, love thatis the soul of genius.’ And so my friend Tito has made with love, thiscollection of music."<br> <br> CustomerReviews:<br> <br> "Purepiano, pure inspiration" D.B. Rose - Read full review - http://amzn.to/34xPHv0<br> <br> "Qualitypiano music" Audrey - Read full review - http://amzn.to/2KoEiXK<br> <br> "Destinedto be classics" Rene Gigon - Read full review - http://amzn.to/3nDPVs5<br> <br> "Exceptional"Jason Laureno - Read full review - http://amzn.to/3pcWwua<br> <br> "Fantastic!"Jason - Read full review - http://amzn.to/3rkBMSQ<br> <br> "Beautiful!"Healthy Mama - Read full review - http://amzn.to/3rhX8QT<br> <br> EditorialReview:<br> <br> "TitoAbeleda has an exciting new way to enjoy his music. The Fort Lauderdale,Florida-based musician and composer is releasing a new piano sheet music booktitled Passionate Piano Moments, a collection of original musicas well as unique arrangements of holiday classics just in time for Christmas… PassionatePiano Moments is an incredible opportunity to better understand thecomplexities of Tito Abeleda’s compositions. Intermediate and advanced pianistscan benefit greatly from playing these stunning songs as they are demystifiedfrom soundwaves to notes on a page. This publication contains only masterpiecesthat will be an exciting addition to the modern pianist’s repertoire.” Katrina Charles, Jukebox Mind Magazine. Read full review - https://bit.ly/PassionatePianoMoments_JukeboxmindReview<br> <br> About SMP Press<br> <br> This product was created by a member of SMP Press, our global community of independent composers, arrangers, and songwriters. Our independent musicians have created unique compositions and arrangements for the Sheet Music Plus community, many of which are not available anywhere else.<br> <br> Click here to see more titles from these independent creators and to learn more about SMP Press.<br> <br> Please note this product may not be eligible for all sales, promotions or coupons offered through Sheet Music Plus - please check promotional details for specifics.Addnew life to your piano repertoire, piano recital, and next concert withPassionate Piano Moments, #1 new release in New Age Music on Amazon. Get the PDF digital download version here onSheet Music Plus. Perfect gift for the pianist in your life. On sale here until 12/31/2020. Listen to the music inPassionate Piano Moments on Spotify - https://bit.ly/PassionatePianoMoments_Spotify.<br> <br> PassionatePiano Moments is a 155-page collection of emotional, dramatic piano music forintermediate to advanced pianists. Passionate Piano Moments will add new lifeto your piano repertoire, recital, or next concert with its 10 impassionedpiano solos, 1 two piano duet, and 1 four piano quartet. The music was composedby Tito Abeleda. Each piece reflects the emotions he was feeling at the timeeach piece was written. Passionate Piano Moments includes 1) Drifting; 2) DyingBreath; 3) Missing You; 4) Beautiful Memories; 5) a new intimate yet cinematicarrangement of Silent Night, Holy Night; 6) Forever Touched by Your Love; 7)Running, Searching; 8) Phoenix Rising; 9) a new dramatic arrangement of O HolyNight; 10) Tempus Fugit; 11) Descensus ad Infero for two pianos including scoreplus parts; and 12) Procession in D Minor for four pianos also including scoreplus parts.<br> <br> Awardwinning Film/TV composer Rob Pottorf writes in the book's Foreword"...This book is truly one of a kind. It will inspire, as he takes you notonly through his collection of music, but into his own journey of creating.Mozart was the guy who said, ‘Neither a lofty degree of intelligence norimagination nor both together go to the making of genius. Love, love, love thatis the soul of genius.’ And so my friend Tito has made with love, thiscollection of music."<br> <br> CustomerReviews:<br> <br> "Purepiano, pure inspiration" D.B. Rose - Read full review - http://amzn.to/34xPHv0<br> <br> "Qualitypiano music" Audrey - Read full review - http://amzn.to/2KoEiXK<br> <br> "Destinedto be classics" Rene Gigon - Read full review - http://amzn.to/3nDPVs5<br> <br> "Exceptional"Jason Laureno - Read full review - http://amzn.to/3pcWwua<br> <br> "Fantastic!"Jason - Read full review - http://amzn.to/3rkBMSQ<br> <br> "Beautiful!"Healthy Mama - Read full review - http://amzn.to/3rhX8QT<br> <br> EditorialReview:<br> <br> "TitoAbeleda has an exciting new way to enjoy his music. The Fort Lauderdale,Florida-based musician and composer is releasing a new piano sheet music booktitled Passionate Piano Moments, a collection of original musicas well as unique arrangements of holiday classics just in time for Christmas… PassionatePiano Moments is an incredible opportunity to better understand thecomplexities of Tito Abeleda’s compositions. Intermediate and advanced pianistscan benefit greatly from playing these stunning songs as they are demystifiedfrom soundwaves to notes on a page. This publication contains only masterpiecesthat will be an exciting addition to the modern pianist’s repertoire.” Katrina Charles, Jukebox Mind Magazine. Read full review - https://bit.ly/PassionatePianoMoments_JukeboxmindReview<br> <br> About SMP Press<br> <br> This product was created by a member of SMP Press, our global community of independent composers, arrangers, and songwriters. Our independent musicians have created unique compositions and arrangements for the Sheet Music Plus community, many of which are not available anywhere else.<br> <br> Click here to see more titles from these independent creators and to learn more about SMP Press.<br> <br> Please note this product may not be eligible for all sales, promotions or coupons offered through Sheet Music Plus - please check promotional details for specifics.
$12.95
11.84 €
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2 Pianos, 4 mains
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Tito Abeleda
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Passionate Piano Moments: Emotional Piano Music
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Visionary Quest Records
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SheetMusicPlus
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