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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
up
Sheetmusicplus
Non classifié
4 776
Piano & claviers
Piano grosses notes
3 314
Piano seul
2 465
Orgue
1 776
Piano, Voix et Guitare
1 157
Piano Facile
1 118
Piano, Voix
875
Instruments en Do
419
Accompagnement Piano
133
1 Piano, 4 mains
108
Clavier
60
Piano (partie séparée)
60
2 Pianos, 4 mains
30
Piano Trio: piano, violon, violoncelle
26
Accordéon
20
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano Quatuor: piano, 2 violons, violoncelle
9
Orgue, Piano (duo)
7
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Orgue, Trompette (duo)
5
1 Piano, 6 mains
5
2 Pianos, 8 mains
3
Clavecin
1
Ensemble d'Accordéons
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
604
Guitare
249
Ligne De Mélodie, (Paroles) et Accords
217
Paroles et Accords
131
Ukulele
130
Basse electrique
128
Guitare (partie séparée)
96
Banjo
22
2 Guitares (duo)
20
Dulcimer
17
4 Guitares (Quatuor)
15
Mandoline
10
Basse électrique (partie séparée)
9
Piano, Guitare (duo)
8
Ensemble de guitares
6
3 Guitares (trio)
6
2 Dulcimers (duo)
4
Guitare, Violon, Violoncelle (trio)
3
Guitare Pedal Steel
3
2 Ukuleles
1
Ukulele Baryton
1
Ensemble de Ukulélés
1
+ 17 instrumentations
Retracter
Voix
Chorale SATB
1 637
Chorale 3 parties
630
Chorale TTBB
474
Chorale 2 parties
379
Pack Instrumental pour Chorale
262
Chorale SSAA
227
Chorale Unison
200
Voix duo, Piano
90
Chorale
50
Voix seule
32
Voix duo
31
Voix Soprano, Piano
24
Voix haute
24
Voix Alto, Piano
23
Voix Baryton, Piano
13
Voix basse, Piano
11
Voix Tenor, Piano
9
Voix moyenne, Piano
8
Chorale SSAATTBB
6
Voix basse
5
Male Voice
3
Voix Soprano
3
Chorale SSATB
3
Chorale SSAB a cappella
3
Chorale SSATTB
3
Voix Mezzo-Soprano, Piano
2
Chorale SSAB, Piano
2
Chorale SAATB A Cappella
2
Voix Tenor
2
Soli, choeur mixte et accompagnement
1
Voix Soprano, Orchestre
1
+ 26 instrumentations
Retracter
Vents
Saxophone (partie séparée)
461
Flûte traversière et Piano
271
2 Saxophones (duo)
258
Quatuor de Saxophones: 4 saxophones
251
Clarinette
247
Flûte traversière
226
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
192
Clarinette et Piano
184
Quatuor de Clarinettes: 4 clarinettes
171
Saxophone Alto
164
Hautbois, Piano (duo)
163
Saxophone Tenor
160
Flûte, Hautbois, Clarinette, Basson
159
Saxophone Alto et Piano
156
Clarinette (partie séparée)
148
2 Flûtes traversières (duo)
142
2 Clarinettes (duo)
138
Hautbois (partie séparée)
119
Saxophone Tenor et Piano
103
Flute (partie séparée)
102
Quatuor de Flûtes : 4 flûtes
84
Saxophone, Clarinette (duo)
73
Saxophone Soprano et Piano
71
Clarinette, Violon (duo)
58
Flûte, Clarinette (duo)
57
Quintette de Saxophone: 5 saxophones
49
Flûte et Guitare
48
Ensemble de Flûtes
45
Flûte, Violon
45
3 Saxophones (trio)
44
2 Hautbois (duo)
42
3 Clarinettes (trio)
40
Ensemble de Clarinettes
39
Trio de Flûtes: 3 flûtes
39
Clarinette, Trompette (duo)
38
Hautbois, Basson (duo)
35
Saxophone Baryton, Piano
34
Ensemble de saxophones
32
Hautbois, Flûte
31
Hautbois, Clarinette (duo)
29
Cor anglais, Piano
28
Hautbois
26
Quintette de Clarinettes: 5 clarinettes
25
Flûte, Alto (duo)
25
Flûte, Trompette (duo)
25
Flûte, Saxophone (duo)
25
2 Flûte à bec (duo)
24
Clarinette et Alto
23
Flûte à Bec
20
Clarinette Basse, Piano
17
Flûte à bec Soprano
17
Clarinette, Guitare (duo)
15
Saxophone Soprano
15
Flûte, Hautbois, Clarinette (trio)
14
Clarinette, Basson (duo)
10
Quintette de Flûte : 5 flûtes
9
Flûte à bec Soprano, Piano
9
Saxophone
8
Flûte, Violoncelle
8
Flûte, Clarinette et Basson
8
Flûte, Hautbois, Basson
7
Flûte, Violon, Piano
7
Quatuor de Flûtes à bec
6
Cor Anglais
6
Flûte, Hautbois (duo)
6
Flûte à bec Alto, Piano
6
Cor anglais, Guitare (duo)
5
Clarinette, Harpe (duo)
5
Instruments en Mib
5
2 Flûtes traversières, Piano
5
2 Clarinettes, Piano
5
Flûte, Violoncelle, Piano (trio)
5
Flûte à bec Alto
5
Clarinette, Violoncelle, Piano (trio)
5
Saxophone et Guitare
4
Flûte, Clarinette, Violon (trio)
4
Flûte irlandaise
4
Flûte, Violon, Violoncelle et Piano
4
Flûte, Hautbois, Violon
3
Flute, harpe et violon
3
3 Flûtes à bec (trio)
3
Flûte, Violon et Violoncelle
3
3 Hautbois
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Hautbois, Guitare (duo)
3
Hautbois, Harpe
3
Saxophone Baryton
3
Hautbois, Violoncelle
3
Flûte à Bec, Piano
2
Clarinette Basse
2
2 Saxophones, Piano
2
Flûte, Trombone (duo)
2
Flûte et Trio à cordes
2
Flûte à bec Tenor
2
Harmonica
2
Flûte, Basson et Piano
2
Flûte, Harpe et Violoncelle
2
Ocarina
2
Clarinette, Violoncelle (duo)
2
Piccolo
2
Piccolo, Piano
2
Clarinette, trompette et piano
1
Clarinette, Tuba
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ensemble De Flûte à bec
1
Flûte, Clarinette, Piano (trio)
1
2 Clarinettes, Basson
1
Saxophone et Orgue
1
Clarinette, Trombone (duo)
1
2 Hautbois, Piano
1
Flûte, Hautbois, Piano (trio)
1
Hautbois et alto (duo)
1
Flûte, trombone et piano
1
Flûte, Tuba (duo)
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Hautbois, violon (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte traversière, Orgue (duo)
1
+ 113 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
373
Trompette (partie séparée)
354
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
318
Trompette
236
Quatuor de Cuivres : 2 trompettes, trombone, tuba
171
Trombone
161
Trompette, Piano
150
Trombone et Piano
147
Cor
114
Cor (partie séparée)
97
Cor et Piano
89
Tuba (partie séparée)
83
Tuba
77
2 Trompettes (duo)
73
2 Trombones (duo)
70
Trompette, Saxophone (duo)
69
Quatuor de cuivres: 4 trombones
45
Tuba et Piano
42
Trompette, Trombone (duo)
39
Quatuor de Cuivres: 2 trompettes, Cor, trombone
35
Euphonium, Piano (duo)
34
2 Cors (duo)
31
Cor anglais, Piano
28
Quatuor de Cuivres
28
Quatuor de cuivres: 4 cors
17
2 Tubas (duo)
16
Ensemble de Trombones
15
Euphonium
10
2 Euphoniums et 2 Tubas
10
Trompette, Cor (duo)
9
Trio de Cuivres
8
4 Tubas
8
3 Trombones (trio)
7
Bass Clef Instruments
7
Cor Anglais
6
Tuba ou Euphonium ou Saxhorn
6
Quatuor de cuivres: 4 trompettes
6
Cor anglais, Guitare (duo)
5
3 Trompettes (trio)
5
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Cor et Harpe
4
Ensemble de Cors
4
Tuba et Orgue
3
Trombone basse
3
Instruments en Sib
3
2 Euphoniums (duo)
3
Trombone, Tuba (duo)
2
Ensemble de Trompettes
2
Trombone basse et Piano
2
2 Trompettes, Clavier (piano ou orgue)
2
2 Cors, Piano
1
Trompette, Trombone, Piano
1
Cornet et Piano
1
3 Cors (trio)
1
Trompette, Basson (duo)
1
Trompette, Harpe
1
Euphonium, Tuba (duo)
1
Trompette, Tuba (duo)
1
Trombone, Violon (duo)
1
Ensemble de Tubas
1
Cor et Orgue
1
Cor et Basson (duo)
1
Trompette, Euphonium (duo)
1
Cor, Tuba (duo)
1
Clarinette, Cor (duo)
1
Trombone, Orgue
1
+ 61 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
692
Violon
312
Violon et Piano
309
Violoncelle
242
Harpe
214
Violoncelle, Piano
198
Alto seul
141
Alto, Piano
138
Violon, Violoncelle (duo)
132
2 Violoncelles (duo)
110
Contrebasse (partie séparée)
107
2 Violons (duo)
106
Trio à Cordes: violon, alto, violoncelle
103
Violon (partie séparée)
95
Violon, Alto (duo)
70
Contre Basse
61
Alto (partie séparée)
51
2 Altos (duo)
51
Trio à Cordes: 2 violons, violoncelle
51
Contrebasse, Piano (duo)
47
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
2 Harpes (duo)
32
Violoncelle (partie séparée)
20
Alto, Violoncelle (duo)
19
4 Violoncelles
17
Harpe, Flûte (duo)
15
Violoncelle , Guitare (duo)
14
Trio à cordes: 3 violins
14
Trio à Cordes: 3 violoncelles
12
2 Contrebasses (duo)
10
Piano Trio: Violon, Alto, Piano
10
Quatuor à cordes: 4 violons
10
Violoncelle, Contrebasse (duo)
9
Violon, Guitare (duo)
9
Harpe, Voix
7
Harpe, Violon (duo)
6
Trio à cordes
5
Trio à cordes: 3 altos
5
Harpe, Violoncelle (duo)
4
Alto, Guitare (duo)
4
Ensemble de Violoncelles
3
Autoharp
3
Alto et Harpe
3
Harpe et Piano
2
Violon, Basson (duo)
2
2 Altos, Piano
2
Trio à Cordes: 2 violons, alto
2
Harpe, Violon, Violoncelle
2
Harpe et mandoline
1
4 Contrebasses
1
Violon, Tuba (duo)
1
2 Violons, Piano
1
Violon, Orgue
1
3 Harpes
1
Alto et Basson
1
Violoncelle, Orgue
1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes : 4 altos
1
2 Violoncelles, Piano
1
Flûte, Contrebasse (duo)
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 179
Ensemble Jazz
648
Fanfare
391
Orchestre
380
Orchestre à Cordes
361
Cloches
259
Ensemble de cuivres
239
Jazz combo
134
Batterie
114
Percussion (partie séparée)
104
Orchestre de chambre
98
Batterie (partie séparée)
85
Ensemble de Percussions
73
Marimba
24
Timbales (partie séparée)
18
Percussion
18
Timbales
12
Vibraphone
9
Xylophone
8
Ensemble d'École
6
Xylophone, Piano
4
Quintette à Vent
3
Xylophone (partie séparée)
2
Quintette de Cuivres: autres combinaisons
2
Batterie-Fanfare
2
Piano et Orchestre
1
2 Marimbas
1
Marimba, Piano (duo)
1
Quatuor à Vent : 4 instruments à vents
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Caisse Claire
1
Orchestre, Violon
1
Bodhran
1
Big band
1
+ 29 instrumentations
Retracter
Autres
Théorie de la musique
4
Formation musicale - Solfège
4
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
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Partitions à imprimer
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26
Rise Up, O Church of God--Duo Piano (Keyboard).pdf
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2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Gospel Spirituel
#
William Walter/ Aaron Williams
#
Marilyn Thompson
#
Rise Up, O Church of God--Duo
#
Marilyn Thompson
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.809597 Composed by William Walter/ Aaron Williams. Arranged by Marilyn Thompson. Christian,Gospel,Sacred...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.809597 Composed by William Walter/ Aaron Williams. Arranged by Marilyn Thompson. Christian,Gospel,Sacred. Score. 8 pages. Marilyn Thompson #6339185. Published by Marilyn Thompson (A0.809597). A stirring call to the Church to face the challenges of today is reflected in this high-energy duet. The two hymn tunes of FESTAL SONG and ST THOMAS are superimposed in the Finale section of the piece. A Piano/Organ Duet is available on another post. (Please contact marilyn@mtmusicministries.com for further information.) ASCAP.
$4.99
Up On the House Top
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Benjamin Hanby
#
Ashley Ivers
#
Up On the House Top
#
Ashley Ivers
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.823547 Composed by Benjamin Hanby. Arranged by Ashley Ivers. Children,Christmas. Score. 5 pages. Ashley ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.823547 Composed by Benjamin Hanby. Arranged by Ashley Ivers. Children,Christmas. Score. 5 pages. Ashley Ivers #4979323. Published by Ashley Ivers (A0.823547). Duet for 2 pianos, 4 hands, duo, two copies needed for performance. .
$4.99
Keep Up - Piano Duo (2 Pianos, 4 Hands)
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2 Pianos, 4 mains
#
Methodes
#
Zach Garcia
#
Keep Up - Piano Duo
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Piano Duets & Four Hands - SKU: AX.00-PB-0000682 Composed by Zach Garcia. Instructional. 10 pages. Alfred Music - Digital Sheet Music #00-PB-0000682. Pu...
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Piano Duets & Four Hands - SKU: AX.00-PB-0000682 Composed by Zach Garcia. Instructional. 10 pages. Alfred Music - Digital Sheet Music #00-PB-0000682. Published by Alfred Music - Digital Sheet Music (AX.00-PB-0000682). ISBN 9781470641849. UPC: 038081548722.
$5.50
If We Ever Broke Up
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2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Pop musique
#
Mae Stephens
#
Helios D'Andrea
#
If We Ever Broke Up
#
D'Andrea Helios
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1211339 By Mae Stephens. By Mae Stephens, Morien Van Der Tang, and Natalia I Koronowska. Arranged by Hel...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1211339 By Mae Stephens. By Mae Stephens, Morien Van Der Tang, and Natalia I Koronowska. Arranged by Helios D'Andrea. Pop. Score. 9 pages. D'Andrea Helios #809005. Published by D'Andrea Helios (A0.1211339). Arranged for two pianos by Helios D'Andrea.
$4.99
Wassail Hiccup and Trip up, fun Christmas Carol Variations for 2 pianos, 4 hands Arr. Simon Peberdy
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2 Pianos, 4 mains
#
INTERMÉDIAIRE
#
Noël
#
Traditional English Melody
#
Simon Peberdy
#
Wassail Hiccup and Trip up, fu
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Simon Peberdy
#
SheetMusicPlus
Composed by Traditional English Melody. Arranged by Simon Peberdy. Christmas, Contemporary, Standards. Score. 7 pages. Simon Peberdy #3681647. Publish...
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Composed by Traditional English Melody. Arranged by Simon Peberdy. Christmas, Contemporary, Standards. Score. 7 pages. Simon Peberdy #3681647. Published by Simon Peberdy
$3.99
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
#
CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Ornament for Two Pianos
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2 Pianos, 4 mains
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AVANCÉ
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Jean Ahn
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Ornament for Two Pianos
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Jean Ahn
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1373528 Composed by Jean Ahn. 21st Century,Classical,Contemporary. Score. 18 pages. Jean Ahn #957896. Pu...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1373528 Composed by Jean Ahn. 21st Century,Classical,Contemporary. Score. 18 pages. Jean Ahn #957896. Published by Jean Ahn (A0.1373528). Ornament is about the sparkling chords. The constant six note chords and the shimmering ornaments fill up a resonant space, thus a pianosphere.
$15.00
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,J...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Swing Low, Sweet Chariot
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spir...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spiritual,Traditional. Score. 9 pages. Sharon Wilson #3516915. Published by Sharon Wilson (A0.565177). This arrangement of the traditional spiritual Swing Low, Sweet Chariot is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. When played with a swing rhythm, this spirited, slightly syncopated dual piano duet is an ideal selection for a church setting.The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the story of Elijah and Elisha in 2 Kings 2 as well as the promise of a future home in heaven for the saints as predicted in Matthew 24:30-31. The prophet Elijah was taken to heaven in a chariot of fire as Elisha, the prophet to take Elijah’s place, witnessed the event: As they continued on and talked, behold, a chariot of fire and horses of fire separated them, and Elijah went up by a whirlwind into heaven. 2 Kings 2:11 WEB…and they will see the Son of Man coming on the clouds of the sky with power and great glory. He will send out his angels with a great sound of a trumpet, and they will gather together his chosen ones from the four winds, from one end of the sky to the other. Matthew 24:30-31 WEBLyrics:Swing low, sweet chariot, coming for to carry me home;Swing low, sweet chariot, coming for to carry me home.I looked over Jordan and what did I see,Coming for to carry me home?A band of angels coming after me,Coming for to carry me home.
$5.99
Løvfald ("Falling Leaves")
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Contemporain
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Christian Vestergaard
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Løvfald
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Christian Vestergaard
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.921614 Composed by Christian Vestergaard. Contemporary. Score. 11 pages. Christian Vestergaard #4810583....
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.921614 Composed by Christian Vestergaard. Contemporary. Score. 11 pages. Christian Vestergaard #4810583. Published by Christian Vestergaard (A0.921614). A late night improvisation on the piano, about 3½ minutes long. Technically not a particularly difficult piece to learn. I do a lot of improvisations on the piano and sometimes they end up as finished piano works like this one :-)The synth part is optional, so the piece can be performed as a piano solo, or as a duet with a synth player. I recommend using a sustain pedal and mod wheel for the synth, like I did in my own recording of the piece.Christian Vestergaard, Composer & Pianistwww.christianvestergaard.dk www.youtube.com/cvnielsenwww.facebook.com/chrvestergaardwww.soundcloud.com/christian-vestergaard-wennerlin
$3.99
"A Youthful Vow" from An Icelandic Suite
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Ingunn Bjarnadóttir
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Richard Simm
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"A Youthful Vow" fro
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Fol...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1135493 Composed by Ingunn Bjarnadóttir. Arranged by Richard Simm. 20th Century,Chamber,Classical,Folk,Multicultural,World. Score. 2 pages. Richard Simm #735542. Published by Richard Simm (A0.1135493). The last song in this set was composed by Ingunn Bjarnadóttir, a uniquely gifted Icelandic woman who made up tunes from her earliest childhood without any formal musical training at all. Later, her husband wrote down the melodic lines, and she gradually came to the attention of Iceland's musical society, where her large output now commands great respect among those who know their country's cultural history. Her melodies lend themselves well to conventional harmonic treatment, yet their unique character has something ethereal about it, as if it refuses to be tied to the conventional rules of mere academic musical logic. This tune, for example, ends in a key very remote from its beginning, yet it follows a perfect logic of its own! The arranger is indebted to the composer's daughter for her generous permission to use Ingunn's lovely melody, Æskuheit.
$4.95
Beethoven - Moonlight Sonata Duet Arrangement - (Key Map Tablature)
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2 Pianos, 4 mains
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FACILE
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Classique
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Ludwig van Beethoven
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John M
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Beethoven - Moonlight Sonata D
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Music Innovators Workshop
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages....
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.984714 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages. Music Innovators Workshop #4357665. Published by Music Innovators Workshop (A0.984714). This is a duet arrangement for student and teacher. It is notated on a key map tablature. My students love it!This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.
$2.00
Christmas Carol Variations for 2 pianos, 4 hands, Book 2, A second collection of 10 by Simon Peberdy
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Various, traditional carol m
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Simon Peberdy
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Christmas Carol Variations for
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Simon Peberdy
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SheetMusicPlus
Composed by Various, traditional carol melodies. Arranged by Simon Peberdy. Christmas, Contemporary. Score. 68 pages. Simon Peberdy #3892889. Publishe...
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Composed by Various, traditional carol melodies. Arranged by Simon Peberdy. Christmas, Contemporary. Score. 68 pages. Simon Peberdy #3892889. Published by Simon Peberdy
Christmas Carol Variations for 2 pianos, 4 hands, Book 2 is a second collection of fun variations based on 10 well-known Christmas carols, for 2 pianos, 4 hands. These are all available individually, but buying all 10 together gives you nearly 70 pages of music to enjoy at a price that means you are basically getting 10 pieces for the price of 6.
(Also available as a printed book through www.simonpeberdymusic.com)
The mp3 is of "Wassail Hiccup and Trip up"
1. Lullay Lullay (https://youtu.be/yfXnmCyfXxI)
2. Little Town of Bethlehem Charleston;
3. The First Noel Gymnopedie (https://www.youtube.com/watch?v=GUlHWQ1zpsU)
4. Hark, the Herald Bluegrass Angels;
5. In the Bleak Midwinter;
6. Joy to the World - Funky! (https://www.youtube.com/watch?v=yAUaDHI7VBo or https://www.youtube.com/watch?v=XHTcGZ0ZLiM)
7. O Little Town of Bethlehem;
8. Wassail Hiccup and Trip up (https://www.youtube.com/watch?v=PABjdC_O7pg);
9. While Shepherds Boogie Woogie;
10. Quem Pastores.
The mp3 is of Wassail Hiccup and Trip up.
Please note: although both piano parts are printed, you do need 2 copies to play on 2 pianos!
(Book 1 is also available with another 10 pieces)
Arrangements for piano duet are also available.
$24.99
Lift Up Ye Heads O Ye Gates
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2 Pianos, 4 mains
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Classique
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Musique Sacrée
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George Frideric Handel
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Sandra Zylstra
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Lift Up Ye Heads O Ye Gates
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Sandra Zylstra
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SheetMusicPlus
Composed by George Frideric Handel (1685-1759). Arranged by Sandra Zylstra. Baroque Period, Christian, Sacred, Christmas, Easter. Sheet Music Single. 7 pages. P...
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Composed by George Frideric Handel (1685-1759). Arranged by Sandra Zylstra. Baroque Period, Christian, Sacred, Christmas, Easter. Sheet Music Single. 7 pages. Published by Sandra Zylstra (S0.43975). - Sheet Music Single - Baroque Period,Christian,Sacred,Christmas,Easter - Sandra Zylstra
$5.25
Amazing Grace (student - teacher piano duet)
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2 Pianos, 4 mains
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DÉBUTANT
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Gospel Spirituel
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Musique Sacrée
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John Newton
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B C Dockery
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Amazing Grace
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Ben Dockery
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SheetMusicPlus
Composed by John Newton. Arranged by B C Dockery. Christian, Concert, Sacred, Standards. Score and parts. 2 pages. Ben Dockery #5021995. Published by ...
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Composed by John Newton. Arranged by B C Dockery. Christian, Concert, Sacred, Standards. Score and parts. 2 pages. Ben Dockery #5021995. Published by Ben Dockery
This piano duet arrangement of Amazing Grace is perfect for beginner students and their teachers. The primo part is to be played in middle C position but up an octave. The secondo part can be played with or without pedal.
Great for lessons, recitals, and church services. .
$3.99
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