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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Non classifié
576
PIANO & CLAVIERS
Piano seul
545
Piano, Voix
178
Piano, Voix et Guitare
83
Instruments en Do
26
Orgue
24
Piano Trio: piano, violon, violoncelle
13
1 Piano, 4 mains
9
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8
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7
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1
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GUITARES
Guitare notes et tablatures
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27
Basse electrique
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2
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1
3 Guitares (trio)
1
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VOIX
Chorale SATB
324
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62
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48
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46
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11
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8
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7
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7
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5
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5
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4
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3
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3
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2
Voix seule
2
Voix Alto, Piano
2
Voix Tenor
1
Voix basse
1
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VENTS
Quatuor de Saxophones: 4 saxophones
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
66
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43
Flûte traversière et Piano
42
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36
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34
2 Flûtes traversières (duo)
31
Clarinette et Piano
30
Hautbois, Piano (duo)
26
Saxophone Alto et Piano
24
Quatuor de Flûtes : 4 flûtes
24
Quintette de Saxophone: 5 saxophones
20
Saxophone Alto
20
2 Clarinettes (duo)
19
Saxophone, Clarinette (duo)
18
Clarinette
17
Saxophone Tenor et Piano
16
Flûte traversière
14
Clarinette, Violon (duo)
14
Ensemble de Clarinettes
14
Clarinette, Trompette (duo)
13
Quintette de Clarinettes: 5 clarinettes
13
Ensemble de saxophones
12
Flûte, Clarinette (duo)
11
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9
Hautbois, Basson (duo)
9
Saxophone Soprano et Piano
8
Saxophone Tenor
8
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8
Flûte, Alto (duo)
8
Flûte, Violon
8
Hautbois, Clarinette (duo)
7
Trio de Flûtes: 3 flûtes
7
Clarinette et Alto
7
2 Hautbois (duo)
7
Hautbois, Flûte
6
Clarinette Basse, Piano
6
Flûte, Saxophone (duo)
6
Flûte, Trompette (duo)
5
3 Clarinettes (trio)
4
Saxophone
3
Flûte, Violon, Piano
3
Hautbois (partie séparée)
3
Quintette de Flûte : 5 flûtes
3
Flute (partie séparée)
3
Flûte et Guitare
2
Clarinette, Basson (duo)
2
Clarinette, Guitare (duo)
2
Flûte, Clarinette et Basson
2
Clarinette, Basson, Piano (trio)
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois (duo)
1
3 Saxophones (trio)
1
Flute, harpe et violon
1
Hautbois, violon (duo)
1
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1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Cor anglais, Piano
1
Clarinette, Violoncelle (duo)
1
Saxophone et Orgue
1
Clarinette, Violoncelle, Piano (trio)
1
5 Flûtes à bec
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Basson
1
Saxophone Baryton, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
56
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Trombone et Piano
24
Cor et Piano
19
Trompette
16
Trompette, Piano
16
Trompette, Saxophone (duo)
13
Trompette (partie séparée)
12
Quatuor de cuivres: 4 trombones
12
2 Trompettes (duo)
10
Trombone (partie séparée)
8
Trombone
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Trompette, Trombone (duo)
7
2 Trombones (duo)
7
Euphonium, Piano (duo)
6
Ensemble de Trombones
5
Cor
5
Tuba et Piano
4
Quatuor de cuivres: 4 cors
4
Ensemble de Trompettes
4
2 Euphoniums et 2 Tubas
4
Quatuor de Cuivres
2
Ensemble de Cors
2
Euphonium
2
4 Tubas
1
2 Cors (duo)
1
Trompette, violon (duo)
1
Cor, Violoncelle (duo)
1
Trompette, Violoncelle (duo)
1
2 Tubas (duo)
1
3 Euphoniums
1
Cor anglais, Piano
1
Cornet et orchestre
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
259
Violon et Piano
78
Violon, Violoncelle (duo)
76
Trio à Cordes: violon, alto, violoncelle
37
Violoncelle, Piano
36
Violon
30
Harpe
30
2 Violons (duo)
26
Trio à Cordes: 2 violons, violoncelle
23
Violoncelle
21
Alto, Piano
21
2 Violoncelles (duo)
21
Violon, Alto (duo)
20
2 Altos (duo)
14
Violon, Guitare (duo)
10
Trio à cordes: 3 violins
7
2 Harpes (duo)
6
Trio à Cordes: 3 violoncelles
6
Harpe, Voix
5
Harpe, Violon (duo)
4
Contre Basse
4
Harpe, Flûte (duo)
4
Violoncelle, Contrebasse (duo)
3
Trio à cordes: 3 altos
3
Violoncelle , Guitare (duo)
3
Alto, Violoncelle (duo)
3
Ensemble de Violons
2
Contrebasse, Piano (duo)
2
Ensemble d'Altos
2
4 Violoncelles
2
Trio à cordes
2
Alto et Harpe
2
Harpe, Violoncelle (duo)
2
4 Contrebasses
2
Alto (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: 2 violons, alto
1
2 Contrebasses (duo)
1
Quatuor à cordes: 4 violons
1
Alto seul
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle (partie séparée)
1
Alto et Basson
1
Violon (partie séparée)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
88
Orchestre
82
Orchestre à Cordes
66
Ensemble Jazz
60
Ensemble de cuivres
59
Orchestre de chambre
34
Cloches
18
Jazz combo
12
Fanfare
12
Ensemble de Percussions
3
Batterie
2
Marimba
2
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Is This Love
avancé
Trompette
Partitions à imprimer
16 partitions trouvées
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1
How Deep Is Your Love
Trompette
Trumpet, piano - Level 4 - Digital Download SKU: A0.635998 By Bee Gees. By Barry Gi…
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Trumpet, piano - Level 4 - Digital Download SKU: A0.635998 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Fishel Pustilnik. Dance,Disco. Score and part. 8 pages. F & N Enterprise #6117849. Published by F & N Enterprise (A0.635998). An excellent arrangement of the famous Song How Deep Is Your Love for Trumpet and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/ommadQAgAgo The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.57 €
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Trompette
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Bee Gees
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Fishel Pustilnik
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How Deep Is Your Love
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F & N Enterprise
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SheetMusicPlus
Lady Gaga : A Star Is Born - I'll Never Love Again (niveau intermédiaire/difficile)
Trompette
Téléchargez la partition Trompette A Star Is Born - I'll Never Love Aga…
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Téléchargez la partition Trompette A Star Is Born - I'll Never Love Again (niveau intermédiaire/difficile) de Lady Gaga. Partition pour Trompette avec accomp. orchestre -- Musique de film
5.99 €
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Trompette
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Lady Gaga
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A Star Is Born
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Tomplay
How Sweet It Is (to Be Loved By You)
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.839780 By James Taylor. By Brian …
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Trumpet Solo - Level 4 - Digital Download SKU: A0.839780 By James Taylor. By Brian Holland, Edward Holland, and Lamont Dozier. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6717855. Published by Bobby Hesch (A0.839780). HOW SWEET IT IS TO BE LOVED BY YOU !!! GREAT SONG PERFORMED BY JAMES TAYLOR & MARVIN GAY !!!!YOU WERE BETTER TO ME THAN I WAS TO MYSELF I JUST WANNA STOP & THANK YOU BABY !!! LET'S PLAY SOME JAZZ !!! PERFECT FOR THE CAKE CUTTING AT A WEDDING RECEPTION !!! KEY OF A !!! LOW A - HIGH A !!! MP3 FOR JAZZ STYLE & INTERPRETATION !!! HAVE FUN PERFORMING THIS GREAT TUNE !!!CONTACT INFORMATION: bobbyhesch@yahoo.com IG :@bobbyhesch !!!E MAIL QUESTIONS ! I CAN HELP !!! HAVE FUN PERFORMING THIS GREAT TUNE !!!
$4.99
4.57 €
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Trompette
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James Taylor
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Bobby Hesch
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How Sweet It Is
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Bobby Hesch
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SheetMusicPlus
Crazy Little Thing Called Love
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.839456 By Dwight Yoakam. By Fredd…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.839456 By Dwight Yoakam. By Freddie Mercury. Arranged by Bobby Hesch. Rock. Individual part. 3 pages. Bobby Hesch #6015075. Published by Bobby Hesch (A0.839456). !!!CRAZY LITTLE THING CALLED LOVE!!! RELEASE YOUR INNER ROCK STAR WITH THIS GREAT TUNE!!! THANKS FREDDIE MERCURY & QUEEN!!! SO GET READY!!!LET'S PLAY SOME JAZZ!!! KEY OF D!!LOW F# - HIGH D!!! LOTS OF COURTESY ACCIDENTALS & ARTICULATION MARKS!!! CHALLENGING ARRANGEMENT IS SO MUCH FUN TO PLAY!!! SO DON'T STOP ME NOW!!!CONTACT INFORMATION:bobbyhesch@yahoo.com, IG : @bobbyhesch MP3 FOR JAZZ STYLE & INTERPRETATION!!!
$4.99
4.57 €
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Trompette
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Dwight Yoakam
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Bobby Hesch
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Crazy Little Thing Called Love
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Bobby Hesch
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SheetMusicPlus
Is This Really Love?
Trompette
C Trumpet Solo - Level 4 - Digital Download SKU: A0.1155098 By Rick Astley. By Rick…
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C Trumpet Solo - Level 4 - Digital Download SKU: A0.1155098 By Rick Astley. By Rick Astley. Arranged by David Lartey. Pop. Individual part. 2 pages. David Lartey #755385. Published by David Lartey (A0.1155098).
$10.25
9.39 €
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Trompette
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Rick Astley
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David Lartey
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Is This Really Love?
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David Lartey
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SheetMusicPlus
Still, Still, Still - Trumpet Solo
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.721706 Composed by Traditional. A…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.721706 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Sacred. Individual part. 1 pages. Music-Scores.com #4982003. Published by Music-Scores.com (A0.721706). Still, Still, Still is a lovely Austrian carol. It is a lullaby and must be played as though rocking a cradle. The embellishments must be played in a very peaceful manner, and can be simplified if necessary. The words of the carol refer to falling snow, the hushed world sleeping, and dreaming of joyous days to come.This arrangement is for unaccompanied Trumpet.Playing time about 2 minutes, 30 seconds.Arranged by Anne Christopherson at https://www.music-scores.com
$5.95
5.45 €
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Trompette
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Traditional
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Still, Still, Still - Trumpet Solo
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Music-Scores.com
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SheetMusicPlus
Sway (Quien Sera)
Trompette
Piano,Trumpet - Level 4 - Digital Download SKU: A0.647990 By Dean Martin. By Luis D…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.647990 By Dean Martin. By Luis Demetrio Traconis Molina and Pablo Beltran Ruiz. Arranged by Nick Lacanski. Jazz. Score and part. 8 pages. Theupperstaff #3024411. Published by theupperstaff (A0.647990). Looking for something different to put on the upcoming recital? Well. look no further, you've found it. Truly Latin and truly infectious is this arrangement. You'll love it. Thanks for taking a look.
$6.99
6.4 €
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Trompette
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Dean Martin
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Nick Lacanski
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Sway
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theupperstaff
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SheetMusicPlus
Moondances
Trompette
Piano,Trumpet - Level 4 - Digital Download SKU: A0.934482 Composed by Jason Taurins…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.934482 Composed by Jason Taurins. Concert,Contemporary. Score and part. 18 pages. Jason Allan Taurins #3379657. Published by Jason Allan Taurins (A0.934482). Moondances is a set of 6 bagatelles for trumpet and piano. Aimed at the advancing high school or college trumpet player, the six movements can be played in their entirety or in subsets. At 8:30 in length, it would be perfect for a recital!The musical material for much of the piece is based on pieces I wrote for my undergraduate composition courses at Western Michigan University, but reworked and expanded. The fifth and sixth movements are entirely brand new music I composed to round out the suite. Underpinning all movements is a dark and sad feeling, but with rhythmic energy.Movement I, titled Moondrunk, is a reference to Schoenberg’s Pierrot Lunaire. It’s an absurd, dissonant, and drunk-feeling dance. Movement II, A Stroll in the Moonlight, shows off the lyrical, expressive, and reflective nature of the trumpet with cup mute. The title is a reference to Hogwarts teacher Professor Lupin, who, within the Harry Potter universe, is a werewolf. The music does not reflect this. In Movement III, Death Dances in the Dark, I experimented with using a highly-chromatic melody which is incorrectly harmonized by D minor chords. The piano and trumpet combine at shocking points in octaves and rhythmic unison to create an unsettling effect. Movement IV, titled Melancholy Memories, is based on a movement of a song cycle I wrote in college. It is at points lovely and unsettling, with a sense of nostalgia.Movement V, titled Dimensions (Pablo’s Dream), is a tribute to my love of the paintings of Pablo Picasso. His cubist works attempted to show multiple perspectives of objects simultaneously. The whole movement is a large palindrome, with smaller palindromes placed in it. To accomplish this musically, I used a twelve-tone row, parallelism in the piano part, and various palindromes in the form. The row is intervallically the same forward and backward. I composed the rhythmic material in the first section stream-of-conscious style, and filled in the pitches. The piano accompaniment is in parallel major chords on each note of the row. The melody at letter H uses the row transposed up a tritone, and parallel minor chords in the accompaniment.The final movement, Chase, shows off the virtuosity of the trumpeter. A common theme of dreams is the chase. These are often quite terrifying, at least in my experience. The back-and-forth nature of chases is explored rhythmically in the opening bars. Phrases of different length and dissonant harmonies are unsettling. A bold cry of terror is heard throughout the movement, harmonized by a chord with a perfect fifth and an augmented fifth. Descending and ascending scales wake up the terrified dreamer, and the music never fully resolves.
$9.99
9.15 €
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Trompette
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Jason Taurins
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Moondances
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Jason Allan Taurins
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SheetMusicPlus
Deaf! Bb Trumpet Score
Trompette
Trumpet in D Solo - Level 4 - Digital Download SKU: A0.1152006 By Andrew McDonald. …
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Trumpet in D Solo - Level 4 - Digital Download SKU: A0.1152006 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Pop,Spiritual. Individual part. 2 pages. Andrew Mc Donald (Macka Records) #752214. Published by Andrew Mc Donald (Macka Records) (A0.1152006). Deaf is a song about having an important message to share with everyone but nobody wants to listen. I want to tell people about the Gospel and that Jesus loves them but they only close their ears and cover them, and so the bible is neglected. It is as though they have become deaf! This is a chart for Bb Trumpet.
$2.99
2.74 €
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Trompette
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Andrew McDonald
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Andrew McDonald
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Deaf! Bb Trumpet Score
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Andrew Mc Donald
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SheetMusicPlus
Arban Fantaisie Brillante sur La Muette de Portici
Trompette
Piano,Trumpet - Level 4 - Digital Download SKU: A0.898024 Composed by Jean-Baptiste…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.898024 Composed by Jean-Baptiste Arban. Arranged by Ken Saul. Concert,Opera,Romantic Period,Standards. Score and part. 18 pages. Ken Saul #6092729. Published by Ken Saul (A0.898024). J. B. Arban (1825 - 1889) wrote a number of fine solos for cornet and piano that are published in the big Arban's method book. But there are a few more of these solos that were not in the big book, and this is one of them. La Muette de Portici (the mute girl of Portici) was an early French grand opera by Auber. These opera melodies were the most loved popular songs in Arban's day, and he wrote this gem of a solo using several of the beautiful melodies from the opera. The original solo was for the now-obsolete cornet in A. I have transposed it so it is playable on the modern Bb cornet. This solo is every bit as fine as the ones in the back of the Arban's method book and will be a hit on any recital.
$6.99
6.4 €
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Trompette
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Jean-Baptiste Arban
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Ken Saul
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Arban Fantaisie Brillante sur La Muette de Portici
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Ken Saul
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SheetMusicPlus
Blessed Assurance--trumpet solo
Trompette
Piano,Trumpet - Level 4 - Digital Download SKU: A0.786582 Composed by Fanny Crosby,…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.786582 Composed by Fanny Crosby, Phoebe Palmer Knapp. Arranged by Beka Wilson. Christian,Gospel,Sacred. Score and part. 5 pages. Beka Wilson #6260821. Published by Beka Wilson (A0.786582). One of Fanny Crosby’s most beloved hymns is Blessed Assurance, and this song was given life by composer Phoebe Palmer Knapp. This intermediate instrumental arrangement of Blessed Assurance is perfect as part of a prelude, a short offertory for a smaller church, or any other special music needs for a church service.This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trombone, violin, viola, and cello, and as a duet for two harps, harp/flute, harp/violin, harp/viola, or harp/cello. A vocal version of this arrangement will be made available soon.Length: approximately 2:40 Key: Concert D (E for B flat instruments, B for E flat instruments, A for F instruments)5 pages (includes score and separate solo part)
$6.99
6.4 €
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Trompette
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Fanny Crosby, Phoebe Palmer Knapp
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Beka Wilson
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Blessed Assurance--trumpet solo
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Beka Wilson
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SheetMusicPlus
Jingle Bells
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.839382 Composed by Brian Setzer. …
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Trumpet Solo - Level 4 - Digital Download SKU: A0.839382 Composed by Brian Setzer. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #5745047. Published by Bobby Hesch (A0.839382). DASHING THROUGH THE SNOW!!! LET'S PLAY SOME JAZZ!!!***JINGLE BELLS***!!! HANG ON!!! THIS IS HIGH OCTANE TOP TO BOTTOM!!! KEY OF C/Db!!! LOTS OF COURTESY ACCIDENTALS & ARTICULATION MARKS!!! CHECK OUT THE MP3 FOR JAZZ STYLE & INTERPRETATION!!! LOW G - HIGH G!!! I LOVE PLAYING THIS CHART!!! I HOPE YOU WILL TOO!!!CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99
4.57 €
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Trompette
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Brian Setzer
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Bobby Hesch
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Jingle Bells
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Bobby Hesch
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.53 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.53 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual - Hooten Edition
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SheetMusicPlus
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