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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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Sir S
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69
Piano & claviers
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64
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14
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8
Orgue
5
Piano Quatuor: piano, violon, alto, violoncelle
2
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2
Orgue, Trompette (duo)
1
Accordéon
1
+ 3 instrumentations
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Guitare
11
Guitare notes et tablatures
5
4 Guitares (Quatuor)
2
Ukulele
1
Voix
Chorale SATB
32
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5
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4
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2
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2
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1
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1
Voix haute
1
Chorale Unison
1
+ 4 instrumentations
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Quatuor de Clarinettes: 4 clarinettes
9
Flûte, Hautbois, Clarinette, Basson
5
Hautbois, Piano (duo)
5
Quatuor de Saxophones: 4 saxophones
5
Flûte traversière et Piano
3
Ensemble de Flûtes
2
Clarinette et Piano
2
Saxophone Tenor
2
Clarinette
2
Piccolo, Piano
1
Quintette de Saxophone: 5 saxophones
1
Flûte traversière, Orgue (duo)
1
Flute, harpe et violon
1
Saxophone et Orgue
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone Tenor et Piano
1
Saxophone
1
Saxophone (partie séparée)
1
2 Saxophones (duo)
1
2 Flûtes traversières (duo)
1
Cor anglais, Piano
1
Saxophone Alto
1
2 Saxophones, Piano
1
3 Clarinettes (trio)
1
Flûte, Violoncelle
1
Trio de Flûtes: 3 flûtes
1
Flûte, Trombone (duo)
1
Hautbois, Clarinette (duo)
1
Saxophone Alto et Piano
1
Ensemble de Clarinettes
1
Flûte traversière
1
Saxophone Baryton, Piano
1
Hautbois (partie séparée)
1
Clarinette Basse, Piano
1
+ 30 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
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3
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2
Trombone (partie séparée)
2
3 Trombones (trio)
2
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2
Trombone
2
Trompette
2
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 cors
1
Cor anglais, Piano
1
Trombone et Piano
1
Ensemble de Trompettes
1
Cor et Orgue
1
Quatuor de Cuivres
1
2 Trombones (duo)
1
+ 11 instrumentations
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Cordes
Violon, Violoncelle (duo)
18
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15
Harpe
7
Violoncelle
4
Violoncelle, Piano
4
Violon et Piano
3
Alto, Piano
3
Violon
3
Violon, Alto (duo)
2
2 Violons (duo)
2
Trio à Cordes: violon, alto, violoncelle
1
Harpe, Voix
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle , Guitare (duo)
1
Violon, Guitare (duo)
1
Harpe et Piano
1
+ 11 instrumentations
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Orchestre
14
Orchestre d'harmonie
12
Orchestre à Cordes
9
Ensemble de cuivres
9
Orchestre de chambre
8
Ensemble Jazz
5
Cloches
4
Fanfare
1
Jazz combo
1
Ensemble de Percussions
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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Trompette
Partitions à imprimer
2 partitions trouvées
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Bach : Jésus que ma joie demeure, BWV 147
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Bach
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Jésus que ma joie demeure, BW
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Tomplay
Telechargez la partition Trompette Jesus que ma joie demeure, BWV 147 de Bach. Partition pour Trompette avec piano d‘accompagnement -- Classique...
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Telechargez la partition Trompette Jesus que ma joie demeure, BWV 147 de Bach. Partition pour Trompette avec piano d‘accompagnement -- Classique
2.99€
Sullivan: The Lost Chord for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for T
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 4 - SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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B-Flat Trumpet,Piano - Level 4 - SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497259. Published by jmsgu3 (A0.549457). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
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Sir S
