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10
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8
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6
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5
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4
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2
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625
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116
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29
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22
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21
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16
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10
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9
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7
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7
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6
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5
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4
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4
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3
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3
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2
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1
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141
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135
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133
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126
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118
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112
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104
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103
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88
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82
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81
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79
Saxophone Tenor et Piano
79
Flûte, Hautbois, Clarinette, Basson
78
2 Saxophones (duo)
71
3 Saxophones (trio)
49
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43
2 Clarinettes (duo)
39
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34
2 Flûtes traversières (duo)
32
Ensemble de Clarinettes
31
Ensemble de Flûtes
30
3 Clarinettes (trio)
30
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28
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27
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25
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21
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21
Hautbois
19
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19
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16
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15
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15
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14
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13
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10
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9
2 Hautbois (duo)
9
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9
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8
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8
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7
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7
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6
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6
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6
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6
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6
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6
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5
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4
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4
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4
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4
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4
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3
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3
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3
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3
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3
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3
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3
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3
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2
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2
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2
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2
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2
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2
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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4 Hautbois
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1
Flûte à bec Tenor
1
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1
Flûte et Quatuor à Cordes
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185
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146
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116
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99
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94
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68
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52
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35
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33
Quatuor de Cuivres
24
Cor
24
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23
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20
2 Trompettes (duo)
20
Quatuor de cuivres: 4 cors
19
2 Trombones (duo)
17
Tuba et Piano
15
2 Euphoniums et 2 Tubas
14
2 Cors (duo)
14
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12
Trompette, Trombone (duo)
12
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11
Trio de Cuivres
11
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7
3 Trombones (trio)
7
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6
Tuba
6
Cor et Harpe
4
Trompette, Saxophone (duo)
4
Trompette, Harpe
3
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Clarinette, Cor (duo)
3
Trombone basse
3
4 Tubas
2
2 Tubas (duo)
2
Cor anglais, Piano
2
Trombone, Tuba (duo)
2
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2
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2
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1
Cor et Orgue
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3 Cors (trio)
1
Trompette, Violoncelle et Piano
1
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CORDES
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415
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190
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126
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123
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114
Alto, Piano
99
Violoncelle
76
Trio à Cordes: violon, alto, violoncelle
67
Alto seul
64
2 Violons (duo)
54
Harpe
51
Violon, Alto (duo)
42
2 Violoncelles (duo)
33
Trio à Cordes: 2 violons, violoncelle
25
2 Harpes (duo)
20
2 Altos (duo)
20
Alto, Violoncelle (duo)
18
Harpe, Flûte (duo)
11
Contrebasse, Piano (duo)
11
Trio à cordes: 3 violins
10
Alto (partie séparée)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Trio à Cordes: 3 violoncelles
9
4 Violoncelles
8
Trio à cordes: 3 altos
6
Quatuor à cordes : 4 altos
6
Harpe, Violon (duo)
6
Contre Basse
6
2 Contrebasses (duo)
5
Harpe, Voix
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Quatuor à cordes: 4 violons
4
Violon (partie séparée)
4
Trio à cordes
4
Alto et Harpe
4
Trio à Cordes: 2 violons, alto
4
Harpe, Violoncelle (duo)
4
Piano Trio: Violon, Alto, Piano
3
Violon, Clarinette, Piano (trio)
2
Violoncelle (partie séparée)
2
Violon, Guitare (duo)
2
Ensemble de Violons
2
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2
Violoncelle, Orchestre
1
Ensemble de Violoncelles
1
Harpe, Trombone (duo)
1
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1
Violoncelle , Guitare (duo)
1
Harpe et mandoline
1
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1
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PERCUSSIONS & ORCHESTRES
Orchestre
317
Orchestre d'harmonie
241
Ensemble Jazz
147
Orchestre à Cordes
142
Ensemble de cuivres
122
Batterie
81
Orchestre de chambre
56
Jazz combo
41
Cloches
30
Fanfare
21
Ensemble de Percussions
10
Marimba
3
Vibraphone
1
Batterie (partie séparée)
1
Xylophone, Piano
1
Caisse Claire
1
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AUTRES
Formation musicale - Solfège
7
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The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.5 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual
#
SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.5 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Another Day Of Sun
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B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1048700 Composed by Benj P…
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B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1048700 Composed by Benj Pasek, Justin Hurwitz, and Justin Paul. Arranged by Fabio Britto. Broadway,Film/TV,Jazz,Musical/Show,Wedding. Individual part. 2 pages. Minhas Partituras #653105. Published by Minhas Partituras (A0.1048700). Arrangement of the song Another Day Of Sun (from La La Land) for Trumpet in Bb Solo.
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Trompette
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Benj Pasek, Justin Hurwitz, and Justin Paul
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Fabio Britto
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Another Day Of Sun
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Minhas Partituras
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SheetMusicPlus
(There's No Place Like) Home For The Holidays
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Trumpet Solo - Level 4 - Digital Download SKU: A0.839311 By Perry Como. By Robert A…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.839311 By Perry Como. By Robert Allen. Arranged by Bobby Hesch. Jazz. Individual part. 3 pages. Bobby Hesch #5712471. Published by Bobby Hesch (A0.839311). ***HOME FOR THE HOLIDAYS***!!! WRITTEN IN 1954!!! FOR THE HOLIDAYS YOU CAN'T BEAT HOME SWEET HOME!!! LET'S PLAY SOME JAZZ!!! KEY OF Ab/D/Eb!!! LOW Ab - HIGH G!!! LOTS OF COURTESY ACCIDENTALS & ARTICULATION MARKS!!! CHECK OUT THE MP3 FOR JAZZ STYLE & INTERPRETATION!!! RECORDED BY BARRY MANILOW!!! JAZZ UP YOUR HOLIDAY PARTIES WITH THIS SWINGING TUNE!!! HAVE FUN!!! CONTACT INFORMATION:bobbyhesch@yahoo.com
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Trompette
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Perry Como
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(There's No Place Like) Home For The Holidays
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Francesco Mancini : The Blues Brothers - Peter Gunn Theme (niveau intermédiaire/difficile)
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Francesco Mancini
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The Blues Brothers
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Twenty One Pilots : Heathens (niveau intermédiaire/difficile)
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Heathens
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Ella Fitzgerald,Warren : There Will Never Be Another You (niveau intermédiaire/difficile)
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Ella Fitzgerald,Warren
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There Will Never Be Another Yo
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Tomplay
The Blues Brothers : The Blues Brothers - Sweet Home Chicago (niveau intermédiaire/difficile)
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Daniel Purcell : A Birthday Song for the Duke of Gloucester - III. Chaconne
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A Birthday Song for the Duke o
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Tomplay
Daniel Purcell : A Birthday Song for the Duke of Gloucester - I. Ouverture
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Taj Mahal & Rachell : The Blues Brothers - She Caught the Katy (niveau intermédiaire/difficile)
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Cab Calloway : The Blues Brothers - Minnie the Moocher (niveau intermédiaire/difficile)
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Cab Calloway
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The Blues Brothers
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The Pink Panther from THE PINK PANTHER
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Trumpet, piano - Level 4 - Digital Download SKU: A0.632833 Composed by Henry Mancin…
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Trumpet, piano - Level 4 - Digital Download SKU: A0.632833 Composed by Henry Mancini. Arranged by Fishel Pustilnik. Film/TV. Score and part. 9 pages. F & N Enterprise #3210903. Published by F & N Enterprise (A0.632833). An excellent arrangement of famous The Pink Panther for Trumpet and Piano (Jazz/Pop Version-with improvisation). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
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4.56 €
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Trompette
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Henry Mancini
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Fishel Pustilnik
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The Pink Panther from THE PINK PANTHER
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F & N Enterprise
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SheetMusicPlus
The Progressive Warm Up-Trumpet Edition
Trompette
Trumpet, Horn in F - Advanced Intermediate - Digital Download Composed by Eric Bolvin…
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Trumpet, Horn in F - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music
A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.
$16.95
15.5 €
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Trompette
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Eric Bolvin
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The Progressive Warm Up-Trumpet Edition
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SheetMusicPlus
"Circus Theme" With Improvisation for Trumpet and Piano
Trompette
Trumpet, piano - Level 4 - Digital Download SKU: A0.632951 Composed by Fishel Pusti…
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Trumpet, piano - Level 4 - Digital Download SKU: A0.632951 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,Standards. Score and part. 8 pages. F & N Enterprise #3358875. Published by F & N Enterprise (A0.632951). An excellent arrangement of famous Song Circus Theme With Improvisation for Trumpet and Piano (Jazz/Pop Version). This piece (for Piano) is featured on the Trinity College London (Australia) Grade 5 Piano Syllabus 2018-2020.The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$1.99
1.82 €
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Trompette
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Fishel Pustilnik
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Fishel Pustilnik
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"Circus Theme" With Improvisation for Trumpet and Piano
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F & N Enterprise
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SheetMusicPlus
"Theme From Symphony No.40" for Trumpet and Piano-(Jazz/Pop Version)-Video
Trompette
Trumpet, piano - Level 4 - Digital Download SKU: A0.633539 Composed by Wolfgang Ama…
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Trumpet, piano - Level 4 - Digital Download SKU: A0.633539 Composed by Wolfgang Amadeus Mozart. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and part. 9 pages. F & N Enterprise #3429509. Published by F & N Enterprise (A0.633539). An excellent arrangement of famous Theme From Symphony No.40 for Trumpet and Piano (Jazz/Pop Version). Video for Piano:https://www.youtube.com/watch?v=y0SMFWEjxqwThe composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
1.82 €
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Trompette
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Wolfgang Amadeus Mozart
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Fishel Pustilnik
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"Theme From Symphony No.40" for Trumpet and Piano-(Jazz/Pop Version)-Video
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F & N Enterprise
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SheetMusicPlus
A Foggy Day (in London Town)
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.839522 Composed by George Gershwi…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.839522 Composed by George Gershwin and Ira Gershwin. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6048267. Published by Bobby Hesch (A0.839522). !!!*** A FOGGY DAY IN LONDON TOWN***!!! I SAW YOU THERE & THROUGH FOGGY LONDON TOWN THE SUN WAS SHINING EVERYWHERE!!! LET'S PLAY SOME JAZZ!!! KEY OF E!!! LOW F# - HIGH A!!! LOTS OF COURTESY ACCIDENTALS & ARTICULATION MARKS!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! GREAT TUNE BY GEORGE & IRA GERSHWIN!!!CONTACT INFORMATION:bobbyhesch@yahoo.com, IG : @bobbyhesch WRITTEN IN 1937 STILL GREAT TODAY!!! PERFORMED BY MICHAEL BUBLE!!! HAVE FUN!!!
$4.99
4.56 €
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Trompette
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George Gershwin and Ira Gershwin
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Bobby Hesch
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I SAW YOU THERE &
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A Foggy Day
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Bobby Hesch
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SheetMusicPlus
Wilson Pickett : The Commitments - In the Midnight Hour (niveau intermédiaire/difficile)
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Trompette
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Wilson Pickett
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The Commitments
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Tomplay
Lil Nas X : Old Town Road (I Got the Horses in the Back) (niveau intermédiaire/difficile)
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Téléchargez la partition Trompette Old Town Road (I Got the Horses in the Back) (niveau intermédiaire/difficile) de Lil Nas X. Partition pour Trompette avec accomp. orchestre -- Pop/rock,Rap et Hip Hop
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Trompette
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Lil Nas X
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Old Town Road
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Tomplay
Traditionnel : The Mexican Hat Dance
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Téléchargez la partition Trompette The Mexican Hat Dance de Musique du monde. Partition pour Trompette avec piano d‘accompagnement -- Musique du monde
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Trompette
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Traditionnel
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The Mexican Hat Dance
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Tomplay
James Reese Europe : The Final Countdown (niveau intermédiaire/difficile)
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James Reese Europe
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The Final Countdown
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Tomplay
Pasek & Paul : The Greatest Showman - A Million Dreams (niveau intermédiaire/difficile)
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Trompette
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Pasek & Paul
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The Greatest Showman
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Tomplay
Scott Joplin : The Rosebud March
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Scott Joplin
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The Rosebud March
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Tomplay
Marvin Gaye : I Heard It Through the Grapevine
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Marvin Gaye
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I Heard It Through the Grapevi
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Tomplay
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