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Paris - Score Only
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Paris - Score Only
Flûte traversière
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2 partitions trouvées
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Minuet from String Quartet, Op 7 - For Solo Flute
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Flûte traversière
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INTERMÉDIAIRE
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Leopold Aimon
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Steve Murray
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Minuet from String Quartet, Op
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Steven H Murray
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SheetMusicPlus
Flute Solo - Level 3 - SKU: A0.976132 Composed by Leopold Aimon (1779-1866). Arranged by Steve Murray. Concert,Romantic Period,Standards,World. Individu...
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Flute Solo - Level 3 - SKU: A0.976132 Composed by Leopold Aimon (1779-1866). Arranged by Steve Murray. Concert,Romantic Period,Standards,World. Individual part. 10 pages. Steven H Murray #1909773. Published by Steven H Murray (A0.976132). AIMON, PAMPHILE LEOPOLD FRANÇOIS, violoncellist and composer, born at L'Isle, near Avignon, 1779; conducted the orchestra of the theatre in Marseilles when only seventeen, that of the Gymnase Dramatique in Paris 1821, and of the Théâtre Français, on the retirement of Baudron, 1822. Of his seven operas only two were performed, the 'Jeux Floraux' (1818), and 'Michel et Christine' (1821), the last with great success. He also composed numerous string quartetts, trios, and duos (Paris and Lyons), and was the author of 'Connaissances preliminaires de L'Harmonie,' and other treatises. ***mp3 file of piano accompaniment of this arrangement is offered free of charge. After purchase, contact seller with your request and return email address. Period: Romantic .
$5.00
"dashed a tone of light rose" for solo flute
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Flûte traversière
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INTERMÉDIAIRE/AVANCÉ
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Jason McChristian
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"dashed a tone of light r
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Jason Gary McChristian
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SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.886112 Composed by Jason McChristian. Concert,Contemporary. Individual part. 6 pages. Jason Gary McChristian #238171. Pub...
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Flute Solo - Level 4 - SKU: A0.886112 Composed by Jason McChristian. Concert,Contemporary. Individual part. 6 pages. Jason Gary McChristian #238171. Published by Jason Gary McChristian (A0.886112). Dashed a tone of light rose for solo flute ​ The title of this work is taken from a quote by the American painter John Sargent, in which he described the moment in painting Madame X that changed his view from one of dissatisfaction into one of utter joy and renewed inspiration. In dashed a tone of light rose, I sought to create the mixture of rawness and refinement found in Madame X, a once-controversial painting. The tension in this music represents not only the tarnished reputation of the artist, but also that of Madame Gautreau, the subject of the painting, whose status as a Parisian socialite was irrevocably destroyed. Throughout the work, both artist and subject are characterized by changes in tessitura. Though the artist's reputation was altered, ultimately it continued to remain intact through his lifetime, and it is he who gained our notoriety while the woman's misery has been largely forgotten.
$7.99
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