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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PIANO
SAXOPHONE
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CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
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SheetMusicPlus
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Ventes
Prix - au +
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
5601
PIANO & CLAVIERS
Piano seul
2629
Piano, Voix et Guitare
1876
Piano, Voix
779
Piano Facile
751
Instruments en Do
255
Orgue
137
Piano grosses notes
85
Accompagnement Piano
55
1 Piano, 4 mains
48
Accordéon
46
Piano (partie séparée)
38
2 Pianos, 4 mains
24
Piano Trio: piano, violon, violoncelle
15
Ligne De Mélodie, Piano
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Clavier
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
2
3 Pianos
2
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Pianos, 8 mains
2
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
Instrument seul et Orgue
1
Orgue, Trompette (duo)
1
Orgue, Voix
1
Ensemble d'Accordéons
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
1279
Ligne De Mélodie, (Paroles) et Accords
736
Paroles et Accords
453
Guitare
432
Basse electrique
193
Ukulele
192
Guitare (partie séparée)
62
4 Guitares (Quatuor)
33
Dulcimer
27
Mandoline
22
Banjo
20
2 Guitares (duo)
18
Ensemble de guitares
16
Basse électrique (partie séparée)
4
Ensemble de Ukulélés
4
Piano, Guitare (duo)
4
Dobro
3
3 Guitares (trio)
3
Ukulele Baryton
2
Partitions De Groupes
2
2 Ukuleles
2
Guitare, Violon, Violoncelle (trio)
1
2 Dulcimers (duo)
1
Guitare Pedal Steel
1
Instrumentations suivantes
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VOIX
Chorale SATB
1392
Chorale 3 parties
294
Chorale TTBB
235
Chorale 2 parties
180
Chorale SSAA
92
Chorale Unison
83
Voix seule
77
Pack Instrumental pour Chorale
52
Chorale
41
Voix duo, Piano
24
Voix duo
23
Voix Soprano, Piano
21
Voix haute
17
Voix basse, Piano
13
Voix Baryton, Piano
8
Voix, Guitare
8
Voix Alto, Piano
7
Soli, choeur mixte et accompagnement
6
Chorale SSATB
5
Voix moyenne, Piano
4
Chorale SSAB, Piano
3
Voix Tenor, Piano
3
Chorale SATTB
2
Voix Tenor
2
Chorale SSATTB
2
Voix basse
2
Chorale SSAATB
1
Chorale SSAATTBB
1
Voix Baryton
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAATB A Cappella
1
Chorale SSAB a cappella
1
Chorale SSATBB
1
Instrumentations suivantes
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VENTS
Saxophone
344
Saxophone (partie séparée)
344
Ocarina
269
Flûte traversière
261
Clarinette
248
Flûte à bec Soprano
220
Flûte à bec Alto
184
2 Flûtes traversières (duo)
168
Flûte, Hautbois, Clarinette, Basson
165
Flûte traversière et Piano
137
Quatuor de Saxophones: 4 saxophones
132
Saxophone Alto
130
Saxophone Tenor
124
Clarinette et Piano
122
Clarinette (partie séparée)
114
Hautbois, Piano (duo)
97
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
97
Saxophone Alto et Piano
90
2 Saxophones (duo)
84
Hautbois (partie séparée)
74
Quatuor de Clarinettes: 4 clarinettes
74
Saxophone Tenor et Piano
73
Flute (partie séparée)
68
Flûte à Bec
47
2 Clarinettes (duo)
45
Saxophone Soprano et Piano
43
Quatuor de Flûtes : 4 flûtes
40
Ensemble de saxophones
38
Hautbois, Basson (duo)
37
Flûte, Violon, Piano
35
Flûte à bec Alto, Piano
30
Hautbois
30
Quintette de Saxophone: 5 saxophones
30
Quintette de Clarinettes: 5 clarinettes
26
Flûte, Clarinette (duo)
24
Saxophone Soprano
23
Ensemble de Clarinettes
23
Ensemble de Flûtes
21
Hautbois, Violoncelle
21
Saxophone Baryton, Piano
20
Flûte, Violoncelle
20
Clarinette, Violoncelle (duo)
19
Instruments en Mib
19
Clarinette, Basson (duo)
19
3 Saxophones (trio)
16
2 Hautbois (duo)
16
Flûte et Guitare
15
Trio de Flûtes: 3 flûtes
14
3 Clarinettes (trio)
14
Cor anglais, Piano
12
Saxophone, Clarinette (duo)
10
Hautbois, Clarinette (duo)
10
2 Flûte à bec (duo)
9
Flûte, Violon
9
Clarinette et Alto
8
Saxophone Baryton
8
Clarinette, Violon (duo)
8
Quatuor de Flûtes à bec
8
Flûte, Hautbois (duo)
7
Quintette de Flûte : 5 flûtes
7
Harmonica
7
Hautbois, Flûte
7
4 Hautbois
6
Flûte, Clarinette et Basson
6
Flûte, Alto (duo)
5
Clarinette Basse, Piano
5
Flûte, Trombone (duo)
5
Flûte, Violon et Violoncelle
5
2 Clarinettes, Piano
4
Hautbois et alto (duo)
4
Saxophone et Guitare
4
Flûte, Clarinette, Piano (trio)
4
Cor Anglais
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette, Guitare (duo)
4
Flute, harpe et violon
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Hautbois, Clarinette (trio)
3
Clarinette, Trombone (duo)
3
Flûte, Hautbois, Basson
3
Hautbois, violon (duo)
3
3 Flûtes à bec (trio)
3
Clarinette, Trompette (duo)
3
Clarinette Basse
3
Flûte, Violoncelle, Piano (trio)
3
Flûte à bec Soprano, Piano
3
Hautbois, trombone (duo)
3
Flûte, Hautbois, Piano (trio)
2
Saxophone et violoncelle
2
Ensemble De Flûte à bec
2
Flûte, Basson et Piano
2
Flûte, Trompette (duo)
2
2 Saxophones, Piano
2
Saxophone, Basson (duo)
2
Ensemble à vent
2
2 Flûtes traversières, Piano
2
Piccolo
1
Clarinette, Contrebasse (duo)
1
2 Hautbois et Basson
1
Hautbois, Violon, Piano
1
Saxophone et Harpe
1
Melodica
1
Flûte, trombone et piano
1
Cor anglais, Guitare (duo)
1
Flûte, Alto et Piano
1
Clarinette, Harpe (duo)
1
Saxophone, Tuba (duo)
1
Clarinette, Tuba
1
Clarinette, trompette et piano
1
Flûte et Trio à cordes
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Hautbois et Cor anglais
1
3 Hautbois
1
Flûte, Saxophone (duo)
1
Flûte, Tuba (duo)
1
Hautbois, Harpe
1
2 Clarinettes, Basson
1
5 Flûtes à bec
1
Hautbois, Guitare (duo)
1
Instrumentations suivantes
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CUIVRES
2 Trombones (duo)
2736
Quatuor de cuivres: 4 trombones
1407
Ensemble de Trombones
487
3 Trombones (trio)
477
Trombone (partie séparée)
286
Trombone
278
Trompette
251
Trompette (partie séparée)
231
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
221
Quatuor de Cuivres : 2 trompettes, trombone, tuba
192
Trombone et Piano
131
Cor
118
Quatuor de cuivres: 2 trompettes, 2 trombones
114
Quatuor de Cuivres
98
Trompette, Piano
97
Cor (partie séparée)
61
Quatuor de Cuivres: 2 trompettes, Cor, trombone
60
Cor et Piano
58
Trompette, Trombone (duo)
57
Tuba
53
Tuba (partie séparée)
46
Tuba et Piano
36
Trio de Cuivres
31
2 Trompettes (duo)
25
Euphonium, Piano (duo)
23
2 Trombones, Piano
18
Euphonium
18
Instruments en Sib
18
2 Euphoniums et 2 Tubas
16
Cor, Violoncelle (duo)
16
Bass Clef Instruments
15
Trompette, Violoncelle (duo)
15
Trombone basse
14
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
14
Cor anglais, Piano
12
Trompette, Basson (duo)
12
2 Cors (duo)
11
Cor et Basson (duo)
11
Trombone, Tuba (duo)
9
Trompette, Cor (duo)
9
Quatuor de cuivres: 4 cors
8
Trombone, Cor (duo)
7
2 Tubas (duo)
7
Trompette, Saxophone (duo)
6
Ensemble de Cors
6
Tuba ou Euphonium ou Saxhorn
5
3 Trompettes (trio)
4
Trompette, Tuba (duo)
4
Cor Anglais
4
4 Tubas
4
Trompette et Guitare
3
Euphonium, Tuba (duo)
3
Trombone, Violon (duo)
3
Ensemble de Trompettes
3
Trombone, Alto (duo)
2
Cor, Tuba (duo)
2
Trombone, violoncelle (duo)
2
Instruments en Fa
2
Trombone et orchestre
2
3 Euphoniums
2
Trombone, Orgue
2
2 Trompettes, Clavier (piano ou orgue)
2
3 Cors (trio)
1
Cor, Trompette, Trombone (trio)
1
Trompette, Violoncelle et Piano
1
Cor et Harpe
1
Cor anglais, Guitare (duo)
1
Euphonium (partie séparée)
1
Trompette, Harpe
1
Tuba et Orgue
1
2 Euphoniums (duo)
1
Cornet et orchestre
1
Trombone basse et Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
541
Violon
293
Violoncelle
220
Violon et Piano
202
Alto seul
161
Violoncelle, Piano
134
Alto, Piano
129
Violon, Violoncelle (duo)
90
Violon (partie séparée)
73
Contrebasse (partie séparée)
63
2 Violons (duo)
61
Trio à Cordes: violon, alto, violoncelle
58
Harpe
58
2 Violoncelles (duo)
54
Violon, Alto (duo)
48
Contre Basse
44
Alto (partie séparée)
43
Alto, Violoncelle (duo)
42
2 Altos (duo)
33
Contrebasse, Piano (duo)
29
Violoncelle (partie séparée)
28
Trio à Cordes: 2 violons, violoncelle
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Alto et Basson
13
Violon, Basson (duo)
11
Violon, Guitare (duo)
9
4 Violoncelles
8
Trio à cordes: 3 violins
7
Trio à Cordes: 3 violoncelles
7
Piano Trio: Violon, Alto, Piano
6
Alto, Guitare (duo)
6
Violoncelle , Guitare (duo)
6
Trio à cordes
5
Quatuor à cordes : 4 altos
4
2 Contrebasses (duo)
4
Violoncelle, Contrebasse (duo)
4
2 Violons, Piano
3
2 Harpes (duo)
2
Trio à cordes: 3 altos
2
Harpe, Violoncelle (duo)
2
Ensemble de Violoncelles
2
Harpe, Violon (duo)
2
Trio à Cordes: 2 violons, alto
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violon, Orgue
1
Quatuor à cordes: 4 violons
1
Flûte, Contrebasse (duo)
1
Violon, Clarinette, Piano (trio)
1
Alto et Harpe
1
Harpe (partie séparée)
1
Violon, Tuba (duo)
1
Ensemble de Violons
1
Violon, Trompette et Piano
1
Harpe, Flûte (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
1198
Orchestre d'harmonie
900
Orchestre
578
Ensemble de cuivres
531
Fanfare
215
Batterie
155
Orchestre à Cordes
140
Percussion (partie séparée)
76
Cloches
73
Orchestre de chambre
65
Batterie (partie séparée)
57
Jazz combo
55
Percussion
39
Ensemble de Percussions
35
Timbales (partie séparée)
13
Marimba
13
Xylophone
9
Vibraphone
8
Big band
7
Xylophone, Piano
5
Quintette à Vent
3
Timbales
3
Quintette de Cuivres: autres combinaisons
2
Cajon
1
Bongos
1
Xylophone (partie séparée)
1
Piano et Orchestre
1
Ensemble d'École
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
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2 Pianos, 4 mains
Partitions à imprimer
24 partitions trouvées
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1
Game Of Thrones
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1119867 By Various…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1119867 By Various. By Ramin Djawadi. Arranged by poon. Film/TV,Pop. Score. 5 pages. Poon #721212. Published by poon (A0.1119867). Game of Thrones,4hands,Piano Duet Sheet.
$4.99
4.56 €
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2 Pianos, 4 mains
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Various
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poon
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Game Of Thrones
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poon
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SheetMusicPlus
Game Of Thrones
2 Pianos, 4 mains
Composed by Ramin Djawadi. Arranged by Shuya Liu. Film/TV. Score. 9 pages. Shuya #31…
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Composed by Ramin Djawadi. Arranged by Shuya Liu. Film/TV. Score. 9 pages. Shuya #314495. Published by Shuya
$10.99
10.05 €
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2 Pianos, 4 mains
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Ramin Djawadi
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Shuya Liu
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Game Of Thrones
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Shuya
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SheetMusicPlus
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
5.48 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spiritual,Traditional. Score. 9 pages. Sharon Wilson #3516915. Published by Sharon Wilson (A0.565177). This arrangement of the traditional spiritual Swing Low, Sweet Chariot is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. When played with a swing rhythm, this spirited, slightly syncopated dual piano duet is an ideal selection for a church setting.The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the story of Elijah and Elisha in 2 Kings 2 as well as the promise of a future home in heaven for the saints as predicted in Matthew 24:30-31. The prophet Elijah was taken to heaven in a chariot of fire as Elisha, the prophet to take Elijah’s place, witnessed the event: As they continued on and talked, behold, a chariot of fire and horses of fire separated them, and Elijah went up by a whirlwind into heaven. 2 Kings 2:11 WEB…and they will see the Son of Man coming on the clouds of the sky with power and great glory. He will send out his angels with a great sound of a trumpet, and they will gather together his chosen ones from the four winds, from one end of the sky to the other. Matthew 24:30-31 WEBLyrics:Swing low, sweet chariot, coming for to carry me home;Swing low, sweet chariot, coming for to carry me home.I looked over Jordan and what did I see,Coming for to carry me home?A band of angels coming after me,Coming for to carry me home.
$5.99
5.48 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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Swing Low, Sweet Chariot
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Sharon Wilson
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SheetMusicPlus
Once In Royal David's City variations for two pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.996518 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.996518 Composed by Henry John Gauntlett. Arranged by James Mayhew. Christmas,Contemporary,Romantic Period. Score. 10 pages. James Mayhew #4969389. Published by James Mayhew (A0.996518). This is a piece for two pianos (4 hands), which starts out with the Once In Royal David's City theme, and then there are 5 variations on it. The 1st, 2nd and 3rd variations are in G major, while the 4th and the start of the 5th ones are in G minor. The 5th variation is an extended variation with a fugato start in G minor which transitions back to G major again for a triumphant final play of the theme, and a small coda. It is quite challenging - probably early advanced level, particularly the 5th variation, although the other variations are more like late intermediate level. Listen to the computer played recording to get an idea of what it's like!You may print it twice or copy the first print to have two copies. .
$4.99
4.56 €
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2 Pianos, 4 mains
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Henry John Gauntlett
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James Mayhew
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Once In Royal David's City variations for two pianos
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James Mayhew
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SheetMusicPlus
Brandenburg Concerto No. 3, Third Movement, for 2 pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.800634 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.800634 Composed by Johann Sebastian Bach. Arranged by Richard Simm. Baroque,Classical. Score. 8 pages. Richard Simm #6714545. Published by Richard Simm (A0.800634). Bach's music often lends itself to performance by instruments other than the ones he specified. In this 2-piano transcription by Richard Simm, the wide range of a modern piano allows for an entertaining, even humorous, two-piano treatment of this wonderfully lively piece.
$8.95
8.18 €
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2 Pianos, 4 mains
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Johann Sebastian Bach
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Richard Simm
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Brandenburg Concerto No. 3, Third Movement, for 2 pianos
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Richard Simm
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SheetMusicPlus
Harmonic Spaces (four-hands piano)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
9.14 €
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2 Pianos, 4 mains
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
It Is Well with My Soul (When Peace Like a River)
2 Pianos, 4 mains
Composed by Paul Jones. Christian, Sacred, General Worship, Funeral, Recital. Score. 7 pag…
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Composed by Paul Jones. Christian, Sacred, General Worship, Funeral, Recital. Score. 7 pages. Published by Paul S. Jones (S0.377639). - Score - Christian,Sacred,General Worship,Funeral,Recital - Paul S. Jones
$9.99
9.13 €
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2 Pianos, 4 mains
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Paul Jones
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It Is Well with My Soul
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Paul S. Jones
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SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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SURRENDER, Between the Octaves, A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
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2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
Sonata Hymnica No. 6
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
9.14 €
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2 Pianos, 4 mains
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
"Ghost Story" from An Icelandic Suite
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1126731 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1126731 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditional,World. Score. 4 pages. Richard Simm #727380. Published by Richard Simm (A0.1126731). The first item in this suite of Icelandic tunes by Richard Simm is a hair-raising ghost story! These Icelandic melodies were originally arranged by Simm for beginner students to play as piano duets with their teachers or with advanced students. In their new form for two pianos, they are more embellished and technically challenging than the originals, but are short enough not to present too much of a hurdle. Four of the five songs are known to every Icelander, and their original texts often have stark, dramatic undertones.
$4.95
4.53 €
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2 Pianos, 4 mains
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Richard Simm
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Richard Simm
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"Ghost Story" from An Icelandic Suite
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Richard Simm
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SheetMusicPlus
Power in the Blood (2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
Composed by Lewis E. Jones. Arranged by Sharon Wilson. Christian, Sacred, General Worship.…
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Composed by Lewis E. Jones. Arranged by Sharon Wilson. Christian, Sacred, General Worship. Score, Set of Parts. 13 pages. Published by Sharon Wilson (S0.144791). - Score,Set of Parts - Christian,Sacred,General Worship - Sharon Wilson
$5.99
5.48 €
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2 Pianos, 4 mains
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Lewis E
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Sharon Wilson
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Power in the Blood
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Sharon Wilson
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SheetMusicPlus
In The Blood Of The Lamb
2 Pianos, 4 mains
Composed by Hoffman, Lowry, Jones. Arranged by Sandra Zylstra. Christian, Sacred, Praise &…
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Composed by Hoffman, Lowry, Jones. Arranged by Sandra Zylstra. Christian, Sacred, Praise & Worship, General Worship. Sheet Music Single. 6 pages. Published by Sandra Zylstra (S0.350113). - Sheet Music Single - Christian,Sacred,Praise & Worship,General Worship - Sandra Zylstra
$4.75
4.34 €
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2 Pianos, 4 mains
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Hoffman, Lowry, Jones
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Sandra Zylstra
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In The Blood Of The Lamb
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Sandra Zylstra
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SheetMusicPlus
Easter Hymns for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1460130 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1460130 By Sharon Wilson. By Elisha Albright Hoffman, George Job Elvey, Lewis E. Jones, Matthew Bridges, and Robert Lowry. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 72 pages. Sharon Wilson #1039070. Published by Sharon Wilson (A0.1460130). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These bright and festive arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude). Though frequently associated with the Easter and Lent season, these arrangements can be performed any time of year as a celebration of Jesus' love for us.PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Are You Washed in theBlood? and the YouTube video features Christ Arose.Song titles included in this collection: Are You Washed in the Blood?Christ Arose (Low in the Grave He Lay)Crown Him with Many CrownsNothing but the BloodPower in the BloodVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
13.71 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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Easter Hymns for Two Pianos
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Sharon Wilson
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SheetMusicPlus
The Bells by Yvonne Van What - 2 Piano 4-Hands
2 Pianos, 4 mains
Performed by: Yvonne Van What: The Bells - (from Game of Thrones) Digital Sheetmusic - ins…
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Performed by: Yvonne Van What: The Bells - (from Game of Thrones) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: 2 Piano 4-Hands;Instrumental Duet, instruments: 2 Pianos/4 Hands; 3 pages -- Movie/TV~~Solo Instrumental~~Soundtrack
$9.99
9.13 €
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2 Pianos, 4 mains
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Yvonne Van What
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2 Piano 4-Hands
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Musicnotes
The Bollin' Stones (for two pianos)
2 Pianos, 4 mains
By Kolp, Pierre. For Piano Duet. 21st Century. Advanced. Score. Published by Black Jackets…
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By Kolp, Pierre. For Piano Duet. 21st Century. Advanced. Score. Published by Black Jackets Editions
$7.99
7.3 €
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2 Pianos, 4 mains
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Kolp, Pierre
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The Bollin' Stones
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Black Jackets Editions
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SheetMusicPlus
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