Partitions Numériques de HEAT pour Flûte à bec Soprano

HEAT

Let It Snow! Let It Snow! Let It Snow! #Flûte à bec Soprano #FACILE #Noël #Jessica Simpson #songbooks #Let It Snow! Let It Snow! Let #songbooks.info #SheetMusicPlus

Recorder Solo,Soprano Recorder - Level 2 - SKU: A0.1343609 By Jessica Simpson. By Jule Styne and Sammy Cahn. Arranged by songbooks.info. Advent,Christia...(+)

Recorder Solo,Soprano Recorder - Level 2 - SKU: A0.1343609 By Jessica Simpson. By Jule Styne and Sammy Cahn. Arranged by songbooks.info. Advent,Christian,Christmas,Religious,Traditional. Individual part. 5 pages. Songbooks.info #929132. Published by songbooks.info (A0.1343609). â€œLet It Snow! Let It Snow! Let It Snow!â€ was written by lyricist Sammy Cahn and composer Jule Styne in July 1945 in Hollywood, California, during a heat wave. The song was first recorded by Vaughn Monroe in the fall of 1945, released shortly after Thanksgiving, and became an international hit at Christmas.The song was adapted for the Soprano or Tenor Recorder and provided with fingering images. These images are briefly explained in the appendix. The classic musical notation and/or the lyrics help to develop the song, so that even those unfamiliar with music notes can learn to play the song with this arrangement.The sound of a Vibraphone was used in the setting, so the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!â€žLet It Snow! Let It Snow! Let It Snow!â€œ wurde vom Texter Sammy Cahn und der Komponistin Jule Styne im Juli 1945 in Hollywood, Kalifornien, wÃ¤hrend einer Hitzewelle geschrieben. Das Lied wurde erstmals im Herbst 1945 von Vaughn Monroe aufgenommen, kurz nach Thanksgiving verÃ¶ffentlicht und wurde zu Weihnachten ein internationaler Hit.Das Lied wurde fÃ¼r die Sopran- oder Tenor- BlockflÃ¶te adaptiert und mit Griffbildern versehen. Diese Griffbilder werden im Anhang kurz erklÃ¤rt. Die klassische Notenschrift und/oder der Liedtext helfen beim Erarbeiten des Liedes, sodaÃŸ auch Noten-Unkundige mit diesem Arrangement das Lied spielen lernen kÃ¶nnen.In der Vertonung wurde der Sound eines Vibraphones verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wÃ¼nschen viel SpaÃŸ beim Musizieren...!

Handel: Largo (from Xerxes) for soprano (descant) recorder and piano #Flûte à bec Soprano #FACILE #G F Handel #Colin Kirkpatrick #Handel: Largo #Colin Kirkpatrick Publications #SheetMusicPlus

Recorder Solo,Soprano Recorder - Level 2 - SKU: A0.1311260 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. ...(+)

Recorder Solo,Soprano Recorder - Level 2 - SKU: A0.1311260 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Individual part. 6 pages. Colin Kirkpatrick Publications #900258. Published by Colin Kirkpatrick Publications (A0.1311260). This piece is probably Handelâ€™s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like â€œZERT-seesâ€. It was commissioned by The Kingâ€™s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey. Â The melody is often known simply as Handelâ€™s Largo (despite being marked â€œLarghettoâ€ in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: â€œTender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the Kingâ€™s Theatre in Londonâ€™s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for soprano (descant) recorder(s) and piano is in G major and uses the lower and middle register of the instrument. Â It could be used with any number of descant recorders. The lowest note is the D just below the treble staff and the highest note is the G just above the top line. The piano part has been kept as simple as possible.Â Â