Welcome to Volume 2 of 50 Favorite Hymns for Solo and DuetInstruments. This collection is for the student or church musician?anyone who loves to play hymns. All books in thisseries are written so that instruments can be mixed and matched. One or twoverses are provided with optional duet parts. Arranged at the earlyintermediate level, these selections are suitable for worship or as anaccompaniment to congregational singing. Hymns may vary slightly from their originalhymnal keys. However, since they are written in comfortable instrumental ranges,this makes them easy to sing. The hymns with their concert keys are as follows:



Alas and Did My Savior Bleed, E-flat

Break Thou the Bread of life, E-flat

Brethren We Have Met to Worship, A-flat

Bring Them In, A-flat

Burdens Rolled Away, F

Deeper, Deeper in the Love of Jesus, A-flat

Glorious Things of Thee Are Spoken, E-flat

Face to Face with Christ My Savior, B-flat

Have Thine Own Way Lord, E-flat

God Will Take Care of You, B-flat

Grace Greater Than Our Sin, F

Holy God We Praise Thy Name, F

I am Resolved, B-flat

I am Thine Oh Lord, A-flat

I Gave My Life for Thee, B-flat

I need Thee Every Hour, F

I Will Sing of My Redeemer, A-flat

I Will Sing the Wondrous Story, E-flat

Ive Got Peace Like a River, F

Jesus Calls Us O?er the Tumult, A-flat

Jesus is All the World to Me, A-flat

Jesus is Tenderly Calling, B-flat

Jesus Keep Me Near the Cross, F

Jesus Loves Even Me, A-flat

Jesus Paid it All, E-flat

Let All Things Now Living, F

Let Us Break Bread Together, E-flat

Lily of the Valley, the, F

Living for Jesus, F

Lord I Want to Be a Christian in My Heart, E-flat

May the Grace of Christ Our Savior, F

More Love to Thee, F

Near to the Heart of God, E-flat

Oh the Deep, Deep Love of Jesus, G-minor

Open My Eyes That I May See, A-flat

Rejoice Ye Pure in Heart, F

Pass Me Not Oh Gentle Savior, A-flat

Rise Up Oh Men of God, F

Savior Like a Shepherd Lead Us 1, F

Savior Like a Shepherd Lead Us2, D-flat

Spirit of God, Descend Upon My Heart, C

Take the Name of Jesus With You, A-flat

Take Time to Be Holy, F

The Church?s One Foundation, E-flat

There?s a Wideness in God?s Mercy, G

There?s a New Name Written Down in Glory, B-flat

Tis So Sweet to Trust in Jesus, F

Were Marching to Zion, F

We?ve a Story to Tell to the Nations, E-flat

Why Do I Sing About Jesus? A-flat

ISBN 9781513459455. 8.75x11.75 inches.

Volume II of Playing Outside the Lines is the second of a comprehensive four-part Irish flute method book series offering beginning to advanced Irish traditional flute instruction for Boehm and simple system flutists in graduated books, chapters, and exercises. Building on the foundation provided in Volume I and providing the framework for the remaining two volumes of the series, Volume II offers a detailed introduction to Irish traditional flute ornamentation. Volume II contains ornamentation fingering charts, 40 tune versions, 69 accompanying audio tracks, and nearly 200 exercises. Playing Outside the Lines is the first Irish flute method book series of its kind, containing more than 600 technical exercises, rich and nuanced discussions of Irish flute style and cultural context, previously undocumented techniques, side-by-side explanations for Boehm and simple system flutists (as well as information for musicians transitioning between the two instruments), audio excerpts, simple system flute care and purchasing information, and resources for further study. By the end of the four-part series, Boehm and simple system flutists of any background will have the tools necessary to play Irish music with a deep understanding of the tradition as well as with individual creativity. A fantastic bible of Irish flute playing. Harrison is a very meticulous and thorough author. Viviana Guzman, The Flute View Magazine An invaluable resource for any flutist. Brook Ferguson, Principal Flutist of the Colorado Symphony Orchestra Leslie Anne Harrisons Playing Outside the Lines is a marvelous gift to all interested in Irish music. Her clear and detailed writing is a huge boon to those embracing the traditional Irish flute and is truly enlightening to those (like me) who want to delve into this music while playing the Boehm flute. From tiniest detail to largest form, Leslie Anne Harrison is there every step of the way. Playing Outside the Lines is a major contribution to flute pedagogy. Robert Dick, Performer and Author of The Other Flute.

These twenty classic hymns arranged for solo flute are easy enough for early-intermediate students to learn or for more advanced players to sight-read. Great for preludes, offertories, postludes, recitals, and lessons. A Mighty Fortress Is Our God, All Hail The Power Of Jesus? Name, Amazing Grace, Be Thou My Vision, Blessed Assurance, Come, Thou Fount of Every Blessing, Come, Thou Long-Expected Jesus, He Leadeth Me, Holy, Holy, Holy, How Great Thou Art, It Is Well With My Soul, Jesus Paid It All, Jesus Loves Me, Just As I Am, Love Divine, All Loves Excelling, My Hope Is Built On Nothing Less, O For A Thousand Tongues To Sing, Rock Of Ages, To God Be The Glory, What A Friend We Have In Jesus.

Tone Study for the Lifelong Flutist grew out of Leonard E. Lopatin\'s experiences over a nearly fifty-year career, building on what he found useful from standard pedagogy books and coaching he received in high school, the Manhattan School of Music, and the Juilliard School. Lopatin, best known as the innovative designer of the SquareONE family of flutes, concentrated on making his daily practice time as effective as possible for maintaining the skills that first earned him a seat in the Metropolitan Opera Orchestra. What would be the point of crafting the kind of flutes he wanted to play if he neglected his professional flute playing skills? Divided into 48 large sections, each with twelve sub-sections, these tonal exercises are designed to facilitate the practice of moving smoothly from each note to every other note in the flute\'s range while building (or maintaining) the endurance needed to play for an extended period of time. These exercises are designed to continually challenge players in their lifelong efforts to advance their playing abilities. Flute players will undoubtedly find Tone Study for the Lifelong Flutist a must-have for their pedagogical library. Indeed, players of all woodwind and brass instruments will find that the patterns which fall into their range are great for building the strength and flexibility needed for mastery.