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2 Violoncelles (duo)
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Ensemble Jazz
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Fanfare
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The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.5 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual
#
SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.5 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Supplemental Practice Alternatives for Trumpet
Trompette
Trumpet - Level 4 - Digital Download SKU: A0.817143 Composed by Charles Decker. 21s…
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Trumpet - Level 4 - Digital Download SKU: A0.817143 Composed by Charles Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Educational Exercises. 42 pages. Charles Decker Music Press #4303103. Published by Charles Decker Music Press (A0.817143). Supplemental Practice Alternatives is a thirty-page compilation of alternative practice approaches designed to improve and stabilize essential trumpet performance skills that was developed over four decades of teaching ambitious trumpeters at all levels. These alternative practice approaches provide practical variations and suggestions on how to apply them to the myriad of etude and study books with the objective of advancing and mastering crucial aspects of trumpet performance. Supplemental Practice Alternatives include study approaches for First and Third-Valve Slide Intonation Control; Single and Multiple-Tonguing Consistency Development; Range Expansion Tone Control; Lip Trill and Shake Development; Long-Tone Studies Using Basic Triad and 7th Chord Modes; Developing Quick Modal Transitioning Capability Between Basic Scales (major, minors, whole tone, chromatic); Review of Supplemental Scales Frequently Encountered (whole tone, blues, pentatonic); Advancing Fingering Coordination with emphasis on third-finger control; and two helpful supplements - a review of Common Italian terms Categorized into Meaningful Genres and 25 Practice Suggestions passed on by generations of successful musicians..For more trumpet study materials to improve performance capabilities and musicianship see my Intermediate Serial Studies for Trumpet (highly recommended by the International Trumpet Guild Journal) as well as my First Technical Studies for Trumpet for young students with Charles Decker Music Press at Sheet Music Plus. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$9.95
9.1 €
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Trompette
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Charles Decker
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Supplemental Practice Alternatives for Trumpet
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Charles Decker Music Press
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SheetMusicPlus
Intermediate Serial Studies for Trumpet
Trompette
Trumpet - Level 4 - Digital Download SKU: A0.817142 Composed by Charles Decker. Con…
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Trumpet - Level 4 - Digital Download SKU: A0.817142 Composed by Charles Decker. Contemporary,Instructional. Educational Exercises. 25 pages. Charles Decker Music Press #4112429. Published by Charles Decker Music Press (A0.817142). Cited by the International Trumpet Guild Journal as a great introduction to the world of atonal music, Intermediate Serial Studies for Trumpet bridges the gap between tonal music and more difficult atonal literature with 20 short twelve-tone studies set primarily in the middle and lower registers. Settings vary from lyrical to marcato and tempos range from adagio to allegro. Using serial twelve-tone technique, each study's tone row is used only in original and retrograde (reversed) forms. Interval review in the studies begins with seconds and gradually expands to focus on thirds, fourths, tritones, fifths, sixths and sevenths. While 14 different time signatures are presented, beat subdivisions are not complex to facilitate precise rhythmic execution. Atonal music need not be barren of musical expression as applying creative interpretation with technical accuracy can make the music vibrant and exciting.See also with Charles Decker Music Press at Sheet Music Plus my Supplemental Practice Approaches for Trumpet and First Technical Studies for Trumpet that help develop trumpeters' skills and musicianship.If looking for trumpet solo features with brass quintet check out my SMP editions of Clarke’s Carnival of Venice, Puccini’s Che Gelida Manina from La Boheme, Verdi's Caro Nome from Rigoletto, Rossini's Non Piu Mesta from Cinderella, Sasche Concertino for Eb Cornet of 1871, and use this link to Kendor Music for my editions of Clarke’s Bride of the Waves and Nestico’s Portrait of a Trumpet. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$9.95
9.1 €
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Trompette
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Charles Decker
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Intermediate Serial Studies for Trumpet
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Charles Decker Music Press
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SheetMusicPlus
Odd Ones
Trompette
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1099422 Composed by Yoko K…
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B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1099422 Composed by Yoko Kanno. Arranged by Zack Demos. Film/TV,Jazz. Individual part. 4 pages. Mute City Music #703314. Published by Mute City Music (A0.1099422). Based on the original recording by The Seatbelts and featured in the television show, Cowboy Bebop, these are optional parts to incorporate Trumpet as either the Lead/Solo instrument (instead of Tenor/Alto Sax) or as part of a 3-horn arrangement w/ Sax & Trombone ~ Rhythm w/ Sax sold separately ~ Trombone parts sold separately *see full Mute City Music catalog for Odd Ones and other Seatbelts arrangements*.
$4.99
4.56 €
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Trompette
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Yoko Kanno
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Zack Demos
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Odd Ones
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Mute City Music
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Trumpet 1 in Bb
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harr…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. Published by Benjamin Sajo (A0.1018953). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
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Trompette
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Trumpet 1 in Bb
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018912 Composed by Benjamin Harr…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018912 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6064777. Published by Benjamin Sajo (A0.1018912). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
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Trompette
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Trumpet 1 in Bb
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Benjamin Sajo
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SheetMusicPlus
Concert Bb Blues Solos for Advanced Level Trumpet
Trompette
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1170227 By Brooks Holmes. …
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B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1170227 By Brooks Holmes. By Brooks Holmes. Arranged by Brooks Holmes. Blues,Instructional,Jazz. Individual part. 2 pages. Brooks Holmes #770592. Published by Brooks Holmes (A0.1170227). This example of FAST Blues in Bb was designed to support students with Limited Range yet who still have the chops to perform challenging technical melodic lines. Students are encouraged to study this example and find a little section they can use as “topic sentences†to create their own solo. The idea is to help spark creative processing and understanding of jazz phrasing & articulation. The range is set so that the entire band can rehearse sections of these solos together. Enjoy! These solos were designed to support middle and high school jazz band students with the hope that they'll feel more comfortable learning how to improvise over the Concert Bb Blues. Sheet Music is available for the following instruments: Alto Sax / Baritone Sax Tenor Sax Trumpet Trombone Flute Keyboards / Guitar
$3.99
3.65 €
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Trompette
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Brooks Holmes
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Brooks Holmes
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articulation
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Concert Bb Blues Solos for Advanced Level Trumpet
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Brooks Holmes
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Trumpet 2 in Bb
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harr…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078695. Published by Benjamin Sajo (A0.1018952). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
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Trompette
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Blessed Assurance--trumpet solo
Trompette
Piano,Trumpet - Level 4 - Digital Download SKU: A0.786582 Composed by Fanny Crosby,…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.786582 Composed by Fanny Crosby, Phoebe Palmer Knapp. Arranged by Beka Wilson. Christian,Gospel,Sacred. Score and part. 5 pages. Beka Wilson #6260821. Published by Beka Wilson (A0.786582). One of Fanny Crosby’s most beloved hymns is Blessed Assurance, and this song was given life by composer Phoebe Palmer Knapp. This intermediate instrumental arrangement of Blessed Assurance is perfect as part of a prelude, a short offertory for a smaller church, or any other special music needs for a church service.This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trombone, violin, viola, and cello, and as a duet for two harps, harp/flute, harp/violin, harp/viola, or harp/cello. A vocal version of this arrangement will be made available soon.Length: approximately 2:40 Key: Concert D (E for B flat instruments, B for E flat instruments, A for F instruments)5 pages (includes score and separate solo part)
$6.99
6.39 €
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Trompette
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Fanny Crosby, Phoebe Palmer Knapp
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Beka Wilson
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Blessed Assurance--trumpet solo
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Beka Wilson
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SheetMusicPlus
The Light of the World is Jesus/This Little Light of Mine--trumpet solo
Trompette
Piano,Trumpet - Level 4 - Digital Download SKU: A0.786674 Composed by P. P. Bliss, …
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.786674 Composed by P. P. Bliss, traditional. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. Score and part. 5 pages. Beka Wilson #6365701. Published by Beka Wilson (A0.786674). This upbeat arrangement of The Light of the World is Jesus mixed with the children’s song This Little Light of Mine would be a perfect occasion song for any church service, but it would add a special emphasis to missions conferences or other similar events. Length: around 2,5 minutesLevel: intermediate for most instruments5 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.
$6.99
6.39 €
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P
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Beka Wilson
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The Light of the World is Jesus/This Little Light of Mine--trumpet solo
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Beka Wilson
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SheetMusicPlus
Stop Shaking Guide to Better Trumpet Playing
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.792340 Composed by Zika, Gene. Ar…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.792340 Composed by Zika, Gene. Arranged by Zika, Gene. 20th Century,Contemporary,Instructional. Individual part. 35 pages. Gordon Cherry #4804659. Published by Gordon Cherry (A0.792340). Utilizing humor and common sense, along with an easily understandable technical explanation, Gene Zika leads the way by defining what the problem of the shakes really is. Not only does he understand this condition, he offers clear and basic solutions to the dynamic development of proper corrective techniques. His simple, maintenance- oriented exercises at the conclusion of the text allow the serious student ample opportunity to develop the necessary skills to avoid them. His years of individual teaching instruction have enabled him to develop a succinct solution to this phenomenon known as the shakes. His educational experience, along with his professional skills as a player of the trombone and trumpet have provided him ample opportunity to formulate The Old Guy's Guide to Better Trumpet Playing. Introduction to the book by Mr. Paul Sheehan.
$22.50
20.58 €
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Trompette
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Zika, Gene
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Zika, Gene
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Stop Shaking Guide to Better Trumpet Playing
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Gordon Cherry
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SheetMusicPlus
O Holy Night
Trompette
Piano,Trumpet - Level 4 - Digital Download SKU: A0.848201 Composed by Adolphe-Charl…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.848201 Composed by Adolphe-Charles Adam. Arranged by Gary Burch. Christian,Christmas,Praise & Worship,Romantic Period,Sacred. Score and part. 10 pages. Great Scott Bones Music #3467714. Published by Great Scott Bones Music (A0.848201). O Holy Night composed by Adolphe-Charles Adam (1803-1856). Arranged by Gary Burch. For Bb Trumpet and Piano. Contains solo part, piano score, and program notes. The attached recording is of the Trombone and Piano version. Grade 3. Published by Great Scott Bones Music.A piano accompaniment mp3 is available for this music. Search for item: S0.302467.
$7.95
7.27 €
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Adolphe-Charles Adam
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Gary Burch
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O Holy Night
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Great Scott Bones Music
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SheetMusicPlus
Sullivan: The Lost Chord for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.549457 Composed by Sir Ar…
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B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497259. Published by jmsgu3 (A0.549457). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.65 €
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Flex On The Move Trumpet Edition
Trompette
Trumpet - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Arrange…
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Trumpet - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Arranged by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!
$16.95
15.5 €
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Trompette
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Eric Bolvin
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Eric Bolvin
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Flex On The Move Trumpet Edition
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Faded Duck Music
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SheetMusicPlus
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