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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
DEEJAY
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DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Guthrie: The Violin
Non classifié
84
Piano & claviers
Piano Quatuor: piano, violon, alto, violoncelle
31
Piano Trio: piano, violon, violoncelle
10
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano seul
1
Guitares
Piano, Guitare (duo)
6
Voix
Vents
Flûte traversière et Piano
38
Clarinette et Piano
27
Saxophone Soprano et Piano
21
Saxophone Baryton, Piano
20
Saxophone Tenor et Piano
20
Hautbois, Piano (duo)
18
Saxophone Alto et Piano
16
Clarinette Basse, Piano
15
Cor anglais, Piano
13
Clarinette
8
Piccolo, Piano
2
Clarinette, Harpe (duo)
2
Hautbois, Harpe
2
2 Clarinettes (duo)
1
Clarinette, Violon (duo)
1
2 Saxophones (duo)
1
2 Flûtes traversières (duo)
1
Ensemble de saxophones
1
Cor anglais et Harpe (duo)
1
Flûte et Trio à cordes
1
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1
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1
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1
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1
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1
Clarinette Basse
1
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1
Ensemble de Flûtes
1
+ 23 instrumentations
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26
Trombone et Piano
19
Cor et Piano
16
Cor anglais, Piano
13
Trompette, Piano
8
Trompette
5
2 Cors (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Cor
1
Cor anglais et Harpe (duo)
1
Tuba et Piano
1
+ 6 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
215
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104
Trio à Cordes: violon, alto, violoncelle
63
Alto, Piano
19
Violoncelle, Piano
15
2 Violons (duo)
13
Violon, Violoncelle (duo)
9
Violon
8
Harpe, Violon (duo)
6
Harpe, Flûte (duo)
5
Harpe
5
Violon, Alto (duo)
5
Trio à Cordes: 2 violons, violoncelle
3
Trio à Cordes: 3 violoncelles
2
Piano Trio: Violon, Alto, Piano
1
Violon, Orgue
1
Trio à Cordes: 2 violons, alto
1
Alto (partie séparée)
1
+ 13 instrumentations
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2
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1
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1
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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Guthrie: The Violin
Ensemble de saxophones
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Bach: Brandenburg Concerto No. 3 for Saxophone Choir
#
Ensemble de saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Brandenburg Concerto No.
#
jmsgu3
#
SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone - Level 4 - SKU: A0.1402348 Composed by Johann S...
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone - Level 4 - SKU: A0.1402348 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 149 pages. Jmsgu3 #985560. Published by jmsgu3 (A0.1402348). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.
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Guthrie: The Violin 
