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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
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1 850
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240
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133
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84
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67
Piano Facile
67
Piano (partie séparée)
43
Orgue
24
Accompagnement Piano
19
1 Piano, 4 mains
12
Piano Trio: piano, violon, violoncelle
8
Piano Quatuor: piano, violon, alto, violoncelle
5
2 Pianos, 4 mains
3
+ 7 instrumentations
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Guitare (partie séparée)
79
Guitare
39
Guitare notes et tablatures
26
Ligne De Mélodie, (Paroles) et Accords
17
Basse electrique
13
4 Guitares (Quatuor)
5
Mandoline
4
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3
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3
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2
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1
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1
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1
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500
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142
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51
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29
Chorale Unison
27
Chorale SSATB
5
Chorale
2
Voix seule
1
Chorale SSAB, Piano
1
Voix Tenor, Piano
1
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1
Chorale SSATTB
1
Voix Soprano
1
Voix duo, Piano
1
Voix duo
1
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Saxophone (partie séparée)
204
Clarinette (partie séparée)
42
Flute (partie séparée)
40
2 Saxophones (duo)
34
Quatuor de Saxophones: 4 saxophones
32
2 Flûtes traversières (duo)
28
Flûte traversière et Piano
27
2 Clarinettes (duo)
23
Saxophone Tenor et Piano
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Saxophone Alto et Piano
18
Flûte, Hautbois, Clarinette, Basson
18
Clarinette
17
Hautbois (partie séparée)
17
Clarinette et Piano
15
Hautbois, Piano (duo)
15
Ensemble de Flûtes
15
Saxophone, Clarinette (duo)
15
Flûte traversière
13
Ensemble de saxophones
11
3 Saxophones (trio)
11
Quatuor de Clarinettes: 4 clarinettes
11
Ensemble de Clarinettes
11
Clarinette, Violon (duo)
10
Quatuor de Flûtes : 4 flûtes
9
Saxophone Soprano et Piano
9
Flûte, Clarinette (duo)
8
Quintette de Saxophone: 5 saxophones
8
3 Clarinettes (trio)
8
Clarinette, Trompette (duo)
8
Saxophone Alto
8
2 Hautbois (duo)
6
Saxophone Tenor
6
Hautbois, Basson (duo)
6
Trio de Flûtes: 3 flûtes
6
Flûte, Saxophone (duo)
6
Flûte, Violon
6
Clarinette et Alto
6
Hautbois, Flûte
5
Flûte, Trompette (duo)
5
Hautbois, Clarinette (duo)
5
Flûte, Alto (duo)
4
Flûte et Guitare
4
Saxophone Baryton, Piano
3
Flûte à bec Soprano
3
Clarinette Basse, Piano
3
Flûte, Hautbois (duo)
3
3 Flûtes à bec (trio)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte à Bec
2
Clarinette, Basson (duo)
2
Clarinette Basse
1
Clarinette, Alto et Piano (trio)
1
Flûte à bec Alto, Piano
1
Clarinette, Guitare (duo)
1
Flûte, Violoncelle
1
Ensemble à vent
1
3 Hautbois
1
Hautbois
1
Flûte, Clarinette et Basson
1
Saxophone et Guitare
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Cors Anglais Et Pianoforte
1
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1
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1
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1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violon, Piano
1
Flûte à bec Alto
1
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1
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1
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1
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181
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134
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40
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36
Tuba (partie séparée)
34
Trompette, Piano
22
2 Trombones (duo)
21
Trombone et Piano
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Trompette
13
2 Trompettes (duo)
10
Trompette, Saxophone (duo)
10
Ensemble de Trombones
10
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9
Trombone
9
Trompette, Trombone (duo)
8
Quatuor de cuivres: 4 trombones
8
Cor
6
Cor et Piano
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
2 Tubas (duo)
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
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4
Quatuor de cuivres: 4 cors
4
Quatuor de Cuivres
3
3 Trombones (trio)
2
Instruments en Sib
2
Tuba
2
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1
2 Euphoniums et 2 Tubas
1
4 Tubas
1
3 Trompettes (trio)
1
Tuba et Orgue
1
Euphonium, Tuba (duo)
1
Euphonium
1
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1
2 Cors (duo)
1
2 Cors Anglais Et Pianoforte
1
3 Euphoniums
1
Cor anglais, Piano
1
+ 35 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
100
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63
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48
Violon et Piano
31
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22
Violoncelle, Piano
21
2 Violons (duo)
20
Alto (partie séparée)
17
Alto, Piano
16
Violon
14
2 Violoncelles (duo)
13
Trio à Cordes: violon, alto, violoncelle
13
Violoncelle
11
Violoncelle (partie séparée)
10
2 Altos (duo)
9
Violon, Alto (duo)
9
Harpe
7
Trio à Cordes: 2 violons, violoncelle
4
Contrebasse, Piano (duo)
4
Trio à cordes: 3 violins
3
Contre Basse
3
Trio à Cordes: 2 violons, alto
3
2 Harpes (duo)
2
Violoncelle, Contrebasse (duo)
2
Trio à cordes: 3 altos
2
4 Violoncelles
1
2 Contrebasses (duo)
1
Alto, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
Alto seul
1
Violon, Basson (duo)
1
4 Contrebasses
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Harpe et mandoline
1
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917
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573
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335
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215
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211
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71
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56
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42
Fanfare
25
Ensemble de Percussions
25
Orchestre de chambre
21
Percussion (partie séparée)
13
Batterie
12
Marimba
5
Piano et Orchestre
3
Big band
2
Vibraphone
2
Xylophone, Piano
1
Bodhran
1
2 Xylophones
1
Instrumentation Flexible
1
Percussion
1
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--INSTRUMENTS--
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ALTO
AUTOHARPE
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BATTERIE
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CHORALE - CHAN…
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CORNET
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Vous avez sélectionné:
rhythm section
2 Pianos, 4 mains
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ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Into My Mind
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Helen Porter
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medium/advanced players
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Into My Mind
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Helen Porter
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.976590 Composed by Helen Porter. 20th Century,Classical,Concert,Romantic Period. Score. 10 pages. Helen ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.976590 Composed by Helen Porter. 20th Century,Classical,Concert,Romantic Period. Score. 10 pages. Helen Porter #3684933. Published by Helen Porter (A0.976590). IT CAME INTO MY MIND is a 2 movement 2 piano composition, for medium/advanced players. The first section is playful and happy and the second is very exciting and rhythmic, building to a climax at the end. Both piano parts are of equal standard of difficulty.
$15.00
THE GYPSY DANCERS
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2 Pianos, 4 mains
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Contemporain
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Helen Porter
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and quite forceful
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THE GYPSY DANCERS
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Helen Porter
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - SKU: A0.976589 Composed by Helen Porter. Contemporary. Score. 7 pages. Helen Porter #2927323. Published by Helen Porter (A...
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2 Pianos,4 Hands,Piano Duet - SKU: A0.976589 Composed by Helen Porter. Contemporary. Score. 7 pages. Helen Porter #2927323. Published by Helen Porter (A0.976589). This piece has two sections-the first is very rhythmical and light, the second, dramatic and quite forceful.It is for two pianos and 4 hands and would suit an upper intermediate student
$5.00
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