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PERCUSSIONS & ORCHESTRES
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42
Orchestre
34
Ensemble de cuivres
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AUTRES
Vous avez sélectionné:
G F Handel
Flûte à bec Soprano
Partitions à imprimer
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Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Soprano Recorder and Piano
Flûte à bec Soprano
Recorder Solo,Soprano Recorder - Level 2 - Digital Download SKU: A0.587923 Composed…
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Recorder Solo,Soprano Recorder - Level 2 - Digital Download SKU: A0.587923 Composed by G F Handel. Arranged by David McKeown. Baroque,Opera,Standards. Individual part. 4 pages. David McKeown #5044833. Published by David McKeown (A0.587923). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Soprano Recorder and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.13 €
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Flûte à bec Soprano
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G F Handel
#
David McKeown
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Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Soprano Recorder and Piano
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David McKeown
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Soprano Recorder and Piano
Flûte à bec Soprano
Recorder Solo,Soprano Recorder - Level 3 - Digital Download SKU: A0.594421 Composed…
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Recorder Solo,Soprano Recorder - Level 3 - Digital Download SKU: A0.594421 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Individual part. 4 pages. David McKeown #6658357. Published by David McKeown (A0.594421). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Soprano Recorder with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.13 €
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Flûte à bec Soprano
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Handel: Largo (from Xerxes) for soprano (descant) recorder and piano
Flûte à bec Soprano
Recorder Solo,Soprano Recorder - Level 2 - Digital Download SKU: A0.1311260 Compose…
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Recorder Solo,Soprano Recorder - Level 2 - Digital Download SKU: A0.1311260 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Individual part. 6 pages. Colin Kirkpatrick Publications #900258. Published by Colin Kirkpatrick Publications (A0.1311260). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for soprano (descant) recorder(s) and piano is in G major and uses the lower and middle register of the instrument.  It could be used with any number of descant recorders. The lowest note is the D just below the treble staff and the highest note is the G just above the top line. The piano part has been kept as simple as possible. Â
$3.95
3.55 €
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Flûte à bec Soprano
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G F Handel
#
Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
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