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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Alto seul
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I Do
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Trompette
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I Do I Do I Do I Do
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.1004919 By ABBA. By Benny Anderss…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1004919 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Violi. Contemporary. Individual part. 1 pages. Jenna McAndrew #4605357. Published by Jenna McAndrew (A0.1004919). I Do I Do I Do 2nd trumpet from MAMMA MIA!
$4.99
4.61 €
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Trompette
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ABBA
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Violi
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I Do I Do I Do I Do
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Jenna McAndrew
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SheetMusicPlus
(everything I Do) I Do It For You
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.839600 By Bryan Adams. By Bryan A…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.839600 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Bobby Hesch. Contemporary,Pop. Individual part. 3 pages. Bobby Hesch #6488661. Published by Bobby Hesch (A0.839600). (EVERYTHING I DO) I DO IT FOR YOU)!!!! FROM THE MOVIE ROBIN HOOD PRINCE OF THIEVES (1991)!!! BRYAN ADAMS SUPPLIED THE GREAT GUITAR AND VOICE FOR THIS ICONIC SONG!!! I WOULD FIGHT FOR YOU, I'D LIE FOR YOU WALK A LINE FOR YOU, YEAH I'D DIE FOR YOU!!! LET'S PLAY SOME JAZZ!!! KEY OF G!!! LOW F# - HIGH A!!! LOTS OF CASCADING ARPEGGIOS!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com :IG:@bobbyhesch EMAIL ME WITH QUESTIONS, I CAN HELP!!! HAVE FUN PLAYING THIS BEAUTIFUL SONG!!!
$4.99
4.61 €
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Trompette
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Bryan Adams
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Bobby Hesch
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(everything I Do) I Do It For You
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Bobby Hesch
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SheetMusicPlus
I Do
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.686617 By Colbie Caillat. By Colb…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.686617 By Colbie Caillat. By Colbie Caillat and Toby Gad. Arranged by Fernando Britto. Contemporary,Pop,Wedding. Individual part. 2 pages. Minhas Partituras #6456287. Published by Minhas Partituras (A0.686617). Arrangement of the song I Do (Colbie Caillat) for Trumpet in Bb Solo.
$4.99
4.61 €
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Trompette
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Colbie Caillat
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Fernando Britto
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I Do
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Minhas Partituras
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SheetMusicPlus
Do Lord
Trompette
Trumpet, piano - Level 4 - Digital Download SKU: A0.635954 By Johnny Cash. By V.O. …
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Trumpet, piano - Level 4 - Digital Download SKU: A0.635954 By Johnny Cash. By V.O. Fossett. Arranged by Fishel Pustilnik. Country. Score and part. 9 pages. F & N Enterprise #6065299. Published by F & N Enterprise (A0.635954). An excellent arrangement of the famous Song Do Lord for Violin and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/npu7KO1jRyk The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.61 €
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Trompette
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Johnny Cash
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Fishel Pustilnik
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Do Lord
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F & N Enterprise
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SheetMusicPlus
The King Is Returning Bb Trumpet Score
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.842315 Composed by Andrew Mc Dona…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.842315 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Individual part. 2 pages. Andrew Mc Donald (Macka Records) #6612773. Published by Andrew Mc Donald (Macka Records) (A0.842315). The King Is Returning is a song about when Jesus comes back on the clouds in the sky. As sure as I do live and breathe He will return whether we are ready or not. This song features the trumpet, as it will sound when He comes. This is the Bb Trumpet score.
$3.99
3.69 €
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Trompette
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Andrew Mc Donald
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The King Is Returning Bb Trumpet Score
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Andrew Mc Donald
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SheetMusicPlus
Je Dis Aime
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.1005270 By Louis Mathieu Joseph &…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1005270 By Louis Mathieu Joseph & Anna Chedid. By Mathieu Arnaud Chedid. Arranged by Stephane ELSINY. Contemporary. Individual part. 2 pages. Stephane Elsiny #5374003. Published by Stephane Elsiny (A0.1005270). The original tone is respected. When it is available, I place the karaoke link to you. Everything is ready, all you have to do is play. Funny, right ? Teachers, these scores are ideal for motivating your students. Students, propose these scores to your teacher and play! Soon other French songs, pop, variety and also international songs…
$4.99
4.61 €
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Trompette
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Louis Mathieu Joseph & Anna Chedid
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Stephane ELSINY
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Je Dis Aime
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Stephane Elsiny
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.66 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.66 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Pentatonic Tonalization Studies - Pro Level - by Eddie Lewis
Trompette
Trumpet - Advanced Intermediate - Digital Download Composed by Eddie Lewis. Method, Etu…
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Trumpet - Advanced Intermediate - Digital Download Composed by Eddie Lewis. Method, Etudes and Exercises, General Instructional, Technique Training. 65 pages. Published by Tiger Music
Trumpet Pro Pentatonic Tonalization Introduction Pro Pentatonics is a new book from the constantly growing Total Tonalization Series. It is book number five in the pentatonic series. Technique in the form of pentatonic scales is most enthusiastically sought after by jazz musicians. Although the scale and its compositional uses are not limited to jazz, the practice of those scales is almost exclusively a \"jazz thing.\" Not only is the pentatonic scale the root of the blues scale, but it is also used to varied degrees by most modern jazz musicians. That said, there are certain benefits to practicing pentatonic scales that apply to all musicianship. For example, I believe that the best way to begin to learn and understand quartal harmony is via practicing the pentatonic scales. Pentatonic scales are constructed in perfect fourths. Let\'s look at the C pentatonic as an example: E - A - D - G - C Five notes a fourth apart from each other, beginning on E, produces all of the notes of the C pentatonic scale: C - D - E - G - A For this reason, the traditional scale patterns come alive with the sound of perfect fourths when applied to the pentatonic scale. Quartal harmony is not limited to jazz compositions or improvisation. Many musicians since the early twentieth century have written compositions utilizing quartal harmony, and I believe that the first step to understanding those compositions and performing them is in practicing the pentatonic scales. Aside from the theoretical applications of the pentatonic scale, there are also technical reasons to practice them. The removal of the fourth and seventh scale degrees (the tritone) creates a scale and inherent patterns which become far clumsier to perform than the traditional major scales. The agility and flexibility required offer the diligent practicer an edge over those who do not practice such things.
$14.99
13.85 €
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Trompette
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Eddie Lewis
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Pentatonic Tonalization Studies - Pro Level - by Eddie Lewis
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Tiger Music
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SheetMusicPlus
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