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Modal Music
Flûte traversière
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Jozsef Bloch : Suite modale, B.95 – I. Moderato
Flûte traversière
Téléchargez la partition Flûte Suite modale, B.95 – I. Moderato de B…
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Téléchargez la partition Flûte Suite modale, B.95 – I. Moderato de Bloch. Partition pour Duo (Flûte-Piano) -- Classique
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Flûte traversière
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Jozsef Bloch
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Suite modale, B.95 – I. Mode
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Tomplay
Jozsef Bloch : Suite modale, B.95 – IV. Adagio
Flûte traversière
Téléchargez la partition Flûte Suite modale, B.95 – IV. Adagio de Bl…
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Téléchargez la partition Flûte Suite modale, B.95 – IV. Adagio de Bloch. Partition pour Duo (Flûte-Piano) -- Classique
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Flûte traversière
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Jozsef Bloch
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Suite modale, B.95 – IV. Ada
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Jozsef Bloch : Suite modale, B.95 – II. L'istesso tempo
Flûte traversière
Téléchargez la partition Flûte Suite modale, B.95 – II. L'istes…
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Téléchargez la partition Flûte Suite modale, B.95 – II. L'istesso tempo de Bloch. Partition pour Duo (Flûte-Piano) -- Classique
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Jozsef Bloch
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Suite modale, B.95 – II. L'i
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Tomplay
Jozsef Bloch : Suite modale, B.95 – III. Allegro giocoso
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Téléchargez la partition Flûte Suite modale, B.95 – III. Allegro gio…
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Téléchargez la partition Flûte Suite modale, B.95 – III. Allegro giocoso de Bloch. Partition pour Duo (Flûte-Piano) -- Classique
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Jozsef Bloch
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Suite modale, B.95 – III. Al
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Tomplay
Carson Cooman: Ancient Airs (2004) for solo flute
Flûte traversière
Flute Solo - Level 5 - Digital Download SKU: A0.533595 Composed by Carson Cooman. C…
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Flute Solo - Level 5 - Digital Download SKU: A0.533595 Composed by Carson Cooman. Concert,Contemporary,Folk,Standards. Individual part. 7 pages. Musik Fabrik Music Publishing #3030249. Published by Musik Fabrik Music Publishing (A0.533595). Ancient Airs (2004) for solo flute was written for and is dedicated to flutist Sandra Ragusa.It is in two movements, each with a spirit of ancient airs re-imagined in a modern context.The ancestry of the modern flute as a folk instrument is the inspiration for the work's concept.They should always be played with a lyrical, singing approach.Beyond the Mountain uses as its basic musical material a simple transformation of a modalmelody in D minor. Gradually tones are added borrowed from other modalities. The openingsection is slow and lyrical. The middle section is more active -- contrasting the D minorchord tones with the added diminished tones of the first section. The final section recalls thematerial of the opening with a wider transformation.Forgotten Incantation uses a wider modal language than the first movement. Although stillgenerally slow and song-like, it is more energetic. Energetic gestures interrupt and drive thesong narrative forwards.
$11.95
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Flûte traversière
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Carson Cooman
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Carson Cooman: Ancient Airs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Sonata in memoriam Daniel Pinkham (2007) for flute solo
Flûte traversière
Flute Solo - Level 5 - Digital Download SKU: A0.533567 Composed by Carson Cooman. C…
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Flute Solo - Level 5 - Digital Download SKU: A0.533567 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 18 pages. Musik Fabrik Music Publishing #3022373. Published by Musik Fabrik Music Publishing (A0.533567). I. CapriceII. Folk ArabesquesIII. MarchIV. Aria and InterludesV. Hootenanny at the Gates of HeavenSonata in memoriam Daniel Pinkham (2007) for flute was written for and is dedicated to flutist FenwickSmith. The work was written in memory of American composer Daniel Pinkham (1923-2006) – a composerwhose music, advocacy, and personal support meant a great deal to me over the years I knew him.Throughout his distinguished career as a composer, keyboard performer (on harpsichord and organ),teacher, and conductor, Dan Pinkham served as an inspiration for countless American composers andmusicians.I had planned to write a solo flute sonata for a few years and made many sketches towards such a work. Inearly 2007, reflecting on Dan’s passing in December 2006, I threw out everything I already had and begananew, conceiving the work both as a tribute to Dan and a piece for his close friend and frequentcollaborator Fenwick Smith.The five movements of the work each explore ongoing transformation of their opening materials. Thoughthere are elegiac moments in the work, the tone throughout is zestfully celebratory, with touches of humor,representing Pinkham’s irrepressible and memorable wit.The first movement, Caprice, flies through a series of arpeggio figurations in changing modes (often adifferent mode “going up†from “coming downâ€).The second movement, Folk Arabesques, is based on a Kentucky folk ballad, “John Riley.†The unusual leapsin the original melody and its modal shifts are explored in the surrounding commentaries, which takecombine bits of the folk ballad with arabesque figurations.The third movement, March, leaps through the total chromatic spectrum. Though the march is a form oftenignored by American composers, Pinkham often employed such sections and rhythms in his own music.The fourth movement, Aria and Interludes, uses a common Pinkham form—where the basic musicaldialogue (in this case a straightforward ‘aria’ melody in G minor) is interrupted by “interludes†ofcontrasting nature. In the case of this movement, it is gradually revealed that the interludes are alteredversions of the aria material.The fifth and final movement, Hootenanny at the Gates of Heaven, is a joyous romp, combining together boththe chromatic/modal shifts of the earlier movements with pentatonic figurations and melodies in the spiritof American folk fiddling.
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15.42 €
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Flûte traversière
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Carson Cooman
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Carson Cooman: Sonata in memoriam Daniel Pinkham
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Musik Fabrik Music Publishing
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